Collections

The Victor Serge Papers contain correspondence; writings; immigration and identification documents for Serge and his wife, Liouba; death masks of Serge and of Leon Trotsky; and various materials concerning Serge (including correspondence, clippings, and photocopies of writings) that were collected by his son, Vlady Kibalchich. The correspondence includes letters between Serge and his wife, son, and other relatives; a few letters between third parties; letters between Serge and his friends and colleagues, including André Breton, Michael Fraenkel, André Gide, Julián Gorkin, Daniel Guérin, Lucien Laurat, Dwight Macdonald, Jean Malaquais, Marcel Martinet, Magdeleine Marx (Paz), Emmanuel Mounier, Natalii︠a︡ Ivanovna Trot︠s︡kai︠a︡, Leon Trotsky, Leon Werth, and Maurice Wullens; and letters between Serge and publishing companies, journals, and organizations, including The New Leader and Partido Obrero de Unificación Marxista.
The writings include holograph and typescript notes and drafts for Serge's articles, books (including "L'Affaire Toulaév", "Les Derniers temps", and "Mémoires d'un révolutionnaire", among others) and poems. There are also several notebooks, including two daybooks for 1936.

The Collection consists of photographs he took when he was at work as a railroad employee and as an historian exploring abandonded rail lines.

The papers consist of correspondence, research materials, typescripts, and galley proofs for ten books written by Von Hagen relating to Central and South American history.

Materials documenting Connecticut College's response to and activities surrounding the Vietnam War, 1967-1972.

Wesleyan University viewbooks are brochures or booklets featuring photographs and information about the university. They are most often intended for prospective students, but may also be designed to attract donors.

Photographic prints, drawings, and watercolors chiefly depicting sights on the Northwest Coast, particularly around Vancouver Island. The images were originally housed in a scrapbook kept by an unidentified individual; based on the contents of the scrapbook it is presumed that the person was a member of the joint U.S./British Northwest Boundary Commission. The photographs, taken by an unidentified photographer or photographers, depict deck scenes from what may be the H.M.S. Satellite; Victoria Indians; Hudson's Bay Company outposts at Fort Vancouver, San Juan Island, and Victoria; encampments on San Juan Island; Nanaimo and Esquimalt, Vancouver Island; Valparaiso, Chile; and Stanley Harbor in the Falkland Islands.
The drawings (in both pen and ink as well as pencil) and watercolors, include four works signed by James Madison Alden, as well as drawings by W. H. Hall, J. Palmer, James Robertson, Marcus Lowther, B. Tucker, and possibly William McMurtrie. Subjects include Vancouver Island; San Juan Island; Pt. Grenville, Washington Territory; the Fraser River; coastal landmarks of South America; Victoria Indians, encampments, ships, and birds.

The papers consist of addresses, manuscripts, notes, printed material and articles of John Heyl Vincent and his son, George Edgar Vincent concerning Sunday-school classes, biblical history, sociology, education and public health.

Vincent Ferrini was born 24 June 1913 in Saugus, Massachusetts, the son of Italian immigrants. Ferrini's first book of poems, No Smoke (1941), was written while he was employed by General Electric at the Lynn (MA) plant. In the early 1950s he edited a small magazine entitled Four Winds

The papers consist of annotated typescripts by Vincent Scully. Topics covered are the Shingle style in architecture and Louis Kahn, including biographical and bibliographical materials about Kahn.