Collections

The collection primarily consists of an album filled with drawings, prints, ephemera, and manuscript poems, letters, dedicatory inscriptions, and notes collected or created by John Charles Denham. The album contains 107 small drawings and sketches in graphite, ink, and watercolor by prominent British artists from the late eighteenth and early nineteenth centuries such as Richard Parkes Bonington, John Flaxman, Sir Thomas Lawrence, Paul Sandby, J. M. W. Turner, and Benjamin West, as well as Denham's cohort in the Society of Young Painters: François Louis Thomas Francia, Thomas Girtin, Sir Robert Ker Porter, and Augustus Wall Callcott. Many of the drawings are signed but most are undated, and appear to have been added to the book between the early 1830s and the mid-1850s. Several bear small paper tags with references to unidentified "Old 'Water Colour' Society" volumes and folios. Among the drawings are portrait sketches of James Boswell, Maria Cosway, William Cowper, John Charles Denham, and Sarah Siddons, as well as the title character of Henry Mackenzie's novel Julia de Roubigné. The artist most prominently represented in the album is Sir Thomas Lawrence, with fifteen drawings, one etching, two letters, and a signature clipped from an unidentified document; the most prominent family represented is the painter/author Sir Robert Ker Porter and his sisters, the novelists Jane and Anna Maria Porter. Also present are watercolor landscapes by the wife and daughter of portrait painter Thomas Phillips and three members of the Batty family, and several drawings by Denham's young stepson Henry Thomas Hamilton (d.1813). Two drawings in the album have historically been attributed to Thomas Gainsborough and one to John Hamilton Mortimer.

The collection consists of audio recordings of Al cantío de un gallo radio program, as well as a small number of recordings of other radio programs. Al cantío de un gallo broadcast news (political, economic, cultural, and social), commentaries, interviews, and some music, pertaining to Cuba and Cuban exiles. The primary contributors were Carlos Franqui and Alfredo Melero. The recordings offer insight into the Cuban revolution, conditions in Cuba under Castro, resistance to Castro rule, and the Cuban exile experience. The program ran from the late 1980s through the 1990s.

The archives of A. Lee McAlester including mostly maps and photographs encompassing his career at Yale. These focus on his 1960 Yale dissertation, "Pelecypod faunas of the Late Devonian Chemung Stage, central New York."

The papers document the life and writings of Aleksander Wat, from his early poetry in the 1910s to the posthumous publication of his work by his wife Paulina and by Czesław Miłosz. Early material (prior to the end of the Second World War) is sparse and consists chiefly of correspondence, personal documents and photographs. Among the early material is documentation of the Wat's exile in Kazakhstan. Later material includes numerous notebooks that contain drafts of poetry and prose writings, and the audio recordings that formed the basis for his memoir Mój wiek.
The papers are of interest not only to researchers studying Wat's creative process and the context of his life, but also twentieth-century Polish literature, the relationship of authors to Soviet society, and the postwar Eastern European émigré literary community in France. Wat's repeated arrests and exile are documented in his notebooks, in personal papers, and in material related to his memoirs. His relationship to the émigré circle centered around the monthly Kultura in France is documented in correspondence with Jerzy Giedroyć, Gustaw Herling-Grudziński, Konstanty Jeleński, and Zygmunt Hertz. The posthumous success of his writings is documented in Paulina Wat's Correspondence in Series I, and in posthumously-dated material in the Writings series, which chiefly relates to the editing, translating, and publishing work of Paulina Wat and Czesław Miłosz.

The papers consist of writings and research materials dealing with Russian history, particularly the Romanov dynasty, Rasputin, and the origins of the Russian Revolution. Also included are materials on Peter the Great and the Jews in the Russian revolutionary movement.

The papers consist chiefly of subject files maintained by Rannit, dating roughly from the 1950s to the 1980s. The subject files include correspondence, writings, photographs, and printed material that document Aleksis Rannit's life and work as an art and literary critic and Curator of the Slavic and East European Collections for the Yale University Library.

Typescripts with holograph annotations and corrections of Adams' books The Disputed Lands (Putnam, 1981); Geronimo: A Biography (Putnam, 1971); Sitting Bull: An Epic of the Plains (Putnam, 1973); and Sunlight and Storm: The Great American Plains (Putnam, 1977). A photocopy of Adams' TLS dated 1972 Jun 29, transmitting the typescript of Geronimo to Yale and commenting on the work, is filed in the first of the folders of that title. Bound galley proofs for Sitting Bull follow the typescript.

The papers consist almost entirely of letters between Alexander Johnson and members of his family, with a small number relating to his business affairs and publications. Also included is a genealogical chart showing the ancestry of his first wife, Abigail Louisa Adams.

The collection contains drafts and manuscripts of articles, publications, reports, correspondence, photographs and similar materials associated with Mr. Gavitt's long career in writing on agriculture related subjects.

The papers consist of correspondence, topical files, photographs, writings, diplomas, awards, speeches, certificates, and curricula vitae that document Alexander Duff Robertson's career as a teacher of public health and preventive medicine, an administrator of health organizations, and a spokesman for social medicine. The papers form part of the Contemporary Medical Care and Health Policy Collection.