The collection contains original and final artwork, sketches, correspondence, proofs, layouts, book dummies, illustrations, and galleys for twenty-three books illustrated by Loretta Krupinski.
The Louis Auchincloss collection contains writings and a 2011 Addition. Writings consist of corrected drafts and proofs for works reflecting the diversity of Auchincloss's literary output from the mid 1960s to 1980s. Works include the following: the novels The Embezzlers (1966), A World of Profit (1968), The Country Cousin (1978), The Cat and the King (1981), and Watchfires (1982); a short story collection, Tales of Manhattan (1987); and a collection of critical essays on women writers, Pioneers and Caretakers (1965). The 2011 Addition contains material dating chiefly from the mid 1980s to 2001, including drafts of additional novels and story collections, such as The Book Class (1984), The Atonement and Other Stories (1997), and Her Infinite Variety (2000), and lecture notes.
The papers document the literary and personal lives of Morgan and Theis, and contain correspondence, subject files, and professional papers related to the 20th century British literary world. There is correspondence regarding Evelyn Scott, and correspondence as well as poems by Nancy Cunard.
Correspondence, manuscripts, and other papers largely relating to Lyman Hotchkiss Bagg's interest in boating; his editorship of the Yale Literary Magazine, 1868-1869; and his weekly "College Chronicle" written for the New York World, 1876-1882. Also included are student translations from Latin and Greek, and correspondence and memorabilia from his years at Yale College, 1865-1869.
The Luhan collection consists of letters, manuscripts, photographs, and personal papers documenting the life and work of Mabel Dodge Luhan. There is correspondence with psychoanalyst Abraham Arden Brill, Dr. Eric P. Hauser, and friend and assistant Walter Willard Johnson. There are smaller groups of letters to Charlotte Becker and Robert Edmond Jones, as well as incoming letters from John Reed. Writings include drafts of several manuscripts: typescript carbon drafts of "Hildegaard" and Una and Robin; a holograph draft of Edge of Taos Desert; a holograph and typescript draft of the unpublished "Family Affairs"; holograph and typescript drafts of Movers and Shakers; the original holograph manuscript of the unpublished novel "Water of Life"; and the first draft of Winter in Taos. There are early photographs of Luhan, photographs of friends, including Dorothy Brett and Robinson and Una Jeffers, and photographs of Luhan's homes in Taos, New Mexico, and Florence. Personal papers include the painting of Luhan by Mary Foote.
The Luhan papers consist of correspondence, writings, photographs, scrapbooks and personal papers documenting the life and work of Mabel Dodge Luhan. Series I, Correspondence, consists chiefly of incoming letters from family, friends, fans and publishers. Luhan's activities and relationships in New York and New Mexico, with artists, writers, labor leaders and Native American Indians, are well documented. Correspondents include John Evans, John Collier, Gertrude and Leo Stein, Hutchins Hapgood, Neith Boyce, Maurice Sterne, Alfred Stieglitz, Carl Van Vechten, Robert Edmond Jones, D.H. and Frieda Lawrence, Dorothy Brett and Georgia O'Keeffe. The one significant group of outgoing letters is to psychoanalyst Smith Ely Jelliffe. Series II, Writings, contains a variety of writings: articles, essays, short stories, novels, poetry, reviews, book-length autobiographical and non-fictional work, and writings of others. There are drafts of Lorenzo in Taos, three of the four published volumes of Intimate Memories, and several unpublished autobiographical writings. Series III, Photographs, consists of portraits and snapshots of people and places, including Mabel Dodge and Tony Luhan, family, friends, Native American Indians, and Luhan's homes in Florence and Taos. There are photographs by James Edward Abbe, Ansel Adams, Laura Gilpin, Ernest Knee, Edward Weston and others. Series IV, Scrapbooks, consists of seventeen scrapbooks containing clippings and letters devoted to Luhan's published books and to subjects of interest to her. Clippings on subjects deal with modern art and literature, the 1913 Armory Show, Luhan's salon, labor issues, D.H. Lawrence, Native American Indians and Taos. Clippings include articles by Luhan and friends. Series V, Personal Papers, is organized into ten subseries: Artwork, Clippings, Diaries, Financial and Legal Records, Invitations and Announcements, John Evans Papers, Medical Records, Postcards, Printed Ephemera and Other. The Artwork subseries includes work by D.H. Lawrence, Maurice Sterne and Marsden Hartley. Series VI, Subject Files, consists chiefly of clippings on friends and family.
The papers consist of correspondence, notebooks, diaries, lectures, financial records, scrapbooks, subject files, and memorabilia documenting the personal life and professional career of Mabel Loomis Todd. Correspondence and diaries detail Todd's personal attitudes and feelings toward her family, her relationship with William Austin Dickinson, her travels with her husband, David Peck Todd, and other matters. Legal and financial papers document court battles over her status as editor of Emily Dickinson's work. Lectures and subject files detail much of Mrs. Todd's work as a speaker and author, including material on Emily Dickinson and David Peck Todd's eclipse expeditions.
Contains correspondence, photographs, CDs, posters, flyers, promotional postcards, press releases that document the life of Magdalena Gómez as a poet, writer, spoken word performer, and social activist for such issues as homeless, arts in K-12 education, teenage bullying, teenage empowerment through the arts, women's rights, Latino/a and other minorities rights, etc… In addition there are materials such as flyers, posters, correspondence, and DVDs that document Magdalena Gómez involvement with Teatro V!DA, an intergenerational professional community theater that she co-founded.
An illustrator and author of picture books for children, Marc Simont illustrated books for numerous authors in addition to his own, among the most notable being James Thurber and Marjorie Weinman Sharmat. His illustrations for Janice May Udry's A Tree is Nice won the Caldecott Award in 1957, and he received Caldecott Honors for Ruth Krauss's The Happy Day and his own The Stray Dog. Simont was also been recognized by the Child Study Association, Society of Illustrators, New York Academy of Sciences, New Jersey Institute of Technology, American Institute of Graphic Arts and the Today Show.
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