The A. Poulin Papers and BOA Editions Records provide evidence of the personal and professional life of American poet A. Poulin and the publishing company he founded, BOA Editions. The papers document Poulin's career as a poet, editor, translator, and publisher and consist of correspondence, manuscripts, books, business papers, photographs, videotapes, computer disks, and printed material concerning BOA Editions. Correspondents include Graywolf Press, Lucille Clifton, Anne He?bert, David Ignatow, Li-Young Lee, John Logan, Peter Makuck, Bertrand Mathieu, Anthony Piccione, Katerina Angelake?-Rouk, Louis Simpson, and W. D. Snodgrass, among others. The archive provides evidence of the founding and early work of BOA Editions and sheds light into the American not-for-profit publishing industry in the later twentieth-century.
Collection consists of black and white glass lantern slides of American and European applied and decorative arts, including arms and armor, calligraphy, ceramics, commercial design, enamels, furniture, gems, glass, illuminated manuscripts, industrial design, intarsia, ivory, medals, metalwork, mosaics, musical instruments, numismatics, rugs, seals, stage design, tapestry, textiles, wallpaper, wood carving. Classical Greek and Roman materials in all applicable media are located in the Department of Classics, Phelps Hall 402, Yale University, New Haven, Connecticut, 06520.
Collection of medium format mounted black and white and color reproductions of Western applied and decorative arts, predominantly European. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.
Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.
Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.
Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.
Collection consists of color and black and white 35 mm slides of American and European applied and decorative arts, including arms and armor, book arts, calligraphy, ceramics, commercial design, enamels, furniture, gemanuscripts, glass, illuminated manuscripts, industrial design, intarsia, ivory, medals, metalwork, mosaics, musical instruments, numismatics, rugs, seals, stage design, tapestry, textiles, wallpaper and wood-carving.
Wesleyan University (Middletown, Conn.). April 29th Coalition.
Abstract Or Scope
In January 1982, Wesleyan University eliminated their aid-blind admissions policy. In response, students from a group called the April 29th Coalition protested the University's decision. The organization collected 1,284 signatures of students demanding Wesleyan return to an aid-blind system. They also demanded several changes to the financial aid and admissions system. Later in the semester, students held a 150 hour sit-in on the second floor of North College, one hour for each year that the University had existed. Although their primary demand for reestablishing the aid-blind system was not met by the end of the semester, President Colin Campbell wrote a statement that the students' demands would be addressed at the next the Board of Trustees meeting and that reinstituting the former policy would be given the highest priority if and when circumstances permitted.