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Correspondence, mostly from 1968 to 1971, that documents the publication, Six Rusticated, Wall-Eyed Poems (1969) and graphic design work Atchley completed for Jonathan Williams and Nicholas Dean for Blues & Roots, Rue & Bluets: A Garland for the Appalachians (1971). Other correspondents include Dean and Michael A. Loeb, who served as representative for Grossman. It also includes a letter from Atchley to Jaffe about the correspondence.

Correspondence about the graphic design is available in Series I, Correspondence.

Pencil drawing of three figures and six animals for the cover of Thomas Meyer and Paul Sinodhinos, The Umbrella of Aesculapius: Poems (1975).

Pen and colored marker drawing of a scale for the cover of Jonathan Williams and Barbara Mildred Jones, Super-Duper Zuppa Inglese (and Other Trifles from the Land of Stodge) (1977).

Original calligraphy signed by Williams for the book cover of Charles Olson, The Maximus Poems 1-10, (1953).

Correspondence, mostly from 1970 to 1980, documents Clark's projects for The Jargon Society, including Some Particulars (1971); A Still Life, with Ian Gardner (1977), and Ways Through Bracken (1980). Other topics include disagreements between Williams and Ian Hamilton Finlay, as well as his own financial and personal tribulations.

Collages created by Dawson for Lyle Bongé, Fielding Dawson, Fielding Dawson, and Jonathan Williams, Hot What?: Collages, Texts, Photographs (1975).