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The William David Sherman papers contain correspondence, writings, and other materials documenting the personal and professional activities of American author William David Sherman. Correspondence in the collection consists chiefly of incoming letters from English-language authors and literary scholars active during the mid to late twentieth century, including Asa Benveniste, Basil Bunting, Cid Corman, Robert Creeley, Rachel Blau DuPlessis, David Goodis, Bill Griffiths, Jeremy Hilton, Lyn Lifshin, Susan Smith Nash, Frances Presley, and Tom Raworth. The largest correspondence files are from Corman and Griffiths, poet and curator of the Eric Mottram Archive at King's College, London. Griffiths's letters, for example, discuss literary matters, the literary scene in England, and life in northeastern England. Writings consist chiefly of drafts of poetry collections, but there are also novels, short stories, copies of Sherman's graduate student work at SUNY Buffalo, and offprints for articles by other writers. Other materials include audio and video recordings, computer disks, subject files, photographs, and printed materials.

The collection consists chiefly of writings, with a small amount of correspondence. Writings include drafts of works by Faulkner and writings of others. The correspondence consists of original letters between William Faulkner and the American writer Malcolm Cowley. Also included are papers concerning the Theatre Guild and Richard Meyers production of William Faulkner's play Requiem for a Nun.

The collection consists of material created and accumulated by William Heyen in the course of his activities as a poet and editor, and primarily documents Heyen's literary career from 1995 to 2009. Material includes correspondence with poets and writers, writings by Heyen and others, bound copies of Heyen's journals dating from 1965 to 1985, original journals dating from 1994 to 2006, notebooks, printed material, and other papers.

The William Lyon Phelps papers at the Beinecke Library contain correspondence, writings, and other materials documenting the life and work of American author, critic, and long-time Yale professor William Lyon Phelps. The bulk of the collection consists of correspondence to Phelps from contemporaries from the first half of the Twentieth century, including well-known authors and literary critics. Other materials include a large group of outgoing letters from Phelps to Ralph T. Catterall and notes, drafts, and cancelled pages to Phelps's Autobiography With Letters (1939).

The collection consists primarly of correspondence and diaries, as well as a small amount of writings, photographs, and clippings, documenting the life and work of Inez Haynes Irwin and Will Irwin.

The Zora Neale Hurston Collection contains Correspondence, Writings, including drafts of her autobiography, Dust Tracks on the Road, the novel, Their Eyes Were Watching God, and a play written in collaboration with Langston Hughes, "Mule Bone," as well as a study of Hurston written in 1972 by Robert Hemenway.