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The Isabel Leighton Papers contain writings, correspondence, personal papers, audiovisual material, photographs, and printed material that document her career as an actress, playwright, journalist, screenwriter, and civic activist, promoting public measures to improve mental health. Writings include typescript drafts, many with minor revisions, for works including "The Sapphire Ring," "Katja," and "Mercenary Mary." Correspondence, while not extensive, includes files on theatrical projects such as "Spring Again," and files relating to her work as a naval correspondent in Asia during the Second World War. The scrapbooks document Leighton's theatrical performances in the 1930s, journalism in the 1940s, and broadcast production in the 1950s and 1960s. Photographs largely feature Leighton, though also include images of colleagues, acquaintances, and family members.

The collection consists of material created and accumulated by Isa Glenn and her son, Bayard Schindel, in the course of their literary activities. Material includes typescripts of writings by Glenn and Schindel; correspondence with writers, editors, publishers, literary agents, friends, and family; material relating to Colonel S. J. B. Schindel's military career and to Glenn's travels to the Phillipines and South America; photographs of Schindel likely dating from his time at the Institute for the Harmonious Development of Man at Fontainebleau; and other papers. The bulk of the material relates to Glenn, and sheds light on the trajectory of her literary career and her relationships with other writers in New York during the 1920s and 1930s.

An early group of materials by Baldwin, including manuscripts, correspondence, artworks and personal papers. Among the manuscripts are drafts of a novel, "Crying Holy", which evolved much later into Baldwin's first published novel, "Go Tell It On the Mountain." The correspondence includes letters from Baldwin's friends in the military, including Tom Martin. Some of the artwork, mostly pencil sketches, is by Baldwin while a number of other items are by a high school friend of his, Martin Weissman. Among the personal papers is one photograph of a very young Baldwin.

The collection consists of manuscript notes and card files, printed material, writings drafts and offprints, and a small amount of correspondence and grant applications relating to White's research on Thomas Mann. Notes and card files mostly concern White's research on Dante's Divina commedia and Karl Vossler's work on Dante as source material for Mann's Der Zauberberg. Some notes concern Mann's Doktor Faustus or works of other German authors. Correspondence with Joseph Angell, founding curator of the Beinecke Library's Thomas Mann Collection, concerns their shared interest in Mann, the Beinecke Library's Mann Collection, and White's research and academic career.

Collection contains correspondence, writings, and personal papers documenting the life and professional activity of poet and playwright James Joseph Daly. Correspondence in the collection consists chiefly of incoming correspondence from writers, journal editors, publishers, and others, but also includes drafts and carbons of outgoing letters and writings and enclosures. Correspondents include Elizabeth Ames at Yaddo, Kenneth Burke, John Cheever, Padraic Colum, Malcolm Cowley at The New Republic, James T. Farrell, Robinson Jeffers, Alfred Kreymborg, Haniel Long, Archibald MacLeish, Henry Miller, Kenneth Rexroth, Lennox Robinson, and Thornton Wilder. Writings in the collection include drafts of plays, poems, and other writings, such as short essays, sketches, scenes of plays, reviews, notes, and school papers. Personal papers feature notebooks and material relating to the theater, including manuscript material, correspondence, and printed materials, such as playbills and clippings.

The James Laughlin Papers contain writings by Laughlin and others, an award acceptance speech by Laughlin, papers and audiocassettes relating to "New Directions at 50," the 50th Anniversary of New Directions exhibition at the Beinecke Rare Book and Manuscript Library, Yale University, and various material removed from printed volumes.

The collection consists of material created and accumulated by James Lord in the course of his activities as an art critic and writer, and includes drafts of writings, research material, correspondence, photographs, and audiovisual recordings. Correspondence (Series I) is both personal and professional, and relates chiefly to the artistic and literary world of mid- and late-twentieth-century Paris. Writings (Series II) include Lord's extensive research files, drafts, and primary sources for Giacometti: A Biography. Drafts and correspondence relating to Lord's memoirs, including letters from his mother that he used as source material for Six Exceptional Women: Further Memoirs (1994), are also filed in the Writings series. Visual Material (Series III) includes photographs of Pablo Picasso by Lord and an unidentified photographer, and photographs of Lord in the 1950s and 1960s, including portraits by Henri Cartier-Bresson. Series III also includes drawings by Jean Cocteau and others. Audiovisual recordings (Series IV) relate chiefly to Lord's research on Alberto Giacometti and include interviews and lectures. Personal Papers (Series V) consist of Lord's 1960 passport and fragmentary portions of his journals. Printed Material (Series VI) consists chiefly of clippings and magazine articles related to Lord and his research. A small amount of printed ephemera is also filed in Series VI.

The collection consists of writings, journals, correspondence, printed material, photographs, audiovisual material, computer disks, and other papers documenting the literary careers and lives of James McCourt and Vincent Virga.

The collection consists of writings, correspondence, photographs, audiovisual material, artwork, printed material, computer disks and other papers by or relating to James Merrill and documenting aspects of his work as a poet and writer. Some of the material was created and accumulated by J. D. McClatchy, who served as executor of Merrill's estate and who co-edited several volumes of Merrill's works, including Collected Poems (2001), Collected Novels and Plays (2002), Collected Prose (2004), The Changing Light at Sandover (2006), and Selected Poems (2008).

The collection documents the career of twentieth-century American writer James Reid Parker, including his collaboration with cartoonist Helen E. Hokinson and his trusteeship of her estate. It includes drafts and printed versions of Parker's writings for The New Yorker and Woman's Day, as well as correspondence documenting his professional work, and personal correspondence and papers documenting his family relationships, family history, and military service with the Publications Branch of the Military Intelligence Service during World War II. In addition to correspondence regarding Hokinson's estate, the collection includes approximately forty-five drawings by Hokinson, chiefly for The New Yorker.