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Descriptive Letters and Drawings. Volume the Fifth, [title page] Volume 5, Page 3

Bottom of page: "Est natura hominum novitatis avida. Plinius apud Lillium. Human nature is fond of novelty."

Collection Context

Descriptive Letters and Drawings. Volume the Fourth, [title page], between 1794 and 1800 Volume 4, Page 1

Bottom of page: a passage from Homer's Odyssey (Alexander Pope's translation), beginning, "O say thro' what vast regions hast thou stray'd, What customs noted, and what coasts survey'd."

Collection Context

Descriptive Letters, and Drawings. Volume the Ninth, [title page], between 1794 and 1800 Volume 9, Page 3

Bottom of page: a quotation from Samuel Johnson, beginning, "The Traveller has a mind replete with images, which he can vary and combine at pleasure."

Collection Context

Descriptive Letters, and Drawings. Volume the Seventh, [title page], between 1794 and 1800 Volume 7, Page 1

Bottom of page: "Ubique Luctus, ubique pavor. Virg. Aen: 2." and the translation (from Dryden), "All parts resound ith tumults, plaints, & fears."

Collection Context

Descriptive Letters and Drawings, Volume the Tenth, [title page], between 1794 and 1800 Volume 10, Page 3

Bottom of page: "Dulcique animos novitate tenebo. Ovid Met: IV." translated as "With sweet novelty your taste I'll please. Eusden."

Collection Context

Descriptive Letters, and Drawings. Volume the Third, [title page], between 1794 and 1800 Volume 3, Page 1

Collection Context

Descriptive Letters and Drawings. Volume the Thirteenth, [title page], between 1794 and 1800 Volume 13, Page 3

Bottom of page: a quotation from Samuel Johnson's (1709-1784) The History of Rasselas, Prince of Abissinia, beginning, "At last I began to long for my native country."

Collection Context

Descriptive Letters and Drawings. Volume the Twelfth, [title page], between 1794 and 1800 Volume 12, Page 3

Collection Context

Design for patterned endpapers of The Highgrove Florilegium, 2008 Box Folio 1, Folder Fol. add. 3

Richard Shirley Smith's vignettes of features from the Highgrove garden were used as endpapers and throughout the text of The Highgrove florilegium (2008).

Collection Context

Yale University -Yale Center for British Art

Descriptive Letters and Drawings. Volume the Fifth, [title page] Volume 5, Page 3

Descriptive Letters and Drawings. Volume the Fourth, [title page], between 1794 and 1800 Volume 4, Page 1

Descriptive Letters, and Drawings. Volume the Ninth, [title page], between 1794 and 1800 Volume 9, Page 3

Descriptive Letters, and Drawings. Volume the Seventh, [title page], between 1794 and 1800 Volume 7, Page 1

Descriptive Letters and Drawings, Volume the Tenth, [title page], between 1794 and 1800 Volume 10, Page 3

Descriptive Letters, and Drawings. Volume the Third, [title page], between 1794 and 1800 Volume 3, Page 1

Descriptive Letters and Drawings. Volume the Thirteenth, [title page], between 1794 and 1800 Volume 13, Page 3

Descriptive Letters and Drawings. Volume the Twelfth, [title page], between 1794 and 1800 Volume 12, Page 3

Design for patterned endpapers of The Highgrove Florilegium, 2008 Box Folio 1, Folder Fol. add. 3

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