Yale University -Yale Center for British Art

The collection includes two albums containing Parker's own record of the sale of his paintings and prints from his paintings.

The collection comprises 98 autograph letters from Hester Lynch Piozzi to her friend and physician, Dr. William Makepeace Thackeray, dated between April 16, 1795, and September 10, 1816, compiled and bound together in a single album.

The collection comprises illustrated manuscript diaries of Ellen Fenton of Haven Green House, Ealing, which chronicle her summer family vacations to Boulogne-sur-Mer, 1854-1862, in nine volumes.

The archive comprises approximately 400 autograph letters, from upwards of 120 correspondents, addressed to Richard Redgrave (1804-1888).

The collection comprises proofs for book illustrations engraved on wood by John Bastin.

The collection includes correspondence and other manuscript material concerning the management of deer parks at Newburgh Priory, Yorkshire; Cassiobury Park, Hertfordshire; and Paultons, Hampshire.

The collection comprises sketchbooks, writings, and correspondence by Charles Robert Leslie (1794-1859) and his family.

The collection comprises manuscript material concerning Matthew Shepperson, portrait copyist, art instructor to elite lords and ladies, and collector of portraits

The collection comprises sketchbooks and exercise books belonging to the Pease family of Durham and Yorkshire Counties, England. The Peases were part of an important network of Quaker industrialists in the northeast of England, and established the nation's first railroad in 1825. Items in the collection date from the early nineteenth to the early twentieth century.

This collection comprises 53 items, including 42 letters from John Ruskin to John Henry Le Keux, 1 letter from John James Ruskin to John Henry Le Keux, 7 stand-alone sketches related to Le Keux's engraving work for Ruskin, annotated printed proofs made by Le Keux for Ruskin and 1 letter from Henry W. Acland to John Ruskin which pertains to Le Keux's work on the frontispiece for Acland and Ruskin's . While the majority of the items are undated, the letters appear to have been authored between 1854 and 1860, with dated items ranging from 1855 to 1860. The items primarily pertain to Le Keux's engraving work for illustrations for Volumes 3-4 of and for

The collection comprises correspondence, notebooks, writings, and other manuscript material by or about the artist Joshua Reynolds.

The collection comprises 139 hand-cut paper collages on paper prepared with watercolor, created by Booth Grey (1740-1802) or those in his circle of acquaintances, in the manner of the well-known "paper mosaics" made by Mrs. Delany.

The collection comprises 15 letters from Thomas Woolner to John Frederick Lewis, written between 1874 and 1876. It also includes 5 letters from Woolner to Lewis's wife, Marian Harper, one letter from Lewis to dealer William Vokins, and several letters from Woolner's wife and daughter. The letters primarily concern Lewis's declining health—he died several months after the last letter in the collection—Woolner's admiration for Lewis's painting, updates on the politics of the Royal Academy and Woolner's ongoing artistic projects, and current exhibitions. Woolner comments on several works, including: J.M.W. Turner's, ; Elizabeth Thompson's ; Lewis's and ; and his own monuments to Bishop John Patteson, Sir Cowasjee Jehanghier Readymoney, and Captain James Cook.

The collection comprises letters from Edward Burne-Jones to John Ruskin, written from 1862 to ca. 1889.

This collection comprises costume and set design drawings by Edgar Hockley depicting late-Victorian London stage productions. Also present are theatre programs and clippings from the same period.

The collection comprises correspondence, articles, cuttings, and other related material, concerning the English antiquary and topographer, John Britton (1771-1857).

The collection comprises 11 letters from Dante Gabriel Rossetti to William H. Clabburn written from 1863 to 1865. The last of these is addressed to Clabburn's wife, Hannah Louisa. The letters are accompanied by 8 envelopes addressed to Clabburn by Rossetti. Rossetti's letters primarily relate to Clabburn's commission of an oil replica of Rossetti's The correspondence records in detail Rossetti's artistic process pertaining to this work. In his letter on 6 July 1865, Rossetti provides an extensive interpretation of the work.

The collection comprises 147 photographs from the late 19th and early 20th centuries, with representative images of Great Britain, South Africa, New Zealand, Madeira, East Asia, and other locations (many unidentified).

The collection comprises the drawings, diary, and log books of Edwin Augustus Porcher, from tours of duty to South and East Asia (1849-1853) aboard the HMS Cleopatra and the Mediterranean and North Africa (1857-60) aboard the HMS Hibernia, HMS Kertch and HMS Boxer.

The collection comprises personal diaries, watercolors, and drawings by Robert Provo Norris, most of which were created while he was a soldier stationed on the Cape of Good Hope in South Africa during the Frontier ("Kaffir") Wars of the 1840s and 1850s.

The collection comprises letters from John Ruskin to Ellen Heaton, written from 1855 to 1864.

The collection comprises 57 letters from Dante Gabriel Rossetti to Ellen Heaton written from 1855 to 1875 (the bulk from 1855 to 1864). The letters primarily pertain to works by Rossetti, including a number of his works commissioned by Heaton. Works referenced include: , , , , , , , , , and . The letters reflect Heaton's reputation as an important collector and patron. Rossetti recommends (and, in some instances, requests) that she acquire work by many other artists associated with the Pre-Raphaelites, including Arthur Hughes, William Holman Hunt and Ford Maddox Brown.

The collection comprises over 500 dried flower specimens from the area around Liverpool, assembled by Miss Rowe, of 2 Elizabeth Street, in 1861.

The collection comprises etchings, lithographs, and drawings by Edward Backhouse, Edward Backhouse Mounsey, and other members of the Backhouse and Mounsey families of Darlington (County Durham) in the early 19th century.

The collection comprises diaries, notebooks, and other manuscript documents concerning the travels of James Wales in India, with a particular focus on antiquities of Poona and the nearby cave temples of Ellora.

The collection comprises correspondence and other manuscript material concerning the family of Augustus Welby Northmore Pugin (1812-1852).

The collection comprises correspondence sent to Eva, Lizzie Hester, and Sylvie Whyte by family and friends in the 1880s and 1890s, and provides insight into the lives of adolescent girls growing up in Victorian England in the fashionable Midlands town of Malvern, and their travels abroad.

The collection comprises material concerning the production of seven artist's books by John Christie.

The collection comprises ten original sketchbooks, albums, and scrapbooks compiled by Mary Leighton and her children, 1824-1860.

The collection comprises travel sketches, scrapbooks, and genealogical material concerning the Carr family of Northumberland, England.

Consists of about 40,000 postage stamps from countries or territories of the British Commonwealth, from 1937-1992, collected by Fred Mallender.

The collection comprises correspondence, manuscript writings, lists of drawings, and printed material concerning the author and artist Edward Lear.

This collection comprises an extra-illustrated copy--with many engravings and original manuscript letters--of the second edition of John Thomas Smith's (London : Henry Colburn, 1829).

This collection comprises letters sent by John Ruskin to Thomas Goff Lupton (or his family) from 1850 to 1873. It also includes one ALS to Lupton from Benjamin Haydon, sent in 1845.

The collection comprises letters addressed to Stanley Wootton, 1933-1934, concerning horse racing and the race course at Epsom, England (home of the Derby horse race)

Collection of letters from notable clients sent to the London interior decoration firm Miles & Edwards and its successor, Charles Hindley & Sons, from 1832 to 1875.

The collection comprises approximately 1000 postcards depicting members of the British royal family.

The collection comprises correspondence from the artistic partners, Duncan Grant and Vanessa Bell, to the art historian Kenneth Clark and his wife, Elizabeth "Jane" (née Martin).

The collection comprises manuscripts, original art and printed material by and about Richard Shirley Smith, collected by Roger W. Moss.

This collection comprises 16 items, including 15 letters from Sir Edward Coley Burne-Jones and Cormell Price and 1 autograph envelope from Burne-Jones addressed to Price. The correspondence was written over the course of a decade, between 1852 and 1862. The letters are indicative of Burne-Jones and Price's long and close friendship and are very affectionate and personal in nature. The letters are rich in detail, with Burne-Jones sharing news of mutual friends, his Oxford lessons, his social life and his artistic and literary endeavors.

The collection comprises correspondence, photographs, sketchbooks, travel journals, notebooks, and printed material concerning Charles Jones (1780-1850) and his descendants. The correspondence spans the better part of the nineteenth century (1805-1878), with the bulk of the letters dating from the 1830s, 1840s, and 1850s; it offers a window into the life of a large middle-class dissenting family in mid nineteenth-century London.

The collection comprises original work by Sam Smith including ink drawings, mock-ups, hand-carved wooden boats, paper model sets, typescripts, and correspondence.

The collection comprises collage books, collages, drawings, palettes, and posters by John McHale, with related printed material, including catalogs, periodicals, ephemera, and small posters.

This collection includes letters sent by John Everett Millais and Frederic Leighton to Philip Hermogenes Calderon from 1886 to 1896.

The collection comprises printed and manuscript material concerning contemporary British artists' books, compiled by Cathy Courtney. It includes exhibition invitations and announcements; press releases; prospectuses; catalogs; curricula vitae; correspondence; newsletters; interviews; artist's statements; brochures; and news articles.

The collection comprises original artwork and manuscript material by Clare Leighton for a series of 12 Queen's ware plates representing New England industries, produced by Josiah Wedgwood & Sons in 1952.

The collection comprises Grimston family correspondence, primarily written by Rose Armatrude Frances Grimston (1859-1927) to her sister "Effie" (Florence Maria Grimston), 1872-1889.

This collection comprises letters from Paul Nash to Mercia Oakley, written from 1909 to 1918.

The collection includes the correspondence of and with various secretaries of the Royal College of Art (RCA) Students' Group, or Sketch Club, and contains 79 letters and postcards and 11 draft letters, written between 1934 and 1937. The materials focus primarily on the group's annual exhibition, and discuss the facilities, invite prominent figures, and solicit donations and judges for special prizes. The letters' authors include, in addition to the groups' secretaries, several notable artistic and literary figures in 1930s England, such as Wyndham Lewis, Kenneth Clark, Vanessa Bell, Clive Bell, and John Gielglud.

The collection comprises 11 items of printed ephemera concerning the Cabaret Theatre Club and the Cave of the Golden Calf. The items include: a preliminary prospectus (April, 1912); a general program (May, 1912); a prospectus for the second season (September, 1912); a preliminary announcement of the performance season of the Intimate Theatre Society (late 1912?); a program for June 17, 1913, featuring a performance of Bastien und Bastienne; membership application forms for the Cabaret Theatre Club and the Intimate Theatre Society, along with a form for requesting the membership application form (1912 or 1913); and three printed envelopes, addressed to Robert Bevan, the last of which may be from the Rebel Art Centre.

Papers related to the Clayton family house in London and the estate of its first owner, Dorothea Clayton. Includes an inventory of the house and its library; receipts for repairs, household expenses; lease and sales offers; and documents relating to Dorothea Clayton's estate.