The collection contains materials documenting the artistic, professional, and personal activities of Gerard Malanga. Materials include correspondence, research and subject files, drafts and printed versions of writings, photographic materials, audiovisual materials, printed materials, and artwork. There is correspondence with publishers and editors, galleries and cultural organizations, writers, friends, and family. The research files and writings document work by Malanga and others. There are drafts, autograph manuscript and typescript, of a great many individual poems by Malanga and more extensive, though scattered files for collections of poems and other book-length projects, such as Ten Years After (1977), This Will Kill That (1983), Mythologies of the Heart (1996), and Scopophilia (1985). Materials can also be found for projects that relate to Malanga's work as a photograph archivist for the New York City Parks Department, including books on Robert Moses and public swimming facilities in the city. Photographic materials include negatives, contact sheets, and prints, and feature portraits of writers and artists, chiefly American poets, dating from the late 1960s and early 1970s. Audiovisual materials include audiocassettes, reel-to-reel sound recordings, and optical media, including readings and performances by Malanga and others. Printed materials include posters, issues of magazines, clippings, and ephemera.
The Glenway Wescott Papers consist of correspondence, journals, notebooks, manuscripts, personal and financial papers, research files,photographs, graphic items, clippings, objects, and audiotapes. The material documents Wescott's life, work, and personal relationships with many noted artists, writers, and performers of the 20th century including his long-time companion, Monroe Wheeler, many of whose papers are included here. Series I, Correspondence, consists of six subseries: Wescott-Wheeler Correspondence (letters between the two men); Wescott Family Correspondence; Wescott Family Third-party Correspondence; Wheeler Family Correspondence; General Correspondence; and Third-party Correspondence. Series II contains Wescott's Journals and Notebooks, an extensive collection of personal records detailing the author's life and thoughts from the late 1930s up to shortly before his death. Wescott's "journals" are in the form of three-ring binders, filled with notes, clippings, copies of letters, and images. Series III, Writings, represents a portion of Wescott's original works. The writings are divided into five subseries: General Writings (including drafts of an autobiography, "The Odor of Rosemary"); Writings about People; Lectures, Broadcasts and Speeches; Writings about Glenway Wescott; and Writings of Others. Personal Papers contains a range of material documenting the various activities of Wescott and Wheeler arranged in 18 subseries. Financial Papers, gathers together material in a chronological run, from 1925 through 1986. Series VI contains Wescott's own Research Files of various subjects. Photographs are grouped into ten subseries. Graphic Items consists of various image materials. Clippings covers a wide range of subjects, with a focus on art, book reviews, current events, essays and articles, and people. Series X, American Academy of Arts and Letters, concerns Glenway Wescott's membership in this organization, including the years of his presidency, 1960-62. Objects consists of pieces of realia received with the archive. Audio-Visual Materials is a collection of sound recordings and a videotape. Series XIII, Additions transferred from the Monroe Wheeler Papers, contains items relating to GW which came to light during the processing of the Monroe Wheeler Papers and which could not be easily integrated into the existing archival arrangement.
The collection consists of correspondence, typewriter poems, photographs, artwork, artist books, and photocopy books documenting the work of Sarenco. Notable correspondents inlcude Dēmosthenēs Agraphiōtēs, Gianni Bertini, Julien Blaine, Jean-François Bory, Ugo Carrega, Henri Chopin, Pierre Garnier, Ladislav Novák, and Lamberto Pignotti. Typewriter poems include works by Dēmosthenēs Agraphiōtēs, Bartolomé Ferrando, Henri Chopin, Hans Clavin, Ilse Garnier, Pierre Garnier, Arrigo Lora-Totino, Ladislav Novák, Seiichi Niikuni, and Sarenco. Photographs include images of Julien Blaine, Jean-François Bory, Ugo Carrega, Hans Clavin, Ladislav Novák, Lamberto Pignotti, Sarenco, and others. Artwork, artist books, and photocopy books include works by Dēmosthenēs Agraphiōtēs, Julien Blaine, Ugo Carrega, Ladislav Novák, Sarenco, and others.
The collection consists of scrapbooks, correspondence, photographs, posters, visual poetry, artwork, writings, audiovisual materials, and electronic media documenting the life and work of Gianni Bertini. Correspondence includes letters from artists, galleries, and others. Notable correspondents include P. A. Benoit, Jean-François Bory, Henri Chopin, Jacqueline de Jong, Jean Dubuffet, Jean-Clarence Lambert, Sarenco, and Serge Vandercam. Artwork includes examples of MEC-Art (mechanical artwork), paintings, and other works by Bertini, P. A. Benoit, Henri Chopin, Bernard Heidsieck, Jean-Clarence Lambert, Ben Vautier, and others.
The Adele Gutman Nathan Theatrical Collection Addition consists of letters, manuscripts, printed material, and photographs documenting the life and career of Nathan's life and achievement in the theater, as an author, as a journalist, and as a pageant producer. Included in Series I are drafts of a children's book about Major John Andre, drafts of a novel, "What is a Man Profited," printed copies f newspaper columns by Nathan, motion picture scenarios programs for the Cellar Players and the Little Lyric Theatre, production materials for a number of pageants in such locales as Rochester, New York, Niagara Falls, and Albuquerque, New Mexico. Included in Projects in Series II are notes chronicling Nathan's participation in the motion picture, Reds. Among the correspondents in Series III are Fannie Hurst, Padraic Colum, Leon Kroll, and Eugene O'Neill. Series IV. and V. contain various personal papers, such as scrapbooks, and photographs. Series VI comprises items from Nathan's sister, Elizabeth Gutman Kaye, a painter and singer of folk songs. Materials in this collection also document the history of the Gutman family, Jewish merchants in Baltimore during the turn of the 20th century.
Collection contains 193 scripts for three popular network television shows: Bat Masterson, Gunsmoke, and Little House on the Prairie. There are 138 Bat Masterson scripts, 17 Gunsmoke scripts, and 38 Little House on the Prairie scripts. Many of the scripts have been heavily annotated; more than a dozen of the Bat Masterson episodes are represented by multiple drafts.
The Chiron Review Records contain submissions to the Chiron Review from poets, other writers, and artists, with related correspondence and subjects files; drafts, proofs, and paper and negative film mechanical layouts for Chiron Review issues, 1989-2011, some with related correspondence, photographs, and notes; similar materials for Chiron Review chapbooks; printed issues of The Kindred Spirit, Chiron Review, and chapbooks; papers relating to Poetry Rendevous events; accounts, mailing lists, and other administrative records; correspondence of Michael Hathaway relating to Chiron Review, his writing, literary colleagues, and friendships; diaries, poetry, and other writings of Hathaway; scrapbooks about poets and the history of Chiron Review; photographs of poets; manuscripts and ephemera removed from books owned by Hathaway; memorabilia and other objects associated with Chiron Review; audiocassettes and videocassettes of poetry events, including some interviews with Hathaway; vinyl sound disks, audiocassettes, and CDs of music performances, most sent by musicians to Hathaway; and digital media, most 3.5 inch computer disks and CDs, containing submissions for Chiron Review, drafts of issues, email correspondence, administrative files, and writings by Hathaway.
The papers contain correspondence, writings, and printed ephemera about art documenting McBride's career as an art critic. Major correspondents include Mildred Aldrich, Malcolm MacAdam, Maximilian Mitzlaff, Gertrude Stein, Alfred Stieglitz, and Carl Van Vechten.
The collection documents the work of Leonard S. Marcus, including the research, writing, and publication of books, articles, and other short works; work as contributing editor and children's literature reviewer at Parenting magazine; the curation of exhibitions at the New York Public Library and Eric Carle Museum for Picture Book Art; and trusteeship of the Eric Carle Museum of Picture Book Art. The collection also contains Marcus's personal and professional correspondence and small amounts of photographs, publishing promotional materials, historic book and toy catalogs, posters, and other printed ephemera. Includes audio recordings and notes from Marcus's interviews with prominent children's literature authors, illustrators, and publishers, including Maurice Sendak, Judy Blume, and Madeleine L'Engle.
The papers include writings, teaching files, and other materials documenting Ruhl's career as a playwright and essayist and teacher of poetry, playwriting, and modern drama.
Includes printouts of manuscript and proofs with autograph corrections and annotations in an unidentified hand; printout of introduction to a reading of selected essays from the book