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The papers contain personal and professional correspondence and other papers, including a scrapbook, which document Bagnold's personal life and writing career.

The papers contain writings and other papers documenting the literary career of Eric Knight, as well as personal papers, many of which concern his support of the Allied cause in World War II and his military service.

The Hemingway collection consists of letters, manuscripts, photographs and artwork related to Ernest Hemingway. There are original letters and copies of letters from Hemingway to Grace Quinlan Otis, Edward K. Thompson and others. Writings include a photocopy of a typescript draft of "A Moveable Feast," a typescript draft of "Today is Friday," a galley proof of "A Hemingway Reader," and galley proofs of manuscripts by Carlos Baker, Charles A. Fenton, Leicester Hemingway, Lillian Ross, Marcelline Hemingway Sanford and Philip Young. There are also photographs of Hemingway as a young man and representations of Hemingway in artwork by Arthur Hawkins and Justin Sturm.

The Eugène and Maria Jolas Papers consist of manuscripts, letters, photographs, and printed materials relating to the work and lives of the two authors, to their publication, Transition magazine, and to their friend, James Joyce.
The first subgroup, the papers of Eugène Jolas, contains his correspondence with such persons as Kay Boyle, Raoul Hausmann, Raymond Queneau, and Jean Wahl, writings (articles, columns, drafts of an autobiography, and hundreds of poems in Enlgish, German, French, and Jolas' own invented language, Atlantica), and translations by of the works of writers such as Andre Breton and Gerard de Nerval.
This first subgroup also contains materials Jolas prepared for, and used during, his service in the Deutsche Allgemeine Nachrichten Agentur (DANA, but known in English as DENA), Personal Papers andPhotographs.
The second subgroup contains the archives of Maria Jolas. Among her her correspondence are letters from Samuel Beckett, Padraic Colum, the Duthuit family, Paul and Lucie Leon, the Matisse family, Nathalie Sarraute, and Pierre Vidal-Naquet.
The second subgroup also contains Maria Jolas' writings (including drafts of her autobiography), translations is made up of English translations of works by writers such as Rene Char, Robert Jaulin and Nathalie Sarraute and a number of poets who contributed to her "Multilingual Poets Project. The majority of her Subject Files concern the scholarlytreatment of James Joyce. Also included is a series of Personal Papers.
The third subgroup consists of a small group of materials documenting the life of "transition" magazine, which the Jolas' published from 1927-1938. The original magazine archives were destroyed during World War II. The material here documents the publication of several special projects and a short-lived revival of the magazine in the late 1940s.
The fourth subgroup gathers together materials from James Joyce left with the Jolas family shortly before he died, including letters to Joyce from Samuel Beckett and Ezra Pound, a draft of "Comeallyou," a typescript carbon of a French translation of "Anna Livia Plurabelle" done by Joyce,Philippe Soupault, Eugène Jolas, Yvan Goll, Samuel Beckett and Alfred Peron in 1932, a list of typographical corrections to Finnegans Wake made by Paul Leon in 1940 for a second edition of the book, and several photographs of the Joyce family.

This addition to the Eugène and Maria Jolas Papers consists of items which were separated from the printed component of the collection of Eugène and Maria Jolas when the books and serials were cataloged in 1998. The addition consists of letters, clippings, offprints, and other printed items.

The collection consists of letters and a few manuscripts by or related to Ezra Pound. Correspondents include Ubaldo degli Uberti; Ethel de Courcy Duncan; Robert Duncan; Gladys Hines; Lewis Maverick; Donald J. Paquette; Odon Por; and Louis Zukofsky. Manuscripts include holographs of "To Our Lady of Vicarious Atonement" and "What I Feel about Walt Whitman" by Pound and biographical notes on Pound by Lewis Maverick.

The Fantasy Magazine Papers consist of manuscripts, correspondence, and other materials documenting the life of the magazine.

The Frederick Stoever Dickson Collection regarding Henry Fielding consists of correspondence, writings and subject files documenting research and scholarship on Henry Fielding. There are two series: Frederick Stoever Dickson Papers and Material from Other Sources.
The Frederick Stoever Dickson Papers consist of three subseries: Correspondence, Writings and Subject Files. Correspondence consists chiefly of letters to Dickson from publishers, bookdealers, journal editors, libraries and Fielding scholars. Writings includes draft and printed versions of work by Dickson and a considerable amount of periodical literature on Fielding. Subject Files contain research material, chiefly bibliographic clippings, on Fielding.
Material from Other Sources consists of two subseries: Correspondence and Writings. Correspondence contains letters from Dickson to Wilbur Lucius Cross and third-party correspondence between Cross and others. Writings consists of a small amount of periodical literature on Fielding.

The Furioso papers consist of correspondence, manuscripts of submissions, editorial board files, and other office files relating to the publishing history of Furioso; a Magazine of Verse (1939-1953). Correspondents include E. E. Cummings, Richard Eberhart, Weldon Kees, Lawrence Olson, Ezra Pound, Peter Viereck, and William Carlos Williams. Manuscripts are primarily typescripts and setting typescripts of submissions to Furioso. The office files include advertising and publicity material, the correspondence and decisions files of the editorial board, and financial documents.

The collection consists primarily of manuscripts and letters by George Gordon Byron, Baron Byron, including a manuscript of the Preface to Childe Harold's Pilgrimage and the manuscript of The Prisoner of Chillon; and letters to John Murray, Francis Hodgson, and Samuel Rogers. Other contents include several letters by Anne Isabella Milbanke, Baroness Byron; two notes by Catherine Byron, the poet's mother; and eighteen letters from Augusta Leigh to Francis Hodgson.