Correspondence, photographs, printed material and other papers relating to Rowley and his relationships with Buffalo Bill and John L. Sullivan. Rowley's correspondence includes letters and telegrams concerning the development of property in Arizona, the dissolution of the Dyer-Cody Arizona Mining and Milling Company following a financial scandal in 1911, and the subsequent incorporation of the High Jinks Gold Mining Company to recoup losses. Correspondence between Cody and Rowley details their friendship and investment partnership. Also includes a small set of letters written to William B. Gale of the Boston law firm Gale & Gale, dated 1878 to 1882, from various legal figures; correspondence related to John L. Sullivan's death in 1918; and correspondence concerning Buffalo Bill's posthumous reputation, including letters between Rowley and General Charles King, who served with Cody in the Indian Wars, recollecting Buffalo Bill's campaign experiences. In a letter dated 1930 Jan 3, Gordon "Pawnee Bill" Lillie tells Rowley about the establishment of Pawnee, Oklahoma, his western entertainment venture. There is also a letter to Rowley from John L. Sullivan shortly before Sullivan's death in 1917. Photographs include formal portraits of Clarence Rowley, as well as photographs of Rowley mining, traveling, at home and with friends. Hundreds of photographs relate to Rowley's trips West and to Buffalo Bill and his Wild West show. Candid and staged photographs, several captioned and autographed in Buffalo Bill's own hand, include portraits with his wife Louisa, photos of the TE Ranch, and snapshots of a tour of Camp Bliss with General Hugh L. Scott in 1914. Photographs relating to John L. Sullivan date from 1882 to 1910. Most are publicity shots picturing Sullivan in boxing poses, in the ring, or with other famous athletes. Includes a series of photos taken in 1910 at the James Jeffries vs. Jack Johnson fight in Reno, Nevada. Many of the other photographs picture Sullivan as an older man on his farm in Massachusetts. There is also a set of photographs documenting a meeting between Buffalo Bill and Sullivan in 1908. Clarence Rowley's personal papers include eleven diaries from 1909 to 1919. The diaries contain brief daily notes on business and personal matters such as court dates, social functions, the births of Rowley's children, and Rowley's travels, including a 1911 trip with Cody. Rowley's business papers include incorporation documents, by-laws, minutes and other papers of the High Jinks Gold Mining Company; stock certificates, shareholder resolutions, and reports of the Montezuma Silver Mine Company; and a description of the John L. Sullivan Motion Picture Company. Remaining Buffalo Bill and John L. Sullivan material is arranged in subject files, and includes printed material, clippings, speeches, and writings related to the two men. Buffalo Bill material includes a folio of six chromolithograph prints titled The Indian: Buffalo Bill's Art Studies with Portraits of Himself. Other papers include a Henry Ward Beecher autograph, a report on the Campo Bonito and Southern Belle Mining and Milling Company by F.E. Fielding, and a printed prospectus for the Cripple Creek Consolidated Mining and Milling Company.
The Claude McKay Collection consists of correspondence, writings, personal papers, photographs and memorabilia documenting the life and work of Claude McKay. Series I, Correspondence, consists of two subseries for General and Publishers Correspondence. There is correspondence with many well known writers and figures in the African American community from the first half of the 20th century, including Langston Hughes, James Weldon Johnson, Carl Van Vechten, Countee Cullen and Harold Jackman. Series II, Writings, contains a variety of writings: articles, essays, short stories, novels, book-length autobiographical and non-fictional work, individual poems and collections of poems, and writings of others. There are holograph and typescript drafts of My Green Hills of Jamaica, and typescript drafts of Harlem: Negro Metropolis, an unpublished novel (Romance in Marseilles), and collections of poems, including The Selected Poems of Claude McKay. Series III, Personal Papers, is organized into eight subseries: Books, Clippings, Financial and Legal Records, Invitations and Announcements, Material Relating to McKay's Death and Burial, Medical and Health Records, Postcards and Other. Series IV, Subject Files, consists chiefly of clippings dating from the 1920s and 1930s on liberal politics, labor issues, race, and the countries in which McKay resided while abroad. Series V, Photographs, consists of five subseries: Family, Snapshots of McKay, Other People, Places and Other. There are photographs from Soviet Russia in the early 1920s, and studio portraits of well known musicians and figures in the African American community. Series VI, Memorabilia, contains clippings, photographs, program material and souvenirs from four separate commemorative events in honor of McKay from 1979-1990.
The collection consists of material created and accumulated by Clayton Eshleman in the course of his activities as a poet, author, translator, and editor, and primarily documents Eshleman's literary career from circa 1992 to 2008 and the publication of Sulfur magazine from circa 1990 to 2000. Material includes notes, drafts, and manuscripts for Eshleman's works of poetry and prose (published after 1994) and for works translated by Eshleman; proofs for issues 28-45/46 of Sulfur, as well as correspondence, unpublished manuscripts, and other production material; correspondence with authors, poets, and colleagues; notebooks; a computer disk; and other papers.
Papers documenting Clayton's and Morris's work as scriveners. The papers include receipts, indentures, money orders, notes, and short letters to Clayton and Morris. Some bear the signatures of Clayton and Morris.
The Cleanth Brooks Papers contain correspondence, manuscripts of books, textbooks, essays, lectures, and various other shorter works, classroom material, professional papers, writings of others, and personal papers which document aspects of the life and career of Cleanth Brooks.
The collection contains artwork, professional and personal papers, photographs, correspondence, scrapbooks, journals and other papers by or relating to Clement Hurd.
The papers consist of Clifford Taylor's business records and printed material. The business records document the Ku Klux Klan in North Dakota and the American Krusaders and printed material contains publications by the Klan.
Correspondence, reports, charts, and maps created and compiled by Clifton Ewing Hickok related to water use and availability studies in southern California, as well as efforts by the Volcan Land and Water Company to sell its land and water rights to the city of San Diego, 1897-1915. The collection also includes reports and charts created by his business partner, William S. Post, and others, including Philip E. Harroun and Charles H. Lee.
The Clinton Papers contain correspondence, letterbooks, financial papers and other material documenting aspects of the lives and military careers of Sir William Henry Clinton (1769-1846) and his brother Sir Henry Clinton (1771-1829). They include hundreds of letters from Henry to William Henry, many written from Spain during the Napoleonic Wars, as well as letters by other members of the Clinton family; journals kept by Sir Henry Clinton, the letterbooks of Sir William Henry Clinton, and account books kept by both brothers; bills and receipts; and family papers
James Weldon Johnson Memorial Collection of Negro Arts and Letters (Yale University)
Abstract Or Scope
The Clippings File of the James Weldon Johnson Memorial Collection includes pamphlets and clippings documenting the African American experience in the twentieth century. The collection especially highlights the achievements of individual African Americans, the work of community and education organizations, and areas such as film, theater, music, sports, politics, and civil rights. The clippings were collected primarily by Langston Hughes, James Weldon and Grace Nail Johnson, Ollie Jewel Simms Okala (a friend and close associate of the Johnsons), and Carl Van Vechten, with some additional materials added by others. Clippings in the collection are drawn from general news sources as well as national and regional newspapers and magazines with an African American focus. The majority of clippings are from New York, Ohio, Arkansas, Illinois, and Pennsylvania newspapers. The collection also includes pamphlets and ephemera.