Collections : [Yale University -Beinecke Rare Book and Manuscript Library]

Correspondence, artwork, photographs, negatives, and other printed material.

The collection includes correspondence, writings and research material, photographs, printed material, and personal papers relating to American author Bernard Wolfe. There is correspondence, including incoming and outgoing letters, with family, friends, writers, publishers, editors, and labor organizations. Individual corrrespondents include: Pearl Buck, Marcel Duhamel, Dwight MacDonald, Henry Miller, A. J. Muste, John Crowe Ranson, Harry Ross, and Wolfe's brother Albert; there is a third-party letter from Frida Kahlo to Leon Trotsky. Writings include corrected drafts of Wolfe's best-known novels, the science-fiction work Limbo (1952) and The Great Prince Died (1959), which was based on Trotsky's assassination. Other works include an "Outline for a Study of the Role of the Negro in American Popular Culture," essays on Connecticut labor in the late 19th and early 20th centuries, and short fiction, some of which was published in Playboy in the 1960s. There are photographs, circa 1937, of Wolfe, Trotsky, Trotsky's wife Natalia Sedova, Diego Rivera, Frida Kahlo, Max Shachtman, and others. Printed materials include research material relating to Thomas Mann, clippings, and ephemera.

The papers document social and family life in North Dakota and Saskatchewan in the early twentieth century. They consist primarily of Fleckten's personal correspondence with her father, with other family members, and with friends, as well as business correspondence, third-party correspondence addressed to her first and second husbands, financial and legal papers, receipts, and printed ephemera. Thirty-six letters from Judge Niederriter to Fleckten, spanning 1907-1928, document Niederriter's concern for his daughter and his interest in horticulture. His letters relay news about Kenmare, noting the sale of local property, town scandals including a suicide, his care of Kenmare parks, and social events with neighbors and friends. Fleckten's 19 letters to her father and his wife Malvina date between 1928 and 1929; the first five are written from Moose Jaw and apprise her father of monetary difficulties following Detlefson's departure. Letters written after Fleckten's divorce and return to North Dakota carry news of her personal life, including details of the accident and her hospitalization after she and Senator Fleckten were struck by a speeding driver in Bismark, North Dakota.
The papers include 65 other letters, spanning from 1900 to 1937. These are primarily from Fleckten's female friends in Saskatchewan and North Dakota, relaying personal news, marriage and birth announcements, and opinions about local happenings. One letter includes a reference to North Dakota Ku Klux Klan leadership. Business correspondence documents Fleckten's struggles to pay off debts in Moose Jaw. Legal and financial papers include assessment notices and a 1917 insurance policy for a property in Neville, Saskatchewan. Printed ephemera in the collection includes a map of the 1925 Provincial Exhibition in Regina, Saskatchewan; a map of the "Willow Bunch Constituency"; a handbill for a public speech in Kenmare; and copies of Fleckten's Conciliation Court business card.

Correspondence, printed ephemera, and clippings regarding Greatheed's play, "The Regent." Also includes poetry by Greatheed and others, such as Robert Merry and William Parsons. There is one letter from Thomas King detailing his comments on the prologue to Greatheed's play.

The collection contains research material, writings, printed material, photographs and audiovisual material, including sound and video recordings, scrapbooks, and other personal papers documenting the life and professional career of American-born performer and artistic director Bert Stimmel. Stimmel spent the bulk of his professional life in the U.S., from the late 1950s to early 1970s, and in Lebanon, from 1972 onward, and the collection features material accumulated around his professional activities during this 50 year period.

The papers include letters written to Lady Bessborough; poetry in the hands of Lady Devonshire and of Lamb; and music, two silhouettes, and one drawing. Some of the letters contain eyewitness descriptions of the Napoleonic Wars.

Collection consists of manuscripts (correspondence and drafts of writings), illustration material (drawings in all media, photographs, book dummies, and printing blocks and plates), and publication proofs by various authors and artists including Louisa May Alcott, Alexander Anderson, Louis-Maurice Boutet de Monvel, Gelett Burgess, Harrison Cady, Palmer Cox, F. O. C. Darley, W. W. Denslow, Jo Mora, Peter Newell, and Symeon Shimin, as well as work produced for the McLoughlin Brothers publishing house. Also present are penmanship exercise books, samplers, and other school work produced by American children including John Hancock and his brother Ebenezer, letters of advice written to children by prominent figures such as Samuel Clemens, Charles Dodgson, Benjamin Franklin, and George Washington, and writings created by and for Native American children. The collection also includes Shirley's own collection files which document how she created her collection.

The Bettina Bergery Papers consist of 122 volumes of diaries, 1940-1980; a small amount of other autobiographical writings and writings about fashion design; correspondence with family and friends; scrapbooks, clippings, and other printed material relating to her interests in fashion, art, and politics; photographs and photograph albums relating to the Shaw Jones family, Bergery's friendships, travel in French Equatorial Africa, and diplomatic travels with Gaston Bergery; biographical material, legal documents, and other personal papers; and a small amount of drawings, other visual materials, and objects. Most materials date from circa 1920s-1990s and concern Bergery's life in Paris, fashion design, and her social circle. Some materials relating to her childhood and family in the United States are also present. Research strengths include 20th-century French fashion design; 20th-century European art, literature, and politics; and Gaston Bergery's diplomatic career in Vichy France.