Collections : [Yale University -Beinecke Rare Book and Manuscript Library]

Erotic pulp fiction related to male cross-dressing, forced feminization, and other transgender activity.

Erotic pulp fiction related to male cross-dressing.

Erotic pulp fiction related to male cross-dressing.

Erotic pulp fiction related to male cross-dressing, forced feminization, other transgender activity, and lesbian and gay erotics.

A collection of personal papers, most dating from the end of Klingsor's life, including: letters from Maurice Carême, George-Day, André Ruyters, and Charles Vildrac, among others; a notebook containing lecture notes on Marie Nodier and copied poems; a leaf of a manuscript titled "Isolés at Oubliés", three photographs, and four folders of assorted financial papers.

Contains legal documents signed by Jonathan Trumbull (1710-1785) while governor, and one letter from him to Jonathan Trumbull (1740-1809); a letter from George Washington to Jonathan Trumbull (1740-1809); letters between John Trumbull and various people, regarding his paintings and exhibitions; receipts relating to his work; and draft and printed versions of the handbill announcing the print of his "The Declaration of Independence."

Contains letters from T. S. Eliot to various individuals, drafts of writings by Eliot, and writings on Eliot by Helen Gardner. Portions of the collection are photocopies and photostats of material held by other repositories.

The Tunis F. Dean Papers consist of Dean's correspondence files, some of his business and financial papers, some printed ephemera, fourteen scrapbooks, and a small group of photographs. Series I holds correspondence, both personal and professional, including letters from a number of actors and theater managers, particularly those in the Belasco theater organization. Series II holds a small group of personal papers, including a scrapbook devoted to the death of Dean's mother Catherine. Series III holds financial and other records of productions with which Dean was involved, starring actresses Blanche Bates, Frances Starr, and Leonore Ulric, among others. Also here are thirteen scrapbooks containing clippings and ephemera from Dean's career and the theatre world in general. While the collection is strong in theatre management, particularly regarding the trials and finances surrounding theatrical tours, it is perhaps equally important for the wealth of personal correspondence that reveals Dean's extensive network of friends and male lovers, and on-going relationship with the Catholic church.