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Volume 1, Number 1. Front Matter (pg. 1); 2001 and the Paradox of the Fortunate Fall, BY ALAN BRODY (pg. 7); 2001: A Psychosocial Explication, BY NORMAN N. HOLLAND (pg. 20); Sons and Fathers, A.D. 2001, BY ROBERT PLANK (pg.26); The Psychology of the 'Double' in 2001, BY ROBERT ROGERS (pg. 34); A Plurality of After-Worlds: Isaac Taylor and Alfred Tennyson, BY MILTON MILLHAUSER (pg. 37); Some Literary Uses of Numerology, BY JOHN T. SHAWCROSS (pg. 50); Book Review, Humans and Humanoids, BY MARVIN REZNIKOFF (pg. 63); Book Notes (pg. 68).

Volume 1, Number 2. Front Matter (pg. 69); Natural Fact and Poetic Insight, BY FREDERICK PLOTKIN (pg. 71); Perception as a Form of Phenomenological Criticism, By DAVID I. GROSSVOGEL (pg. 83); "A Portrait of 'Jenny'": Rossetti's Aesthetics of Communion, BY JAN B. GORDON (pg. 89); Mrs. Radcliffe's Landscapes: The Influence of Three Landscape Painters on her Nature Descriptions, By LYNNE EPSTEIN (pg. 107); Illustrations: Plate I. The Awakening Conscience, Holman Hunt (pg. 111); Plate II. The Blessed Damozel, Dante Gabriel Rossetti (pg. 112); Plate III. Dantis Amor, Dante Gabriel Rossetti (pg. 112); Plate A. Night Scene with Figures ? The Banditti, Salvator Rosa (pg. 113); Plate B. St. George and the Dragon, Claude Lorrain (pg. 114); Plate C. Landscape with a Man Killed by a Snake, Nicolas Poussin (pg. 114); Is Football Playing?, BY GEORGE T. WRIGHT (pg. 121); Cinematic Thought, BY PAUL STACY (pg. 124); 2001: Years and Shapes, BY VICTOR A. DOYNO (pg. 131); Comment, BY ROBERT R. FENICHEL (pg. 133); A Belated Justification, By NORMAN N. HOLLAND (pg. 136); A New Look at Hemingway, BY RICHARD W. NOLAND (pg. 140); Friends and Relations, BY ELEANOR AND LEONARD MANHEIM (pg. 146); Books, Journals, and Offprints Received (pg. 156).

Volume 1, Number 3. In Memoriam: Gorham Munson (pg. 162); Woodstock, 1924, BY GORHAM MUNSON (pg. 169); Woodstock, 1969, BY WILLIAM CLEMENT (pg. 181); The "Professional" Clergyman in Some Novels by Anthony Trollope, BY FREDERICK F. JILLSON (pg. 185); Trollope's Clerical Concerns: The Low Church Clergymen, BY JAMES W . LEE (pg. 198); Gilbert and Sullivan Songs in the Works of James Joyce, BY MABEL P. WORTHINGTON (pg. 209); Early Psychological Criticism, BY RICHARD W. NOLAND (pg. 219); Tragic Comic Punster and Pimdit, BY THOMAS L. ASHTON (pg. 223); Books, Journals, and Offprints Received (pg. 230).

Volume 2, Number 1. The Iconography of David Copperfield, BY MICHAEL STEIG (pg. 1); Emblems in Victorian Literature, BY JOHN R. REED (pg. 19); Blake's Illustrations for Paradise Lost, L'Allegro, and II Penseroso: A Thematic Reading, BY EDWARD J. ROSE L (pg. 40); Yeats's Dualities: Two Restatements, BY PAUL H. STACY (pg.68); Psychoanalysis and Judaism, BY RICHARD W. NOLAND (pg. 70); The Uses Of Imaginative Reason, BY RICHARD W. NOLAND (pg. 75); The Political and Intellectual Milieu of Tudor Drama, BY MICHAEL MANHEIM (pg. 85); Puritanism and Milton, BY HAROLD P. LEVITT (pg. 92); Books, Journals, and Offprints Received (pg. 94).

Volume 2, Number 2. Front Matter (pg. 99); Heart Transplant Fiction, By ROBERT PLANK (pg. 102); Metamorphosis of a Malady: Sxmimary of a Psychoanalytic Study of Emily Dickinson, By JOHN CODY (pg. 113); "The Tangle of Life": Levels of Meaning in The Spoils of Poynton, BY ARNOLD EDELSTEIN (pg. 133); Jason Compson's Paranoid Pseudocommunity, BY CHARLES D. PEAVY (pg. 151); Faulkner's Spotted Horses, BY J. REA (pg. 157); Ecology in The Grapes of Wrath, BY JACK NIMITZ (pg. 165); Dreiser's The "Genius": Motivation and Structure, BY RICHARD B. HOVEY AND RUTH S. RALPH (pg. 169); Pope and Science, BY RICHARD W. NOLAND (pg. 184); Intellectual Movements in History, BY FREDERICK W. TURNER, III (pg. 188); Books, Journals, and Offprints Received (pg. 192).

Volume 2, Number 3. The Multiple Murders of Therese Desqueyroux, BY C. FREDERICK FARRELL, JR., AND EDITH R. FARRELL (pg. 195); The Mother in Frangois Mauriac's Genitrix, BY JAMES P. MCNAB (pg. 207); Italo Svevo: The Vocation of Old Age, BY C. ROLAND WAGNER (pg. 214); The "Cosmonauts' Song" in Diirrenmatt's Physicists, BY GEORGE C. FOREST (pg. 229); Rhetoric and Musical Form: Johann Adolph Scheibe's Schreibarten, BY IMANUEL WILLHEIM (pg. 238); Literature and Theology, BY RICHARD W. NOLAND (pg. 248); The Anthropology of Literature, BY SALLY N. LA WALL (pg. 256); Aldous Huxley's Stereoscopic Vision, BY DONALD J. WATT (pg. 263); NOTES ON THIS ISSUE (pg. 270).

Volume 3, Number 1. Mannerist Frivolity and Shakespeare's Venus and Adonis, BY GORDON ROSS SMITH (pg. 1); Easy Rider: Touching the Tragic, BY NORMAND BERLIN (pg. 12); Robbe-Grillet's La Jalousie and a Parallel in the Graphic Arts, BY MAURICE A. LECUYER (pg. 19); Hiroshima Mon Amour — Revisited, BY ALFRED QSMARU (pg. 39); Self-Unification: An Archetypal Analysis of Prospero in The Tempest, BY ANSON C. FYLER, JR (pg. 45); Poetry and Tradition, BY RICHARD W. NOLAND (pg. 51); Multiple Psychoanalytic Approaches, BY MELVIN GOLDSTEIN (pg. 55); D. H. Lawrence and Men in Love, BY PAUL H. STACY (pg. 59); Five Modem French Writers, BY J. E. FLOWER (pg. 61); Books, Journals, and Offprints Received (pg. 64-72).

Volume 3, Number 2. Circumstance, Circumference, and Center: Immanence and Transcendence in Emily Dickinson's Poems of Extreme Situations, BY ZACHARIAS THUNDYIL (pg. 73); The Diary of John Adams and the Motive of "Achievement", BY STEVEN EARL KAGLE (pg. 93); The Theory of Relativity and The Bridge, BY JAMES C. COWAN (pg. 108); Miss Lonelyhearts: A Dual Mission of Mercy, BY RICHARD GEHA (pg. 116); Contemporary Psychoanalytic Criticism, BY RICHARD W. NOLAND (pg. 132); Defining American Romance, BY A. W. PLUMSTEAD (pg.144); Words For Hart Crane, BY PAUL L. MARIANI (pg. 150); The Man Who Died Twice, BY ELLSWORTH BARNARD (pg. 154).

Volume 3, Number 3. The Dynamics of Metaphor: Modes of Mentation in Poetry, By Robert Rogers (pg. 157); Metaphysical Poetry as Event, Richard E. Hues (pg. 191); Dostoevski's Kirilov and Freedom of the Will, By Stephen A. Reid (pg. 197); On Victorian Illustration, By John R. Reed (pg. 209); The Buffalo School of Psychoanalytic Critics, By Leonard Manheim (pg. 213); Books, Journals, and Offprints Received (pg. 219).

Volume 4, Number 1. Fantasy and Defense in Faulkner's "A Rose for Emily", By Norman Holland (pg. 1); The Two Boyhoods, By Milton Millhauser (pg. 36); Donne's Divine Rapist: Unconscious Fantasy in Holy Sonnet XIV, By Michael Steig (pg. 52); The Stranger and Camus' Transcendental Existentialism, By Joyce Albrecht (pg. 59); Oscar Wilde: The Critic as Reviewer, By Robert Keefe (pg. 81); A Look at the Speaker, By Morris Golden (pg. 87).