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lines from walls 1989–94. C, lp, concertina in case. ed. 200 An Ode for the Recovery of an Olympia Splendid 66. C phc, sp. ed. 70 A Black Tie. C, lp, c snow. A Goldsworthy Productions. C, c in plastic wallet The rubber Stamp Mini-Printer 2. C, cb. ed. 200

Mad Cow 2. 'Instructions for Domestic Machines', as read at launch of Mad Cow 2, Manchester March 1995 Wood Notes Wild. The Aesthetic of Ian Hamilton Finlay, Polygon Edinburgh, pp.32/35, Reprint of 1969 essay from Form Magazine Forever Multiples. Workfortheeyetodo, 1995: Train light box for Lorin, A packet of woodbines / a box of bluebell matches, Travelogue for David Tremlett, Mr. G. White of Messrs. Green & White Distributed Art Publishers, 1995, Centre pages: Coracle book listing The Poetry of Solitude, by Gail Levin p.73, Sun in an Empty Room. Edward Hopper poem

for Morton Feldman and Frank O'Hara. with EVH. C, hs, lp and th, ed. 200 The Postcard is a Public Work of Art. WAX366, lp. The Smell of Printing. C, pc, offset Leaving Mon Idée, 1982. C,pc, lp With Mac and Chain-Saw. C,pc, lp. Caged Books, C, phc and rs, sp, 16pp. ed. 50

The Journal of Artists Books 1996 Issue No.5, Interview with SC and EVH page 3 The Times Magazine: Interiors, page 49. Neon Poem described Single Words for Ian Hamilton Finlay, Coracle 1996, p.20 'Shepherdess' Introduction to Word and Pictures, Issue 7, 1996 life/live. Musée d'Art Moderne de la Ville de Paris. workfortheeyetodo descriptive entry to catalogue. [see bibliography]