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1) Isamu Noguchi: October 27-November 8 1986 exhibition announcement card; 2) 1 page typed, hand signed, ink, letter to Geldzahler from Akira Ueda, September 25, 1986; 3) 1 page handwritten, ink, letter to Geldzahler from Bismarck Victoria with exhibition announcement, 1/18/83; 4) 1 page handwritten, ink, letter to Geldzahler from Berkeley Vincent, 12/31/82; 5) 1 page typed letter, hand signed (green felt pen) to Geldzahler from Diana Vreeland, June 2, 1987; 6) 1 page typed letter, hand signed (brown felt pen) to Geldzahler from Diana Vreeland, February 24, 1981; 7) En Parcourant nos campagnes postcard to Geldzahler from Harriet Vincent, October 19, 1988, ink; 8) 1 page xerox "Harry Choice: America Dada" - inside: scrawled picture of butterfly from Andy Warhol - ink, on paper with various notes; printed Christmas card from the Factory - handsigned by Andy and Philipage 9) 2 page handwritten letter, incl. to Geldzahler from Jack Woody - August 1, 1982.(Publisher, Twelvetrees Press) 10) 4 page handwritten, pencil, letter to Geldzahler from Ron Warren - October 6, 1986 - in envelope; 11) 1 page typed letter, hand signed, ink, to Geldzahler from William S. Wilson - no date; 12) Greece postcard to Geldzahler from Jack Whitten, 8/27/84 ink; 13) Greece postcard to Geldzahler from Jack Whitten, 9/5/83 ink; 14) 1 page handwritten, ink, letter to Geldzahler from Jeffrey Wasserman, April 16, 1985 - with enclosed 2 transparencies and xerox of press clippings - in envelope; 15) 1 page typed - hand correspondence and hand signed (ink) letter to Geldzahler from Jonathan Weinberg, April 5, 1984; 16) 2 printed booklets Report to the White House, October 1987, Pres. Task Force on Artist Humanities; invitation to White House and various business related typed correspondence 17) 1 page handwritten letter, ink, May 2, 1988 to Geldzahler from Jack Whitten - in envelope; 18) 1 page handwritten, ink, letter to Geldzahler from Jack Whitten, September 18, 1986.

1) Letter from Gregory Long in support of David Rothenberg, 11 April 1984; 2) 19 January 1984 typescript letter signed letter from Mayor Ed Koch regarding Doris Freedman, arts patron; 3) 14 March 1984 draft of letter by Henry to Admissions Committee of Century Association; 4) 28 June 1985 letter from Trudy C. Kramer/The Parrish Art Museum; 5) 2 May 1986 letter from Daniel Newburg; 6) 16 August 1986 letter from Maco Livingstone, London; 7) 26 September 1986 letter from Harrison J. Goldin, AJC; 8) 21 May 1985 letter from Alan Jones; 9) 20 June 1985 letter from Risa Dickstein regarding Café Luxemborg; 10) 24 June 1985 letter from Candy Coleman regarding Massimo Audiello; 11) 16 May 1985 letter from Denver Art Museum; 12) 29 March 1985 letter from Carol Henry, ICCA; 13) Xerox copy of "Art At The Palladium" article by Alan Jones; 14) 12 May 1985 letter from Elle magazine; 15) Letter from John Reinhold, 24 May 1985; 16) 25 January 1985 form letter from Gorewitz, Duque and Co; 17) 25 January 1985 letter from Michael Zellman, American Art Analog; 18) Letters from and to David MacEachron, August 1984; 19) 11 May 1984 letter from Richard Hertz; 20) 2 January 1985 letter from Ileen Shepperd, Queens Museum; 21) July 1984 letter from Stephen Benedict, Columbia University; 22) Packet of letters and drafts regarding Dewars Profile ad with Henry, 1989-90; 23) Envelope with 31 January 1984 letter from Diego Cortez regarding bounced checks; 24) Letter from Blum-Helman, 14 November 1985; 25) 2 September 1985 letter from Keith McNally, Café Luxemborg; 26) 5 April 1984 letter from Joan Jeffri, Columbia University; 27) 24 March 1984 letter from Joan Jeffri, Columbia University; 28) 28 February 1984 letter from Stephen Benedict, Columbia University; 29) Columbia U. Arts Administration syllabus, Spring 1984. A class taught by Geldzahler on arts administration; 30) 13 August 1984 letter from Catherine Keen, Archives of Amer. Art; 31) 5 November 1984 letter from Richard G. Perry, Brooklyn Bridge; 32) Certificate of appreciation from 1983 Brooklyn Bridge Centennial; 33) 29 November 1984 letter from Oni Berglund, Collectors Forum; 34) 4 March 1985 letter from Mildred Andrews fund; 35) 5 February 1985 letter from Danielle Rice, National Gallery; 36) Draft of letter to Mrs. Carol Stone, 11 September 1984; 37) 28 May 1985 letter from Stephen Benedict, Columbia University; 38) Xerox of letter to Streator Corp. (on Henry's behalf) from Dickstein and Fabricant, attorneys regarding Café Luxemborg; 39) 5 June 1985 letter from Joseph Hintersteiner, Arts Interaction; 40) 7 January 1985 letter from Evelyn Aronson, Museum Contempage Art, Chicago; 41) 27 September 1985 letter from Stuart E. Jacobson, Only The Best; 42) 21 June 1985 letter from Museo de Arte Costarricense regarding Chia; 43) Letter by Henry to Howard Conant, 11 October 1985; 44) 13 September 1985 letter from Howard Conant; 45) Curriculum Vitae for Robert Colescott; 46) Letter and statement concerning artwork of Larry Stanton; 47) Permission form from Pantheon Books, 25 November 1985; 48) Copy of Yale application of Michael Rauch, and Henry's letter of recommendation; 49) Letter for Steve Reinhold, 7 February 1985; 50) 6 March 1986 letter from Janis Ekdahl, Museum of Modern Art; 51) 27 March 1986 letter from Ima Ebong, Brown Univ; 52) 13 March 1986 letter from Toni Petersen, ARLIS NA 53) 29 May 1986 letter from John A. DeGrace, Nassau County; 54) 8 April 1985 letter from Walter A. Arensberg; 55) 12 November 1985 letter from Ima Ebong, Brown Univ; 56) 9 April 1984 letter from John McGuire, landlord for Southampton; 57) 18 December 1985 letter and clippings from Frank Perry; 58) Empty envelope from Yale Univ. registrar, 20 November 1985; 59) 2 April 1988 announcement from Robert Rygor; 60) Letter from Guggenheim Foundation, 1969 and with statement from candidate Omar Rayo (relief prints); 61) 13 June 1989 letter from Robert Littman, CCAC Mexico.

1) The New Yorker, December 8, 1980 - handwritten note (ink) on cover by Geldzahler "George Steiner on Anthony Blunt"; 2) Paste board photo book by Henry Strait Settlement to Geldzahler regarding Visit - photos of Geldzahler with children; 3) 3 page typed, hand corr. (pencil) essay "A Collector's Apartment" by Geldzahler in folder; 4) Approximately 100 pages in folder - all xeroxes of transcripts from City Council Hearings, containing: 11 pages, 1984 testimony before Congressional Committee overseeing NEA, 3 xeroxes of same; 3 pages typed "Talking Points" to Frank Hodsell, Chairman NEA circa 1984. A second copy, heavily edited by Geldzahler in pencil; 5 page transcript of Geldzahler talk on the NEA, undated.; 1 page as above; 4 pages testimony of Geldzahler before Congressional House Panel on NEA 5/21/82. A second copy with Geldzahler edits in pen; 1 page handwritten notes by Geldzahler on funding for the arts; 2 page letter to Geldzahler from Rep. Paul Simon on Federal funding for the arts; 5) File containing: Various typescripts of speeches by Geldzahler for ceremonies during his years as NYC Commissioner of Cultural Affairs: Studio Museum of Harlem dedication with Geldzahler annotations; NY Hall of Science address; St John the Divine Cathedral renovations, with Geldzahler annotated; 3/11/82 City Council hearings, 7 page transcript: a complete overview of how the Department of Cultural Affairs functions as an agency; 1 pg, "Arts Exposure" plan; 2 page 6/30/82 "Celebrate Brooklyn" festival; 1 page 5/27/82 El Museo del barrio; 1 page 2/8/82 Speech honoring Martin Segal of Gulf and Western Company; 2 pages 6/7/82 Contemp Art at One Penn Plaza; 1 page 6/29/82 Rotterdam Poetry Festival

1) 2 index cards and one legal sheet of handwritten notes; 2) 7 page original typescript with Geldzahler's edits in blue ink; 3) 7 page xerox of heavily edited draft; 4) 9 page typed interview between Geldzahler and DC, one copy heavily edited by Geldzahler in blue ink; 5) 6 page xerox of final draft of essay; 6) numerous photographs of the work; 7) one page letter/drawing by Chihuly dated 1993 April 27.