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Audio recording of a special fiftieth anniversary concert by Pinchas Zukerman, Eugenia Zukerman, Raymond Hanson, and the Hartt Chamber Orchestra conducted by Vytautas Marijosius held on March 10, 1971. The recording includes: Trio sonata in A minor – Largo, Vivace, Affettuoso, and Allegro by Telemann featuring Pinchas Zukerman (violin), Eugenia Zukerman (flute) and Raymond Hanson (piano); Sonata in A – Allegretto ben moderato, Allegro, Recitative – Fantasia, Allegretto poco mosso, by Franck with P. Zukerman (violin) and Raymond Hanson (piano); Brandenburg concerto no. 5 – Allegro, Affettuoso, Allegro, by Bach with the Hartt Chamber Orchestra, with Pinchas Zukerman (violin), Eugenia Zukerman (flute) Raymond Hanson (piano), and Vytautas Marijosius (conductor).

Audio recording of A concert of musical styles in transition. Recording includes: Introductory remarks by Imanuel Willheim; Quintet no. 4 in E flat, op 11, by Johann Christian Bach; Octet in E flat – Andante maestoso and Allegro moderato, by Sigismund Neukomm. Musicians include: Charles Cornish (French horn), Edward Rozie (double bass), Dennis Najoom (trumpet), Jan Kobialka (cello), Nancy Turetzky (flute), Barry Nudelman (bassoon), Peter Cokkinias (clarinet), Daniel Kobialka (violin), Linda Lawrence (viola), and Frederick Korman (oboe). Intermission. The Hartt Symphony Orchestra conducted by Moshe Paranov perform Concerto no. 8 in A minor, op.47, for violin and orchestra – Allegro molto, Adagio, and Allegro moderato, by Louise Spohr, featuring Jean Tai (violin); Concerto no. 2 in A flat for piano and orchestra – Allegro moderato, Poco adagio - molto espressivo, and Rondo - moderato innocente, by John Field featuring Clinton Adams (piano).

Audio recording of Bela Urban (violin) and Leo Rewinski (piano) on March 16, 1959. Recording includes: SONATA IN G MAJOR, Op. 30, No. 3 - Allegro assai, Tempo di Minuetto, and Allegro vivace by Beethoven; SONATA FOR VIOLIN AND PIANO – Allegretto, Blues, Perpetuum mobile by Ravel; SONATA No. 3 IN D MINOR, Op. 108 – Allegro, Adagio, Un poco presto e con sentiment, Presto agitato by Brahms.

Audio recording of Jennie Tourel master class in voice on December 1, 1967.

Audio recording of the November 12, 1961 3:30pm and 7:45pm Institute of Contemporary American Music (ICAM) programs. Side 1 of the recording includes the afternoon program: Quartet by Peter Westergaard featuring Phillip Ruder (violin), Henry Larsen (clarinet), Marilyn White (cello), James Fardy (percussion), and conducted by Alvin Epstein; Cantata no. 2 by Peter Westergaard performed by the Chamber Orchestra with Philip Treggor (bass) and conducted by Thomas Putsche; String Quartet by Alvin Epstein; Letters found near a suicide by Earl Kim (text by Frank Horne) with Elizabeth Barrett (soprano) and William McKim (piano); Woodwind Quintet by Gunther Schuller performed by the Hartt Woodwind Quintet with Carl Bergner (flute), Harvey Goldstein (oboe), William Goldstein (clarinet), James Jacobs (horn), and Robert Schaffer (bassoon).

Audio recording of the faculty recital by Richard Provost (guitar) on November 6, 1967. Recording includes: Six pavanas and Fantasia by Luis Milan; Galliard and Fantasie, by John Dowland; Bourree, Sarabande, Courante, and Gavotte, by Johann Sebastian Bach; Fugue, by Manuel M. Ponce; Fiver diversions, by Alexander Bellow; Three preludes and Three etudes, by Heitor Villa-Lobos.

Audio recording of the Festival of Early Music program The Battle of Styles: French vs. Italian Baroque Music on March 19, 1961 under the direction of Josef Marx with soloists Richard Christopher (baritone) and Sandra Darling (soprano). Recording includes: Concerto Grosso No. IV "Quis Hic? In A Minor – Sonata, Aria, Grave Aria, Borea by Georg Muffat; Cantata: "Thetis" – Prelude, Recitatif, Air, Recitatif Air, Recitatif, Air Gracieux by Jean-Phillipe Rameau; Concerto A Cinq Parties in E Minor – Allegro, Adagio, Allegro by Joseph Bodin de Boismortier; Cantata: "Su Le Sponde Del Tebro – Sinfonia, Recitativo, Sinfonia, Aria, Recitativo, Largo, Aria, Ritornelll, Recitativo, Aria by Alessandro Scarlatti; L'apotheose de Lulli by Francois Couperin.

Audio recording of a program of premieres by Bert Lucarelli on January 16, 1971 at the Alice Tully Hall of Lincoln Center in New York, NY. The recording includes: *Piece for a man alone for oboe and strings by Franchetti with Bernard Lurie (violin), Robert Glazer (viola), and Paul Olefsky (cello); *Poem number seven for solo oboe by David Gilbert; *A sunday in hohocus o not a day to joke us so for love or sunny land oh bo don't be funny and go cuss hocuspocusdominocus cuz no focus unshaped taped gaped or creped sonic tonic or sterophonic electronicmusic don't go cuz folk assume if you're heard one you've heard them all and that's what gets my goat by [Michael?] Czajkowski; **Sequenza VII for oboe by Berio with Leonard Raver. *First performance. **First New York performance.

Audio recording of the music of Alexander Lepak by The Hartt Percussion Ensemble directed by Benjamin Toth with special guest conductor Alexander Lepak and assisted by Josh Ginsburg (double bass), Alice Pfeiffenberger (piano), Jared McMurray (piano), and Chris Vandall (guest soloist) on April 14, 1996 in Millard Auditorium. The recording includes: Crescendo by Lepak; Quintet for percussion, in three movements by Lepak; Concerto for mallet instruments by Lepak with soloist Chris Vandall; Billie's bounce Parker arranged by Lepak; Loopy by Lepak.

Audio recording of Kenneth Lagace assisted by Terrie Lagace and the Clarinet Consort on October 6, 1980. The recording includes: Introduction, theme, and variations, opus 8 from "Sehnsuchts-Walzer" by Franz Shubert by Ferdinand David (Revised by Simeon Bellison); Sonate (1939) – Massigbewegt, Lebhaft, Sehr langsam, Kleins rondo, gemachlich by Paul Hindemith; Abime des Oiseaux by Olivier Messiaen (from Quator pour la find du Temps); Andantino by Eugene Bozza (from Concerto for clarinet); Prayer by Engelbert Humperdinck (from Hansel and Gretel; Variations (on a pavane for Krummherns by Hermann Schein) by David Kraehenbuehl; Music for Four Clarinets (1954) – Liedchen, Notturno, Fanfare by Arnold Franchetti; Jour D'Ete a la Montagne – Pastorale, Aux bords du torrent, Le chant des forets, Rondeby Eugene Bozza; Nocturne by Claude Debussy; Quartets 14 and 21 – Allegre, Moderato by Paul Jeanjean; Adagio by Wolfgang Amadeus Mozart (from Serenade no. 11 in E flat, K. 375.