Mounted with Porcher's diagram of the "hunters mosaic", this watercolor was the basis for an engraving of the same name in Nathan Davis' Carthage and Her Remains (page 405). Davis describes the site: "In the direction of the cape we have the remains of a theatre, which must have been gorgeously decorated, judging from the numerous fragments of rich marbles which are here found" (408). The archaeologist forms the theory that the theater was practical for the representation of naval battles, as water could be dispensed from the nearby aqueduct into the amphitheater, then emptied into the harbor below. He concludes: "A double object was thus attained: the people were gratified by an attractive exhibition, and the public reservoirs were regularly cleansed" (407).