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The Barbara McClintock Papers consist of manuscript sketches, correspondence, artwork, notes, and correspondence having to do with Animal Fables from Aesop, adapted and illustrated by McClintock, published 1991 by David Godine. The book was adapted for a stage play by the Children's Theatre Company.

The collection contains newspapers, fliers, realia and similar materials associated with living in wartime Britain.

Materials related to children's book authors and illustrators Betsy and Guilio Maestro. The materials include illustrations, manuscripts, and notes related to works published by the pair.

The papers of poet, translator, journalist, playwright, and blogger Bill Costley contain manuscripts, correspondence, diaries, notebooks, periodicals, clippings, audio tapes, photographs, and memorabilia documenting his work and life from 1964 to 2013. Additions to the collection are expected and will be added through time.

The Bill Thomson Papers contain artwork spanning from his high school days in Southington, CT to his recent picture books, Building with Dad, Chalk, Baseball Hour, Karate Hour and Soccer Hour. The collection contains sketches, models, finished artwork and illustrations from his work as the illustrator working with his wife Diann, who is the graphic designer for their firm Thomson Illustration and Design.

The collection contains correspondence, photograph, diagram, and a copy of the article "How the 'NH' was put back on the 'New Haven.'"

Small press publisher (1971-1976) of poetry, children's books, and cookbooks located in Lenox, MA. The press was owned by Gerald Hausman. Authors and illustrators published by the press include Ruth Krauss, Paul Metcalf, David Kheridan, Sam Cornish and Maurice Sendak.

The Railroad was chartered in May 1863 and reorganized in 1873 as the New York and New England Railroad Company.

The Bread and Puppet Theater was an experiment political theater troupe founded in 1963 in New York City by Peter Schumann. Performances combined dance, sculpture and large-scale puppets and masks. The performances frequently focused on political and social issues including demonstrations against the U.S. war in Vietnam and injustice in Central America.