Search

Anonymous 17th century MS. Includes speeches, petitions, messages, and committee proceedings. Most printed in Rushworth, v.i., but the versions in this MS are much longer and more complete. Includes the Commons' remonstrance to the King, April 1626. Signature of Thomas Cole on inside cover and his stamp. From the library of Dr Cox Macro and later of Hudson Gurney. The historical MSS Commission reported on this MS in the XII Report, Part IX, p.123, #XIV.

50 color photographs, signed, taken by Joy Wulke of landscapes in Montana and Washington, 1982-2009. 21 photographs are of the Palouse, an agricultural area encompassing parts of north central Idaho and southeastern Washington; 11 photographs are of the McFarland-White Ranch in Twodot, Montana.

J.S. Holliday's collection relating to the Swain family acquired while doing research for his book The World Rushed In. The collection includes 27 letters from Sabrina and George to William, dated April 15, 1849 to September 8, 1850. Also included are "A Forty Niner," William's dictated recollections, and his will, made out before leaving for California. Other family papers include William's father Isaac's account books, letters of family members and neighbors, and a daguerreotype and cased albumen prints, presumably of family members. Holliday's research files include approximately 150 letters from Sara Swain to Holliday and another 70 to her Mormon cousin Nancy Williams, with much information on the Swain family and Niagara County, New York. These are accompanied by Holliday's notes, transcripts of the Swain letters, photocopies of materials related to the Wolverine Rangers, Edward Eberstadt's notes, Sara Swain's notes on family and local history, and After 100 Years, Nancy Williams' biography of Rebecca and Frederick Granger Williams.

The collection consists of material created and accumulated by Judith Hancock de Sandoval in the course of her activities as a photographer, and primarily documents her project, Historic Ranches of Wyoming, from 1984 to 1990. Material includes correspondence, notes, research files, printed material, and maps as well as photographic prints, negatives, contact sheets, slides, and printer's plates for the production of Historic Ranches of Wyoming (Casper, Wyo. : Nicolaysen Art Museum, 1986). Also included are posters and publicity material for United States and international photography shows as well as video recordings, including VHS and U-matic videocassettes, and other material related to the video production Ranches of Wyoming.

The Judson Crews Papers provide evidence of the personal and professional life of American poet Judson Crews between 1930 and 1991. The papers document Crews' career as a poet, printer, and small-press publisher, and consist of correspondence, writings, and personal papers. Crews and his wife Mildred Tolbert, a photographer and writer, were members of the artistic community in Taos, New Mexico in the mid twentieth-century. There is also some material relating to Crews' friendship with Henry Miller. Correspondents include Crews' daughters Anna Bush Crews and Carole Judith Crews as well as Wendell B. Anderson, Carol Bergé, and J. Whitebird.

The Judy Blume papers consist of correspondence, manuscripts, printed material, audiovisual material, computer media, and personal and other papers documenting the life and work of American author Judy Blume.

Contains drafts of various plays and poems, and a printed version of Debarcaderes, which has been annotated by Supervielle; and letters and drafts of letters from Supervielle, including one to Felisberto Hernández.

This collection consists chiefly of 1559 photographs collected by Julia Driver that represent work by over 550 commercial women photographers, 1845-1940. The collection also includes thirty examples of cased photographs, which consist of ambrotypes and daguerreotypes, 1845-1862. The collection is rich in card photographs, especially cartes-de-visite and cabinet photographs created during the second half of the nineteenth century, as well as some other photographic print formats, items of ephemera and printed material. Nearly two-thirds of the women represented in the collection worked in the United States of America. Of the American photographers, nearly a quarter worked in Illinois or New York. Significant numbers worked in Iowa, Michigan, and Ohio. Women photographers from England and Sweden are also well-represented in the collection. Other represented nations and localities include Algeria, Austria, Belgium, Canada, Denmark, Egypt, Finland, France, Tahiti, Germany, Ireland, Japan, Malta, Norway, Scotland, Spain, Switzerland, and Wales.

The collection consists of correspondence, writings, scrapbooks, printed material, photographs, and other papers, documenting aspects of the life and work of Julia Ellsworth Ford and her relationships with literary and artistic figures of the early 20th century, including, among others, John Butler Yeats and William Butler Yeats.

The collection contains correspondence and professional files relating to Cornell's representation of Ezra Pound in the initial stages of the U.S. government's case against him for treason. In addition to Ezra and Dorothy Pound, correspondents include T. S. Eliot, Ernest Hemingway, James Laughlin, Arthur Moore, Omar Pound, Mary de Rachewiltz, and Olga Rudge. Topics include Pound's physical and mental condition in 1945-46; the treason charge against him; the efforts to have him declared mentally incompetent to stand trial; his court appearances; the use of the Alien Property Act against Dorothy Pound; and conditions at St. Elizabeth's Hospital.
The collection also contains legal documents relating to the Pound case, including psychiatric evaluation reports; notices of court dates; material relating to a writ of habeas corpus prepared by Cornell in 1948; and transcripts of Pound's radio broadcasts from Rome.