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The collection consists chiefly of correspondence and writings relating to Zbigniew Herbert from 1968-1989. There is personal and professional correspondence with Polish literary and cultural figures, publishers, translators and scholars. Noteworthy correspondents include Stanislaw Baranczak, Jozef Czapski, Gustaw Herling-Grudzinski, Konstanty Jelenski, Alina Kalczynska, Susan Sontag, Jacek Trznadel, Petar Vujicic and Adam Zagajewski. Writings include holograph and typescript drafts of essays and poems in the collections Martwa natura z wedzidlem and Elegia na odejscie respectively.

The papers consist of business correspondence, literary manuscripts, radio scripts, and some translations of Němeček's works. The bulk of the collection documents his broadcasts which covered Czechoslovakian history, politics, economics, and literature. Němeček also spoke on refugees.

The collection consists of material created by or relating to José María Chacón y Calvo, which was accumulated by Zenaida Gutiérrez-Vega in the course of her research on the life and work of the Cuban-born literary critic and academic. Material includes original and copies of correspondence received by Chacón y Calvo from various Cuban, Spanish, and Latin American poets and writers; original manuscripts, typescripts, photocopies, and clippings of writings by Chacón y Calvo; an annotated typescript of Chacón y Calvo's diaries dating from 1917 to 1918; research files containing manuscripts, notes, letters, and printed material relating to other writers (possibly compiled by either Chacón y Calvo or Gutiérrez-Vega); original and photocopies of photographs of Chacón y Calvo; and other material.

The Zora Neale Hurston Collection contains Correspondence, Writings, including drafts of her autobiography, Dust Tracks on the Road, the novel, Their Eyes Were Watching God, and a play written in collaboration with Langston Hughes, "Mule Bone," as well as a study of Hurston written in 1972 by Robert Hemenway.