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The papers document the life and work of Ved Mehta and include writings, correspondence, family archival material, personal papers, academic records, financial records, research and subject files, printed material, photographs, and electronic files. Writings includes drafts of (and for some, extensive research files for) all of Mehta's major works from 1957 to 2004. Drafts of writings and Mehta's outgoing correspondence are typewritten. Subject files and correspondence relate not only to Mehta's life and work, but also to his family, to acquaintances such as Ethel Clyde, and to organizations such as the Arkansas School for the Blind, Pomona College, and Oxford University.

The VERSEtility BOOKS Records consist of correspondence, financial papers, computer disks, and other administrative files relating to the bookselling business of VERSEtility BOOKS. Correspondence contains letters between Jacob and poets regarding their signed books and subsequent sales. A small portion of the correspondence relates to the appraisal and sale of poets' personal libraries to various universities. Financial papers and administrative files include sales records, bills, invoices, and correspondence regarding the financial operation of the business. Nine computer disks store VERSEtility BOOKS catalogs and advertisements for Poetry Magazine.

The Vicki Hearne Papers consist of correspondence, writings, personal papers, photographs, audiocassettes, and clippings that document the development of her writing, from her works of poetry in the 1970s, through the books and articles she wrote in defense of dogs at the turn of the twenty-first century. Her writings reveal the connection between her work as an animal trainer and as an author and poet, both vocations informed by her readings and interpretation of philosophers including Plato, Nietzsche, and Wittgenstein. Drafts of many of her works of poetry, non-fiction, and her book of fiction reveal the evolution of the works, and notes and comments by editors regarding works submitted for publication illustrate the nature of her relationship with her publishers. Letters from colleagues and friends, particularly her mentor, John Hollander, provide insight into the support she received from those individuals.

This collection consists chiefly of photographic materials created circa 1850-1978 that depict American Indians, including informal and studio portraits, as well as photographs that show the natural and built environment of the American West. Images of the American West include views of cities and towns, mining and logging operations, railroads, and natural scenery.

Collection includes correspondence between Victor Gifford Audubon and Daniel Rice, a book subscription agent, regarding the production and sale of the works of John James Audubon. Also included are 22 uncolored, 8 partially tinted and 2 hand-colored lithographed plates for the octavo edition of "The Birds of North America," all by John T. Bowen after Audubon; 3 additional hand-colored plates, also by Bowen after Audubon, which may have served as colorist's proofs or models; and a group of 19 pencil and watercolor portraits and drawings by an unidentified artist.

Collection contains letters to and from Victor Hugo, as well as holographs of writings by Hugo. Correspondence includes letters to Hugo from Juliette Drouet, Aleksandr Herzen, comte Léopold Hugo, Jules Janin, Jean Toussaint Merle, and Jules Michelet. Letters from Hugo include letters to Laure Junot, duchesse d'Abrantès, A. de Beauchesne, Alexandre Dumas, and Almire Gandonnière. Writings contain holograph drafts of fragments of several works, including poems from Châtiments and Toute la lyre, fragments of chapters from L'Homme qui rit and Les Miserables, corrected proofs for several pages of Napoléon le petit, and a holograph of the play "Irtamène."

The Victor Serge Papers contain correspondence; writings; immigration and identification documents for Serge and his wife, Liouba; death masks of Serge and of Leon Trotsky; and various materials concerning Serge (including correspondence, clippings, and photocopies of writings) that were collected by his son, Vlady Kibalchich. The correspondence includes letters between Serge and his wife, son, and other relatives; a few letters between third parties; letters between Serge and his friends and colleagues, including André Breton, Michael Fraenkel, André Gide, Julián Gorkin, Daniel Guérin, Lucien Laurat, Dwight Macdonald, Jean Malaquais, Marcel Martinet, Magdeleine Marx (Paz), Emmanuel Mounier, Natalii︠a︡ Ivanovna Trot︠s︡kai︠a︡, Leon Trotsky, Leon Werth, and Maurice Wullens; and letters between Serge and publishing companies, journals, and organizations, including The New Leader and Partido Obrero de Unificación Marxista.
The writings include holograph and typescript notes and drafts for Serge's articles, books (including "L'Affaire Toulaév", "Les Derniers temps", and "Mémoires d'un révolutionnaire", among others) and poems. There are also several notebooks, including two daybooks for 1936.

Photographic prints, drawings, and watercolors chiefly depicting sights on the Northwest Coast, particularly around Vancouver Island. The images were originally housed in a scrapbook kept by an unidentified individual; based on the contents of the scrapbook it is presumed that the person was a member of the joint U.S./British Northwest Boundary Commission. The photographs, taken by an unidentified photographer or photographers, depict deck scenes from what may be the H.M.S. Satellite; Victoria Indians; Hudson's Bay Company outposts at Fort Vancouver, San Juan Island, and Victoria; encampments on San Juan Island; Nanaimo and Esquimalt, Vancouver Island; Valparaiso, Chile; and Stanley Harbor in the Falkland Islands.
The drawings (in both pen and ink as well as pencil) and watercolors, include four works signed by James Madison Alden, as well as drawings by W. H. Hall, J. Palmer, James Robertson, Marcus Lowther, B. Tucker, and possibly William McMurtrie. Subjects include Vancouver Island; San Juan Island; Pt. Grenville, Washington Territory; the Fraser River; coastal landmarks of South America; Victoria Indians, encampments, ships, and birds.

The Vincent McHugh Papers document the professional and personal life of poet, novelist, and editor Vincent McHugh. The papers consist of personal and professional correspondence, drafts of writings, professional papers, journals, notebooks, personal papers, photographs, sound recordings, drawings, and a scrapbook, spanning the years 1933 to 1983.

The Vine Deloria papers consist of writings, correspondence, subject files, legal files, teaching files, organizational records, awards and tributes, photographs, audiovisual materials, and electronic media documenting the life and work of Vine Deloria. Writings, correspondence, and subject files form the bulk of the collection and document his involvement in issues relating to Native Americans. Organizational correspondence and organizational records document the many groups with which Deloria was affiliated.