Search

Collection consists of mounted black and white and color reproductions of modern African, Australian, European, and Asian architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of modern Canadian and U.S. architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

: Collection consists of 25 mounted black and white and color reproductions of 20th century Japanese paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

The materials consist of photographs of Abbie Sherman [supposed] documenting Yale, New Haven, Connecticut and surrounding towns, such as Clinton, Madison, and Wallingford. Also included are photographs taken in Rhode Island, New York, and New Jersey.

The materials consist of photographs documenting the construction of the Accelerator Laboratories at Yale, including the 1961 addition.

Papers relating to the Adams family of Litchfield, including Joseph Adams (1764-1856); one of his sons, Charles Adams (1805-1883); and others, consisting primarily of genealogical materials and obituaries.

The personal papers of the Adams Family, including Joseph Adams (1767-1856); his son, Charles Adams (1805-1883); children of Charles Adams, including Julia Adams How Wessells (1842-1904), Mary Adams Wheelock (1838-1895), and Charles Adams Jr. (1845-1864); other family members; and friends and business associates. The collection consists primarily of correspondence.

The collection consists of prints of various Yale and New Haven, Connecticut buildings and grounds taken by Adolph Wittemann for the souvenir publication "New Haven and Yale University." Included are views of Woolsey Hall, College Row, the New Haven Green, East Rock, Temple Street, and Sheffield Scientific School.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection consists of black and white glass lantern slides of the arts of African, Native American, and Pacific Rim cultures, including Australia and New Zealand, as well as Afro-Brazilian, Afro-Cuban, Afro-Haitian, Afro-Mexican, Afro-Portuguese, Afro-Surinam, and Afro-American arts.

The records consist of correspondence, reports, minutes and agendas, programs, newsletters, news clippings, photographs and digital images, oral histories, exhibit records, and posters documenting the activities and programs of the Afro-American Cultural Center and African-Americans at Yale.

The Agenda Records consist of materials from the production files of Agenda magazine from volume 7, number 3 (1969) through volume 37, number 4 (2000), with related financial records, and additional materials from editor William Cookson's files. Writings include works submitted for publication in Agenda or the Agenda Editions and consist of articles, poems, and reviews in holograph, typescript, galley and proof form, many bearing annotations by editor or author. The production files contain advertising copy, notes, computer disks, and galleys and proofs of issues. The correspondence is between William Cookson and contributors, his associate editor Peter Dale, and other business associates. Additional papers include business papers, photographs, and a small number of printed works. Also included are papers concerning William Cookson's writing and editing activities outside of his work at Agenda.

The collection consists of writings, correspondence, and other papers broadly relating to Agnes Boulton. Writings include a typescript for Agnes Boulton's memoir about her marriage to Eugene O'Neill, Part of a Long Story (1958), and a partial typescript of Trouble in the Flesh (1959) by Max Wylie, as well as handwritten and typed notes (perhaps those of Boulton) for story and play ideas. Correspondence includes letters received by Agnes Boulton and extensive correspondence of the Clarence Gordon and other members of the Gordon family (whose connection to Boulton is unclear). Also included are photographs, several diaries and a rent book of E. C. Bundy, newspaper clippings, ephemera, books, and printed material.

Materials relating to Aiko Takita and Miyeko Takita's internment at the Tanforan Assembly Center at San Bruno, California, and Topaz War Relocation Center in Millard County, Utah, 1942-1945. Included are correspondence in both English and Japanese, Topaz High School class materials, Topaz Music School and Protestant church programs, 2 autograph books with notes and signatures, and 3 drawings. There are also printed internment camp pamphlets and newsletters, 1942-1949; 15 photographs of the Takita family (some with Japanese manuscript captions), circa 1928-1946; and printed sheet music, undated. 2 additional autograph books are from 1935 and 1939.

The collection consists of Alan Hovhaness's letters to Judith Malina with accompanying notes, poems, photographs, and printed material. Two letters from Hovhaness to Malina's husband, Julian Beck, and a carbon copy of his response are also included.

The collection contains the artwork, papers, and photographs, of Alan Tompkins from 1934-2007.

This collection encompasses accessions of single letters and small groups of letters and other manuscripts pertaining to the history of Alaska, which the library has chosen to group and list as an artificial collection. Letters and documents discuss travel in Alaska, interactions with Native Alaskans, the Alaska gold rush, the fur industry, surveying, business operations, and naval service. Also includes one photograph of the U.S.S. Pinta.

The archives of A. Lee McAlester including mostly maps and photographs encompassing his career at Yale. These focus on his 1960 Yale dissertation, "Pelecypod faunas of the Late Devonian Chemung Stage, central New York."

The papers document the life and writings of Aleksander Wat, from his early poetry in the 1910s to the posthumous publication of his work by his wife Paulina and by Czesław Miłosz. Early material (prior to the end of the Second World War) is sparse and consists chiefly of correspondence, personal documents and photographs. Among the early material is documentation of the Wat's exile in Kazakhstan. Later material includes numerous notebooks that contain drafts of poetry and prose writings, and the audio recordings that formed the basis for his memoir Mój wiek.The papers are of interest not only to researchers studying Wat's creative process and the context of his life, but also twentieth-century Polish literature, the relationship of authors to Soviet society, and the postwar Eastern European émigré literary community in France. Wat's repeated arrests and exile are documented in his notebooks, in personal papers, and in material related to his memoirs. His relationship to the émigré circle centered around the monthly Kultura in France is documented in correspondence with Jerzy Giedroyć, Gustaw Herling-Grudziński, Konstanty Jeleński, and Zygmunt Hertz. The posthumous success of his writings is documented in Paulina Wat's Correspondence in Series I, and in posthumously-dated material in the Writings series, which chiefly relates to the editing, translating, and publishing work of Paulina Wat and Czesław Miłosz.

The papers consist chiefly of subject files maintained by Rannit, dating roughly from the 1950s to the 1980s. The subject files include correspondence, writings, photographs, and printed material that document Aleksis Rannit's life and work as an art and literary critic and Curator of the Slavic and East European Collections for the Yale University Library.

The papers consist of letters, photographs, postcards, and clippings, which document Alfred C. Burrill's summer of 1903, when he was a student at Yale's summer school of forestry in Pennsylvania. Burrill's work on a study of poplar trees, which was conducted in Maine later in that summer, is also described in these papers, as are a few student essays from 1900.

Mr. Albert E. Moss was a faculty member at Connecticut Agricultural College (now the University of Connecticut) for twenty-nine years. He is best known for his work in the field of Forestry. Focus of the collection is survey work on the transfer of land to and from the University of Connecticut.

Correspondence, notes, genealogy manuscripts, periodicals and photographs related to the Beach family.

The materials consist of photographs of Yale buildings taken by Alfred S. Veal in the early 1930s.

Photographs related to the publication: Ludwig, Allan I. Graven images: New England stone-carving and its symbols, 1650-1815 / by Allan I. Ludwig. Middletown, Conn.: Wesleyan University Press [c1966] xxxi, 482 p.: ill., maps; 26 cm.

Collection of black and white unmounted photographs of Renaissance sculpture, principally sepulchral monuments, in Rome, arranged in folders by location (church) including many details, photographed by Allan Ludwig (vendor). Limited identifying information stamped on the reverse of some photographs.

The papers in this collection document the work of Alyce Batchelder as well as the correspondence and writings of George Grebenstchikoff (in Russian, Georgii Grebenshchikov). Alyce Batchelder's correspondence documents her work as literary executor for the George Grebenstchikoff estate after Grebenschikoff's death. George Grebenstchikoff's papers include professional correspondence and a collection of Russian medals. Correspondents include Dmitri Alexandrow, Pearl S. Buck (letters related to the Russian writer Ivan Bunin), Marjorie Kinnan Rawlings, George Sabo, Igor Sikorsky and Maurice J. and Lilli Swetland. The collection also contains a few early letters to George Grebenstchikoff's wife Tatiana that date from the years before her emigration to the United States. Realia in the collection include Russian military and religious medals.

The collection consists chiefly of correspondence, with smaller amounts of diaries, writings, notebooks, artworks, photographs, and other personal papers. Also present are papers of others closely associated with Gregory, including papers of Llewelyn Powys; writings of John Cowper Powys and Edna St. Vincent Millay; and diaries of Gertrude Powys. Accompanying these is a small amount of correspondence and notes of Rosemary Manning, concerning Gregory's papers.

Collection black and white and color reproductions of American architecture from the Colonial period through the present, with an emphasis on 19th and 20th century buildings. Content varies from original photographic prints to reproductions from magazines and other published sources.

The American Fund for French Wounded (AFFW), founded in 1915, by American women living abroad, was a women's relief agency to aid wounded soldiers in France in World War I. The materials in this collection originated from the Paris Depot of the organization and include correspondence, circulars, newsletters, and images.

The American Montessori Society (AMS) Records document the history of an important American educational organization, and consist of printed, typescript, and handwritten materials; sound recordings; films; photographs; and slides. The collection, although not complete, reflects AMS's professional and administrative activities and also provides historical information about the Montessori system of education in general.

Consists of reproductive photographs of original paintings from a variety of countries, cultures, time periods and in a variety of styles.

Collection consists of black and white and color reproductions of ancient architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of color and black and white reproductions of ancient painting (Classical and Ancient Near Eastern). Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Andre Schenker was born in 1897 and received his education at the Connecticut Agricultural College (UConn) and Yale University. He was a professor of history at UConn from 1928 - 1965.

Contains photographs, writings, and printed material documenting the work of Anne Brigman. Included among the papers are four paste-up copies of Brigman's book of photography and poetry, Songs of a Pagan and one paste-up copy of her second book, Wild Flute Songs. The papers also contain early typescript drafts of Songs of a Pagan, clippings on Brigman, exhibition notices and flier, and other printed material.

The miscellaneous archives of the Division of Anthropology.

Collection of medium format mounted black and white and color reproductions of Western applied and decorative arts, predominantly European. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of medium format mounted black and white and color reproductions of architecture worldwide. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of black and white and color commercial postcards from the 19th and 20th centuries largely of buildings and architectural views worldwide.

The A. Robert Faesy, Jr. Collection contains records pertaining to Wilton historic houses and public buildings worked on the architect A. Robert Faesy, Jr.

The Arthur A. Cohen Papers provide evidence of the writing, editing, and publishing career of Arthur Allen Cohen between 1940 and 1986. The Papers consist of correspondence, writings, personal papers, photographs, audiovisual material, legal and financial documents, and clippings relating to Cohen's writing, publishing companies Noonday Press and Meridian Books, and work editing the Documents of Twentieth Century Art series for Viking Press. Cohen's interest in theology (particularly Judaism) and art are also reflected in the Papers, particularly his writing and publishing projects.

The papers consist of official, personal, and business correspondence, articles, speeches, clippings, recordings, photographs, and other papers of Arthur Bliss Lane, career diplomat, public servant, and lecturer. The papers reflect Lane's diplomatic career from the time he entered the service in Rome (1916), until his resignation as Ambassador to Poland (1947), and contain correspondence from international political figures. Also included are materials relating to his work on behalf of Poland, anti-communism, and the Republican Party.

The Arthur Davison Ficke Papers document the personal lives and literary interests of Arthur Davison and Gladys Brown Ficke. Major correspondents include Witter Bynner, Floyd Dell, Edna St. Vincent Millay, Edgar Lee Masters, and John Cowper Powys. In addition to manuscripts of Ficke's own works, the papers contain manuscripts of poems by Witter Bynner, Edgar Lee Masters, and others.

Arthur Joseph Pierpont was born 3 December 1876. He was a 1895 graduate of Storrs Agricultural College, now the University of Connecticut. A noted authority on agricultural matters, Mr. Pierpont was a member of the Waterbury Milk Producers Association, Trustee of his alma mater (Connecticut Agricultural College as of 1899) and manager of the College's Gilbert Farm, a working farm in Georgetown, Connecticut, bequeathed to the College in 1906.

The album consists of photographs of Yale campus and scenes of New Haven, Connecticut. Included are a few photographs of students and sports events.

Collection of 380 black and white mounted and labeled photographs from the exhibition Art of Latin America since Independence, Yale University Art Gallery and The University of Texas Art Museum, 1966. The original exhibition list includes 395 works. Fifteen items lost or missing at time of LSF transfer in 2007. Partially illustrated exhibition catalog included with this collection in Box 1: Author: Catlin, Stanton L. (Stanton Loomis), Title: Art of Latin America since independence, by Stanton Loomis Catlin. Edition: [Rev. ed. Published: New Haven, Conn., Yale University, 1966] Description: xiv, 246 p. 118 plates (part col.) 22 x 23 cm.

Collection of 61 (mostly black-and-white) photographs of ceramics, metalwork, painting, and sculpture from Burma (Myanmar), Cambodia, China, and Japan.

Collection of photographs and slides of Chinese art consisting of the following sub-collections: (702-1) Chinese Painting Photograph Collection (Research Files), (702-2) Moore Photograph Collection of Oriental Art, (702-3) Ellsworth Collection of Chinese Painting, 1800-1950; (702-4) Cahill Photograph Collection, (702-5) National Palace Museum Photographs, (702-6) Chinese Painting Photographs (Barnhart Requests), (702-7) C.C. Wang Family Collection, NY; (702-8) Hangchow (Hangzhou) Album, (702-9) Bones of Jade, Soul of Ice (Yale University Art Gallery, Exhibition), (702-10) To See Big Within Small (Yale University Art Gallery, Exhibition), (702-11) Traces of the Brush (Yale University Art Gallery, Exhibition), (702-12) Ch'u Silk Manuscript (25 slides) from Sackler Collections with notes by Noel Barnard, (702-13) Chinese art from various collections (5 slides). Identifying information given in English and/or Chinese on photographs, folders and/or identification lists. See individual sub-collection information sheets for further information.

Collection of 2,292 black-and-white photographs of Japanese painting arranged according to the following sub-collections: (705-1) Japanese Painting from the Freer Gallery of Art, Washington, D.C., and the Metropolitan Museum of Art, New York, (705-2) Japanese Painting from the Asian Art Museum, San Francisco, (705-3) Japanese Painting and Sculpture from the Brooklyn Museum, (705-4) Japanese Painting from Japanese Collections and Museums.

The collection includes a small amount of correspondence; a notebook including Oughterson's account of his travel to and first days in Japan in 1945; a form for examining those exposed to the atomic bomb; clippings and articles about Oughterson; obituaries including a lengthy memoir published separately by John F. Fulton and Eugene Davidson; photographs; and articles on military medicine and the atomic and H-bomb collected by Oughterson.

Collection of mounted black and white and color reproductions of Asian applied and decorative arts. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of Asian architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of medium format mounted black and white and color reproductions of Asian arts. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of Asian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of Asian sculpture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Miscellaneous Archives from associated people with in the department of Entomology.

Collection illustrates establishment and years of activities of the Association of Polish Priests of Connecticut (APPC). The association was initially established under Polish name Zjednoczenie Kaplanow Polskich in 1915. The main mission of the association was to establish religious association of clergy who shared common ethnic heritage. The association represented interest of Polish clergy within the hierarchy of the Catholic Church which was almost exclusively run by clergy of the Irish heritage. The APPC was instrumental in organizing celebration of the Millennium of Polish Christianity in 1966, which was a hallmark of public manifestation of religious and cultural links between Polish Americans and the country of their forefathers. The association made numerous financial contributions to the Catholic Church in Poland and sponsored major book publication - a biography of Monsignor Bojnowski. In February of 1991 the association became an affiliate member of a national organization - the Polish American Priests Association which was established in San Antonio, Texas.

The materials consist of photographs of various Audit Department offices, buildings, and record-keeping systems.

Born in Danbury, Connecticut, Augustus Jackson Brundage attended the Danbury public schools before entering the Connecticut Agricultural College at Storrs in September 1906. He was appointed State Club Leader for the Extension Service of the Connecticut Agricultural College and the United States Department of Agriculture in 1917. Mr. Brundage retired from the University in 1948 but remained active with the 4-H.

The Austin Strong Papers contain correspondence, theater scripts, artwork, notebooks, diaries, sketchbooks, scrapbooks, photographs, photograph albums, printed material, and professional and personal papers. The papers primarily document Strong's professional work as a playwright, stage designer, theater producer, author, artist, and landscape architect. A small amount of material documents his work as a volunteer air raid warden in the 1940s.

Collection of mounted black and white and color reproductions of Australian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of Austrian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

The Avery-Copp Papers, which span mostly from 1820 to 1930, contain correspondence, writings, printed material, electronic media, and other papers related to the lives and relationships of the Avery and Copp families and their relations, who for generations lived in and around their homestead, now the Avery-Copp House Museum, on Thames Street in Groton, Connecticut.

Photographs and other graphic materials related to the Avery family of the Groton, Connecticut area. These include images of Avery family members, family reunions, historical reenactments, and buildings associated with the family, as well as the move and reconstruction of the Ebenezer Avery House.

Papers relating to the Babbit family, including Eleanor Babbitt (1898-1994) and Col. Samuel H. Fisher (1867-1957). Col. Fisher's daughter Margaret Crossette Fisher married Eleanor Babbitt's brother Theodore Babbitt on June 17, 1922, in Litchfield.

The papers detail the personal lives and professional careers of several generations and family lines of the Baldwin family. The legal, political, and business activities of family members in Connecticut, New York, and elsewhere are documented. Major topics include: family, women, law, education, Connecticut and New York politics and government, New Haven, Connecticut, and Yale University.

The papers consist of writings, printed material, photographs, and artwork by and relating to the American author and artist Barnaby Conrad. Material relates primarily to Conrad's published works Fun While It Lasted (1969); La Fiesta Brava: The Art of the Bull Ring (1953); Matador (1952); and Barnaby Conrad's Encyclopedia of Bullfighting (1961). Among the papers are unsorted typescript and handwritten drafts of writings.

A photograph album and loose photographs taken by Bayard Martin, graduate of Sheffield Scientific School, Class of 1910, documenting Yale athletics, social life, buildings, classmates, and New Haven.

Papers related to the Litchfield families of Beach, Webster, and Dickinson. In 1916, Bessie Rachel Beach (1893-1976) married Leonard Dickinson (1895-1946). The parents of Bessie were Milo D. Beach (1861-1959) and Louisa Webster Beach (1862-1951). The papers relate to these three family lines.

Business records related to B/E Aerospace, which had operated facilities manufacturing aircraft seating and related interior components in Bantam and Litchfield. The company first came to Connecticut when the Warren McArthur Corporation relocated its factory from Rome, N.Y. to the borough of Bantam in 1938, manufacturing at that time a very distinctive style of anodized aluminum furniture particularly popular in Hollywood. With the onset of World War II, the firm shifted its manufacturing output to aircraft seating. After the war, the Warren McArthur Corp. was unable to readjust and declared bankruptcy in 1948. Emerging as the Aerotherm Corp. in 1950, the company continued to produce aircraft seating. The line expanded to include other interior aircraft components as the company was acquired and renamed a number of times over the next 42 years, including Aerotec Industries, UOP Aerospace Division, PTC Aerospace, and finally, in 1992, B/E Aerospace. In 2002, following a major downturn in aircraft manufacturing in the months after the September 11 terrorist attacks, B/E Aerospace permanently closed the Litchfield and Bantam facilities and shifted their operations to facilities in Ireland and North Carolina.

The materials consist of photographs documenting the construction of the Becton Engineering and Applied Sciences Center at Yale.

The Beinecke Family Papers consist of twenty-one albums containing manuscript and printed materials, photographs, and original documents detailing the history of Edwin J. Beinecke and his family, the Weigle and Mauer families, the Sperry and Hutchinson Company, and the Beinecke Rare Book and Manuscript Library. Materials contained within the albums date from the eighteenth century to 1980. These volumes were compiled by Fred L. Mayer between 1972 and 1980. Also included are eight volumes of letters and cards of condolence on the occasion of Edwin J. Beinecke's death in 1970. One box of miscellaneous print, typescript, and manuscript materials is also included.