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The records consist of correspondence, minutes, memoranda, reports, audits, ledgers, cash journals, student accounts and bills, estate files, investment accounts, and construction records of the treasurer documenting every aspect of Yale's financial history up to 1971.

The history of the Wauregan Mills, the Quinebaug Company and other related mills is very much tied to the history of the Atwood family. The collection includes family records and materials as well as records of the Wauregan Mills, Wauregan Company, Quinebaug Mill, Wauregan-Quinebaug Company, and Wauregan Mills, Inc.

Collection consists of 8,874 slides of paintings and sculpture by various contemporary artists exhibiting in the New York area during the 1960s and 1970s, as well as gallery exhibitions of material from various sources. Artist names are accompanied by venue information.

The collection contains materials documenting the artistic, professional, and personal activities of Gerard Malanga. Materials include correspondence, research and subject files, drafts and printed versions of writings, photographic materials, audiovisual materials, printed materials, and artwork. There is correspondence with publishers and editors, galleries and cultural organizations, writers, friends, and family. The research files and writings document work by Malanga and others. There are drafts, autograph manuscript and typescript, of a great many individual poems by Malanga and more extensive, though scattered files for collections of poems and other book-length projects, such as Ten Years After (1977), This Will Kill That (1983), Mythologies of the Heart (1996), and Scopophilia (1985). Materials can also be found for projects that relate to Malanga's work as a photograph archivist for the New York City Parks Department, including books on Robert Moses and public swimming facilities in the city. Photographic materials include negatives, contact sheets, and prints, and feature portraits of writers and artists, chiefly American poets, dating from the late 1960s and early 1970s. Audiovisual materials include audiocassettes, reel-to-reel sound recordings, and optical media, including readings and performances by Malanga and others. Printed materials include posters, issues of magazines, clippings, and ephemera.

The Glenway Wescott Papers consist of correspondence, journals, notebooks, manuscripts, personal and financial papers, research files,photographs, graphic items, clippings, objects, and audiotapes. The material documents Wescott's life, work, and personal relationships with many noted artists, writers, and performers of the 20th century including his long-time companion, Monroe Wheeler, many of whose papers are included here.
Series I, Correspondence, consists of six subseries: Wescott-Wheeler Correspondence (letters between the two men); Wescott Family Correspondence; Wescott Family Third-party Correspondence; Wheeler Family Correspondence; General Correspondence; and Third-party Correspondence.
Series II contains Wescott's Journals and Notebooks, an extensive collection of personal records detailing the author's life and thoughts from the late 1930s up to shortly before his death. Wescott's "journals" are in the form of three-ring binders, filled with notes, clippings, copies of letters, and images.
Series III, Writings, represents a portion of Wescott's original works. The writings are divided into five subseries: General Writings (including drafts of an autobiography, "The Odor of Rosemary"); Writings about People; Lectures, Broadcasts and Speeches; Writings about Glenway Wescott; and Writings of Others.
Personal Papers contains a range of material documenting the various activities of Wescott and Wheeler arranged in 18 subseries. Financial Papers, gathers together material in a chronological run, from 1925 through 1986. Series VI contains Wescott's own Research Files of various subjects. Photographs are grouped into ten subseries. Graphic Items consists of various image materials. Clippings covers a wide range of subjects, with a focus on art, book reviews, current events, essays and articles, and people. Series X, American Academy of Arts and Letters, concerns Glenway Wescott's membership in this organization, including the years of his presidency, 1960-62. Objects consists of pieces of realia received with the archive. Audio-Visual Materials is a collection of sound recordings and a videotape.
Series XIII, Additions transferred from the Monroe Wheeler Papers, contains items relating to GW which came to light during the processing of the Monroe Wheeler Papers and which could not be easily integrated into the existing archival arrangement.

The collection consists of correspondence, typewriter poems, photographs, artwork, artist books, and photocopy books documenting the work of Sarenco. Notable correspondents inlcude Dēmosthenēs Agraphiōtēs, Gianni Bertini, Julien Blaine, Jean-François Bory, Ugo Carrega, Henri Chopin, Pierre Garnier, Ladislav Novák, and Lamberto Pignotti. Typewriter poems include works by Dēmosthenēs Agraphiōtēs, Bartolomé Ferrando, Henri Chopin, Hans Clavin, Ilse Garnier, Pierre Garnier, Arrigo Lora-Totino, Ladislav Novák, Seiichi Niikuni, and Sarenco. Photographs include images of Julien Blaine, Jean-François Bory, Ugo Carrega, Hans Clavin, Ladislav Novák, Lamberto Pignotti, Sarenco, and others. Artwork, artist books, and photocopy books include works by Dēmosthenēs Agraphiōtēs, Julien Blaine, Ugo Carrega, Ladislav Novák, Sarenco, and others.

The collection consists of scrapbooks, correspondence, photographs, posters, visual poetry, artwork, writings, audiovisual materials, and electronic media documenting the life and work of Gianni Bertini. Correspondence includes letters from artists, galleries, and others. Notable correspondents include P. A. Benoit, Jean-François Bory, Henri Chopin, Jacqueline de Jong, Jean Dubuffet, Jean-Clarence Lambert, Sarenco, and Serge Vandercam. Artwork includes examples of MEC-Art (mechanical artwork), paintings, and other works by Bertini, P. A. Benoit, Henri Chopin, Bernard Heidsieck, Jean-Clarence Lambert, Ben Vautier, and others.

The Adele Gutman Nathan Theatrical Collection Addition consists of letters, manuscripts, printed material, and photographs documenting the life and career of Nathan's life and achievement in the theater, as an author, as a journalist, and as a pageant producer. Included in Series I are drafts of a children's book about Major John Andre, drafts of a novel, "What is a Man Profited," printed copies f newspaper columns by Nathan, motion picture scenarios programs for the Cellar Players and the Little Lyric Theatre, production materials for a number of pageants in such locales as Rochester, New York, Niagara Falls, and Albuquerque, New Mexico.
Included in Projects in Series II are notes chronicling Nathan's participation in the motion picture, Reds. Among the correspondents in Series III are Fannie Hurst, Padraic Colum, Leon Kroll, and Eugene O'Neill. Series IV. and V. contain various personal papers, such as scrapbooks, and photographs.
Series VI comprises items from Nathan's sister, Elizabeth Gutman Kaye, a painter and singer of folk songs.
Materials in this collection also document the history of the Gutman family, Jewish merchants in Baltimore during the turn of the 20th century.

At the time of its formation in 1866, the Hartford Association was one of the earliest Associations for young women in America, and the first community social agency in Hartford.