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The papers consist of business correspondence, literary manuscripts, radio scripts, and some translations of Němeček's works. The bulk of the collection documents his broadcasts which covered Czechoslovakian history, politics, economics, and literature. Němeček also spoke on refugees.

Poetry and personal papers of the American poet, art critic, teacher, editor and publisher Bill Berkson comprised of literary manuscripts, correspondence, drafts, notebooks, lecture notes, interviews, Big Sky Books and press records, photographs, audio recordings, broadsides, and rare publications. The archive spans from 1960 to the present day and documents the poet's extensive body of work, his collaborations in and among the realms of visual art, media, and literature, and his affinities with the poets and artists of the New York School.

The collection consists of writings, correspondence, research and teaching material, photographs, printed material, audiovisual material, computer disks, and other papers, documenting the literary and academic career of Gerald Robert Vizenor and relating to many of his published works on Native American literature, history, and culture.

The records consist of correspondence, transcripts, photographs, instructional materials, and administrative files documenting the Army Specialized Training Division at Yale, particularly the Army Specialized Training Program (ASTP) and the Civil Affairs Specialists Training School.

Established in January 1878 as the District Telephone Company of New Haven, Connecticut; opened the world's first telephone exchange that same year. Reorganized as the Southern New England Telephone Company in 1882. Provided telephone service to residents in the state of Connecticut until 1998.

The papers consist of correspondence, writings, subject files, research materials, publicity for books, and other papers of Hanson W. Baldwin, Pulitzer Prize winning journalist and military affairs reporter and editor for the New York Times from 1929-1968, and editor for Reader's Digest, 1968-1976. The papers relate to Baldwin's work and interests as a journalist and author and include correspondence with many high-ranking officers of the armed services, government officials, and writers and historians, as well as other members of the staff of the New York Times and Reader's Digest. Of particular interest are the subject files of printed materials and clippings which Baldwin collected and maintained for his own use. Included in these files are a number of important reports, transcriptions, and other items, some of which are not easily obtainable elsewhere.

Francis D. Donovan (1917-2005) was a resident of Medway, Massachusetts, and an avid railroad photograph and memorabilia collector and researcher, particularly of materials associated with the New York, New Haven & Hartford Railroad and its predecessor lines. His papers consist of his writings and research files about the railroad; photographs of stations, engines, and railroad scenes; maps, scrapbooks, postcards and timetables.

The papers contain correspondence, writings, literary manuscripts, notes, subject files, scrapbooks, and printed material documenting Dorothy Norman's activities, writings, and publications including the journal she founded and edited, Twice A Year: a Book of Literature, the Arts, and Civil Liberties. The papers also document Norman's relationships with the photographer Alfred Stieglitz and his circle of artists and writers, in particular her involvement with his gallery An American Place, with her husband Edward A. Norman and their families, and with prominent Indians including Ananda K. Coomaraswamy and Indira Gandhi.

The Hermann Broch Archive contains correspondence; manuscripts of books, plays, poems, articles and essays, book reviews, and short stories; writings of others; personal papers; photographs; and videocassettes.

The collection includes information about and examples of the work of male amateur and commercial photographers, studio assistants, photographic processors, colorists, and photojournalists collected by Peter Palmquist from 1971 until his death in 2003. The collection, which documents the practice and occupation of photography in the American west, circa 1840 to circa 1900, consists of biographical files for more than nine thousand men and businesses, as well as photographs and ancillary materials that represent the work of more than two thousand individuals and firms.

The records consist of administrative files documenting the operations of the Department of Manuscripts and Archives at Yale University Library.

As a refugee from Hitler, he was outspoken on political issues and attempted to aid fellow scholars similarly uprooted. A portion of the correspondence reveals his efforts on their behalf and expands on his political views. Other letters discuss university policies, including problems at Yale University, and foundation grants for scholars. Among Goetze's important correspondents are William F. Albright, Kurt Bittel, Hans Ehelolf, Jacob J. Finkelstein, Johannes Friedrich, Hans G. Güterbock, Thorkild Jacobsen, Carl H. Kraeling, Samuel N. Kramer, Benno Landsberger, Julius Lewy, Otto Neugebauer, Edith Porada, James B. Pritchard, Abraham Sachs, Edmond Sollberger, and Ephraim A. Speiser.

The Papers consist of correspondence, writings, and other papers that document the life and work of Keith Botsford from the beginning of his career to 1969. Correspondence is both professional and personal, and documents Botsford's writing and editing activity, as well as his involvement in International PEN and the Congress for Cultural Freedom. Writings include corrected typescript and autograph manuscript drafts, proofs and other related material, dating from 1940 to 1967.

Air, Waste and Water records include: Deputy Commissioner; Planning and Standards; Bureau of Water Management; Bureau of Air Management; Inland Water Resources.

The papers consist of correspondence, topical files, writings, and laboratory notebooks which document John Enders's research and teaching in the field of bacteriology and virology.

The collection contains transcripts of interviews conducted by the University of Connecticut Center for Oral History, and individuals and programs associated with the Center.

This collection consists of materials that belonged to Magnus Jan Krynski (MJK) of North Carolina. A successful translator, author, educator, and proponent of human rights, Krynski was active in Polish affairs and Polish American politics and culture. A native of Poland, he came to the United States in 1949 and obtained an extensive education which he applied to translate several volumes of Polish poetry into English. He also become chairman of Duke University's Department of Slavic Languages and Literature. There are a plethora of documents relating to his professional life, translating work, and political activity in this collection.

The papers consist of personal and professional correspondence, writings, notes, teaching materials, subject files, audio tapes and other papers of Leonard J. Savage (1917-1971), mathematician, statistician, author, teacher, and professor at Yale from 1964-1971. The papers relate primarily to Savage's work in the field of statistics, especially Bayesian statistics, and includes extensive correspondence with many of his professional colleagues from around the world. Also included is a large collection of the writings of the Italian mathematician, Bruno de Finetti, material relating to an exhibit on "Animal Odorants" done for the Peabody Museum of Natural History, and the papers of I. Richard Savage and the Savage family.

The papers consist of clippings, court documents, correspondence, publications, interview transcripts, writings, and other materials documenting the research, writing, and activism of Frank Donner. The collection includes a small amount of Donner's correspondence, multiple files documenting the activities of individuals who served as political informers, and subject files covering a range of political and social protest groups from the 1950s to the 1990s. The papers also hold a series of Donner's writings, including manuscripts from two unpublished books on the use of informers in the 1950s and of government malfeasance during the 1980s, as well as several unpublished articles.

Collection consists of black and white glass lantern slides of Romanesque architecture.

The collection consists of correspondence between Roman Galinski, who immigrated to the U.S. in 1922, and other prominent political figures in Poland, who were sympathizers of Narodowa Demokracja, the nationalist Polish political party. Mr. Galinski was himself very active in various political organizations and wrote extensively on the issue of Polish politics and nationalism, sometimes under the pseudonym Miroslaw Kosinski. He was a great opponent of Jozef Pilsudski and his political party and was devoted to Roman Dmowski and his political views of Narodowa Demokracja. The collection includes photographs of local Polish American prominent figures, as well as a dozen or so antisemitic publications from pre-war Poland.

The collection consists of correspondence between Roman Galinski, who lived in the US since 1922, and other prominent political figures in Poland, who were sympathizers of Narodowa Demokracja, the Polish political party of nationalistic character. Mr. Galinski was himself very active in various political organizations and wrote extensively on the issue of Polish politics and nationalism, sometimes under a pseudonym Miroslaw Kosinski. He was a great opponent of Jozef Pilsudski and his political party, and on the other hand vas devoted to Roman Dmowski and his political views of Narodowa Demokracja. Collection includes photographs of local Polish American prominent figures. The collection contains a dozen or so anti-semitic publications from pre-war Poland.

The Chiron Review Records contain submissions to the Chiron Review from poets, other writers, and artists, with related correspondence and subjects files; drafts, proofs, and paper and negative film mechanical layouts for Chiron Review issues, 1989-2011, some with related correspondence, photographs, and notes; similar materials for Chiron Review chapbooks; printed issues of The Kindred Spirit, Chiron Review, and chapbooks; papers relating to Poetry Rendevous events; accounts, mailing lists, and other administrative records; correspondence of Michael Hathaway relating to Chiron Review, his writing, literary colleagues, and friendships; diaries, poetry, and other writings of Hathaway; scrapbooks about poets and the history of Chiron Review; photographs of poets; manuscripts and ephemera removed from books owned by Hathaway; memorabilia and other objects associated with Chiron Review; audiocassettes and videocassettes of poetry events, including some interviews with Hathaway; vinyl sound disks, audiocassettes, and CDs of music performances, most sent by musicians to Hathaway; and digital media, most 3.5 inch computer disks and CDs, containing submissions for Chiron Review, drafts of issues, email correspondence, administrative files, and writings by Hathaway.

The materials consist of research papers, theses, and projects by students in art, art history, and architecture programs at Yale.

The unrestricted papers consist of correspondence, news releases, clippings, and subject files from William F. Buckley's 1965 campaign for mayor of New York; and letters and scrapbooks concerning God and Man at Yale and his 1950 "Alumni Day Address."

The Czesław Miłosz Papers document the life and work of the poet, essayist and Nobel Laureate Czesław Miłosz. The papers consist of writings, correspondence, photographs, personal papers, audio material, and printed material (including newspaper clippings, printed ephemera and clandestine samizdat publications), spanning the years 1880-2000, with the bulk of the material dating from 1940 to 1989. While some writings, photographs and personal documents pre-date the Second World War, the earliest correspondence dates from 1946.

The records consist of the central administrative files of the Yale University Library, correspondence, memoranda, and reports dealing with all aspects of library business and historical photographs from library events. Records for the earlier years appear to be part of a central filing system for the library, while those in later years primarily reflect the activities of the university librarian's office.

Collection of black and white and color commercial postcards from the 19th and 20th centuries largely of buildings and architectural views worldwide.

The Papers consist of correspondence, writings, photographs, and personal papers documenting the life and work of Fedor Stepun as an émigré writer, educator, and political commentator. Principal correspondents include such famous Russian émigré writers as Nikolaĭ Arsenʹev, Ivan Bunin, Roman Gulʹ, I︠U︡riĭ Ivask, Michael Karpovich, Aleksandr Kerensky, Victor Leontovitsch, S. P. Melʹgunov, N. P. Poltorat︠s︡kiĭ, Leonid Rzhevskiĭ, Gleb Struve, Dmitrij Tschižewskij, V. Veĭdle, M. V. Vishni︠a︡k, Boris Zaĭt︠s︡ev, Lev Zander, V. V. Zenʹkovskiĭ, and Nicolas Zernov. Stepun was also in contact with noted German thinkers of his day, including Ernst Benz, Bernt von Heiseler, Max Horkheimer, Richard Kroner, Johannes Kühn, Thomas Mann, Zenta Maurin̦a, Paul Mildner, Carl Neumann, Ernesto Saemisch, Otto Taube, and Paul Tillich. There is also correspondence with a variety of other groups of people from his work as an editor, professor, as well as personal correspondence with friends and family.
The Writings consist of manuscript drafts, typescripts, and related publication material for a number of Stepun's major books and many of his shorter writings. All of Stepun's post-World War II books are represented here, including material for different translations. There are extensive notes and manuscripts of Stepun's lecture courses and individual lectures, papers relating to Stepun's participation in the Tolstoy Foundation and the Institut für Filmwesen, and a number of writings by such authors as V. I. Ivanov and Nikolaĭ Berdi︠a︡ev. In addition, the collection contains a number of photographs of Stepun his wife Natalía Nikolaevna Nikolśkaia and her family, and a portrait by émigré artist Sergei Ivanov.

The papers consist of correspondence, writings, and research files documenting Raymond Fuoss's professional career.

The collection consists of correspondence, writings, printed material and other papers that document the life and work of the poet Leonard Bacon. Correspondence is both professional and personal, and documents Bacon's writing and publishing activities as well as his personal and family relationships. Writings include drafts and proofs for many of his published works including Ulug Beg (1923), Lost Buffalo, and Other Poems (1930), The Furioso (1932), Dream and Action (1934), and Semi-Centennial (1939), as well as works translated by Bacon, such as Luis de Camões's The Lusiads (1950). Printed material includes several boxes of printed versions of Bacon's poetry and other writings, as well as pamphlets, reprints, newspaper clippings, and ephemera collected by Bacon. Other papers include three scrapbooks documenting Bacon's career from 1923 to 1946, as well as a small quantity of personal documents and photographs.

The Hanover Royal Music Archive consists of printed and manuscript music, printed books about music, and related materials assembled by Ernest Augustus, King of Hanover, and his successors. A significant component originated in England and concerns musical activity of several children of George III, circa 1770-1837, particularly Ernest Augustus, then Duke of Cumberland, and Princess Augusta, as well as Prince George of Cumberland, son of Ernest Augustus and later Georg V, King of Hanover. These materials moved to Hanover, apparently circa 1837 when Ernest Augustus succeeded William IV as King of Hanover. In Hanover, the collection was expanded by Ernest Augustus and Georg V, and much of the present content relates to music in the Hanoverian court through the mid-nineteenth century. While most materials date circa 1770-1870, a few items extend this span from the seventeenth through the mid-twentieth century.

Music, correspondence and other papers, photographs, and additional materials by and about the German composer Paul Hindemith (1895-1963).

Single manuscripts and small groups of manuscripts, including literary manuscripts, letters, and other documents. Materials are grouped under headings by author or corporate name.

The papers document the life and writings of Aleksander Wat, from his early poetry in the 1910s to the posthumous publication of his work by his wife Paulina and by Czesław Miłosz. Early material (prior to the end of the Second World War) is sparse and consists chiefly of correspondence, personal documents and photographs. Among the early material is documentation of the Wat's exile in Kazakhstan. Later material includes numerous notebooks that contain drafts of poetry and prose writings, and the audio recordings that formed the basis for his memoir Mój wiek.
The papers are of interest not only to researchers studying Wat's creative process and the context of his life, but also twentieth-century Polish literature, the relationship of authors to Soviet society, and the postwar Eastern European émigré literary community in France. Wat's repeated arrests and exile are documented in his notebooks, in personal papers, and in material related to his memoirs. His relationship to the émigré circle centered around the monthly Kultura in France is documented in correspondence with Jerzy Giedroyć, Gustaw Herling-Grudziński, Konstanty Jeleński, and Zygmunt Hertz. The posthumous success of his writings is documented in Paulina Wat's Correspondence in Series I, and in posthumously-dated material in the Writings series, which chiefly relates to the editing, translating, and publishing work of Paulina Wat and Czesław Miłosz.

The collection consists chiefly of correspondence with family, friends, and literary colleagues; and writings, accompanied by related material. There are smaller amounts of personal papers, printed material, photographs, memorabilia, and audio recordings. The material documents Wilder's life and work, in particular his career as a successful novelist and playwright.
Series I, Correspondence, consists of four subseries: Family Correspondence; General Correspondence; First Name Only and Unidentified Correspondence; and Third Party Correspondence. Wilder's correspondence with family members, notably with his sister Isabel, is extensive and contains much information on both his personal and professional activities.
General Correspondence consists mainly of letters received by Wilder and particularly documents his literary activities and public reception after the success of Our Town in 1938. Correspondents include Garson Kanin, Michael Myerberg, Vivien Leigh, Louise Talma, Max Beerbohm, Vincent Sheean, Gertrude Stein, Glenway Wescott, and Herberth Herlitschka.
Series II, Writings, contains excellent documentation of Wilder's works, including holograph and typescript drafts of all of his major writings; extensive materials relating to the production and adaptation histories of Our Town and The Skin of Our Teeth; and review and publicity files for both plays and novels. The series also holds drafts of many essays and lectures by Wilder, as well as copies of writings by others, most but not all Wilder-related.
Series III, Personal Papers, includes journals, autobiographical notes and notebooks kept by Wilder; numerous awards and honors bestowed on him; papers relating to his education and career as a university lecturer; research notes on Finnegans Wake; his military service papers; and some financial and travel records. Series IV, Printed Material, consists of newspaper clippings, pamphlets, and an extensive run of theater programs for plays attended by Wilder and his sister Isabel.
Series V, Photographs, primarily contains portraits of Wilder taken throughout his life, including some of his stage appearances and a variety of publicity shots. There are also photographs of family and friends and production photographs for several plays.
Series VI, Memorabilia and Other Papers, contains artwork, other realia, and musical scores by Louise Talma and others. Series VII, Audio Tapes and Other Recordings, consists of a variety of sound recordings received with the Wilder Papers, including interviews and readings. Series VIII, Thornton Wilder Papers Addition, contains a small amount of family correspondence received after the collection had been processed.

The archive consists of correspondence, writings, personal papers, photographs, audiovisual material and memorabilia documenting Gombrowicz's life and literary activity chiefly during the last two decades of his life (1949-69).
Series I, Correspondence, contains personal and professional correspondence. There is correspondence with family, Polish and European literary and cultural figures, other Polish emigres, and Latin American friends and writers. There is considerable correspondence with editors and publishers, including Jerzy Giedroyc, the Polish editor of Gombrowicz's works. Other Polish correspondents include Tadeusz Breza, Zofia Chadzynska, Jozef Czapski, Maria Dabrowska, Jaroslaw Iwaszkiewicz, Constantin Jelenski, Tadeusz Kantor, Maria Szczepanska Kuncewiczowa, Czeslaw Milosz, Zygmunt Mycielski, Artur Sandauer, Leopold Tyrmand, Kaimierz Wierzynski, and Jozef Wittlin.
Series II, Writings of Gombrowicz, consists of novels, plays, shorter works, autobiographical writings, and other writings. There are drafts and printed versions of shorter works, including stories, articles, interviews, and open letters. There are drafts of more significant works, including: holograph and typescript drafts of the novel Kosmos; holograph and typescript drafts of the play Operetka; drafts, with many fragments, of different Dziennik (diaries); and a typescript draft of Guide de la philosophie en six heures un quart.
Series III, Adaptations by Others of Gombrowicz's Works, contains theater scenarios, film treatments, and other material based on works by Gombrowicz. Series IV, Theater Programs, contains programs for theatrical adaptations of Gombrowicz's works. Series V, Writings of Others About Gombrowicz, contains articles, bibliographies, published letters, transcripts for radio broadcasts, theses and student papers, and material related to a special issue of the journal L'Herne, devoted to Gombrowicz, edited by Constantin Jelenski and Dominique de Roux.
Series VI, Commemorative Works and Activities, consists of obituaries and tributes issued in the months following Gombrowicz's death, and correspondence, organizational records, and printed material from commemorative events dating from the late 1980s. Series VII, Audiovisual Materials, includes both audio recordings and moving image media. Audio recordings encompass recordings of programs about Gombrowicz and adaptations of his works for radio. Moving image media includes amateur films, documentaries about Gombrowicz, and theater and film productions of Gombrowicz's works.
Series VIII and IX consist of Photographs and Personal Papers respectively. There are photograph albums of Gombrowicz for periods in Poland, Argentina, and Europe, and later photographs of theater and film productions and commemorative events. Personal Papers includes personal documents, family papers relating to the history of the Gombrowicz family, and a small number of writings by family members. Series X, Rita Gombrowicz Papers, contains material gathered by Gombrowicz's wife following his death, and is organized into subseries for correspondence, research files, writings, clippings, and printed ephemera.
Series XI, Clippings, consists of printed material, including journals, book catalogues, printed ephemera, and clippings of articles related directly to Gombrowicz and his work. Series XII, Posters, includes posters for plays, exhibitions, films, and festivals by Polish poster artists Franciszek Starowieyski, Jan Lenica, Waldemar Swierzy, Wiktor Sadowski, Wieslaw Walkuski, and others.

The collection, a part of the William A. Speck Collection of Goetheana, consists of correspondence, documents, playscripts, and other writings by or relating to Goethe and his work. The major strength of the manuscript collection is its documentation of Goethe's literary reception in England and America in the nineteenth century. There are 25 letters and manuscripts in Goethe's hand, and several Faust-related items. Authors represented prominently besides Goethe include Thomas Carlyle, Frank Claudy, Samuel Taylor Coleridge, the Faust collector Georg Ehrhardt, Walther Wolfgang von Goethe, August Heinrich Hoffmann von Fallersleben, University of Illinois professor Julius Goebel, Anna Jameson, Johann Caspar Lavater, Friederich von Müller, Henry Crabb Robinson, Friedrich Schiller, Carl Frederick Schreiber, Horatio Robinson Storer, Bayard Taylor, Marie (Hansen) Taylor, Karl August Ludwig Philipp Varnhagen von Ense, and Albert Wünsch.

Materials pertaining to Mr. Ratchford's term of office as United States Congressman representing Connecticut's fifth Congressional district.

These papers document the work of Gerald H. Anderson, who was a missionary educator, college president, and Director of the Overseas Ministries Study Center from 1974 to 2000. Anderson's extensive writings, lectures, and conference activities provide a valuable overview of the ecumenical mission scene during the second half of the twentieth century. A substantial portion of the collection relates to Anderson's work as editor of the Biographical Dictionary of Christian Missions. These records include drafts and materials not included in the final publication as well as correspondence with the contributors. Other areas of research interest for Anderson included Christianity in the Philippines, Jewish-Christian relations, and the history of the International Association for Mission Studies.

Extensive correspondence, writings, notes, and illustrations document Bainton's roles as lecturer, researcher, artist, world traveler, friend to the oppressed, ardent pacifist, teacher, and mentor. Bainton was born in England and emigrated first to Canada in 1898 and then to the United States in 1902. He taught church history at Yale Divinity School from 1920 to 1962, serving as Titus Street Professor of Ecclesiastical History from 1936. Bainton wrote prolifically and was an authority on Luther and the Reformation, Christian attitudes toward war, Congregational history, and the history of the Yale Divinity School.

Collection consists of black and white and color reproductions of Renaissance architecture. Section II includes France and Germany. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of Renaissance architecture worldwide.

Collection consists of color and black and white 35 mm slides of Western sculpture. Materials related to the Classical world are located in the Department of Classics, Phelps Hall 402, Yale University, New Haven, Connecticut, 06520.

Collection consists of color and black and white 35 mm slides of Western painting from pre-history to the present. Majority of holdings are British, French, Italian and U.S.