Collections : [University of Hartford -Archives and Special Collections]

Audio recording of A concert of musical styles in transition. Recording includes: Introductory remarks by Imanuel Willheim; Quintet no. 4 in E flat, op 11, by Johann Christian Bach; Octet in E flat – Andante maestoso and Allegro moderato, by Sigismund Neukomm. Musicians include: Charles Cornish (French horn), Edward Rozie (double bass), Dennis Najoom (trumpet), Jan Kobialka (cello), Nancy Turetzky (flute), Barry Nudelman (bassoon), Peter Cokkinias (clarinet), Daniel Kobialka (violin), Linda Lawrence (viola), and Frederick Korman (oboe). Intermission. The Hartt Symphony Orchestra conducted by Moshe Paranov perform Concerto no. 8 in A minor, op.47, for violin and orchestra – Allegro molto, Adagio, and Allegro moderato, by Louise Spohr, featuring Jean Tai (violin); Concerto no. 2 in A flat for piano and orchestra – Allegro moderato, Poco adagio - molto espressivo, and Rondo - moderato innocente, by John Field featuring Clinton Adams (piano).

Audio recording of the Institute of Contemporary American Music (ICAM) on March 18, 1970. The recording includes: Two double basses at twenty paces by Pauline Oliveros featuring Bertram Turetzky (double bass), William Duffney (double bass), Roger Murtha (second), Robert Meyers (second), and Thomas Putsche (referee and conductor); Four feathers (4 percussion and tape) by Barney Childs, with percussionists Alexander Lepak, Richard Lepore, Carl Oman, and Stuart Smith and technician Judith Chilnick; Play #3 (piano, tape, and film) by Morton Subotnick featuring Clinton Adams (piano); Now-music (4 tape players) by David Ward-Steinman with Jay Girill, Allen Hoffman, Steven Metcalf, and Robert Wason as dice players; Kyrie by featuring the Hartt Chorale with Peter Mancuso (piano), Eugene Bozzi (percussion), and Henry Larsen (conductor) with Chorale preparation by Gerald Mack; Music Circus conceived by Bertram Turetsky which features an amalgam of works by Winsor, Cage, Williams, Watts, Ichiyanagi, Heflin, derides, Young, Vauties, Debussy, Schmidt, Berry, Byrd, Boccherini, traditional Spanish, Wilding-White, and Bozzi, performed by Hartt faculty and students prepared by Donald Sinta with support from Pauline Izbebski and Joyce Rassmussen with visuals by Dorothy Gibbs, Al Malfa, Robert Lombardo and Dennis Nagle (inventor of the Infinity Machine).

Audio recording of the Summer Chamber Music Festival on August 10, 1975 featuring Renato Bonacini (violin) with Clinton Adams (piano), and Jean Tai (violin), Imanuel Willheim (violin), and Leland Tolo (bass). Recording includes: Invenzione IV for violin and continuo – Largo, Balletto: Allegro, Aria: Adagio, Corrente: Presto by A.F. Bonporti; Trio sonata in A major opus I/7 – Grave, Allegro, Adagio, Allegro by A. Caldera; Concerto in F major for three violins and continuo – Allegro, Andante, Allegro by A. Vivaldi and edited by R. Bonacini; Sonata for two solos violins, opus 56 – Andante cantabile, Allegro, Commodo (quasi allegretto), Allegro con brio by S. Prokofieff; Sonata in A minor, opus 105 – Mit leidenschaftlichem ausdruck, Allegretto, Lebhaft R. Schumann; Sonata – Allegro vivo, Intermede: Fantasque et leger, Finale: Tres anime by C. Debussy.

Audio recording of the Connecticut Youth Symphony conducted by Dan D'Addio on December 19, 2021 in Lincoln Theater. Audio recording includes the world premiere of When Worlds Collide (2021) by Ghazi and June Aino; Waldesruhe (Silent Woods) for Cello and Orchestra, Op. 68, No. 5 (1883, arr. 1893) by Antonín Dvořák featuring Tyler Ngai (cello); and Symphony No. 4 in C minor, D 417 ("Tragic") -- Adagio molto –Allegro vivace, Andante, Menuetto, Allegro vivace –Trio, Allegro by Franz Schubert.

Audio recording of a Connecticut Public Radio broadcast of An Elliott Carter Retrospective On The Composer's 70th Birthday presented by the Hartt College of Music's Institute of Contemporary American Music (ICAM). The broadcast, Elliott Carter 70th Birthday Celebration, is hosted by Albert Goss, co-hosted by Donald Harris, and includes James Sellars and Hartt students, as well as interviews with Elliott Carter. The performances were held on February 1 and 3, additional recordings were conducted on February 8, and were broadcast on February 11. The ICAM recordings include: The Harmony of Morning (for women's voices and small orchestra, 1944), performed by the Hartt Chamber Singers and performing ensemble, conducted by David Katz; Duo, for piano and violin (1974), performed by Cyrus Stevens (violin) and Henry Martin (piano); interview of Elliott Carter by Donald Harris; [Part 2 of recording] String Quartet No. 3 (1971) -- Duo I (violin and cello): Furioso; Leggerissimo; Andante espressivo; Pizzicato giocosco - Duo II (violin and viola): Maestoso, Grazioso; Pizzicato giusto, meccanico; Scorrevole; Largo Tranquillo; Appassionato, performed by the Composers String Quartet (featuring Matthew Raimondi and Anahid Ajemian - violins, Jean Dane - viola, and Mark Shuman - violoncello.); Variations for Orchestra (1955), performed by the Hartt Symphony Orchestra and conducted by Kurt Klippstatter; discussion of Elliott Carter's works with Elliott Carter, James Sellars, and three Hartt students; String Quartet No. 2 (1959) -- Introduction, I. Allegro fantastico - Cadenza for violin, II. Presto scherzando - Cadenza for cello, III. Andante espressivo - Cadenza for violin, IV. Allegro, Conclusion, performed by the Composers String Quartet.

Recording includes: TWO ORGAN CHORALES: CLAVIERUBUNG III, Johann Sebastian Bach, performed by Edward E. Clark; PRELUDE, FUGUE, AND VARIATION, Cesar Franck, performed by Edward E. Clark; OFFERTOIRE SUR LE CHANT O FILII ET FILIAE, Jean Francois Dandrieu, performed by Edward E. Clark; SONATA DE 1º TONO, Jose Lidon, performed by Elizabeth Sollenberger; BERGAMASCA, Samuel Scheidt, performed by Elizabeth Sollenberger, A TRIPTYCH OF FUGUES, Gerald Near, performed by Ellizabeth Sollenberger; FUGUE: DUET FOR ORGAN, Samuel Wesley, performed by Edward E. Clark and John Holtz; SKETCH IN F MINOR, Robert Schumann, performed by John Holtz; THE HANGING GARDEN, Jehan Alain, performed by John Holtz; TOCCATA IN F MAJOR, Johann Sebastian Bach, performed by John Holtz

Audio recording of lecture recital by harpist Mildred Dilling. Recording includes: Variations Pastorales Sur un Vieux Noel, by Samuel Rousseau; 18th century music – Bourreeby Bach*, Menuets by Rameau*, Tic-toc-choc, by Couperin*; 19th century music The March of the Men of Harlech (Old Welsh Air), arr. by J. Thomas; La Jeune et la Vieille, by Godefroid; The Fountain, by Zabel; Fire Dance written for Mildred Dilling by David Watkins; The Forest Pool by Tournier; Torre Bermeja, by Albeniz*; Legende, (after the poem 'Les Elfes' by Leconte de Lisle) by H. Renie. *Transcriptions by H. Renie.

Audio recording of Evening with Guitar on November 11, 1997 in Wilde Auditorium. Audio recording includes: Leyenda by Isaac Albeniz featuring Brad Zabelski (guitar); Le montagnard opus 34 divertissement pastoral by Napoléon Coste with Jennifer Kuk (flute) and Roy Dumas (guitar); Cello suite no. 3 bwv 1009 by Johann Sebastien Bach with Roy Dumas (guitar); Quimeras by Dan Román with Sylma Pagán (soprano) and Dan Román (guitar); Attic by Andrew York featuring guitarists Thomas Doczi, Roy Dumas, Lorena Garay, Emily Oberholtzer, Dan Román, Jim Rickevicius, Steven Sabet, Alex Walker, George Wanat.

Audio recording of an Evening with Guitar on February 24, 1998 in Wilde Auditorium. The recording includes: Six lute pieces of the Renaissance arranged by Oscar Chilesotti featuring Joel Roston (guitar), Julia Florida and Vals op. 8 no. 4 by Agustin Barrios Mangore with Roy Dumas (guitar); From suite no. 3 for solo cello BWV 1009 – Sarabande and Bouree by Johann Sebastian Bach featuring Emily Oberholtzer (guitar); Usher waltz, op. 29 by Nikita Koshkin with Tom Doczi; Leyenda by Isaac Albeniz featuring Alex Walker (guitar).

Audio recording of an Evening with Guitar on October 8, 1998. The recording includes: Songs of Ararat – I. Yérzenga, II. Yéraz, III. Lépo Lélé by Loris O. Chobanian featuring guitarists Jim Rickevicius, Roy Dumas, and Alex Walker; Suite no. 1 for lute, BWV 996 – Prelude: presto, Allemande, Bouree by Johann Sebastian Bach, transcribed by Richard Provost, and performed by Roy Dumas (guitar); Cancion by Luys de Narvaez and Etude no. 11 by Heitor Villa-Lobos featuring George Wanat (guitar); Serenata al Alba del Dia by Joaquin Rodrigo featuring Lynette Stoyles (flute) and Roy Dumas (guitar); Leyenda by Isaac Albeniz with Joel Roston (guitar); Homage á Debussy by Manuel de Falla featuring Jim Rickevicius (guitar); From the dreaming – Cave painting, Wild flower, Gecko by Phillip Houghton with Christine Deschler (flute) and Luke Honer (guitar).

File includes the program and audio recordings of the first DMA recital by Bryce Call (trumpet) including Elisabeth Tomczyk and Jen Allen (piano), Megan Weikleenget (soprano), Mark McCormick (string bass), Nathan Lassell (drums), Cedric Mayfield (clarinet), and Sean Nelson (trombone) on December 19, 2019 in Berkman Recital Hall.

Audio recording of a concert of student compositions in Millard Auditorium on May 11, 1973. The recording includes: Madrigal by Kevin Read featuring Martin Hirsch, Rita Klinger, Kevin Read, and Lori Doster; Nonette by [Artie? Or Antonie?] Kent with Keith Griffin (flute), Jay Girill (saxophone), Willa Kozupsky (viola) Joe Kalisman (cello); Quintet for brass by James Shanahan, featuring Gretchen Noble (trumpet), Gary Partridge (trumpet), Christi Rollason (French horn), Steve Jackson (trombone), Walter Gibson (tuba); Chamberfield by David Macbride featuring Jay Girill (saxophone), Denis Godburn (bassoon), Cyrus Stevens (violin), Stuart Smith (wood drums) [annotation on program indicates that the recording studio missed the beginning of Chamberfield]; . . . three drops of blood on a piece of wood . . . by Madalyn Lenge with Robert Carpenter (oboe), Gail Thoden (clarinet), Charles Williams (bass clarinet), Judy Allen (bassoon), Kathy Ditmer (French horn), Mark Hausman (trumpet), Keith Green (trombone), Gary Nelson (percussion), Ed Mann (percussion), Cyrus Stevens (violin), and Joe Kalisman (cello) with Roger Gilliam (conductor).

Audio recording of a concert by the Hartt Contemporary Players in honor of Hartt's 75th anniversary in Millard Auditorium featuring music by Hartt alumni(ae) composers on October 11, 1995. The recording includes: Raise the roof by Gwyneth Walker with Dan LaPage and Rob LaPage (trumpet), Sara Neuner (horn), Scott Bean (trombone), and Jeremy Koziol (tuba); Looking for Claudio by Barbara Kolb with Tom Schuttenhelm (guitar); Humans, Machines, Chaos – Humans 1, Humans 2, Machines 1, Machines 2, Chaos by Mark Polishook with Erica Rondina (clarinet), Sarah Neuner (horn), Donna Nordstrom and Anthony Dyer (violin), Franklin Alvarez (viola), Silvio Interlandi (cello), and Douglas Jackson (conductor); birddog by Kenneth Steen with Leslie Minnick (flute), Erica Rondina (clarinet), Julie-Anne Derome (violin), Gabriel Prynn (cello), Istvan B'Racz (piano), and Douglas Jackson (conductor).

Audio recording includes: Organ Prelude -- Prelude and Fuge in C Minor, composed by Bach, performed by I. Albert Russell [only the end of the piece was recorded]; Invocation, The Reverend John P. Webster; National Anthem, Marian Anderson; Welcome, Chancellor Vincent Coffin; Remarks, Moshe Paranov; Greetings, Alfred C. Fuller; Chorale -- Break Forth, O beauteous, heavenly Light, by Bach, performed by Chorus and Orchestra ; Address, Douglas Moore; Aria -- O don fatale, composed by Verdi, performed by Marian Anderson; Dedicatory Address and Litany, Rabbi Abraham J. Feldman; Finale -- from the opera Fidelio, composed by Beethoven, performed by Chorus and Orchestra; Benediction, Reverend Henry J. O'Brien; Organ Postlude -- Toccata in D Minor, Composed by Eberlin, performed by I. Albert Russell.

Audio recording of the Institute of Contemporary American Music (ICAM) on March 20, 1970. The recording includes: Meatwaves (film) with visuals by Abbot Meader and soundtrack by Edward Miller; Psalms and alleluia with visuals by Gary Hogan and tape sounds by Edward Diemente; Music for string quartet and tape by Bulent Arel featuring Cyrus Stevens (violin), Susan Freed (violin), Marie Grimard (viola), and Patrick Smith (cello) with Ralph Patterson (technician); An avelanche by Lejaren Hiller with Imanuel Willheim (pitchman), Pam Kucenic (Prima Donna), Stuart Smith (percussion), Michael Kaminsky (stage hand), Deborah Houston (wardrobe mistress), and Elaine Friedman (wardrobe mistress) conducted by Henry Larsen and staging by Ronald Luchsinger; Portrait of three ladies (American) featuring Marsha Hogan (mezzo-soprano), Daniel Parker (narrator), with the Hartt Chamber Orchestra prepared by Nathan Gottschalk with visuals and conducted by Edwin London.

Audio recording of Robert Ward's The Crucible performed by the Hartt Opera-Theater Guild on April 24, 1964 at 8:15pm in Millard Auditorium. Based on the play by Arthur Miller with libretto by Bernard Stambler, with Musical Director Moshe Paranov, Production Manager Irene Kahn, Chorus Director Louis Pellettieri and Stage Director Elemer Nagy. The cast includes: Margaret Kearns (Betty Parris), Russel Kierig (Rev. Samuel Parris), Nicola Campbell (Tituba), Elinor Aronson (Abigail Williams), Natalie Jacobs (Ann Putman), Arthur Thompson (Thomas Putman), Virginia Brown (Rebecca Nurse), Donald West (Franncis Nurse), David Lester (Giles Corey), Philip Treggor (John Proctor), Jeannine Cowles (Elizabeth Proctor), Vashek Pazdera (Rev. John Hale), Joan Glazier (Mary Warren), Richard GaroFalo (Ezekiel Cheever), Joseph Victor Laderoute (Judge Danforth), and Maria Talaber (Sarah Good).

Audio recording of the first program of the 13th Annual Institute of Contemporary American Music (ICAM) on January 8, 1961. This ICAM was dedicated to Isadore Freed. Recording includes:Concerto Grosso for wind quintet and orchestra – Allegro animato by Normain Kimmell, featuring the Hartt Symphony Orchestra, the Hartt Wind Quintet with Carl Bergner (flute), Harvey Goldstein (oboe), William Goldstein (clarinet), James Jacobs (horn), and Robert Schaffer (bassoon), conducted by Moshe Paranov; SONG FROM AN OPERA – The Cat and the Moon by Thomas Putsche, based upon a play by W.B. Yeats, with Elizabeth Humes (soprano), Nancy Turetzky (flute), John Kelsey (clarinet), Louis Lazzerini (bassoon), Phillip Ruder (violin), Beatriz Budinsky (violin), and Thomas Putsche (conductor); (side 2) Lonesome tones and sudden dances – Moderate and fast, First Air (without flute), Second Air (with Flute), Finale (fast) a quintet by Timothy Cheney with Stanley Aronson (flute), Bernard Lurie (violin), Marie Blewett (viola), Marianna Wilcox (cello), Bertram Turetzky (contrabass); Concert for contrabass and percussion – Lively, Lamentations by Eugene Martin with Hartt Percussion Ensemble, Bertram Turetzky (contrabass), Alexander Lepak (conductor); Three songs for high voice and flute – Papillon (Eugene Rombert), La Mort des Oiseaux (Francois Coppe'e), A Paris (Eugene Rombert) by Suzanne Kirby with James Mitchell (tenor), AND Priscilla Thompson (flute); Improvisation and scherzo for horn, oboe, and strings by Isadore Freed with Hartt String Orchestra, Joseph Eger (Guest Artist - horn), Harvey Goldstein (oboe), and Dr. Moshe Paranov (conductor).

Audio recording of THE RAKE'S PROGRESS (Igor Stravinsky – Music, W. H. Auden and Chester Kallman – Libretto), performed by the Hartt Opera-Theater Guild on April 27, 1974. The performance was conducted by Moshe Paranov and produced/directed by John J. Zei.

Audio recording of portions of a concert of new music by the Electronic Music Studio on October 12, 1982. The recording includes: Rimembranza for solo flute by Daniele Zanettovich featuring Wayne Pierce (flute); Ghosts for bassoon and tape by Elizabeth R. Scheidel featuring Davis Fox (bassoon); Songs I-IX by Stuart Smith featuring Juliet Dodge (speaker).

Audio recording of the Electronic Music Studio's concert of contemporary chamber on June 19, 1970 in Bliss Auditorium. Audio recording includes Invention number three by Gustava Ciamaga; premiere of The magi by Norman Waite with Sherry Dorn (narrator) with text by W.B. Yeats; Duo for violin and piano by Alvin Epstein featuring Bernard Lurie (violin) and Chester Swiatkowski (piano); Piece for one or more dancers by Anthony Gnazzo featuring Sherry Dorn (dancer); premiere of Something else by Edward Diemente featuring Roger Murtha (trumpet); The anti-man vision by Stuart Smith featuring Sylvia Smith (new music politician), Sherry Dorn (actress), Ken Dorn (music teacher), Dave Johnson (Uncle Sam), Rick Miller (technician); premiere of Today was tomorrow just yesterday by Ken Dorn; Three nocturnes by Allen Hoffman featuring Sherry Dorn (dancer), Irving Austin (percussion), Henry Larsen (clarinet), Leland Tolo (double bass), with visuals by Elizabeth Wason; premiere of Study in three parts by Estrid Welwood; premiere of The seven last days by Edward Miller featuring tape, text by Donald Justice, film by Abbot Meader, Irving Austin (percussion), Hartt students and faculty (mixed chorus), with William Willett (conductor).

Audio recording of Henry Larsen and Friends: An evening of new music performed at the Gengras Student Union's South Cafeteria and Suisman Lounge on April 18, 1971. The recording includes: The essence of ampersand (E-flat clarinet and percussion) (1970) by Raymond Weisling; Sensations (Clarinet and electronic tape)(1970) by Burton Beerman; Duo (1970) by William Sydeman; Berceuses du chat by Igor Stravinsky; Trio (clarinet, guitar and violoncello) (Premiere) by Arnold Franchetti; Improvisation (For mural and people) by Larsseldorf with mural by Gail Martin. Guest artists include: Irving Austin, Edward Miller, Leland Tolo, Kenneth Lagace, William Willet, Deborah Lancman Mordis, Richard Provost, Lorie Kirkell, Eric Norman, Philip Bowler, Eugene Bozzi, Stuart Smith, Roger Murtha, and Dave Johnson.

Audio recording of Hartt College organ students at the Hartt College Organ Workshop on June 6, 1972 on a Gress-Miles organ (1970). The recording includes Triptych – Toccata: The world; Fugue: The adoration of the crucified; Aria: Song of the redeemed soul by Jan Bender performed by James Metzler; Triplum on "Veni creator spiritus" – Introduction: etwas frei; Trio: sehr langsam; Allegro by Augustinus Franz Kropfreiter performed by James Metzler; Organ fanfare on the "Gaudeamus" by Edward P. Diemente performed by John Ayer; Gestures by Joseph Mulready performed by Bruce Henley (premiere dedicated to Mr. Henley); Fantaisie by André Fleury performed by Bruce Henley; A prophecy by Daniel Pinkham performed by Dianne Kyrcz; Diptyque: Dialogue, Fantasie by Jaap Dragt performed by Dianne Kyrcz; Communion: Messa de la Pentecôte, Les oiseaux et las sources by Olivier Messiaen performed by Patrick Lydick; Fontana mix by John Cage featuring Patrick Lydick with Jay Girill (saxophone) and Stuart Smith (percussion); [Title missing]: Andante, Allegro, Larghetto, Vivace by Vincent Persichetti performed by Gregory Dlugos.

Includes the program, audio, video, and PowerPoint presentation of Steven Wilkinson's lecture recital Take a Deep Breath featuring Steven Wilkinson (tuba) and Elisabeth Tomczyk (piano) on October 10, 2021 in Room 21.

MOTET: JESU, MEINE FREUDE, J. S Bach; CAROLS FROM MANY LANDS -- Around the Manger - In Dulci Jubilo - Sleep, My Child Jesus - Companions All Sing Loudly - The Coventry Carol - And the Trees Do Moan – Psallite; THE SHEPHERD TO HIS LOVE, J. Soifer; LYRIC POEM, R. Lombardo; THREE SHAKESPEAREAN MADRIGALS, M. Mailman; ALICE IN WONDERLAND: 1. The Lobster Quadrille, 2. Lullaby of the Duchess, 3. Father William, I. Fine; Cantata: Song of the Birth of Christ, M. Charpentier [INSTRUMENTALISTS Flute: Paullette LaPlante, Oboe: Harvey Snitkin, Bassoon: Polly Harrington, Clarinet: Barbara Kolb, Piano: Rosario Valls, Harpsichord: Rosario Valls].

Audio recording of the faculty recital by Richard Provost (guitar) on November 6, 1967. Recording includes: Six pavanas and Fantasia by Luis Milan; Galliard and Fantasie, by John Dowland; Bourree, Sarabande, Courante, and Gavotte, by Johann Sebastian Bach; Fugue, by Manuel M. Ponce; Fiver diversions, by Alexander Bellow; Three preludes and Three etudes, by Heitor Villa-Lobos.

Audio recording of the four piano concert on December 2, 1967 featuring Raymond Hanson, Irene Kahn, Moshe Paranov, and Elizabeth Warner. Recording includes: Sonata in D major – Allegro, Andante, Allegro, by Mozart; Carmen fantasy, by Chasins; Rondo, by Smetana; Arabesque no. 1 in E major, by Debussy; Arabesque no. 2 in G major, by Debussy; Valse birllante, by Moszkowski; Jesu, joy of man's desiring, by Bach; Six waltzes from the 'Liebeslieder', by Brahms; Parade, by Chasins; L'invitation a la valse, by von Weber; Prelude in G minor, by Rachmaninoff; Hungarian rhapsody, no. 2, by Liszt.

Audio recording of a special fiftieth anniversary concert by Pinchas Zukerman, Eugenia Zukerman, Raymond Hanson, and the Hartt Chamber Orchestra conducted by Vytautas Marijosius held on March 10, 1971. The recording includes: Trio sonata in A minor – Largo, Vivace, Affettuoso, and Allegro by Telemann featuring Pinchas Zukerman (violin), Eugenia Zukerman (flute) and Raymond Hanson (piano); Sonata in A – Allegretto ben moderato, Allegro, Recitative – Fantasia, Allegretto poco mosso, by Franck with P. Zukerman (violin) and Raymond Hanson (piano); Brandenburg concerto no. 5 – Allegro, Affettuoso, Allegro, by Bach with the Hartt Chamber Orchestra, with Pinchas Zukerman (violin), Eugenia Zukerman (flute) Raymond Hanson (piano), and Vytautas Marijosius (conductor).

Audio recording of an Evening with Guitar on March 31, 1998 in Wilde Auditorium. The recording includes: Fine knacks for ladies, Come heavy sleep, Come again! Sweet love doth now invite by John Dowland featuring Leah J. Villane (soprano) and Tom Doczi (guitar); From lute suite in A minor, BWV 995 – Prelude-presto, Cournate, Sarabande by Johann Sebastian Bach with Steven Sabet (guitar); folksong arrangements - I will give my love an apple, Sailor boy, Master Kilby, The soldier and the sailor, Bonny at Morn, The shooting of his dear by Benjamin Britten featuring Jennifer Tyo (soprano) and Roy Dumas (guitar); Sonata Concertata – I. Allegro spiritoso, II. Adagio assai espressivo, III. Rondeau by Niccolo Paganini with Emily Oberholtzer (guitar) and Aramaiti Prosch (violin); Suite of six trios – No. 1 Aubade – 'Morning song', No. 2 Rondo – 'This spring I'll be flooded', No. 3 Becoming water, No. 4 Impromptu, No. 5 Relic, No. 6 Initiation by Phillip Houghton featuring guitarists George Wanat, Steven Sabet, and Emily Oberholtzer; Brandenburg concerto No. 3 for guitar quartet by Johann Sebastian Bach featuring guitarists Jim Rickevicius, Lorena Garay, Dan Román, and Roy Dumas.

Audio recording of an Evening with Guitar on November 12, 1998 in Wilde Auditorium. The recording includes: Cello suite no. 3 – Prelude, Allemande, Courante by Johann Sebastian Bach featuring Emily Oberholtzer (guitar); Julia Florida and Vals, op. 8 no. 4 by Agustin Barrios with Steven Rutledge (guitar); Lute suite no. 3 – Prelude: presto, Courante, Sarabande by Johann Sebastian Bach featuring Steven Sabet (guitar); Nana, Asturiana, and Cancion by Manuel de Falla featuring Erica Shurtz (violin) and Steven Sabet (guitar); Cello suite no. 1 – Sarabande, Menuets I and II, Gigue by Johann Sebastian Bach with Brad Zabelski (guitar); Der wanderer by Franz Schubert with Erica Evelock (soprano) and Alex Walker (guitar); Schäfers klagelied and Greisengesang by Franz Schubert featuring Kimberly Bennett (mezzo-soprano) and Alex Walker (guitar); G minor sonata for solo violin – Fuga, Siciliano by Johann Sebastian Bach with Alex Walker (guitar); La source du lyson, op. 47 – Introduction, Andante sostenuto, Rondeau villageois by Napoleon Coste featuring Roy Dumas.

Audio recording of an Evening with Guitar on December 3, 1998 in Wilde Auditorium. The recording includes: Cello suite no. 3 – Sarabande, Bourree, Gigue by Johann Sebastian Bach featuring Emily Oberholtzer (guitar); Six haiku by Gilbert Biberian with Jim Rickevicius (guitar); Madrigal by David Macbride featuring guitarists Jeremiah Crowley and Jim Rickevicius; Sonata in A minor – Adagio, Allegro, Adagio, Giga by J.B. Lloeillet de Gant with Joy Zalkind (flute) and Joel Roston (guitar); Song of Ararat – Yérzenga, Yéraz, Lépo Lélé, Alakiaz, Shooshigi by Loris Chobanian featuring guitarists Jim Rickevicius, Roy Dumas, and Alex Walker.

Audio recording of an Evening with Guitar on April 1, 1999 in Wilde Auditorium. The recording includes: Sonatina, op.205 – Allegretto grazioso, Tempo di Siciliano, Scherzo-Rondo: Allegretto con spirito by Mario Castelnuovo-Tedesco featuring Lynette Stoyles (flute) and Roy Dumas (guitar); Valse, op. 8, no.3 and Julia Florida by Augustin Barrios Mangore with Emily Oberholtzer (guitar); Cello suite no. 2 – Prelude, Allemande, Courante by Johann Sebastian Bach featuring George Wanat (guitar).

Program and audio recording of DMA recital by Lilia Il Hong Shin (soprano) with Eric Trudel (piano), Saerom Kim (clarinet), and Alexis Hartman (echo) on December 21, 2019 in Berkman Recital Hall.

Includes the program, slides, and both video and audio recordings of DMA lecture recital presented by Yuhong Tu (violin), "Too Modern or Not Modern Enough?: An Introduction to the Solo Violin Chaconnes of J. S. Bach and Max Reger" presented on October 23, 2020 in Fuller Music Center, Room 21.

Audio recording of Music of Robert Myers in the Berkman Recital Hall on May 3, 1971. The recording includes: Three inventions written for and performed by Jay Girill (saxophone) and Dennis Godburn (bassoon); Four pieces with Ruth Boedecker (violin) and Vincent Badala (piano); Improvisations with tape featuring David Johnson (trumpet) and Stuart Smith (percussion); Three short pieces with Jay Girill (saxophone) and Elyse Zarahn (piano); Fantasy duos featuring Jay Girill (saxophone) and Stuart Smith (percussion); Trio with Jay Girill, Dannis Godburn (bassoon), and Larry Rawdon (violoncello).

Audio recording of the Hartt Symphonic Wind Ensemble with guest conductor Henry Larsen on Thursday, March 8, 1973 at 8:00 p.m. in Millard Auditorium. Recording includes: NONET IN F MAJOR OP. 31 - Allegro, Scherzo/Allegro, Adagio, Finale/Vivace by Ludwig Spohr (32:55); premiere performance of LYRIC PIECES FOR OCTET – Lyrico, Cantando, Larghetto, Moderato, Scherzando by Joseph Del Principe (1972, 11:94); EBONY CONCERTO - Allegro Moderato, Andante, Moderato by Igor Stravinsky (1946, 10:00) featuring Teresa Quirk – clarinet; CONCERTO FOR FLUTE AND WIND SYMPHONY ORCHESTRA by Henk Badings (1963, 11:45), featuring John Lagerquist – flute.

File includes program and audio recordings of the first DMA recital by Jimin Han (piano) with Sulina Baek (flute) and Hyojun Kim (clarinet) on May 20, 2019 in Berkman Recital Hall.

Audio recording of Public Works '99, a student-run showcase of new music by Hartt composers, on April 14, 1999. The recording includes: Traffic Stains by John Tarantula performed by Lucas Marquardt, John Orgar, Harmon Steiner (cello) and Michael DiRoberts (timpani); [SR] by Eric Bernasek featuring Jobie Harrell and Brad Walsh (oboe); Classical guitar piece no. 1 by Rebecca Wright with Roy Dumas (guitar); String quartet-movement 1 by Scott Genereau featuring Elizabeth Guerriero, Aimee Morrill (violin), Cynthia Pollsen (viola), and Rebekah Hood (cello); Intersect by Gene V. Baker [performers unidentified]; Eclectronic fiasco by Peter Kemble; Barbaric dances by Peter Yelagin with Abby McGough (flue) and Kathryn Hufnagle (cello); 369 by Justin David Casinghino featuring Justin Casinghino (piano and vocals), Philip Sherwood (trumpet), Andrew Schmidt (bass), and Emre Ersenkal (drums); FECNAHF by Eric Bernasek; Viola sonata – 2nd movement by Arlene Connaway with Bobi Ezrova (viola).

Audio recording of the Hartt Madrigal and Hartt Chamber Singers conducted by Gerald Mack and accompanied by Joseph Singer. The recording contains performances by the Hartt Madrigal Singers including: Choruses from The lark by Leonard Bernstein featuring soloists Robin Sahner and James Pajak; Neue liebeslieder waltzer (New liebelieder waltzes) opus 65 by Johannes Brahms featuring Ann Koscielny and Raymond Hanson (pianists), with soloists Jackie Dale, Stephanie Moore, Iva Peterson, Cynthia Wormley, Peter Harvey, Robert Stoeckle. Performances by the Hartt Chamber Singers include: Song of praise by Heinrich Schutz; Ave Maria by Tomas Luis De Victoria; Behold I build an house by Lukas Foss, featuring James Frazer (organ); Cantata misericordium by Benjamin Britten, featuring Howard Sprout (baritone), Peter Shea (tenor), Phyllis Wright (harp), with Chamber Orchestra and Graduate String Quartette with Stanley Chepaitis (1st violin), Margaret Baker (2nd violin), Michael Moody (viola), and Jacob Kowalski (cello).

Audio recording of the Hartt College Percussion Ensemble in Bliss Music Room on December 10, 1972. The recording includes: Three Episodes: Largo, allegro, Largo, Allegro vivo by John O'Reilly and conducted by Douglas Jackson; Trio from Ploner Musitag (In three movements) by Paul Hindemith; Cortege (In sex sections) by Matthias Bamert; Sketch for percussion by Ronald LoPresti and conducted by Douglas Jackson; premiere performance of Two for four: Glass, James Balfour by Stuart Smith; Dream: Scene I-Moderato, Scene II-Andante, Scene III-Moderato by Ron Delp with conductor Douglas Jackson; and the premiere performance of Quartet for percussion by Raymond Vakel.

Audio recording of The Institute of Contemporary American Music featuring Music by Israeli composers on April 19, 1973 in Millard Auditorium. The recording includes: Destination five minutes by Noam Sheriff, performed by the Hartt Symphonic Wind Ensemble and conducted by Douglas Jackson; Concerto no. 6 for piano and electronic accompaniment by Josef Tal and performed by Josef Tal (piano); Sing, o barren – Sing, o barren, Enlarge the Place of thy tent, For thou shalt break forth on the right hand and on the left, For they maker is thine husband, the lord of hosts is his name by Paul Ben-Haim featuring Robin Sahner (alto); My hear is steadfast – Praeludium, Psalmodia, Oratio by Benjamin Bar-Am featuring Stephanie Moore (mezzo-soprano); and Yedidoth by Ben-Zion Orgad, performed by the Hartt Chamber Singers and conducted by Gerald Mack.

Audio recording of a faculty recital by Joan Glazier with Hartt faculty member Herbert Chatzky (piano) on October 24, 1967 at 8:30p.m. in Millard Auditorium. Program includes: 'TIS NATURE'S VOICE by Henry Purcell; CEASE, O MY SAD SOUL by Henry Purcell; MI TRADI QUELL' ALMA INGRATA' by Wolfgang Amadeus Mozart; AUS! AUS! by Gustav Mahler; WER HAT DIES LIEDLEIN ERDACHT?, by Gustav Mahler, SCHEIDEN UND MEIDEN by Gustav Mahler; BEAU SOIR by Claude Debussy; MANDOLINE by Claude Debussy; ROMANCE by Claude Debussy; DEPUIS LE JOUR by Gustav Charpentier; DEUX MELODIES HEBRAIQUES - I. Kaddisch and II. L'Enigme Eternelle by Maurice Ravel; MAH GODLU by Abraham Ellstein; RAIN HAS FALLEN by Samuel Barber; SLEEP NOW by Samuel Barber, and I HEAR AN ARMY by Samuel Barber.

Audio recording of the Hartt Symphony Orchestra conducted by Moshe Paranov with guest artists Grant Johannesen (piano) and Zara Nelsova (violoncello) on October 18, 1970. Recording includes: First symphony (in one movement), by Samuel Barber; Concerto no. 3 for piano and orchestra – Allegretto, Adagio religioso, Allegro vivace, by Bela Bartok featuring Grant Johannesen (piano); Concerto for violoncello, opus 104 – Allegro, Adagio man non troppo, Allegro moderato, by Antonin Dvorak featuring Zara Nelsova (violoncello).

Audio recording of a faculty recital by Joan Glazier (Soprano) with accompanist Gilda Glazer* on Sunday, November 14, 1971 at 3:30 p.m. in Millard Auditorium. Recording includes: Reel 1, side 1 - BESS OF BEDLAM by Henry Purcell (412); WHAT CAN WE POOR FEMALES DO? by Henry Purcell (133); LET THE BRIGHT SERAPHIM (FROM "SAMSON") by G. F. Handel (5.98), featuring Roger Murtha* - trumpet; IL MIO BEN QUANDO VERRA by Giovanni Paisiello (5.69); SE FLORINDO È FEDELE by Alessandro Scarlatti (2.17); IL CAPRO E LA CAPRETTA (FROM "LE NOZZE Dl FIGARO'') by W. A. Mozart (3.49); SULEIKA by Franz Schubert (7.55). Reel 2 - DIE LIEBE HAT GELOGEN by Franz Schubert (240); GRETCHEN AM SPINNRADE by Franz Schubert (389); ABSCHEULICHER! WO EILST DU HIN? RECITATIVE AND ARIA (FROM ''FIDELIO") by Ludwig van Beethoven (7.40). Reel 1, side 2 - LIA'S RECITATIVE AND ARIA (FROM "L'ENFANT PRODIGUE'') by Claude Debussy; THREE SONGS WITHOUT WORDS – Arioso, Ballad, Sephardic Melody by P. Ben-Haim (342, 299, 294); ANDROMACHE'S FAREWELL by Samuel Barber (1560). *Hartt College faculty member.

Video, audio, and PowerPoint presentation of DMA conducting lecture recital by Michael Carney on April 12, 2021 in Lincoln Recital Hall featuring Rachel Corliss (soprano), Ellie McCormick (soprano), Abby White (alto), Matthew Bridgeman (tenor), Zac Burns (bass), and Zach Reggio (bass).

Audio recording of the November 12, 1961 3:30pm and 7:45pm Institute of Contemporary American Music (ICAM) programs. Side 1 of the recording includes the afternoon program: Quartet by Peter Westergaard featuring Phillip Ruder (violin), Henry Larsen (clarinet), Marilyn White (cello), James Fardy (percussion), and conducted by Alvin Epstein; Cantata no. 2 by Peter Westergaard performed by the Chamber Orchestra with Philip Treggor (bass) and conducted by Thomas Putsche; String Quartet by Alvin Epstein; Letters found near a suicide by Earl Kim (text by Frank Horne) with Elizabeth Barrett (soprano) and William McKim (piano); Woodwind Quintet by Gunther Schuller performed by the Hartt Woodwind Quintet with Carl Bergner (flute), Harvey Goldstein (oboe), William Goldstein (clarinet), James Jacobs (horn), and Robert Schaffer (bassoon).

Recording includes: TRIO SONATA IN F MAJOR FOR RECORDER, VIOLIN AND CONTINUO – Largo, Allegro, Lareo, llegro, Jean Baptiste Loeillet; SONATA IN C MAJOR FOR RECORDER AND CONTINUO – Adagio, Allegro, Larco, Presto, Francesco Barsanti; CANTATA IN G MINOR ''AM DRITTEN PFINGSTFEIRTAGE'' FOR ALTO, VIOLIN AND CONTINUO – Aria, Recitative, Aria, Georg Philipp Telemann; SONATA IN A MINOR FOR RECORDER AND CONTINUO, George Frederick Handel; CONCERTO IN F MAJOR FOR RECORDER, VIOLIN, VIOLONCELLO AND CONTINUO – Allegro, (Largo), Allegro, Antonio Vivaldi

Recording of Raymond Hanson, Pianist, Assisted by Leonard Seeber (at the paino), Alexander Lepak (percussion), and Joseph Porcaro (percussion) performing:

Audio recording and program of a DMA recital by Bonan Xing with Chenyu Wang (piano), Cihan Yucel (piano), and Yuhao Chung (violin) on May 10, 2018 in Berkman Recital Hall.

Audio recording and program of a DMA recital by Cihan Yücel (piano) with Carissa McQuaid (violin) and Estefan Perez (cello) on February 8, 2020.

Audio recording of Donizetti's Don Pasquale performed by the Hartt Opera-Theater of the University of Hartford on April 26, 1961 at the Talcott School, Elmwood (West Hartford, Connecticut). Music by Gaetano Donizetti, English version by Phyllis Mead, libretto by Michele Accursi (Giacomo Ruffini), with Musical Director Moshe Paranov, Production Manager Irene Kahn, Chorus Director Louis Pellettieri and Stage Director Elemer Nagy. Cast includes: Benjamin Thomas (Don Pasquale), James Mitchell (Ernesto), Richard Christopher (Dr. Malatesta), Joan Glazier (Norina), Thomas Battista or David Goodine (A Notary), and ensemble of servants.

Audio recording of DMA recital by Noah Redstone on October 24, 2020.

Audio recording of A concert of student compositions on December 15, 1971 in Millard Auditorium. The recording includes: Four duos for flute and clarinet by Cyrus Stevens featuring David Machell (flute) and Jean Frey (clarinet); Two pieces for violin and viola by Peter Woodard with Susan Freed (violin) and Cyrus Stevens (viola); Self-reliance (by Ralph W. Emerson) by James P. Canavan; In good time, o comfort by James P. Canavan featuring David Fuller (baritone) and Susan Olenwine (piano); Two aspects for piano by Kevin Byrnes with Jenny Robinson (piano); Seascape by Gilbert Mora with Robert Portera (piano); The Toy Box: Child Playing alone, Playing Soldiers, Homage to a dead goldfish by Gilbert Mora; S.F. (three songs): Point Lobos-animism by Michael McClure, Course college graduation, Address-philosophy by Lew Welch, The song Mt. Tamalpais sings by Lew Welch by David Macbride featuring Cathy Hanson (soprano) and Joseph Jacovino (piano); 'Mine and yours; mine not yours.' (R.W. Emerson) Music for viola by Patricia Mikishka featuring Kevin Byrnes (viola) and Leo Robinson (piano); One for J.C. by Stuart Smith with Jay Girill (saxophone) and Dennis Godburn (bassoon); Lllousana S. (by Frank Herbert) by James Theobald featuring Cyrus Stevens (violin), David Macbride (viola), Joe Kalisman (cello), Patricia Beatty (soprano), and James Theobald (conductor); Trio in three movements for clarinet, horn, and cello by Kenneth E. Patten with William McNamara (clarinet), Elizabeth Enagonio (horn), and Joe Kalisman (cello); A gift for Bessie by Stuart Smith featuring Ruth Boedecker (violin), Dennis Godburn (bassoon), Patrick Lydick (piano), and Stuart Smith (percussion).

Audio recording of Bela Urban (violin) and Leo Rewinski (piano) on March 16, 1959. Recording includes: SONATA IN G MAJOR, Op. 30, No. 3 - Allegro assai, Tempo di Minuetto, and Allegro vivace by Beethoven; SONATA FOR VIOLIN AND PIANO – Allegretto, Blues, Perpetuum mobile by Ravel; SONATA No. 3 IN D MINOR, Op. 108 – Allegro, Adagio, Un poco presto e con sentiment, Presto agitato by Brahms.

Consists of Grant Johannesen, Pianist, Assisted by the Hartt Symphony Orchestra with Moshe Paranov, Coducting, performing:

Audio recording of the Hartt Symphony Orchestra conducted by Vytautas Marijosius on May 20, 1965. Recording includes: Ouverture "Zu Den Hebriden" Op. 26, by Mendelssohn-Bartoldy; Symphonie No. 4 in C Minor (Tragische) – Adagio – Allegro vivace, Andante, Menuetto – Allegro vivace, Allegro, by Franz Schubert; Concerto No. 5 in E Flat Major, op. 73 – Allegro, Adagio un poco mosso, Rondo-allegro, by Ludwig Van Beethoven with Machiko Kawahata (piano).

Audio recording of the Hartt Symphonic Wind Ensemble conducted by Donald A. Mattran with guest artist Donald Sinta on March 10, 1968. Recording includes: Good Friday Spell from Parsifal, by Richard Wagner; Concerto for saxophone – Meditative, Rhythmic, by Paul Creston featuring Donald Sinta (saxophone); Scherzo (over the pavements), by Charles Ives; Rondino in E flat major, by Ludwig von Beethoven; The answered question – Appassionata, Molto adagio e intenso, by Norman Dinerstein; Lincolnshire posy – Dublin Bay, Harkstow grange, Rufford Park poachers, The brisk young sailor, Lord Melbourne, The lost lady found, by Percy Grainger.

Audio recording of Itzhak Perlman (violin) accompanied by Samuel Sanders (piano) on November 20, 1973. The recording includes: SONATA NO.2, Brahms; DIVERTIMENTO, Stravinsky; SONATA IN D MAJOR, NO. 1, Beethoven; THREE CAPRICES – 5, 9, 24, Paganini; DANCE OF GOBLINS, Rachmaninoff.

Audio recordings of a DMA piano recital by Yujin Lee on November 11, 2017.

Audio of DMA recital by Sandro Ladu (violin) with Ina Jun (piano) on May 7, 2021.

Audio recording of Kenneth Lagace assisted by Terrie Lagace and the Clarinet Consort on October 6, 1980. The recording includes: Introduction, theme, and variations, opus 8 from "Sehnsuchts-Walzer" by Franz Shubert by Ferdinand David (Revised by Simeon Bellison); Sonate (1939) – Massigbewegt, Lebhaft, Sehr langsam, Kleins rondo, gemachlich by Paul Hindemith; Abime des Oiseaux by Olivier Messiaen (from Quator pour la find du Temps); Andantino by Eugene Bozza (from Concerto for clarinet); Prayer by Engelbert Humperdinck (from Hansel and Gretel; Variations (on a pavane for Krummherns by Hermann Schein) by David Kraehenbuehl; Music for Four Clarinets (1954) – Liedchen, Notturno, Fanfare by Arnold Franchetti; Jour D'Ete a la Montagne – Pastorale, Aux bords du torrent, Le chant des forets, Rondeby Eugene Bozza; Nocturne by Claude Debussy; Quartets 14 and 21 – Allegre, Moderato by Paul Jeanjean; Adagio by Wolfgang Amadeus Mozart (from Serenade no. 11 in E flat, K. 375.

Recording includes: SENTIMIENTO, Manuel Infante, performed by Irene Kahn and Moshe Paranov; PETITE SUITE -En Bateau, Cortege, Menuet, Ballet, Claude Debussy, performed by Irene Kahn, Raymond Hanson, Moshe Paranov, and Elizabeth Warner; PARIS SUITE -Montmartre, L'ile Saint-Louis, Montparnasse, Bateaux Mouches, Longchamp, La Tour Eiffel, Darius Milhaud performed by Irene Kahn, Raymond Hanson, Moshe Paranov and Elizabeth Warner; SONATA –Prelude, Rustique, Final, Francis Poulenc performed by Elizabeth Warner and Raymond Hanson; LE CARNAVAL DES ANIMAUX - Introduction et Marche Royale du Lion –Hemiones, Tortues, L'Elephant, Kangourous, Aquarium Le Coucou an fond des bois -Voliere, Fossiles, Le Cygne, Charles Camille Saint-Saens, performed by Irene Kahn, Raymond Hanson, Moshe Paranov and Elizabeth Warner, Narrator - A. M. Woodruff, The Elephant -Bertram Turetzky, The Swan -David Wells, The Fossils -Alexander Lepak, and The Bird - Carl Bergner

Audio recording of a program of premieres by Bert Lucarelli on January 16, 1971 at the Alice Tully Hall of Lincoln Center in New York, NY. The recording includes: *Piece for a man alone for oboe and strings by Franchetti with Bernard Lurie (violin), Robert Glazer (viola), and Paul Olefsky (cello); *Poem number seven for solo oboe by David Gilbert; *A sunday in hohocus o not a day to joke us so for love or sunny land oh bo don't be funny and go cuss hocuspocusdominocus cuz no focus unshaped taped gaped or creped sonic tonic or sterophonic electronicmusic don't go cuz folk assume if you're heard one you've heard them all and that's what gets my goat by [Michael?] Czajkowski; **Sequenza VII for oboe by Berio with Leonard Raver. *First performance. **First New York performance.

Audio recording of an Evening with Guitar on April 8, 1999 in Wilde Auditorium. The recording includes: Aubade, Rondo, Becoming water, Impromptu, Relic, and Initiation by Philip Houghton performed by Steve Rutledge, Keir Berman, and Brad Zabelski (guitars); Unidentified piece with flute and guitar; Etude #6 by Heitor Villa Lobos; Elogio de la Danza by Leo Brouwer featuring George Wanat (guitar); Quimeras – Lento, Andante, Allegro, Lantano, Adagio by Dan Roman with Francine Hines (soprano) and Steve Sabet (guitar); from Scaramouche - Vif by Darius Milhaud featuring Roy Dumas, Jim Rickevicius, and Alex Walker (guitars).

Audio recording of the 12th Annual Festival of Jewish Music on March 19, 1961. The festival was organized by the Jewish Music Festival Committee of the Hartford Jewish Community Center in honor of Jewish Music Month. The recording includes: I. In Memory of Isadore Freed (1900-1960) - A Woman of Valor (Proverbs: Chapter 31), by Freed; Bless the Lord, O, My Soul, Psalm 103, by Freed; In Distress I Call Upon the Lord, Psalm 118, by Freed with soloist Richard Wolberg - Bass. II. Two Israeli Songs - Ashrey Ha'ish, by Zira with soloists Gloria Smith (soprano) and Richard Wolberg (bass); Shir Lasadnah, by Zira with the Hartt College Chorale conducted by Nathan Gottschalk. III. Variations and Dance by Paranov, Air, by Freed; Spinning Song by Mendelssohn with Irene Kahn and Moshe Paranov (pianists). IV. Presentations to Dr. Moshe Paranov by Louis K. Roth, President, Hartford Jewish Community Center. Intermission. Shir Hashirim (Song of Songs), by Saminsky; Chavatzeles Hasharon (The Rose of Sharon) from the Song of Songs: Chapter 2, 1-6, by Binder with Cantor Arthur Koret (tenor) and Sheldon Rosenbaum (piano). VI. Overture to Candide, by Bernstein; Kol Nidre, by Bruch (arranged by Lang); Jericho, by Gould with Hartt College Concert Band and conducted by Israel Kopmar.

Audio recording of the Black Sheep Ensemble with special guest Craig Betterman (drums) and guest conductor David Ozab on May 10, 1999 in Blass Auditorium. The Black Sheep ensemble includes Jonathan Girard (saxophone), Roy Dumas (acoustic and electric guitars), Leigh Stuart (cello), Brian Coughlin (double bass and electric bass), Gabriel Lofvall (piano), and Kenyon Williams (percussion). The recording includes: Cobra by John Zorn; Kumbengo by Gregg Koyle featuring Jonathan Girard (saxophone) and Kenyon Williams (percussion); A fork in the road by David Ozab featuring Brian Coughlin (double bass); Don't stop by James Sellars; The black page by Frank Zappa featuring Craig Bitterman (drum set); King kong by Frank Zappa; Insomnia by David Ozab; Sonata no. 1 – II, IV by Alberto Ginastera featuring Gabriel Lofvall (piano); and Spain by Chick Corea.

Audio recording of the February 6, 1986 Hartt Opera/Music Theater production of The apple tree with book, music and lyrics by Sheldon Harnick and Jerry Bock, with additional book materials by Jerome Coopersmith, and directed by Adelaide Bishop in Millard Auditorium.

Audio recording of the February 7, 1986 Hartt Opera/Music Theater production of The apple tree with book, music and lyrics by Sheldon Harnick and Jerry Bock, with additional book materials by Jerome Coopersmith, and directed by Adelaide Bishop in Millard Auditorium.

Audio recording of An Evening with Hartt Opera Theater under the direction of Elemer Nagy on May 29, 1969 in Millard Auditorium. The recording includes: "The simple joys of maidenhood" from Camelot by Alan Jay Lerner (lyricist) and Frederick Loewe (composer), performed by Gloria Capone; "The man who feels sweet love's emotion…" by Mozart from The magic flute, performed by Rochelle Stein and Kenneth Styles; "Voi che Sepete…" by Mozart from The marriage of figaro, performed by Gail Malmuth, Ursula Goodine, Cheryl Kemeny, and Victoria Day; "Any girl fifteen or over" by Mozart from Cosi fan tutte, performed by Elaine Freedman, Saundra Gosselin, and Rachelle Stein; "Habanera" by Georges Bizet from Carmen, performed by Jennifer Jones, Thomas Sullivan, and ensemble; "Ave Maria" by Giuseppe Verdi from Othello, performed by Janet Zito; "Vesti la guibba" by Ruggero Leoncavallo from Pagliacci, performed by Jeremiah Griffin; "Vissi d'arte" by Giacomo Puccini from Tosca, performed by Ursula Goodine and Daniel Parker; "Flower duet" by Puccini from Madama Butterfly, performed by Stephanie Conte and Despina Yalanis; "Nessun dorma" by Puccini from Turandot, performed by Russel Kierig; scene from Sister Angelica by Puccini, performed by Sally Williams and Darlene Gayles; [tape b] Quintet from Act II from Carmen by Bizet, performed by Sally Williams, Saundra Gosselin, Deborah Lancman, Howard Gruber, Daniel Parker; Act II, scene 3 from Susannah by Carlisle Floyd, performed by Alexis Providakes and Wayne McCalla; Act III, scene 1 from Hamlet by William Shakespeare, performed by Jeffrey Weller and Deborah Houston; "In the Garret" Act IV from La Boheme by Puccini, performed by Saundra Gosselin, Elaine Freedman, Thomas Sullivan, Daniel Parker, Anthony Francalangia, and Ferenz Gall. Musical coaches and accompanists include: Irene Kahn, Laura Gaudet, and Herbert Chatzky.

Audio recording of the Hartt Opera-Theater Guild's production of The pearl fishers by Georges Bizet, libretto by Eugène Cormon and Michel Carré, translated into English by Geoffrey Dunn, with musical direction by Moshe Paranov, and production directed and designed by Elemer Nagy on February 25, 1971 in Millard Auditorium.

Audio recording of the Hartt Opera-Theater Guild's production of The pearl fishers by Georges Bizet, libretto by Eugène Cormon and Michel Carré, translated into English by Geoffrey Dunn, with musical direction by Moshe Paranov, and production directed and designed by Elemer Nagy on February 26, 1971 in Millard Auditorium.

Audio recording of the Hartt Opera-Theater Guild's production of The pearl fishers by Georges Bizet, libretto by Eugène Cormon and Michel Carré, translated into English by Geoffrey Dunn, with musical direction by Moshe Paranov, and production directed and designed by Elemer Nagy on February 27, 1971 in Millard Auditorium.

Recording includes: CONCERTO FOR FOUR PIANOS, Op. 230, Czerny; SCARAMOUCHE – SUITE FOR TWO PIANO – Vif, Modere, Brasileira , Milhaud, performed by Irene Kahn and Moshe Paranov; ERNANI, INVOLAMI FROM ERNANI, Verdi, performed by Francesca Roberto; HEIMLICHE AUFFORDERUNG, Op. 27, No. 3, Richard Strauss; RAUM DURCH DIE DAMMERUNG, Op. 29, No. 1, Richard Strauss; AI GIA VINTA LA CAUSA! AND VEDRO MENTR' IO SOSPIRO FROM ACT III OF LE NOZZE DO FIGARO, Mozart, performed by Arthur Thompson; CHILDREN'S PIECES, Bizet; MARCH – SUITE No.2, Op. 17, Rachmaninoff, performed by Elizabeth Warner and Raymond Hanson; Le Carnaval des Animaux, Saint-Saëns, narrated by Jean Colbert and Edward M. Carter.

Audio recording of Carmen (by Georges Bizet, translated by Ruth and Thomas Martin) performed by the Hartt Opera-Theater Guild, conducted by Moshe Paranov, directed by John J. Zei. Contents: Reel 1: Act I, Reel 2: Act II, Reel 3: Acts III and IV.

Includes audio recording with program of DMA lecture recital by Jed Blodgett presented on March 27, 2021 in Berkman Recital Hall.

Audio recording of the Institute of Contemporary American Music (ICAM) on March 19, 1970. The recording includes: Soliloquy and Duet composed and performed by John Eaton (Synket); Ballad by Salvatore Martirano featuring Jennifer Jones (voice), Linda Mitchell (flute), Michael Bocchicchio (double bass), Jeffrey Lowden (trombone), David Macleen (viola), Kenneth Dorn (saxophone), Richard Leport (percussion), and Stuart Smith (percussion), with the Hartt College Players, staging with Anthony Morli, and conducted by Alvin Epstein; Collage (Film and percussion tape) by Allen Hoffman featuring Kenneth Dorn (saxophone) with drawings and etchings by Kaethe Kollwitz; Piece for one of more dancers by Anthony Gnazzo featuring the Hartford Ballet Company's Hartford Modern Dance Theatre with choreography by Enid Lynn; Eidesis by Alcides Lanza featuring the Hartt Chamber Orchestra conducted by Donald Mattran; Three pieces for strings, winds, percussion and tape by Ross Lee Finney with the Hartt Chamber Orchestra with Stuart Smith (technician) and Nathan Gottschalk (conductor).

Audio recording of the music of David H. Macbride and Stuart S. Smith on May 13, 1972 in Bliss Music Room. The assisting artists include Cathy Hanson (soprano), Valeria Orlando (soprano), Ruth Boedecker (violin), Susan Krongold (violin), Catherine Monts (violin), Cyrus Stevens (violin), Julie Charland (cello), Dennis Godburn (bassoon), Jay Girill (saxophone), Edward Diemente (keyboard), and Pat Lydick (keyboard). The recording includes: Duo by David Macbride; 3 for 2: Across the Kennebec, The forks, Caratunk by Stuart Smith; Show off by David Macbride; Illegal Tender: Feat-at the mint, Counter feat by David Macbride; Gift for Bessie by Stuart Smith; Quartet no. 3 by David Macbride; S.F. (three songs): Point Lobos: Animism – Michael McClure, College course graduation address/philosophy – Lew Welch, The song Mt. Tamalpais sings – Lew Welch by David Macbride; Here and there a flower frozen by Stuart Smith; Fourth Way by David Macbride featuring Bernard Klinger (viola) and Susan Olenwine (piano) [program note indicates April 18, 1971].

Audio recording of the Festival of Early Music program The Battle of Styles: French vs. Italian Baroque Music on March 19, 1961 under the direction of Josef Marx with soloists Richard Christopher (baritone) and Sandra Darling (soprano). Recording includes: Concerto Grosso No. IV "Quis Hic? In A Minor – Sonata, Aria, Grave Aria, Borea by Georg Muffat; Cantata: "Thetis" – Prelude, Recitatif, Air, Recitatif Air, Recitatif, Air Gracieux by Jean-Phillipe Rameau; Concerto A Cinq Parties in E Minor – Allegro, Adagio, Allegro by Joseph Bodin de Boismortier; Cantata: "Su Le Sponde Del Tebro – Sinfonia, Recitativo, Sinfonia, Aria, Recitativo, Largo, Aria, Ritornelll, Recitativo, Aria by Alessandro Scarlatti; L'apotheose de Lulli by Francois Couperin.

Audio recording of Paranov Portrait a celebration of Moshe Paranov's 75th birthday. Recording includes: remarks from Vincent B. Coffin; Renato Bonacini (violin) and Ray Hanson (piano); Liebeslieder Waltzes, by Brahms featuring the Hartt Chamber Singers with Dr. Mack and accompanists Raymond Hanson and Ann Koscielny; Birthday Cantata performed by students of Hartt College; a film presentation narrated by Vincent B. Coffin; and speeches by Archibald Woodruff and Moshe Paranov.

Audio recording of the second day of the 23rd Annual Institute of Contemporary American Music with guest conductor Aaron Copland. Recording includes: Sextet by Aaron Copland featuring the Hartt String Quartet with Renato Bonacini (violin), Bernard Lurie (violin), Robert Glazer (viola), and Paul Olefsky (cello) along with Henry Larsen (clarinet) and Ann Koscielny (piano); Unvelopment by Edward Diemente with the Hartt Symphonic Wind Ensemble featuring Leland Tolo (double bass) and Donald Mattran (conductor); Canti for saxophone and winds by Arnold Franchetti with the Hartt Symphonic Wind Ensemble featuring Leland Tolo (double bass) and Donald Mattran (conductor); Versions for orchestra – Intro-, Extro-, In-, Con-, Re- by Thomas Putsche with the Hartt Symphony Orchestra and Vytautas Marijosius (conductor); Inscape by Aaron Copland with the Hartt Symphony Orchestra and Aaron Copland (conductor); Clarinet Concerto by Aaron Copland with the Hartt Symphony Orchestra featuring William Willet (clarinet) and Aaron Copland (conductor).

Audio recording of The Institute of Contemporary American Music featuring Music by Israeli composers on April 18, 1973 in Millard Auditorium. The recording includes: Monologue by Ben-Zion Orgad performed by Bernard Lurie (viola); Music for woodwinds, trombone, piano and double bass – Con moto, Moderato, Allegro by Noam Sheriff performed by the Hartt Symphonic Wind Ensemble, conducted by Donald Sinta, featuring Linda Mitchell (flute) and Stephen Jackson (trombone); Seven variations on C by Ben-Zion Orgad, performed by Raymond Hanson (piano); Concerto for violoncello and strings by Josef Tal, performed by the Hartt Chamber Orchestra, featuring Paul Olefsky (violoncello) and conducted by Renato Bonacini; Musical analysis of Kaleidoscope by Ben-Zion Orgad; Kaleidoscope for orchestra by Ben-Zion Orgad, performed by the Hartt Symphony Orchestra and conducted by Donald Mattran.

Audio recording and program of DMA recital by Julie Haring with Yujin Lee (piano) on October 20, 2019 at Berkman Recital Hall.

Audio recording of the Contemporary Organ Music Festival on June 10, 1975. Recording includes : MIRRORS - Piano and Pre-recorded Pianos, Elliott Schwartz, performed by Elliott Schwartz – Piano; THE DECLINE AND FALL OF THE SONATA (A FABLE) - Violin and Piano, Elliott Schwartz, performed by Jane Hollister – Violin and Elliott Schwartz – Piano; THE ECHO OF TIME - Quartet, Tape and Projection, Israel Kopmar, performed by Henry Larsen - Clarinet and Saxophone, Roger Murtha – Trumpet, Carl Zuponcic – Cello, Eugene Bozzi – Percussion; MIKKA - Violin solo, lannis Xenakis, performed by Jane Hollister – Violin; GMEEOORH, lannis Xenakis, performed by Clyde Holloway – Organ and Neil Larson - Assistant Organist (written for the 1974 Hartt College Organ Festival and dedicated to Clyde Holloway).

Audio recording of the December 12, 1963 Alfred C. Fuller Music Center Dedication Concert by the Hartt Symphony Orchestra with guest artists Isaac Stern (violin) and Leonard Rose (violoncello) and conducted by Moshe Paranov. Recording includes: Symphony No. 5 (Reformation) – Andante – Allegro con fuoco, Allegro Vivace, Andante, Andante con moto – Allegro vivace, by Mendelssohn; VIII Psalm for Chorus and Orchestra, by Franchetti performed by the Hartt Chorale and Chorus conducted by Philip Treggor (written for the dedication of the Alfred C. Fuller Music Center); Concerto for Violin and Violoncello – opus 102, by Brahms.

Audio recording of the Hartt Symphony Orchestra and Hartt Chorale fiftieth anniversary all-Brahms program conducted by Moshe Paranov with guest artists Isaac Stern (violin) and Leonard Rose (cello). Recording includes: Academic festival overture with the Hartt Symphony Orchestra; Song of Destiny with the Hartt Symphonic Orchestra and Hartt Chorale; the conferring of Honorary Degree by Archibald Woodruff to Isaac Stern and presented by Lesly Heller with concluding words by Rev. Wallace Grant Fiske; Double concerto for violin and cello with the Hartt Symphony Orchestra featuring Moshe Paranov (conductor), Isaac Stern (violin) and Leonard Rose (cello).

Program and audio recordings of DMA violin recital by Yuhao Chang (violin) with Elisabeth Tomczyk (piano) on November 28, 2017 in Berkman Recital Hall.

File includes program and audio recording of DMA recital by Hao Niu (soprano) with Tomoko Nakayama (pianist) on November 14, 2021 in Berkman Recital Hall.

File includes program and audio recording of DMA recital by Sunnaj Britt (violin) with Gaylien Chun (piano) on December 4, 2021 in Berkman Recital Hall.

Audio recording of the Hartt Opera-Theater Guild's performance of ORPHEUS IN THE UNDERWORLD on April 14, 1973. Music by Jacques Offenbach, libretto by Hector-Jonathan Crémieux and Ludovic Halévy, premiere of English translation by Ruth and Thomas Martin, and guest conducted by Frank Brieff. Reel 1: Act I, Reel 2: Act II, Reel 3: Acts III and IV.

Recording of: IRENE KAHN and MOSHE PARANOV, Duo-Pianists and THE HARTT SYMPHONY ORCHESTRA with Dr. Nathan Gottschalk (Conducting) and Guest Artists.

File includes program and audio recording of DMA recital by Steven Wilkinson (tuba) with Elisabeth Tomczyk (piano), Kyle Kubicki (piano), Christie Echols (bass), Chris Calderon (drums) on December 5, 2021 in Berkman Recital Hall.