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Collection consists of mounted black and white and color reproductions of modern African, Australian, European, and Asian architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of Canadian and U.S. architecture to the mid-twentieth century.

Collection consists of mounted black and white and color reproductions of modern Canadian and U.S. architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of modern architecture, predominantly European.

: Collection consists of 25 mounted black and white and color reproductions of 20th century Japanese paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection consists of color and black and white 35 mm slides of the arts of African, Native American, and Pacific Rim cultures, including Australia and New Zealand, as well as Afro-Brazilian, Afro-cuban, Afro-Haitian, Afro-Mexican, Afro-Portuguese, Afro-Surinam, and Afro-American arts.

Collection consists of black and white glass lantern slides of the arts of African, Native American, and Pacific Rim cultures, including Australia and New Zealand, as well as Afro-Brazilian, Afro-Cuban, Afro-Haitian, Afro-Mexican, Afro-Portuguese, Afro-Surinam, and Afro-American arts.

Photographs related to the publication: Ludwig, Allan I. Graven images: New England stone-carving and its symbols, 1650-1815 / by Allan I. Ludwig. Middletown, Conn.: Wesleyan University Press [c1966] xxxi, 482 p.: ill., maps; 26 cm.

Collection of black and white unmounted photographs of Renaissance sculpture, principally sepulchral monuments, in Rome, arranged in folders by location (church) including many details, photographed by Allan Ludwig (vendor). Limited identifying information stamped on the reverse of some photographs.

Collection black and white and color reproductions of American architecture from the Colonial period through the present, with an emphasis on 19th and 20th century buildings. Content varies from original photographic prints to reproductions from magazines and other published sources.

Consists of reproductive photographs of original paintings from a variety of countries, cultures, time periods and in a variety of styles.

The collection consists of illustrated 19th century trade cards (small printed cards, bearing tradesmen's advertisements and including an illustration); early 20th century advertising cards which were distributed by merchants or manufacturers to advertise or promote their business or product; and a small number of collecting cards.

The History of Theater lecture series was written and delivered by A. M. Nagler, and the series is a condensed version of Professor Nagler's Drama 6 course at the Yale School of Drama.

Collection consists of black and white and color reproductions of ancient architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of ancient- Early Medieval architecture.

Collection consists of color and black and white reproductions of ancient painting (Classical and Ancient Near Eastern). Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

This collection contains numerous bookplates commissioned by various members of the Diamond Family. J. Edouard "Jack" Diamond and Elizabeth Watson Diamond were avid bookplate collectors and the proprietors of Hyacinth Press, a small private press which they operated from their home in Cleveland, OH.

The collection consists of early American bookplates commissioned by both individuals and institutions, as well as correspondence and ephemeral materials related to the collection.

The collection consists of bookplates by Japanese artists, for Japanese patrons, or both. Individual and institutional patrons are represented.

The collection contains bookplates and other documentation related to the personal ex-libris designs of Irene Dwen Andrews Pace (1892-1962).

The collection contains examples of bookplates from various academic institutions. The collection also contains correspondence, related factual information cut out from catalogs or journals, and some handwritten notes by the collector.

Collection consists of black and white glass lantern slides of American and European applied and decorative arts, including arms and armor, calligraphy, ceramics, commercial design, enamels, furniture, gems, glass, illuminated manuscripts, industrial design, intarsia, ivory, medals, metalwork, mosaics, musical instruments, numismatics, rugs, seals, stage design, tapestry, textiles, wallpaper, wood carving. Classical Greek and Roman materials in all applicable media are located in the Department of Classics, Phelps Hall 402, Yale University, New Haven, Connecticut, 06520.

Collection of medium format mounted black and white and color reproductions of Western applied and decorative arts, predominantly European. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of applied and decorative arts, predominantly European and American. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of color and black and white 35 mm slides of American and European applied and decorative arts, including arms and armor, book arts, calligraphy, ceramics, commercial design, enamels, furniture, gemanuscripts, glass, illuminated manuscripts, industrial design, intarsia, ivory, medals, metalwork, mosaics, musical instruments, numismatics, rugs, seals, stage design, tapestry, textiles, wallpaper and wood-carving.

Collection consists of medium format mounted black and white and color reproductions of architecture worldwide. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of black and white and color commercial postcards from the 19th and 20th centuries largely of buildings and architectural views worldwide.

Collection consists of color and black and white 35 mm slides of architecture, worldwide.

Collection consists of color and black and white 35 mm slides of the arts of China of all periods, pre-historic to the present. Includes architecture, painting, sculpture, calligraphy, bronzes and other metalwork, ceramics, ivory, jade, lacquer, textiles, rugs, and tapestry. For works from the Republican period to the present, identification information is given in Pinyin Romanization (unless otherwise cross-referenced). For earlier works, Wade-Giles Romanization is used.

Collection consists of color and black and white 35 mm slides of Japanese arts. Includes architecture, painting, sculpture, arms and armor, calligraphy, ceramics, enamels, furniture, lacquer, metalwork, and textiles.

The collection contains pamphlets, brochures, and other ephemera on individual artists published by museums, galleries, and other institutions throughout the world.

Collection of 380 black and white mounted and labeled photographs from the exhibition Art of Latin America since Independence, Yale University Art Gallery and The University of Texas Art Museum, 1966. The original exhibition list includes 395 works. Fifteen items lost or missing at time of LSF transfer in 2007. Partially illustrated exhibition catalog included with this collection in Box 1: Author: Catlin, Stanton L. (Stanton Loomis), Title: Art of Latin America since independence, by Stanton Loomis Catlin. Edition: [Rev. ed. Published: New Haven, Conn., Yale University, 1966] Description: xiv, 246 p. 118 plates (part col.) 22 x 23 cm.

Collection of 61 (mostly black-and-white) photographs of ceramics, metalwork, painting, and sculpture from Burma (Myanmar), Cambodia, China, and Japan.

Collection consists of black and white glass lantern slides of Chinese arts of all periods, pre-historic to the mid-20th century. Includes architecture, painting, sculpture, calligraphy, ceramics, ivory, jade, lacquer, metalwork, textiles, rugs, and tapestry.

Collection of photographs and slides of Chinese art consisting of the following sub-collections: (702-1) Chinese Painting Photograph Collection (Research Files), (702-2) Moore Photograph Collection of Oriental Art, (702-3) Ellsworth Collection of Chinese Painting, 1800-1950; (702-4) Cahill Photograph Collection, (702-5) National Palace Museum Photographs, (702-6) Chinese Painting Photographs (Barnhart Requests), (702-7) C.C. Wang Family Collection, NY; (702-8) Hangchow (Hangzhou) Album, (702-9) Bones of Jade, Soul of Ice (Yale University Art Gallery, Exhibition), (702-10) To See Big Within Small (Yale University Art Gallery, Exhibition), (702-11) Traces of the Brush (Yale University Art Gallery, Exhibition), (702-12) Ch'u Silk Manuscript (25 slides) from Sackler Collections with notes by Noel Barnard, (702-13) Chinese art from various collections (5 slides). Identifying information given in English and/or Chinese on photographs, folders and/or identification lists. See individual sub-collection information sheets for further information.

Collection of 2,292 black-and-white photographs of Japanese painting arranged according to the following sub-collections: (705-1) Japanese Painting from the Freer Gallery of Art, Washington, D.C., and the Metropolitan Museum of Art, New York, (705-2) Japanese Painting from the Asian Art Museum, San Francisco, (705-3) Japanese Painting and Sculpture from the Brooklyn Museum, (705-4) Japanese Painting from Japanese Collections and Museums.

Collection of mounted black and white and color reproductions of Asian applied and decorative arts. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of Asian architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of medium format mounted black and white and color reproductions of Asian arts. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of Asian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of Asian sculpture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted black and white and color reproductions of Australian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of Austrian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of mounted black and white and color reproductions of 19th- and 20th-century Belgian paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Postcard size reproductions of photographs in Bernard Berenson's photographic archive at Villa I Tatti, Florence, Italy. Among the photography studios represented are Fratelli Alinari and A.C. Cooper. "Most [photographs] were collected by Bernard Berenson from the 1880s until his death in 1959. This partial reproduction of his photographic archive focuses on paintings and drawings by more than 700 Italian Renaissance artists." ---Fogg Library, Harvard University catalog record.

Gift of glass negatives and black and white unmounted photographs of medieval manuscripts in the Bibliotheque National, Paris. Rich, but not comprehensive, coverage. Assortment of full page illustrations and details, some duplicates. Known as the Tuefferd-Servant gift, acquired through Sumner McKnight Crosby.