Collections : [Yale University -Yale Center for British Art]

This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline "The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art." It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine's articles.

The Paul and Rachel Mellon Dealer Files contain records relating to the purchase of rare books and artwork, including prints, etchings, engravings, drawings, sculpture, and paintings, by the Paul Mellon family. The records comprise correspondence, records, images, and invoices between various dealers, Paul Mellon, and his assistants and art advisors. Many files include detailed provenance, biographical, and conservation information for the artworks, as well as photocopied exhibition catalogs. There are records pertaining to artwork found at the Yale Center for British Art, the National Gallery of Art, and the Virginia Museum of Fine Arts, among other institutions. The John Baskett invoices are records related to artworks purchased through John Baskett, Ltd., a dealership run by Paul Mellon's close friend and advisor, John Baskett from 1964-1990, from whom the Mellon's purchased many works of British art currently on display at the Yale Center for British Art.

This collection consists of 126 8x10 color photographs taken of the Brick House, Paul Mellon's personal gallery on his property in Virginia. The photographs detail both the collection of work amassed within the gallery and the exterior of the house. The photos are attributed to Steven Tucker. They are believed to have been taken in the 1980's and sent to the Yale Center for British Art in 2001 for use in the exhibition catalogue "The Paul Mellon Bequest: Treasures of a Lifetime."

This collection consists of the biannual newsletters for the Paul Mellon Centre for Studies in British Art from the charity's inaugural issue in December 1995 to May 2017.

This collection consists of a run of publications by the Paul Mellon Centre for Studies in British Art from 1966 to 2014.