Collections : [Yale University -Yale Center for British Art]

The collection comprises travel sketches, scrapbooks, and genealogical material concerning the Carr family of Northumberland, England.

This collection comprises an extra-illustrated copy--with many engravings and original manuscript letters--of the second edition of John Thomas Smith's Nollekens and his times, comprehending a life of that celebrated sculptor: and memoirs of several contemporary artists, from the time of Roubillac, Hogarth, and Reynolds, to that of Fuseli, Flaxman, and Blake (London : Henry Colburn, 1829).

The collection comprises correspondence, notebooks, writings, and other manuscript material by or about the artist Joshua Reynolds.

The collection includes correspondence and other manuscript material concerning the management of deer parks at Newburgh Priory, Yorkshire; Cassiobury Park, Hertfordshire; and Paultons, Hampshire.

The collection comprises diaries, notebooks, and other manuscript documents concerning the travels of James Wales in India, with a particular focus on antiquities of Poona and the nearby cave temples of Ellora.

The collection comprises 139 hand-cut paper collages on paper prepared with watercolor, created by Booth Grey (1740-1802) or those in his circle of acquaintances, in the manner of the well-known "paper mosaics" made by Mrs. Delany.

The collection comprises correspondence and other manuscript material concerning the family of Augustus Welby Northmore Pugin (1812-1852).

The collection comprises 98 autograph letters from Hester Lynch Piozzi to her friend and physician, Dr. William Makepeace Thackeray, dated between April 16, 1795, and September 10, 1816, compiled and bound together in a single album.

The collection comprises correspondence, photographs, sketchbooks, travel journals, notebooks, and printed material concerning Charles Jones (1780-1850) and his descendants. The correspondence spans the better part of the nineteenth century (1805-1878), with the bulk of the letters dating from the 1830s, 1840s, and 1850s; it offers a window into the life of a large middle-class dissenting family in mid nineteenth-century London.