Collections : [Yale University -Beinecke Rare Book and Manuscript Library]

The collection contains drawings, ink and pencil on paper, of cartoons created by Ollie Harrington. Many items contain handwritten or typed captions. Some annotations and markings related to the publishing process are also present.

The National Ubu Roi Bake-Off Collection consists of thirty-six plays written during a grassroots event organized by the playwright Paula Vogel. The event took place on President's Day, February 19, 2018.

Views of sites and portraits of people at Detroit, Michigan, created by Karen Halverson in July 2018 and printed as color inkjet prints on Canson Platine Fibre Rag Paper, 20 x 24 inches (51 x 61 centimeters). Images include views of abandoned buildings and empty lots as well as portraits of residents at community gardens. The prints are chiefly untitled with parenthetical numbers provided by Halverson to differentiate images. The collection comprises an edition numbered three of twelve. In an artist's statement from March 2019 that accompanied the collection upon acquisition, Halverson describes the work:

Views of sites and portraits of people on and near levees surrounding New Orleans, Louisiana, created by Karen Halverson in spring 2015 and printed as color inkjet prints on Canson Platine Fibre Rag Paper, 20 x 24 inches (51 x 61 centimeters). Images include views of buildings and ships as well as people in Orleans Parish except where noted in the guide. The prints are untitled with parenthetical numbers provided by Halverson to differentiate images. The collection comprises an edition numbered three of twelve.

Ten photographs of trees in Columbia County, New York, created by Karen Halverson in 2014-2015, and printed as color inkjet prints on Canson Platine Fibre Rag Paper, 20 x 24 inches (51 x 61 centimeters). In the photographs, she introduced tree flagging tape into the scenes with a range of colors. The prints are untitled with number sequences provided by Halverson to differentiate images. The collection comprises an edition numbered three of twelve.

Portraits created by Will Wilson of Native American artists, arts professionals, and leaders as well as others, 2012-2018. Wilson created the images using a wet plate collodion process that produced tintypes on sheets of aluminum. He then gave the tintypes to the sitters after he created high-resolution digital scans of the objects. The 303 inkjet prints in the collection derive from the digital scans of the tintypes.

Photographs of Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, created during the summer of 2012, that document the Haida and Kwakwak'awakw (also known as Kwakiutl) people and cultures.

Inkjet prints of photographs by John Willis that document sites and persons in Arizona, Nebraska, New Mexico, North Dakota, Pine Ridge Indian Reservation, and South Dakota chiefly in 2013. Most of the 219 inkjet prints are single images with small groups of diptychs and triptychs.

Photographs of Alaska and Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, 2011-2012, printed as thirty-three black-and-white gelatin silver prints and five color inkjet prints that chiefly document Haida and Tlingit people, sites, and cultures.

Portfolio of inkjet prints of photographs by Peter Goin that document nuclear test sites at Nevada Test Site, Nevada, and at Bikini Atoll and Enewetak Atoll in the Marshall Islands, as well as the radioactive waste repository at Hanford Site, Washington, circa 1986-1988. Printed by Scott C. Hinton in 2011. The portfolio includes a title page printed by Robert E. Blesse of the Black Rock Press. Most of the images appeared in Peter Goin, Nuclear Landscapes (Baltimore: Johns Hopkins University Press, 1991).