The Lee Anderson Papers and Yale Series of Recorded Poets Sound Recordings document the work of poet and editor Lee Anderson with the Yale Series of Recorded Poets. The bulk of the sound recordings consist of poetry readings by various poets and a small number contain poets' lectures on poetry. The papers consist of writings, correspondence, contracts, lists, procedural documentation, and printed material relating to the series production and publication.
The papers of Lee Friedlander include photographs, correspondence, work files, book projects, printed materials, awards, objects, audiovisual materials, and computer disks documenting his career as a photographer, including his work process, exhibitions, publications, business activities, and honors. Photographs include color slide portraits of musicians; black and white slides; exhibition prints of western landscapes; and work prints corresponding to exhibition prints held by the Beinecke Library, Yale University, and the Yale University Art Gallery. The collection also includes personal papers documenting his relationships with family and friends, in particular his wife Maria Friedlander.
The collection consists of material created by and relating to Lee Wilson Dodd, documenting his career as a playwright and author of fiction. The bulk of the collection consists of drafts and circulating versions of playscripts and other writings by Dodd (including a draft of a single novel, Mouse). Also included are two folders of correspondence, one folder of playbills, and one folder of photographic negatives.
The Lee Wulff Papers contain drafts, setting copies, and proofs of books, and drafts of magazine articles and reports by Wulff, with related correspondence and reviews; correspondence and related printed material; biographical clippings and obituaries; photographs of Wulff and his family, and photographs of early paintings by him; and flies and fly lines made by Wulff or designed by him. Research strengths include Wulff's writings on fishing, hunting, and conservation; catch and release fishing; fly fishing techniques, equipment, education, and the Wulff School of Fly Fishing; Wulff's design and marketing of fly fishing equipment, and Royal Wulff Products; hunting and fishing in Newfoundland and Labrador; conservation of the Atlantic salmon; and hunting, fishing, and conservation organizations in the United States and Canada, 1930s-1990s.
The Legal Records Relating to Sinclair Lewis consist of records maintained by Mellville H. Cane, Pincus Berner, Paul Gitlin, Eugene Winick and other attorneys affiated with the law firm of Ernst, Cane and Berner and its later iterations. In addition to correspondence between Lewis and his attorneys, the records include drafts and copies of Sinclair Lewis's will; correspondence and documents concerning his death and estate; records regarding his writings, including contracts and agreements, and permissions and rights inquiries handled by attorneys after Lewis's death.
The collection consists of writings and correspondence by or relating to the American novelist LeGrand Cannon. Writings consist of autograph manuscript and typescript drafts of Look to the Mountain, Come Home at Even (also including proofs), and These are Some Stories about Old George Brown. Correspondents include Charles Beecher Hogan, Stephan Stearns, and Donald Wing.
Letters from Leigh Hunt to various parties, including Charles Ollier; manuscripts by Hunt, including his "Ultra Crepidarius," a satire on William Gifford, which includes a photograph of William Hazlitt.
The collection consists of professional correspondence of John, Henry and John Henry Le Keux, including letters from publishers, artists, fellow engravers, patrons, and prospective students. Among the correspondents are Robert Batty, Edwin Guest, Augustus Charles Pugin, and Dawson Turner. A letter by George Doo encloses a copy of the Associated Society of Engravers' plan for publishing their National Gallery collection.
The collection consists of correspondence, writings, printed material and other papers that document the life and work of the poet Leonard Bacon. Correspondence is both professional and personal, and documents Bacon's writing and publishing activities as well as his personal and family relationships. Writings include drafts and proofs for many of his published works including Ulug Beg (1923), Lost Buffalo, and Other Poems (1930), The Furioso (1932), Dream and Action (1934), and Semi-Centennial (1939), as well as works translated by Bacon, such as Luis de Camões's The Lusiads (1950). Printed material includes several boxes of printed versions of Bacon's poetry and other writings, as well as pamphlets, reprints, newspaper clippings, and ephemera collected by Bacon. Other papers include three scrapbooks documenting Bacon's career from 1923 to 1946, as well as a small quantity of personal documents and photographs.
The papers consist chiefly of family correspondence, photographs, and journals, and include a small amount of financial records. Family correspondence includes letters from Leonard H. Swett to his parents (Leonard Swett and Laura Quigg Swett) that document his travels in the American West in the 1880s, when he worked with the United States Geological Survey. He was stationed at, among other locations, Fort Wingate, New Mexico, BQ (Barbecue) Ranch, Indian Territory, and Albuquerque, New Mexico. Other family papers include records of genealogical research. Personal papers include journals that document Swett's (and an unidentified author's, possibly Swett's) travels in the American West. Photographs, dating chiefly from the late 19th century, depict Leonard H. Swett and family members.
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