This collection consists chiefly of photographic materials created circa 1850-1978 that depict American Indians, including informal and studio portraits, as well as photographs that show the natural and built environment of the American West. Images of the American West include views of cities and towns, mining and logging operations, railroads, and natural scenery.
Collection includes correspondence between Victor Gifford Audubon and Daniel Rice, a book subscription agent, regarding the production and sale of the works of John James Audubon. Also included are 22 uncolored, 8 partially tinted and 2 hand-colored lithographed plates for the octavo edition of "The Birds of North America," all by John T. Bowen after Audubon; 3 additional hand-colored plates, also by Bowen after Audubon, which may have served as colorist's proofs or models; and a group of 19 pencil and watercolor portraits and drawings by an unidentified artist.
Collection contains letters to and from Victor Hugo, as well as holographs of writings by Hugo. Correspondence includes letters to Hugo from Juliette Drouet, Aleksandr Herzen, comte Léopold Hugo, Jules Janin, Jean Toussaint Merle, and Jules Michelet. Letters from Hugo include letters to Laure Junot, duchesse d'Abrantès, A. de Beauchesne, Alexandre Dumas, and Almire Gandonnière. Writings contain holograph drafts of fragments of several works, including poems from Châtiments and Toute la lyre, fragments of chapters from L'Homme qui rit and Les Miserables, corrected proofs for several pages of Napoléon le petit, and a holograph of the play "Irtamène."
The Victor Serge Papers contain correspondence; writings; immigration and identification documents for Serge and his wife, Liouba; death masks of Serge and of Leon Trotsky; and various materials concerning Serge (including correspondence, clippings, and photocopies of writings) that were collected by his son, Vlady Kibalchich. The correspondence includes letters between Serge and his wife, son, and other relatives; a few letters between third parties; letters between Serge and his friends and colleagues, including André Breton, Michael Fraenkel, André Gide, Julián Gorkin, Daniel Guérin, Lucien Laurat, Dwight Macdonald, Jean Malaquais, Marcel Martinet, Magdeleine Marx (Paz), Emmanuel Mounier, Natalii︠a︡ Ivanovna Trot︠s︡kai︠a︡, Leon Trotsky, Leon Werth, and Maurice Wullens; and letters between Serge and publishing companies, journals, and organizations, including The New Leader and Partido Obrero de Unificación Marxista. The writings include holograph and typescript notes and drafts for Serge's articles, books (including "L'Affaire Toulaév", "Les Derniers temps", and "Mémoires d'un révolutionnaire", among others) and poems. There are also several notebooks, including two daybooks for 1936.
Photographic prints, drawings, and watercolors chiefly depicting sights on the Northwest Coast, particularly around Vancouver Island. The images were originally housed in a scrapbook kept by an unidentified individual; based on the contents of the scrapbook it is presumed that the person was a member of the joint U.S./British Northwest Boundary Commission. The photographs, taken by an unidentified photographer or photographers, depict deck scenes from what may be the H.M.S. Satellite; Victoria Indians; Hudson's Bay Company outposts at Fort Vancouver, San Juan Island, and Victoria; encampments on San Juan Island; Nanaimo and Esquimalt, Vancouver Island; Valparaiso, Chile; and Stanley Harbor in the Falkland Islands. The drawings (in both pen and ink as well as pencil) and watercolors, include four works signed by James Madison Alden, as well as drawings by W. H. Hall, J. Palmer, James Robertson, Marcus Lowther, B. Tucker, and possibly William McMurtrie. Subjects include Vancouver Island; San Juan Island; Pt. Grenville, Washington Territory; the Fraser River; coastal landmarks of South America; Victoria Indians, encampments, ships, and birds.
The Vincent McHugh Papers document the professional and personal life of poet, novelist, and editor Vincent McHugh. The papers consist of personal and professional correspondence, drafts of writings, professional papers, journals, notebooks, personal papers, photographs, sound recordings, drawings, and a scrapbook, spanning the years 1933 to 1983.
The Vine Deloria papers consist of writings, correspondence, subject files, legal files, teaching files, organizational records, awards and tributes, photographs, audiovisual materials, and electronic media documenting the life and work of Vine Deloria. Writings, correspondence, and subject files form the bulk of the collection and document his involvement in issues relating to Native Americans. Organizational correspondence and organizational records document the many groups with which Deloria was affiliated.
The collection contains letters to Jordan from Ezra Pound, William Carlos Williams, H.D. and Bryher, as well as manuscripts of poems by Pound and Williams and a small quantity of personal papers. Subjects of the Pound letters include personal and family news; his writing and the literary world in general; his political and economic opinions; and his confinement at St. Elizabeth's Hospital. Letters from Williams discuss relationships between men and women; poetry; and arrangements for social occasions. Both H.D. and Bryher describe life in wartime Britain; H.D. also comments on her own work, her daughter Perdita, and her interests in the occult and in film. Writings include annotated and signed typescripts of early Pound poems, which he sent to Jordan for her to retype and submit to magazines; and several typescripts of early works by Williams. Other papers include dance cards, an advertising brochure for the Albergo Rapallo, and newspaper clippings.
Collection contains correspondence, writings and other materials by or related to Violet Trefusis. The correspondence consists chiefly of approximately 500 letters from Trefusis to John Phillips written in the 1960's. Also included are letters to Trefusis from her mother, Alice Keppel, her sister, Sonia Keppel, and her husband, Denys Trefusis; several governmental departments in France and England concerning Trefusis's re-entry into France after World War II; and her nomination to the Légion d'honneur. Writings include holograph and typescript drafts of Trefusis' memoirs, novels, plays and other writings. Other materials include a photograph of Denys Trefusis; a miniature case portrait of Trefusis as a child; and an album containing photographs of friends of the Keppels, taken by George Keppel between 1924-1939 at the family's Villa dell'Ombrellino in Florence, including many members of European nobility and royalty.
The collection consists chiefly of correspondence, diaries, notebooks, scrapbooks, business and estate records, writings, lectures, and gardening papers. Correspondents include family members such as Lionel Edward Sackville-West, Victoria Sackville, Harold Nicolson, and Nigel Nicolson, and friends and lovers including Rosamund Grosvenor, Hilda Matheson, Gwen St. Aubyn, and Christopher St. John. Writings include typescripts and manuscripts for works including the novels The Edwardians and All Passion Spent. Gardening papers include horticultural catalogs, files on the National Trust's garden committee, and research materials. The collection documents Vita Sackville-West's family life, love affairs with women including Christopher St. John and Gwen St. Aubyn, her literary life and circle, including both Sackville-West's work and that of friends including Virginia Woolf, and the management of the Sissinghurst Castle estate and gardens.