Four discrete groups of drawings and paintings by amateur artists, probably created in North America, circa 1790-1820, that pay homage to the illustrations and text of "Metamorphosis, or A transformation of pictures, with poetical explanations: for the amusement of young persons," by Benjamin Sands, first published in North America in 1789. The groups of drawings and paintings are attributed to Esther Carpenter and Henry Perkins, as well as an unidentified artist. The groups replicate the original publication, in most of the examples the sheets holding the illustrations each possess an upper and lower flap that allows for the transformation from one figure to another by various foldings.
The papers document the personal and professional life of Michael Alexander, professor, translator, and editor, who focused on Ezra Pound's works and his influence during his career. The collection includes submission drafts for Alexander's book, The Sons of Ezra: British Poets and Ezra Pound; correspondence with writers and colleagues including Ezra Pound, Peter Whigham, and Peter Russell; and publication information for The Sons of Ezra. Also included are papers pertaining to Alexander's role as associate editor at Agenda; Alexander's research files on Pound and his influences; typescripts of Peter Whigham's poetry; and an outline for an edition of Cantullus's "LXIV."
Collection contains correspondence, writings, and personal papers documenting the personal and professional life of author Michael Benedikt. Correspondence in the collection consists of letters to Benedikt from authors and artists, editors and publishers, literary agents and organizations, academic institutions, and others dating largely from the late 1950s to early 1980s. Correspondents include Duane Ackerson, Anna Balakian, Alan Brilliant, A. Poulin, Carolee Schneemann, and others. Writings feature annotated versions of early printed works by Benedikt, such as Changes (1961) and The Body (1968), printed versions of essays, and a few drafts and proofs of individual poems. Personal Papers include a curriculum vitae, electronic files, notebooks, photographs, records documenting a dispute with a New York City landlord, and other materials.
The papers document the musical theater career of Michael Bennett, spanning the dates 1950 to 1989 (with the bulk of the material spanning 1973 to 1986), and consisting of production files, correspondence, business papers, scripts, printed material, personal papers, audiovisual material, objects and photographs. The papers document the process of writing, choreographing, directing, and marketing Broadway musical productions such as Dreamgirls and A Chorus Line. The papers also document Bennett's personal life in the 1970s and 1980s.
The papers provide insight into the lives and careers of Michael De Lisio, poet and sculptor, and Irving Drutman, a journalist and editor. The papers contain drafts, research notes, and printed versions of De Lisio and Drutman's writings. Correspondence with various authors, artists, and performers, including Peter Bull, Janet Flanner, Lillian Gish, Ira Gershwin, and Lotte Lenya, also sheds light into their professional lives. De Lisio and Drutman's artwork, including De Lisio's sculptures of Ezra Pound and Marianne Moore, and several paintings by Drutman, are part of the papers. De Lisio's career as a sculptor can also be traced in his subject files, exhibition catalogues, and other printed material. Evidence of De Lisio and Drutman's relationship and personal lives can be found in their correspondence, personal papers, and photographs.
Single letters, small groups of letters, and other manuscripts created by various individuals and assembled by collector Michael D. Heaston pertaining to western American land and settlement, 1846-1939 and undated. Letters discuss real property, economic conditions, and frontier and pioneer life in Alabama, Colorado, Iowa, Kansas, Oklahoma, Minnesota, Missouri, Montana, Nebraska, South Dakota, and Texas. Some letters include pictorial letterheads with maps. Topics covered in the collection include agriculture, Native Americans, oil, missionary activity, ranching, and slavery.
The collection consists of writings, correspondence, personal papers, and printed material, documenting the work of avant-garde writer and publisher Michael Fraenkel and his publishing company Carrefour Press, as well as the work of his wife Daphne Fraenkel who continued as director of the publishing company after Fraenkel's death and their literary executor Michael Peter Harris.
The records of Michael Ginsberg Books includes financial records, catalogs, catalog cards, and appraisal records. Financial records consist of accounts, invoices, ledgers, receipts, checks, and statements. Catalogs include both inventory catalogs and lists of recent aquisitions from Michael Ginsberg Books as well as catalogs from other rare book dealers. Catalog cards record inventory items, the bulk of which are numbered sequentially. Appraisal records include notes, correspondence, and other papers related to appraisals conducted by Michael Ginsberg.
The Michael Grumley Papers primarily contain his writings and supporting research material, with a small amount of personal correspondence and personal papers. More than half of the collection consists of his creative writings and drawings, spanning his college years through his career as a freelance author, many of which were not published during his lifetime. The collection holds files on Grumley's published work, including his one novel and his four books on the topics of Atlantis, Sasquatch, sadomasochism, and night workers, in addition to his columns and criticism for periodicals such as the New York Native and the Philadelphia Gay News. The papers also include his daily journals and engagement calendars.
Correspondence, business and production files, scripts, notes, photographs, printed material, and audiovisual materials documenting Michael Kahn's career as a theater and opera director, theater administrator, and teacher of theatrical arts. Kahn's administrative and directorial work at the American Shakespeare Theatre, the McCarter Theatre, the Shakespeare Theatre, and the Juilliard School are particularly well documented.
Connecticut's Archives Online 