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Start Over Creator Mozart, Wolfgang Amadeus, 1756-1791
Yale University -Irving S. Gilmore Music Library

The Ole Bull Papers, 1834-1906

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Music and other materials by and about the Norwegian violinist and composer Ole Bull (1810-1880)
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Yale University -Irving S. Gilmore Music Library

The John Kirkpatrick Papers, 1836-1993

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Correspondence and other writings, music, photographs, and additional materials by and about the American pianist and scholar John Kirkpatrick (1905-1991)
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Yale University -Irving S. Gilmore Music Library

The Papers of Vladimir and Wanda Toscanini Horowitz., 1784-1991

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Correspondence and other papers, photographs, and additional materials by and about the Russian-American pianist Vladimir Horowitz (1903-1989) and his wife Wanda Toscanini Horowitz (1907-1998)
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Yale University -Irving S. Gilmore Music Library

Robert Shaw Papers, 1916-2002

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The Robert Shaw Papers contain annotated musical scores, correspondence, office files pertaining to a variety of topics, photographs, sound recordings, and other materials, by and about the American conductor Robert Shaw (1916-1999).
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Yale University -Irving S. Gilmore Music Library

The Galeazzi Collection, 1806-1898

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Copyists' manuscripts of 19th-century Italian opera excerpts (in full score, reductions, or arrangements), as well as copyists' scores of 19th-century chamber music
2 results

The Galeazzi Collection, 1806-1898 4.5 Linear Feet

Galeazzi family
Copyists' manuscripts of 19th-century Italian opera excerpts (in full score, reductions, or arrangements), as well as copyists' scores of 19th-century chamber music
    University of Hartford -Archives and Special Collections

    Hartt Recording Studio records, 1952 - 1999

    3.33 Linear Feet (8 containers)

    The collection consists of annotated programs for performances recorded by the Hartt Recording Studio as well as a number of the recordings. The annotations primarily provide the identification number(s) of the corresponding analog recordings, as well as corrections or changes to the printed program and the start and stop times of different portions of the performances on the recordings.

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    Faculty recital by Joan Leopold Glazier, 1967 Oct 24 2 Reels Box Audio Reels 1, Reel arch173av1967574a, Box Audio Reels 1, Reel arch173av1967574b

    Audio recording of a faculty recital by Joan Glazier with Hartt faculty member Herbert Chatzky (piano) on October 24, 1967 at 8:30p.m. in Millard Auditorium. Program includes: 'TIS NATURE'S VOICE by Henry Purcell; CEASE, O MY SAD SOUL by Henry Purcell; MI TRADI QUELL' ALMA INGRATA' by Wolfgang Amadeus Mozart; AUS! AUS! by Gustav Mahler; WER HAT DIES LIEDLEIN ERDACHT?, by Gustav Mahler, SCHEIDEN UND MEIDEN by Gustav Mahler; BEAU SOIR by Claude Debussy; MANDOLINE by Claude Debussy; ROMANCE by Claude Debussy; DEPUIS LE JOUR by Gustav Charpentier; DEUX MELODIES HEBRAIQUES - I. Kaddisch and II. L'Enigme Eternelle by Maurice Ravel; MAH GODLU by Abraham Ellstein; RAIN HAS FALLEN by Samuel Barber; SLEEP NOW by Samuel Barber, and I HEAR AN ARMY by Samuel Barber.

    1. Recordings, 1958-1996

    Faculty recital by Joan L. Glazier, 1971 Nov 14 2 Reels Reel arch173av1971614a1, Box Audio Reels 1, Reel arch173av1971614b1

    Audio recording of a faculty recital by Joan Glazier (Soprano) with accompanist Gilda Glazer* on Sunday, November 14, 1971 at 3:30 p.m. in Millard Auditorium. Recording includes: Reel 1, side 1 - BESS OF BEDLAM by Henry Purcell (412); WHAT CAN WE POOR FEMALES DO? by Henry Purcell (133); LET THE BRIGHT SERAPHIM (FROM "SAMSON") by G. F. Handel (5.98), featuring Roger Murtha* - trumpet; IL MIO BEN QUANDO VERRA by Giovanni Paisiello (5.69); SE FLORINDO È FEDELE by Alessandro Scarlatti (2.17); IL CAPRO E LA CAPRETTA (FROM "LE NOZZE Dl FIGARO'') by W. A. Mozart (3.49); SULEIKA by Franz Schubert (7.55). Reel 2 - DIE LIEBE HAT GELOGEN by Franz Schubert (240); GRETCHEN AM SPINNRADE by Franz Schubert (389); ABSCHEULICHER! WO EILST DU HIN? RECITATIVE AND ARIA (FROM ''FIDELIO") by Ludwig van Beethoven (7.40). Reel 1, side 2 - LIA'S RECITATIVE AND ARIA (FROM "L'ENFANT PRODIGUE'') by Claude Debussy; THREE SONGS WITHOUT WORDS – Arioso, Ballad, Sephardic Melody by P. Ben-Haim (342, 299, 294); ANDROMACHE'S FAREWELL by Samuel Barber (1560). *Hartt College faculty member.

    1. Recordings, 1958-1996

    Four piano concert, 1967 Dec 2 2 Reels Reel arch173av1967652a, Reel arch173av1967652b

    Audio recording of the four piano concert on December 2, 1967 featuring Raymond Hanson, Irene Kahn, Moshe Paranov, and Elizabeth Warner. Recording includes: Sonata in D major – Allegro, Andante, Allegro, by Mozart; Carmen fantasy, by Chasins; Rondo, by Smetana; Arabesque no. 1 in E major, by Debussy; Arabesque no. 2 in G major, by Debussy; Valse birllante, by Moszkowski; Jesu, joy of man's desiring, by Bach; Six waltzes from the 'Liebeslieder', by Brahms; Parade, by Chasins; L'invitation a la valse, by von Weber; Prelude in G minor, by Rachmaninoff; Hungarian rhapsody, no. 2, by Liszt.

    1. Recordings, 1958-1996
    Yale University -Irving S. Gilmore Music Library

    The Jenny Lind Collection, 1847-1851

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    Programs, clippings, music, and other items relating to the Swedish soprano Jenny Lind (1820-1887), particularly regarding her American tour of 1850-1852
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    Yale University -Irving S. Gilmore Music Library

    The Libretto Collection, 1850-1940

    1.5 Linear Feet
    Published opera librettos
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    Yale University -Irving S. Gilmore Music Library

    The Henry Gilbert Papers, 1821-1980

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    Music, correspondence and other papers, photographs, and additional materials by and about the American composer Henry Gilbert (1868-1928)
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    Yale University -Irving S. Gilmore Music Library

    The Virgil Thomson Papers, 1804-1990

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    Music, correspondence and other papers, photographs, and additional materials by and about the American composer and critic Virgil Thomson (1896-1989)
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