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Volume 19, Number 1. Preface by G. S. Rousseau (pg. ii); "The Discourse(s) of Literature and Science," by G. S. Rousseau (pg. 1); "Literature and Science: The Present State of the Field," By Stuart Peterfreund (pg. 25); "Literature and Science: Towards a New Literary History," By E. S. Shaffer (pg. 37); "Literature and Science: Future Possibilities," By John Neubauer (pg. 53).

Volume 19, Number 2 and 3. The Sexual Attitudes of Marlowe and Shakespeare, by Robert A. Logan (pg. 1); Anthony and Cleopatra: The Birth and Death of Androgny, by James J. Greene (pg. 24); The Pattern of the Myth of Narcissus in Daniel Deronda, by Peggy Ruth Fitzhugh Johnstone (pg. 45); Victorian Discourses on Sexuality and Religion, by John Maynard (pg. 61); Icons and Iconoclasts, by Mary Ann Radzinowicz (pg. 70); Women and Psychiatry in the Nineteenth Century, by Dianne Hunter (pg. 73); The Modernity of Pater, by Paul Barolsky (pg. 76); Men and Their Superiority, by Paul H. Stacy (pg. 79); Contributors (pg. 86).

Volume 20, Number 1. Foreword, by Robert A. Logan, III (pg. ii); Marlowe, Shakespeare, and The Nature of Biographical Evidence, by Constance Brown Kuriyama (pg. 1); The Dialectic of Gender in Four of Marlowe's Plays, by Sara Munson Deats (pg. 13); Tamburlaine and The Art of Destruction, by Matthew N. Proser (pg. 37); Doctor Faustus: The Textual Problem, by Roma Gill (pg. 52); A Reply to Eli Pfefferkorn, by Sidra DeKoven Ezrahi (pg. 62); Contributors (pg. 63).

Volume 20, Number 2. "'Repining Restlesnesse': On the Nature of Desire in Blake, Tennyson, and Fairy Tales," by J. Evetts-Secker (pg. 1); "Hardy and the Narcissistic Vision: 'The Shade from His Own Soul Upthrown,'" by Lawrence J. Starzyk (pg. 19); "Trans(re)ference: The Nature of James Strachey's Discipleship," by Perry Meisel (pg. 33); "Beyond Desire: The Conversion of Bob Dylan," by James W. Earl (pg. 46); "Empson on Marlowe," by John T. Shawcross (pg. 64); Contributors (pg. 69).

Volume 20, Number 3. John Keats and the Pre-Raphaelite Brotherhood: Pictorial Poetry and Narrative Painting, by Wayne Cook (pg. 1); Information and the Imminent Death of Oecipa Maas, by Dean A. Ward (pg. 24); To Conceal and Reveal Truth: The Functions of Dialogue in Montaigne's Essais, by Frieda S. Brown (pg. 38); The Awful English Language, by Thomas Grant (pg. 41); Interpretive Subversions, by Dianne Hunter (pg. 47); Greenblatt's Negotiations: Fictionalizing History and Literature, by Robert A. Logan (pg. 51); Tudor Women: Strong in the Faith, by Mary Ann Radzinowicz (pg. 55); If I Could Tell You, by Gordon Clark Ramsey (pg. 58); Pater's Familias, by Jeffrey L. Spear (pg. 61), Index to Volumes Xl-XX (1979-1988) (pg. 64); Contributors (pg. 77).

Volume 21, Number 1. ESSAYS: FREDERICK GARBER, Re Positioning The Syntaxes of Barbara Kruger (pg. 3); PATRICK COLM HOGAN, Influxes of Influence: Agonists Hurl Odyssean Mythpuns and Crackquips Aristotelian Designs Thought Likely (pg. 26); DANA A. HELLER, Shifting Gears: Transmission and Flight in Mona Simpson's Anywhere But Here (pg. 37). REVIEWS: MARK A. R. FACKNITZ, The Ethics of Fiction (pg. 45); MATTHEW N. PROSER, Christopher Marlowe and Canterbury (pg. 48); CATHERINE BARNES STEVENSON, The Poetics of Protest (pg. 51); GLADYS CRANE, Feminism and Theatre (pg. 54); GAIL REITENBACH, Heterogeneity in Feminist Texts (pg. 57); NOTES ON CONTRIBUTORS (pg. 60).

Volume 21, Number 2. ESSAYS: Bruce Clarke, Circe's Metamorphoses: Late Classical and Early Modem Readings of the Odyssey and Ovid's Metamorphoses (pg. 3); John C. Long, The Scene at the Sickbed in Poe, Hawthorne, and Whitman: The Clinic as Discourse in Tales and Poems of Morbid Physic (pg. 21); James E. Boasberg, Chancery as Megalosaurus: Lawyers, Courts, and Society in Bleak House (pg. 38). REVIEWS: Thomas Pughe, Saving the Document (pg. 61); Gladys Crane, Shakespeare Sounded Soundly (pg. 64); Sidonie Smith, The Private Self: Women's Autobiography (pg. 67); NOTES ON CONTRIBUTORS (pg. 71).

Volume 21, Number 3. ESSAYS: BARRY KEITH GRANT, "Jungle Nights In Harlem": Jazz, Ideology, and the animated Cartoon (pg. 3); KRIN GABBARD, Wrong Man With A Horn (pg.13); CHRISTOPHER HARLOS, "Swinging London" and the Jazz Soundtrack: Alfie and Blow-Up (pg. 25); STEVEN B. ELWORTH, Ella, Teddy, and the Singing Fence Permutations of the Utopian in Baillie's All My Life (pg. 39). REVIEWS: THOMAS GRANT, Nagging Wags: Women Humorists Strike Back (pg. 47); BRUCE CLARKE, Sacred Truth, Complex Tropes, Critical Misreadings (pg. 55); HARTWIG ISERNHAGEN, History or Biography (pg. 61); NOTES ON CONTRIBUTORS (pg. 64).

Volume 22, Number 1. ESSAYS: DAN DOLL, Swift and Brobdingnagian Law (pg. 3); MAUREEN TURIM, Griffith and the Victorian Sea (pg. 17); JACQUELINE COSTELLO, When Worlds Collide: Freedom, Freud, and Jung in John Fowles's Daniel Martin (pg. 31). REVIEW ESSAY: DAVID GLOVER, At the Edges of Discourse: Wilkie Collins, History, and Literary Theory (pg. 45). REVIEWS: DANA POLAN, Doing What Comes Naturally (pg. 53); CATHERINE BARNES STEVENSON, Edging Women Out (pg. 58); NOTES ON CONTRIBUTORS (pg. 63).

Volume 22, Number 2 and 3. ESSAYS: MELINDA BARLOW, The Peculiar Light of Thought: Jean Epstein and the Sublime (pg. 3); RICHARD BOYD, Mimetic Desire and the American Revolution: Hawthorne's "Lady Eleanore's Mantle" (pg. 22); MARGIE BURNS, Easy Rider and Deliverance, or, The Death of the Sixties (pg. 44); EARL G. INGERSOLL, Troping and the Machine in Thomas Hardy's The Mayor of Casterbridge (pg. 59). REVIEW ESSAYS: FREDERICK GARBER, Scenes of Self-Locating (pg. 68); MARK CONROY, To Politicize the Critic (pg. 81); DANA POLAN, The Telephone Book and the Pencil (pg. 91). REVIEWS: ERNEST B. GILMAN, Michelangelo's Self Fashioning (pg. 98); MADONNE MINER, "The More It Changes, The More lt Stays The Same" (pg. 102);JOHN McGOWAN, Gone Fishing (pg. 107); MICHAEL WALSH, Joyce in Paris (pg. 110); NOTES ON CONTRIBUTORS (pg. 115); IN FUTURE ISSUES (pg. 116).