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1 proof thermographic card, 1 note of envelope for edition. 1 fax SC to Jamie Warde-Aldam, 1 fax Crome & Akers Printers with price for job.

2pp handwritten notes, with word and letter counts. 5pp handwritten colour notes of pieces to be made, 5pp colour infill typewritten poems, for concideration to be made. 3pp letters to Peter Freeman, with poems and description. 5pp faxes of work in final type. 7pp faxes of financial matters, costings and materials. 7 letters from SC to Peter, containing descriptions of new work to be made, ideas for works, etc.

54pp typed annotated poems. 4pp typesetting for '3 or 4poems on Margot's stone'. Press-cutting re: brogue shoes. 1pp letter re: 'Seepages', Jargon $988.

Advance subscription circular, draft & final version, batch of spare copies, 20 slips with orders received in reply, with personal messages etc. (with rusty paperclips!). Dummy/typescript: A Debussy Sequence, three'images' six 'estampes', on cover in pencil: June/July 1966, slim, tall booklet, hand sewn, 20pp, 254 x 104, inserted grey paper slip: additional typed poem). Forthcoming card for Christmas, holograph on A4 Tarasque Press notepaper. Artwork/design in red biro: A New Kind of Tie (on reverse of card) Thousands of pieces of string'. Dummy, light green covers, 178 x 103, in ink on cover: A New Kind of Tie, only title page and colophon page typed, rest of pages blank, (unrelated?) design 'WIND LUGGAGE' in pencil on centre pages. 73-pages typescript, loose sheets, one poem to page, 253 x 202. Typed list of poems: A New Kind of Tie, single sheet, annotated. Holograph poem 'The Golden Boy', annotation to Pete Brown sheet of poetry. Holograph poem 'Douanier's Paris', single sheet. Typed poem 'Landscape-Novelist'. Typed poem with handwritten additions 'The same sour face'. Letter: Thornhithe Ltd to SC, 1. 3. 1967 re lithos; also quote for accommodation. Paper scrap, grey paper, handwritten: Errata, Second Stanza. Quote for production of A New Kind of Tie, TPS Ltd to SC, 13. 12. 1966. Typed poem 'How does a blind man', four copies, with corrections with note: 'missing from final copy'. Holograph poem/text: I have grown a tie since, single sheet. Four paste-up sheets, some folded: Jardins sous la pluie. Two sheets: handwritten/typed poem 'Trawlermen's wives'. Five notes on Debussy on various scraps of paper. Two sheets, holographic and typed versions of 'You are clever'. Table of contents 1- 9, handwritten, on square piece of paper. Typescript: A New Kind of Tie, pasted-up, in blue JOCA file, foolscap size, with many corrections/amendments etc. in pencil, laid in 8 pages of typed poems beginning with Trawlermen's wives', also laid in holograph version of Trawlermen's wives, small piece of paper with pasted-up poem 'The rain throws at the door' and sheet 'Debussy musicien francais'. Letters and replies to and from publishers including Corgi Books, Matheun, Rapp and Carroll, Longmans, OUP, Faber, Eyre & Spottisswoode, Chatto, Routledge, Heinemann, Cape Gollard, McMillan

Cairn Gallery. Nailsworth. 1989, stenciled installations my sense of your sense of language, Maurizio Nannucci and Simon Cutts, Graeme Murray Gallery, Edinburgh, 1989, neon and stenciled texts; also used in Broken Lines, Victoria Miro Gallery, group show. Poinsettia 1 installation. Wall texts with pentel inks, Cairn Gallery, Nailsworth, and subsequent individual installations. Graeme Murray Gallery, Edinburgh, Fruit Market Gallery, Edinburgh, 1992. 40 transparencies of exhibition. See Object Files under same name. Cairn Gallery 1989, photocopies of photographs.

Notes and material relating mainly to the book, the shows of installations of stencil poems. Lists of project in-hand or planned and other notes, mostly handwritten, five sheets including two headed respectively: 'perhaps a series of shows done by stencil poems' and 'Notions at hand, as at September 8th 1990'. Two sheets of typed and numbered poems (for Nine Poems show, 1989) Certificate to transfer the use of the poem 'treillage' to… (blank) signed: 'SC June 1989, Graeme Murray Gallery', with colour photo of installed 'trestle & trellis', marked on back: 'a trefoil for Graeme and Fiona's garden in Edinburgh'. Three sheets of pencil tracings made from poem stencils for installation: 'to paint slate the colour of its cut shadow', 'A tree of A's', 'trellis trestle', with holographic poems / notes on reverse of latter, incl. 'my favourite flowers are leaves' poem / installation. Ten sheets of both typed and handwritten drafts / arrangements of poems intended for installation, incl. 'stepping stones for Anthony d' Offay, OM / $ / £ ', not used in Rubber Stamp Mini Printer poems. Four other manuscript sheets, incl. 'permanent parchment lampshade', with on reverse poem 'for Bill Culbert'. Colour polaroid photo of 'PROTECT FROM ALL ELEMENTS', stenciled as found on crate of Coracle material returned from British Art Centre at Yale, five photocopies of same. 2pp manuscript letter to Graeme Murray describing installation of Nine Poems and other stencil pentel marker poems