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Woodblock prints include "Sam Smith", a sail boat, a man shoeing a horse, an eagle, an upright piano, a bull, a crown, a horse-drawn carriage, etc. In red felt-tip pen one is marked No. 1 and No. 2. Invoice No. is highlighted in red. These must be examples of the papers in which Smith wrapped his commissions.

Black, brown, white and red painted boat named Zebra holds two bobble-head primitive figures, attached to a string is their catch, a brown and blue painted fish. This is one example of Smith's pre-occupation with the sea and his love for hand-made toys.

Blue and black painted boat named Shirley holds three men, attached to a string is their catch, a fish with painted red lips. This is one example of Smith's pre-occupation with the sea and his love for hand-made toys.

Most of the letter discusses health issues (of Sam and Barbara Wilk), a farm, and farm animals. The final paragraph reads: "My gosh it will be good if Ed and his Telescope take off. I hope we can keep plenty of words. Surely up to ten thousand would be all right (12,000). Love to all, Sam"

The first two paragraphs of the letter discuss health issues. The next two paragraphs discuss the "Telescope project," including a first chapter for a "Telescope theme." Smith adds that there is a drawing of "the place", "drawings of the Captain-loving and Dis-approving--could be a two-faced cut-out," and "a trick drawing--the opening of the water machine as seen through Edward's telescope."

Smith's letter discusses the contents of an enclosure (not included), which consisted of photocopies of letters that he wrote to a young girl in the hospital. He describes the letters as something that he once did and still does "naturally."

Letter discusses a trip to London once Sam receives word that the model for a "Beauty Queen" is complete and giving a lecture next January in London. He also mentions receiving a letter from a (Lady) Gloria Dale.

Sam sends his regrets regarding a party and adds a postscript stating, "there is a lot developing on the Sam Smith pasture."

Sam tells Max and Barbara that his house is on the market and that he is moving to a town named Newton Abbot.

Written by Gladys Smith on Sam Smith's behalf. Sam has had a stroke on August 1st and is in recovery. Gladys mentions that the Arts Council Exhibition of Sam Smith and H.C. Westermann will still go on from Dec. - Jan. at the Serpentine, London.

"Published by Ernest Benn Limited in cooperation with the Arts Council of Great Britain on the occasion of an exhibition at the Serpentine Gallery, London 5 December 1980 to February 1981"--title page. Catalog accompanied by a typescript note, "sent at the request of Mr. Eric Lister" on Serpentine Gallery/Arts Council of Great Britain stationary.

Letter is personal in nature, but does mention finishing "a thing" for the Portal Gallery. There is also mention of "Ms Dawn Begaye" the Wilks' daughter Frances.

Letter is personal, but mentions an upcoming show: "next October, when I am doing a show in a castle in Wales which has a leaning tower ..."

This speech, produced for the Arts Council of Great Britain, was broadcast by the BBC (ca. 1979-1980).

Sachs discusses how everyone loves Sam's work but that no one can figure out how to make the theater idea work.

Discusses welcoming the New Year, Smith's previous hospitalization, and house hunting.

Magazine clipping. Includes an image of Smith in his workshop and an image of his boat wood carvings and an assembled set of Fair Fun for All.

Letter is mainly personal. Smith mentions that "Pres. Carter has won the hearts of the English." Smith also gives his well wishes to Frances.

Describes Smith's affection for Lillian Gish and the preview of his film, Sam Smith, Genuine England made by the Arts Council.

The letter mentions a few different people, Frances, Kay Eddy (for whom he is working on some art pieces), Eric, and Lionel (for whom he is making an Adam and Eve set for their exhibition). In the extra note on the reverse, Sam mentions receiving a copy of the Arts Council film and that it had won an award in Australia.

Discusses drought in south England, correspondence from Eric Lister, and needing to get started on another children's book.

The letter makes reference to Max's book, but does not give the title. Sam also mentions a film unit being in his home to make a film for the Arts Council.

"Fair Fun for All, Sam Smith's simple press-out paper steam roundabout and sideshow attractions, all the parts you need to build the Waterloo Gallopers, the Bearded Lady show, Annie Oakley's shooting range, Gipsy Mona's caravan and the candy floss stall." Includes one sheet of instructions. The remaining sheets are perforated and contain the parts for building.

Letter discusses an upcoming visit by a photographer, F. Bullock, for the purpose of gathering material for a book on crafts. It includes sketches for the "Silent Cinema" later known as the Bioscope Palace.

Discusses a book, but does not give the title. "The book is marvellous and it's quite extraordinary the way Max's presence can be felt on each page; quite unseen but there, lurking behind the Sheik of Araby and round the corner at the End of the Long Long Trail."

Describes personal experiences in France.

Discusses personal matters and makes mention of Eric, Lionel, and Frances.

Typescript contract stating the basis for an agreement between Sam Smith and Max Wilk, regarding the possible publication of the "Biograph Palace" prototype as a mass-produced toy, book, or both.

Amusing letter possibly describing a visit to Africa.

Gives stories about horses, goats and Francie's parents.

Letter mentions the "Silent Cinema Toy," later referred to as the Bioscope Palace: "Have come to the conclusion some form of pictures turning on rollers is the right answer, and Jasper is now supposed to be making a mock-up model." The header of the letter is addressed: The Golf House Kingswear Dartmouth Devon England Europe The World Solar System Universe Lap of God.

Letter discusses putting the manuscript of Edward and His Marvellous Telescope in the post that afternoon and sending it to another publisher, Farrar Straus. Mr. Benn explains that they are currently working on The Secret Harbour (another work by Sam Smith) and how he would like to complete that project before embarking on another. He is, however, very interested in the concept of Edward and hopes to make it a companion book to the The Secret Harbor after "a good deal of modification."

Discusses going to Toronto, Canada, for a "gigantic friendly international friendly arty conference," where there will also be an exhibition where some of his pieces will be displayed.

The letter refers to the "Silent Cinema Toy," later known as the Bioscope Palace. There is also a reference to an unidentified publication with "thirty 2" pages of illustrations for Ernest Benn Ltd.

Mechanical prototype design of a miniature or toy theater with three strips. Designed as a replica of a 1910-style motion picture theater illustrated with pen and ink and watercolor. The two strips of scenes include 12 captioned drawings of scenes imitating early film. The other strip has illustrated announcements to the audience. All are hand-colored with pen and black ink, watercolor and colored felt-tip pen.

"Designed specially for home Paper Boat Builders, Sam Smith genuine England 1974 ... All the parts you need to build four trim little craft: The Houseboat, Sea Trips, Idle Hearts and the Old Gaffer ... It will help if you have a knife for scoring along the lines and opening out the slots before assembly, a drop or two of glue to put on the tabs for a stronger job, and a pair of tweezers to hold the smaller parts if your fingers are all thumbs. Bon Voyage!"

The third paragraph of the letter discusses the "telescope idea" and Sam's wish to work out some rough sketches to send along with his next correspondence. Sam also mentions that he has enclosed a recently completed "do-it-yourself cutout."

Letter mainly talks about Smith's personal health and that of "Glad's." There is a brief entry stating, "It will be marvellous if anything comes of the Trudi-Angela piece."

A personal letter discussing Barbara Wilk's poor health. Also discusses giving a lecture in Edinburgh and a film unit visiting his home to make a television piece of him at work.

The sheet depicts a miniature boat, a man, and a woman. "The ship of matrimony is a do-it-yourself vessel created specially for the Crafts Advisory Committee." Includes instructions.

Addressed to Mrs. Barbara Wilk, 14 Eton Villas, London, N.W.3. "Thursday Have brought my telescope to Wolver-Hampton for a new view. Wish you were here, Sam."

Sam Smith tells Barbara that he is working on two commissions and preparing for a lecture in Bournemouth to be called "Art and Laughter."

The typescript portion of the letter states that Sam has completed the story of Trudi and Angela, but has not completed the drawings due to a hospitalization. There is also a brief note about completing the full draft of "the telescope story." Along the edge of the letter on the right-hand side Sam writes, in ink, "Elections sadden me because humans are always so much more credulous than I hope."

Letter is addressed to "Eric," who is probably Eric Lister from the Portal Gallery. There are references to him being an acquaintance of Mr. Max (probably Max Wilk) and Mr. S.J.Perelman. Sam Smith is looking for Mr. Max's address so he can send him an invitation to his art show at the Camden Arts Centre in London NW3 6DG.

"Relics of Lost Gaiety" features Sam Smith and his wood carvings. Article advertises that, "Well over 100 of Sam Smith's objects are on display at the Camden Arts Center in London until August 16." Clipping is missing the continuation on page 28.

Magazine is marked in ink; "see p. 22" The Sam Smith article, "Relics of Lost Gaiety" are on pages 22-25, continued on 28. Article features Sam Smith and his wood carvings and advertises that, "Well over 100 of Sam Smith's objects are on display at the Camden Arts Center in London until August 16."

Typescript letter is not addressed or signed. There are ink additions of speech bubbles leading from the image of "The Founder" on the letterhead to the typescript.

Exhibition catalog for Sam Smith, published independently by the City Art Gallery, Bristol. Introduction written by Arnold Wilson, Director of City Art Gallery, Bristol at the time of publication. Biographical forward written by Sam Smith, followed by images of some of his works and a list of objects from the exhibition. Presented by the Arkwright Arts Trust and financed by the London Borough of Camden. The exhibition venues and dates are as follows: City Art Gallery, Bristol, 4th May - 27th May 1972; Beaford Arts Centre, Devon, 5th June - 30th June; Camden Arts Centre, London, 12th July - 16th August.

Mock-up shows both the printed and mechanical design of the theater. The folder was previously used to keep files regarding Judith Sachs; it is labeled in pen, "Judith Sachs 6/12/78."

Preliminary colored drawing of a design for a Bioscope Palace advertisement. It states that the Bioscope Palace is the "home of FINE ENTERTAINMENT for ALL the FAMILY."

Drawn in color, advertisement design for Bioscope Theater. "Coming! Don't Miss It! Limited Engagement Hurry!"

Program design for the Bioscope Palace drawn in colored felt tip marker. Some preliminary graphite lines remain.

Narrative typescript description of the Bioscope Palace as "the finest of that most exciting new invention, the moving picture play."

Letter thanks the recipient for his previous letter and discusses thinking about telescopes in the Prince Albert Room and going to Birmingham to think some more.

Each side of the sheet has an emotional depiction of the Captain. One side declares: "The Captain...could be a loving man." The other side counters: "He could also be a strongly disapproving man."

The illustration depicts a scene from Edward and His Marvellous Telescope, as if the viewer were looking through a telescope. Under the illustration Smith has written "through the telescope." Above the picture Smith notes: "Lift to see what happened next." When a flap is lifted there is another scene from the story on the other side.

Drawing is of Harmouth harbor and depicts Edward's lonely white cottage on one side of the harbor and the populated port on the other. Below the drawing, in black felt-tip pen is written: "Any stranger coming for the first time to the small port of Harmouth who might wonder who lived in the small white cottage which stood alone on the far side of the harbour had only to ask and they would be told, 'Edward lives there with his grandfather.' All the town knew Edward and his grandfather, though only in a distant sort of way; for people could not quite understand why anyone should choose to live in such a lonely place when they could be cosily crowded together with everyone else in the town." Signed on the bottom right in black ink.

Typescript leaves contain chapter 1 of Edward and his Marvellous Telescope and includes a one-leaf synopsis of "How the story would continue: "The story takes place in the small port of Harmouth. The characters are Edward, his grandfather (the Captain), Primrose (the Harbour Authority's steamer that Edward's grandfather was once the captain of), Major Swivel, Edward's telescope, The Mayor Ma'am, The Harbour Authority, and others."

Depicts a sheep and a dog facing one another in conversation below a sun. Gray gouache frame is painted around image.

Depicts a man in uniform (John Darme?), a sheep, and three dogs, dancing around a broom stick with flags. At bottom is a note in black ink: "short authorised version" and "see p. 127." The drawing is 1 of 3 samples enclosed with a signed typescript of Trudi, Angela and John Darme with illustrations and colored title page.

The drawing depicts a man in uniform riding a bicycle with a ladder, a sheep, and three dogs. It is stamped in purple ink "Sam Smith, England." The drawing is 1 of 3 samples enclosed with a signed typescript of Trudi, Angela and John Darme with illustrations and colored title page.

Depicts two dogs lying in a flowerbed eating chocolate biscuits.

Depicts a dog in a witch costume, and a sheep laughing. "See page 147" is written below the tile.

Depicts a house with two doors and a walkway in the foreground. The doors are colored blue and pink and there is a yellow ring around the house.

The drawing depicts a house with two doors and two trees in the foreground. At bottom-left is a note in black ink: "short authorised version." The drawing is 1 of 3 samples enclosed with a signed typescript of Trudi, Angela and John Darme with illustrations and colored title page.

Most leaves are typescript. A note on the title page reads: "Draft of the expanded version; the illustrations--lots of them--would be in the style of the four samples [i.e. the four illustrations listed above]." The typescript includes one colored illustration and two additional black ink illustrations embedded in the text.

Typescript title page has ink colored title with illustration of the sun. Below this Smith has typed: "A hot-up of the short Authorised Version. Illustrations, as 3 samples, would be simple in colour and look as if they had been drawn by anybody's uncle. Love to all Sam." Includes two illustrations in pen and black ink embedded in the text. The three samples that Smith refers to are "Untitled," "Going Home," and "The end of the day on the beach," listed above.

The photocopied pages of Trudi and Angela, as explained in the letter to Barbara Wilk, are "all that remains of letters I wrote to a small child in hospital some years ago..." Some letters are hand written, others are typescript. There are illustrations.

Letter describes upcoming trip to North Wales and a later trip to Crete. Smith expresses his concern for knocking down Grand Central Station.

Smith mentions "Eric"--possibly Eric Lister--and a visit by two young Australians. Smith sends his New Year's wishes and an update about the conversion of his loft into a work space.

This multi-media assemblage is designed to be viewed on either of two sides depending on how it is being held. One side depicts a dark haired, blue eyed, female head wearing fake pearls and holding a sign stating, "No Bill Stickers". When turned around, the opposite side depicts the head of a dark haired, red eyed, moustached man holding a sign stating, "No Fly Posters". During this time period, Sam Smith created similar objects which he called mood-indicators. These objects were two-sided, wooden, peg-style heads, meant to be turned one way or the other to show either a happy or unhappy face.