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Audio recording of the Hartt Chamber Winds with Paul Yarbrough and conducted by Kenneth Singleton on November 17, 1977 in Millard Auditorium. The recording includes: Tower music, opus 129 – Prelude, Fugue, Aria, Antiphony, Two hymns, Postlude by Alan Hovhaness; World premiere of "Prairie," poem for viola and wind instruments by Henry Joslyn featuring Paul Yarbrough (viola); Deserts by Edgard Varese; Suite of six pieces – March III with the air "old Kentucky home," Chromatimelodtune (early version – world premiere), The se'er, Polonaise, Rembrance, Holiday quickstep by Charles Ives; and an encore.

Audio recording of the Hartt Symphonic Wind Ensemble conducted by Donald A. Mattran with guest artist Donald Sinta on March 10, 1968. Recording includes: Good Friday Spell from Parsifal, by Richard Wagner; Concerto for saxophone – Meditative, Rhythmic, by Paul Creston featuring Donald Sinta (saxophone); Scherzo (over the pavements), by Charles Ives; Rondino in E flat major, by Ludwig von Beethoven; The answered question – Appassionata, Molto adagio e intenso, by Norman Dinerstein; Lincolnshire posy – Dublin Bay, Harkstow grange, Rufford Park poachers, The brisk young sailor, Lord Melbourne, The lost lady found, by Percy Grainger.

Audio recording of the Hartt Symphony Orchestra conducted by Vytautas Marijosius on May 20, 1965. Recording includes: Ouverture "Zu Den Hebriden" Op. 26, by Mendelssohn-Bartoldy; Symphonie No. 4 in C Minor (Tragische) – Adagio – Allegro vivace, Andante, Menuetto – Allegro vivace, Allegro, by Franz Schubert; Concerto No. 5 in E Flat Major, op. 73 – Allegro, Adagio un poco mosso, Rondo-allegro, by Ludwig Van Beethoven with Machiko Kawahata (piano).

Audio recording of the Hartt Symphony Orchestra and Hartt Chorale fiftieth anniversary all-Brahms program conducted by Moshe Paranov with guest artists Isaac Stern (violin) and Leonard Rose (cello). Recording includes: Academic festival overture with the Hartt Symphony Orchestra; Song of Destiny with the Hartt Symphonic Orchestra and Hartt Chorale; the conferring of Honorary Degree by Archibald Woodruff to Isaac Stern and presented by Lesly Heller with concluding words by Rev. Wallace Grant Fiske; Double concerto for violin and cello with the Hartt Symphony Orchestra featuring Moshe Paranov (conductor), Isaac Stern (violin) and Leonard Rose (cello).

Audio recording of the first program of the 13th Annual Institute of Contemporary American Music (ICAM) on January 8, 1961. This ICAM was dedicated to Isadore Freed. Recording includes:Concerto Grosso for wind quintet and orchestra – Allegro animato by Normain Kimmell, featuring the Hartt Symphony Orchestra, the Hartt Wind Quintet with Carl Bergner (flute), Harvey Goldstein (oboe), William Goldstein (clarinet), James Jacobs (horn), and Robert Schaffer (bassoon), conducted by Moshe Paranov; SONG FROM AN OPERA – The Cat and the Moon by Thomas Putsche, based upon a play by W.B. Yeats, with Elizabeth Humes (soprano), Nancy Turetzky (flute), John Kelsey (clarinet), Louis Lazzerini (bassoon), Phillip Ruder (violin), Beatriz Budinsky (violin), and Thomas Putsche (conductor); (side 2) Lonesome tones and sudden dances – Moderate and fast, First Air (without flute), Second Air (with Flute), Finale (fast) a quintet by Timothy Cheney with Stanley Aronson (flute), Bernard Lurie (violin), Marie Blewett (viola), Marianna Wilcox (cello), Bertram Turetzky (contrabass); Concert for contrabass and percussion – Lively, Lamentations by Eugene Martin with Hartt Percussion Ensemble, Bertram Turetzky (contrabass), Alexander Lepak (conductor); Three songs for high voice and flute – Papillon (Eugene Rombert), La Mort des Oiseaux (Francois Coppe'e), A Paris (Eugene Rombert) by Suzanne Kirby with James Mitchell (tenor), AND Priscilla Thompson (flute); Improvisation and scherzo for horn, oboe, and strings by Isadore Freed with Hartt String Orchestra, Joseph Eger (Guest Artist - horn), Harvey Goldstein (oboe), and Dr. Moshe Paranov (conductor).

Audio recording of the November 12, 1961 3:30pm and 7:45pm Institute of Contemporary American Music (ICAM) programs. Side 1 of the recording includes the afternoon program: Quartet by Peter Westergaard featuring Phillip Ruder (violin), Henry Larsen (clarinet), Marilyn White (cello), James Fardy (percussion), and conducted by Alvin Epstein; Cantata no. 2 by Peter Westergaard performed by the Chamber Orchestra with Philip Treggor (bass) and conducted by Thomas Putsche; String Quartet by Alvin Epstein; Letters found near a suicide by Earl Kim (text by Frank Horne) with Elizabeth Barrett (soprano) and William McKim (piano); Woodwind Quintet by Gunther Schuller performed by the Hartt Woodwind Quintet with Carl Bergner (flute), Harvey Goldstein (oboe), William Goldstein (clarinet), James Jacobs (horn), and Robert Schaffer (bassoon).