Essays, articles, chapters, and publications collected by Fred Ho on race, revolutionary politics, the Occupy Movement. Also includes "The End of Whiteness: When Whites Join Scientific Soul Sessions (A Political Discussion for the merger with Resistance in Brooklyn)" by Fred Ho.
"How Does Music Free Us? 'Jazz' as Resistance to Commodification and the Embrace of the Eco-Logic Aesthetic" by Fred Ho, published in Capitalism Nature Socialism vol. 22, no. 2 (June 2011).
Contains publications, posters, ephemera: Fred Ho book signings, talks, concerts; publication: "Asian American Resource Workshop, Winter 2011-2012;" "American Music Review, Vol. 41, no. 1, Fall 2011."
Published in American Music Review, vol. 39, no. 2. The article mentions Fred Ho's chapter on Cal Massey in Wicked Theory, Naked Practice: A Fred Ho Reader (2009).
Comic book with two stories: Deadly She-Wolf Assassin at Armageddon! and Momma's Song. Includes a CD. Music and Concept by Fred Ho, illustrations by Mac McGill.
Fred Ho's correspondence with Shoatz and others; materials related to "The Makings of A Political Prisoner: The Autobiograph of Russell 'Maroon' Shoatz" book project.
A speech by Fred Ho entitled, "Imagine the Impossible! Perpetuating the Avant Garde in African American Music," for the conference, "What's Avant Garde about the Avant Garde," The Fourth Annual Interdisciplinary Jazz Studies Colloquium, University of Kansas, March 30-31, 2007.