Collection: Art, architecture, and art history theses and projects, Yale University, 1915-2019 - CAO: Powered by ArcLight and hosted at Western CT State University Search Results

Rabinowitz Harold W. A Painter's Approach to Growth-Forms in Nature. M.F.A. 46 p., 1954-1954 Box 8, Folder 400

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Radomski Alphonse F. Painting of Carlo Crivelli. B.F.A. 11 p., 1947-1947 Box 8, Folder 401

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Raffaele Joseph H. The Hand-made Book of Calligraphy. B.F.A. 22 p., 1956-1956 Box 8, Folder 402

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Randall T[heodore] A. Formal Beauty. B.F.A. 10 p., 1938-1938 Box 8, Folder 403

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Reardon Mary A. The Painters [sic] Palette of Materials; Decorative Media of the Present Day. B.F.A. 26 p., 1938-1938 Box 8, Folder 404

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Reid Sylvia. Research and Experiments in the Use of Polymer Tempera Medium. B.F.A. 26 p., 1955-1955 Box 8, Folder 405

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Revenson Maxwell. The Desirability of Collaboration between the Architect, Painter, and Sculptor at the Primary Level of Design. B.F.A. 20 p., 1951-1951 Box 8, Folder 406

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Reynolds Douglas W. Psyho-analysis of Piero di Cosimo. B.F.A. 15 p., 1941-1941 Box 8, Folder 407

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Reynolds James M. A Comparison of the View points that Produced Murals in the Italian Renaissance and Tang China. B.F.A. 45 p., 1951-1951 Box 8, Folder 408

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Richardson Terrance A. [Untitled]. M.F.A. 4 p. Slides., 1967-1967 Box 8, Folder 409

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Richmond G[aylord] D. Leonardo da. Vinci. B.F.A.12 p., 1931-1931 Box 8, Folder 410

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Rittenberg Lawrence Saul. An Examination of my Artistic Growth. M.F.A. 8 p., 1968-1968 Box 8, Folder 411

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Robbin Anthony. My Painting M.F.A. 15 p. Slides., 1968-1968 Box 8, Folder 412

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Roberson Richard E. [Untitled portfolio]. M.F.A. 16 p., 1967-1967 Box 8, Folder 413

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Robie James Paul and Anthony E. Vander-perk. [Untitled]. M.F.A. 18 p. Slides., 1970-1970 Box 8, Folder 414

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Robinson Barbara S. El Greco. B.F.A. 12 p., 1940-1940 Box 8, Folder 415

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Rogoff Seymour Harold. General Technical Information Pertinent to Use of Poly Vinyl Acetate Emulsions. B.F.A. 36 p., 1952-1952 Box 8, Folder 416

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Rogoff Seymour Harold. Pictorial Conquest of Plastic Reality. M.F.A. 117 p., 1954-1954 Box 8, Folder 417

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Rosenberg L[eonard]. With Roots in the Old, a Step toward the New. B.F.A. 24 p., 1951-1951 Box 8, Folder 418

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Rosenblatt Adolph. Visual Aspects of Pre-Columbian Stamps. B.F.A. 117 p., 1956-1956 Box 8, Folder 419

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Rosenthal Stephen. Problems in Figure and Landscape Composition. B.F.A. 15 p., 1958-1958 Box 8, Folder 420

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Rothenberg Joan G. A Personal Essay on my work. M.F.A. 10 p. Slides., 1968-1968 Box 8, Folder 421

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Roy John A.[Jr.]. Optical Density. B.F.A. 34 p., 1957-1957 Box 8, Folder 422

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Rubin Irwin. A Study of the Art of the Aborigines of Australia. B.F.A. 34 p., 1953-1953 Box 8, Folder 423

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Russom J[ohn] Michael. [Untitled]. M.F.A. 2 p. Slides., 1970-1970 Box 8, Folder 424

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Rust Edwin C. Carl Mills - the Teacher. B.F.A. 12 p., 1936-1936 Box 8, Folder 425

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Sackstein, Robert [L.]. Toward a Unified Vision through More Effective Symbols. B.F.A. 15 p., 1952-1952 Box 8, Folder 426

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Sadowy Helen. Color as Used through a Transparent Medium. Glass. B.F.A. 9 p., 1958-1958 Box 8, Folder 427

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Safran Nora R. Plastic Media for Sculpture. B.F.A. 54 p., 1957-1957 Box 9, Folder 428

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Saldibar Peter S. The Parthenon. B.F.A. 8 p., 1931-1931 Box 9, Folder 429

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Sangiamo Albert. Line in Nature and Art: A Comparative Analysis.

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Sangiamo Albert. The Outline in Drawing. M.F.A. 74 p., 1957-1957 Box 9, Folder 430

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Schactman Barry. The Figure in Relation to its Environment. B.F.A. 18 p., 1958-1958 Box 9, Folder 431

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Schaefer Ernest R. Plaster Casting. B.F.A. 21 p., 1951-1951 Box 9, Folder 432

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Schappa Shirley. Fabric Printing. B.F.A. 10 p., 1958-1958 Box 9, Folder 433

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Schecter Robert. A Discussion of my Work: M.F.A. 9 p. Slides., 1969-1969 Box 9, Folder 434

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Schecter Susan Fortgan. Some Thoughts on my Painting. M.F.A. 17 p. Slides., 1968-1968 Box 9, Folder 435

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Schiebel Jeaniegray. Flemish Painting of the Fifteenth and Sixteenth Centuries. B.F.A. 10 p., 1939-1939 Box 9, Folder 436

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Schiffrin Herbert [S.]. [Six essays]. M.F.A. 12 p. Slides., 1968-1968 Box 9, Folder 437

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Schnell John V. [Untitled]. M.F.A. 8 p. Slides, portfolio., 1967-1967 Box 9, Folder 438

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Schreiner Richard. Painting and I. [B.F.A.]. 5 p., 1969-1969 Box 9, Folder 439

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Schur Leona

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Schwartz Lyndell. Thesis on Sienese Painting. B.F.A. 9 p., 1933-1933 Box 9, Folder 440

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Seckel Paul B. The Art of Ingres and Delacroix: A Contribution toward an Analysis of their Work. M.F.A. 70 p., 1948-1948 Box 9, Folder 441

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Shapiro Julius. A Study of the Landscape Language of Van Gogh. B.F.A. 16 p., 1958-1958 Box 9, Folder 442

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Sheil Mary [R.]. Harmony in Painting. B.F.A. 10 p., 1947-1947 Box 9, Folder 443

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Shuman Morris. Casablanca. M.F.A. 5 p., 1968-1968 Box 9, Folder 444

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Silvercruys Suzanne

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Silverman Harold Y. Design: Renaissance and Contemporary Times. B.F.A. 32 p., 1953-1953 Box 9, Folder 445

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Simard Stanley B. Propaganda and Painting B.F.A. 10 p., 1937-1937 Box 9, Folder 446

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Sitton John M. "Duccio di Bouninsegna": The Sienese. B.F.A. 9 p., 1929-1929 Box 9, Folder 447

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Sklar George John. Art as an Historical Document. B.F.A. 24 p., 1935-1935 Box 9, Folder 448

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Sklar George John. The Life of Claus Sluter. M.F.A. 33 p., 1937-1937 Box 9, Folder 449

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Slutzky Bob [Robert]. An Examination of "Actual Surface" in Oil Painting. B.F.A. 12 p., 1952-1952 Box 9, Folder 450

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Slutzky Robert. Art, Education, and Gestalt. M.F.A. 37 p., 1954-1954 Box 9, Folder 451

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Smith Jack Roberts. The Years of Duchamp. B.F.A. 17 p., 1954-1954 Box 9, Folder 452

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Smith Sally Lou. Modern Stained Glass as a Design Form. B.F.A. 26 p., 1953-1953 Box 9, Folder 453

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Snowden George H. Augustus St. Gaudens. B.F.A. 6 p., 1926-1926 Box 9, Folder 454

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Snyder Dennis Ralph. An Evaluation of my Painting Experience. M.F.A. 7 p. Slides., 1968-1968 Box 9, Folder 455

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Soule George Clifton. A Thesis on the Frescoe Murals in Dartmouth College by Jose Clemente Orozco. B.F.A. 15 p., 1941-1941 Box 9, Folder 456

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Spaenkuch August. Some Comments on Magazine Illustrations and Illustrators. B.F.A. 15 p., 1924-1924 Box 9, Folder 457

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Spaulding Warren [D.]. The Intuition Idea in Modern Painting. M.F.A. 50 p., 1950-1950 Box 9, Folder 458

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Speier Robert Walker. Plastic Space: Its Creation, Perception and Influence on the "de Stijl" Movement. B.F.A. 30 p., 1955-1955 Box 9, Folder 459

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Speier Robert Walker. Some Aspects of the Influence of Texture on Spatial Effect. M.F.A. 38 p., 1958-1958 Box 9, Folder 460

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Spillman John Edwin. [Untitled portfolio]. M.F.A. 15 p., 1966-1966 Box 9, Folder 461

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Stanczak Julian. Spatial Relationships on the Two Dimensional Surface. M.F.A. 55 p., 1956-1956 Box 9, Folder 462

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Stearns Priscilla. Paolo Veronese (Caliari): Character of Work and Comparison with Other Masters Venetian School. B.F.A. 14 p., 1936-1936 Box 9, Folder 463

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Steckel Jordan. A Confusion in Concepts. B.F.A. 12 p., 1952-1952 Box 9, Folder 464

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Steever Edgar Z. [IV]. Considerations of South Mayan Reliefs. B.F.A. 20 p., 1940-1940 Box 9, Folder 465

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Steever Edgar Z.IV. Mayan Art: Sculptural Developments at Piedras Negras. M.F.A. 83 p., 1941-1941 Box 9, Folder 466

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Sterling Elizabeth Parks. The Use of Plastics for Color Transparencies. B.F.A. 12 p., 1958-1958 Box 9, Folder 467

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Sternberg Charlotte [J.]. Concerning the General Characteristics of Chinese Painting up till the End of the T"ang" Dynasty. B.F.A. 16 p., 1942-1942 Box 9, Folder 468

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Stevenson Mrs. Edward F.

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Stewart Jack T. Jr. Pigments and the Medium B.F.A. 44 p., 1951-1951 Box 9, Folder 469

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Stokes, Franklyn Haven. Fra Angelico B.F.A. 27 p., 1939-1939 Box 9, Folder 470

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Haven R[ichard] Leonard Jr. [Untitled] M.F.A. 15 p. Slides., 1969-1969 Box 9, Folder 471

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Stone Ernest Lynn. Botticelli, Renaissance Italian. B.F.A. 20 p., 1936-1936 Box 9, Folder 472

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Stone Mary Elizabeth. Angelica Kauffmann. B.F.A. 14 p., 1943-1943 Box 9, Folder 473

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Swenson Rod[eric] B. Flashworks and Fleck Theory M.F.A., 47 p., 1969-1969 Box 9, Folder 474

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Swift Philip W. Thoughts on a Museum Education B.F.A. 13 p., 1952-1952 Box 9, Folder 475

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Swift Philip W. Some Aspects of Object Presentation M.F.A. 55 p., 1954-1954 Box 9, Folder 476

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Swirnoff Lois [C.]. A Study of Masaccio's Form B.F.A. 41 p., 1953-1953 Box 9, Folder 477

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Swirnoff Lois [C.]. Spatial Aspects of Color M.F.A. 42 p., 1956-1956 Box 9, Folder 478

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Tanner Sister Mary Bartholomew O. P. Creation Themes and Other Related Works. M.F.A. 11 p. Slides., 1963-1963 Box 9, Folder 479

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Tauss Charles [J.]. Some Aspects of Early Flemish Paintings and Methods. B.F.A. 22 p., 1952-1952 Box 9, Folder 480

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Tauss Charles [J.]. The Church of Christ in Chora (Karieh Djami): Notes on the Parecclesion. M.F.A. 63 p., 1955-1955 Box 9, Folder 481

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Tedeschi Paul V. Giovanni of Fiesole (Fra Angelico). B.F.A. 12 p., 1947-1947 Box 9, Folder 482

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Tedeschi Paul V. Comparison of the Stylistic Elements in the Landscape Art of Early china for a Possible Redating of the Archer and the Mountain Scene in the Admonitions Scroll. M.F.A. 48 p., 1949-1949 Box 9, Folder 483

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Tenenbaum Gary Richard. An Essay on Works Executed at Yale University. M.F.A. 16 p. Portfolio., 1967-1967 Box 9, Folder 484

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Thompson George William. An Iconographical Study. B.F.A. 28 p., 1951-1951 Box 9, Folder 485

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Thoms Margaret Alison. Albert Pinkham Ryder. B.F.A. 10 p., 1942-1942 Box 9, Folder 486

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Thomsen Frederick C. The Centaur as Interpreted in Sculpture throughout the Periods. B.F.A. 25 p., 1932-1932 Box 9, Folder 487

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Thorne Gordon Grand. Some Thoughts on Myself as an Artist, and the Things I Create, and Call Art. M.F.A. 7 p., 1966-1966 Box 10, Folder 488

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Thorne Thomas. The Technical Methods of Peter Paul Rubens, as Observed in the Painting, Venus and Adonis; in the Metropolitan Museum - New York. B.F.A. 16 p., 1940-1940 Box 10, Folder 489

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Tobey Alton S. An Introduction to the History and Appreciation of Persian Painting. [B.F.A.] 18 p., 1937-1937 Box 10, Folder 490

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Tobey Alton [s.]. A Comparison of Two Works of Art as an Expression of their Respective Cultures. M.F.A. [1948]. 85 p., 1947-1947 Box 10, Folder 491

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Tompkins Alan. On the Development of Drawing from Conventionalism to Naturalism during the Italian Renaissance. B.F.A. 17 p., 1933-1933 Box 10, Folder 492

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Trussell Philip R. [Untitled]. M.F.A. 12 p. Slides., 1967-1967 Box 10, Folder 493

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Trussell Ruth R. [Untitled]. M.F.A. 13 p. Slides., 1967-1967 Box 10, Folder 494

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Tulk Alfred James. The Ultimate Aim of Art. B.F.A. 11 p., 1923-1923 Box 10, Folder 495

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