Collection: Art, architecture, and art history theses and projects, Yale University, 1915-2019 - CAO: Powered by ArcLight and hosted at Western CT State University Search Results

Corwin Arthur. A Limited Study of the Visual Properties of a Surface Structure of the Sphere. B.F.A. 18 p., 1955-1955 Box 2, Folder 100

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Cota Blaine A. Jr. Fifty Years of Ballet Dancing in the United States. M.F.A. 133 p., 1951-1951 Box 3, Folder 101

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Cotter Michael. Mondor Cotter's East Rock Thesis. M.F.A. 13 p., 1970-1970 Box 3, Folder 102

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Crapster Thaddeus Greaves Jr. Glass in Construction. M.F.A. 36 p., 1940-1940 Box 3, Folder 103

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Crescenti Louis J. The Decorations of Tiepolo. B.F.A. 13 p., 1948-1948 Box 3, Folder 104

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Crivy Joseph. Triptychs. B.F.A. 23 p., 1956-1956 Box 3, Folder 105

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Crowe Walter Q. Guernica: 20th Century Enigma. B.F.A. 25 p., 1951-1951 Box 3, Folder 106

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Crutcher Albert B. The Nature of Parallel Rays of Light with Respect to Form for Purposes of Drawing. B.F.A. 10 p., 1946-1946 Box 3, Folder 107

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Cummings Bradford C. Transmitted Light: Its Theory and Function. B.F.A. 20 p., 1951-1951 Box 3, Folder 108

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Curry C[harles] F. Jr. Spring 1942. B.F.A. 12 p., 1942-1942 Box 3, Folder 109

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Dalrymple Ogden Rafferty. Some Conclusions regarding Sculpture and its Design. B.F.A. 10 p., 1940-1940 Box 3, Folder 110

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Darrow Alexandra I. Russian Icons. B.F.A.[1933]. 14 p., 1932-1932 Box 3, Folder 111

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Davenport Diane. The Re-orientation of Mural Design to Contemporary Architecture. B.F.A. 20 p., 1948-1948 Box 3, Folder 112

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Davenport Joy. An Analysis of Figure Ground in Persian Miniatures. B.F.A. 108 p., 1956-1956 Box 3, Folder 113

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DaVia Louis. Domenico Veneziano. B.F.A. 9 p., 1936-1936 Box 3, Folder 114

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Davidson Daniel John. In Search of Full Emptiness. M.F.A. 10 p. Slides., 1968-1968 Box 3, Folder 115

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Day John Hamblin. On the Virtue of Selfless Art. B.F.A. 33 p., 1954-1954 Box 3, Folder 116

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Day John Hamblin. Byzantine Art: Its Sources, its Development, its Continuation in Russia. M.F.A. 116 p., 1956-1956 Box 3, Folder 117

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de Bretteville Peter. The New Brutalism. 21 p., undated Box 3, Folder 118

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De Carlo Charles. American Water Color Painting. 34 p., 1953-1953 Box 3, Folder 119

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DeLauro Giuseppe Nicola. Liberation and Bondage in Art. B.F.A. 12 p., 1941-1941 Box 3, Folder 120

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Deley Joseph. A Description and Discussion of the "Matisse Chapel" at Vence. B.F.A. 80 p., 1955-1955 Box 3, Folder 121

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De Lucia Raymond [H.]. Dominico Ghirlandaio. [B.F.A.] 9 p., 1938-1938 Box 3, Folder 122

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DeNatale A. Richard. A Comparison of Hand Lettering and Type and their Use as Two Dimensional Design Media. B.F.A. 14 p., 1951-1951 Box 3, Folder 123

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Denenberg Allan Neal. Festivals and Pageantry during the Renaissance in Italy. B.F.A. 78 p., 1953-1953 Box 3, Folder 124

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Denenberg Allan Neal. A Study of a Mediaeval Visual Complex with Supporting Examination of a Renaissance Visual Complex. An Analysis of a Historical Continuity of Visual Forms towards the Realization of a Method with which to Plan a Visual Complex to Serve Contemporary Man. M.F.A. 117 p., 1955-1955 Box 3, Folder 125

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Denner William A. Thesis Project. M.F.A. 7 p. Slides., 1968-1968 Box 3, Folder 126

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Derderian Ara Arakel. The Artist and our Society. B.F.A. 15 p., 1952-1952 Box 3, Folder 127

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Derderian Ara Arakel. Some Factors concerning the Artist in our Society. B.F.A. 10 p., 1952-1952 Box 3, Folder 128

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De Vito Ferdinand. A Mosaic Innovation in Architecture. M.F.A. 28 p., 1956-1956 Box 3, Folder 129

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Dietemann Charles A. The Social and Educational Aspects of Art[B.F.A.] 12 p., 1937-1937 Box 3, Folder 130

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DiMeglio Antonio. 7-31-40. M.F.A. 7 p. Slides., 1970-1970 Box 3, Folder 131

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Dizon Vicente Alvarez. Art of the Filipinos. [B.F.A.] 23 p., 1936-1936 Box 3, Folder 132

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Doggett Jane. A Series of Photographs from the Southern Appalachian Mountains. M.F.A. 26 p., 1956-1956 Box 3, Folder 133

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Domonkos A[lexander] H. Color in Painting. B.F.A. 7 p., 1946-1946 Box 3, Folder 134

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Drysdale [T.] Dornacilla. The Solving of Wall-Space by the Paintings of Giotto, Puvis de Chavanne and Orozco. B.F.A. 15 p., 1947-1947 Box 3, Folder 135

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Dube Eleanor. [Untitled]. M.F.A. 19 p., 1970-1970 Box 3, Folder 136

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Dufour Paul A. The Roman Catholic Influence on the Primitive Art of the African Negro. B.F.A. 28 p., 1952-1952 Box 3, Folder 137

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Duncan Malcolm Graeme. Art and Steel. B.F.A. 11 p., 1929-1929 Box 3, Folder 138

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Dunlap David. [Untitled portfolio], M.F.A. 25 p., 1965-1965 Box 3, Folder 139

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DuPen Everett George. The Essentials of Sculptural Form. [B.F.A.] 14 p., 1937-1937 Box 3, Folder 140

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Durfee [Carder] Hazard. Art and Ideals. B.F.A. 24 p., 1939-1939 Box 3, Folder 141

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Eberhard, W[illia]m Burke. El Greco: As a Painter in his own Times and as a Master Today. B.F.A. 21 p., 1940-1940 Box 3, Folder 142

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Eberhart, Richard P. Another Spiritual Conversion. M.F.A. 8 p Slides., 1970-1970 Box 3, Folder 143

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Ecklund, Jacqueline. The Growth and Development of the Modern Movement in Architectural Interiors. B.F.A. 26 p., 1954-1954 Box 3, Folder 144

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Edwards Emlyn R. The Objectivity of Art. M.F.A. 47 p., 1951-1951 Box 3, Folder 145

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Elmgren George Richard. Development of a National Style in Persian Miniatures. B.F.A. 41 p., 1953-1953 Box 3, Folder 146

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Elmgren George Richard. Study of Mola Applique Art of Richard the San Blas Indians (Tule). M.F.A. 51 p. Slides., 1957-1957 Box 3, Folder 147

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Elston Helen Aczkiewicz. How Raphael Composed. B.F.A. 32 p., 1947-1947 Box 3, Folder 148

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Engel Edward F. The American School of Painting. [B.F.A.] 4 p., 1925-1925 Box 3, Folder 149

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