Collection: Art, architecture, and art history theses and projects, Yale University, 1915-2019 - CAO: Powered by ArcLight and hosted at Western CT State University Search Results

Graziani Sante. The Training of Painters from Medieval Times to the Present. B.F.A.[1943]. 14 p., 1942-1942 Box 4, Folder 198

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Graziani Sante. Wilson, Harunobu, Dürer, and Cimabue: A Comparison of Modes. M.F.A. 43 p., 1948-1948 Box 4, Folder 199

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Greeley Benita P[ape] (Mrs. Wilder J.). An Appreciation of Gothic Tapestries [B.F.A.] 15 p., 1937-1937 Box 4, Folder 200

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Green Frank Paul. Maya Measure. M.F.A. 43 p., 1952-1952 Box 4, Folder 201

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Greenleaf Elizabeth. [Untitled portfolio]. M.F.A. 19 p., 1967-1967 Box 4, Folder 202

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Griffin Gillett G. A Discussion of Mochica Architecture. B.F.A. 13 p., 1951-1951 Box 4, Folder 203

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Grimley Madeline (Mrs. Thomas P. Elder). Art or the Artist?[B.F.A.]. 7 p., 1930-1930 Box 4, Folder 204

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Gross Cynthia Maris. Some Aspects of Symmetry and Asymmetry Based on the Cube in Relation to Three-Dimensional Form and Sculpture. B.F.A. 39 p., 1955-1955 Box 4, Folder 205

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Guidone Thomas C. Without Adequate Craftsmanship No Great Art can be Born. B.F.A. 16 p., 1947-1947 Box 4, Folder 206

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Gute Herbert J. Sport in Art. [B.F.A.]. 13 p., 1933-1933 Box 4, Folder 207

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Haber Leonard V. An Introduction to the Study of Color. B.F.A. 17 p., 1936-1936 Box 4, Folder 208

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Hardie Dougles E. A Conception of a Mural. B.F.A. 21 p., 1951-1951 Box 4, Folder 209

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Harrington Oliver W. Government Sponsored Art. B.F.A. 8 p., 1940-1940 Box 4, Folder 210

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Harris Harvey [S.]. Analysis of a Mixtec Vessel. [B.F.A.]. 12 p., 1951-1951 Box 4, Folder 211

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Hatch John W. On Sung Painting. B.F.A. 22 p., 1948-1948 Box 4, Folder 212

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Hatch John W. Chen Jung's Dragon Scrolls: A Reconstruction. M.F.A. 71 p., 1949-1949 Box 4, Folder 213

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Hegh Hugh Edgar. The Life of the Virgin. M.F.A. 59 p., 1942-1942 Box 4, Folder 214

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Helfman Sheldon S. A Tapestry Design for the Story of Creation. B.F.A. 9 p., 1958-1958 Box 4, Folder 215

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Henderson Lagrand T. The Importance of the Abstract Qualities in Art. B.F.A. [?] 9 p., 1925-1925 Box 5, Folder 216

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Hennington J. Floyd [Jr]. The Development of Cubism as a Source of Contemporary American Painting. M.F.A. 78 p., 1948-1948 Box 5, Folder 217

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Herpich Wayne. Shadows. M.F.A. 11 p. Slides., 1969-1969 Box 5, Folder 218

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Herstand Arnold L. An Examination of Three Scrolls from Kozanji Traditionally Attributed to Toba Sojo Kakuyu. B.F.A. 27 p., 1952-1952 Box 5, Folder 219

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Herter Christine (Mrs. William S. Kendall). Knowledge and Intuition in the Creation of Works of Art. [B.F.A.] 10 p., 1915-1915 Box 5, Folder 220

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Heun Virginia E. Carl Milles. B.F.A. 25 p., 1946-1946 Box 5, Folder 221

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Hilton John TenEyck. The Method of Aims and Means as an Index to Understanding a Cassoni in the Jarvis Collection. B.F.A. 7 p., 1941-1941 Box 5, Folder 222

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Hirsche H. Lee. Of Ships and Counterpoint. B.F.A. 28 p., 1954-1954 Box 5, Folder 223

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Hitchcock Suzanne G. (Mrs. Robert L. clothier Jr.). Dunoyer di Segonzag. B.F.A. 9 p., 1944-1944 Box 5, Folder 224

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Hodge G. Stuart. Picasso. B.F.A. 13 p., 1941-1941 Box 5, Folder 225

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Hoener Arthur. Two Technical Studies: Photo chemical and Solvent Reaction of Drying Oils, and Plastic Tempera Mediums, M.F.A. 96 p., 1958-1958 Box 5, Folder 226

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Hogfeldt Aage Victor. The Common Spirit of the Art of Certain Modern Painters, Children, and Primitive Peoples. B.F.A. 17 p., 1951-1951 Box 5, Folder 227

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Hovsepian Leon. The Masters [sic] Works compared with the works of his Formative Period. B.F.A. 16 p., 1941-1941 Box 5, Folder 228

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Howard Mary C. (Mrs. Wilmer A. Jennings). Creative Tendencies in Contemporary American Art. [B.F.A.]. 10 p., 1935-1935 Box 5, Folder 229

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Hubbard Mary Alice (Mrs. Clark L. Stevens). The Work of Piero Della Francesca and its Relation to the Universal Spirit of Art B.F.A. 29 p., 1928-1928 Box 5, Folder 230

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Hudson Kenneth Eugene. Art and Man's Daily Life. B.F.A. 12 p., 1927-1927 Box 5, Folder 231

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Hull Jessie G. (Mrs. Henrick M. Mayer),. Symbolism in Art. [B.F.A.]. 10 p., 1932-1932 Box 5, Folder 232

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Hult Bernard E. Egyptian Painting in the Old Kingdom. B.F.A. 18 p., 1948-1948 Box 5, Folder 233

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Hupalowsky J[oseph]. A Psychological Aspect of Perception and its Relation to Art. B.F.A. 10 p., 1952-1952 Box 5, Folder 234

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Hutchins Maude Phelps. Michael Angelo, Sculptor. [B.F.A.] 8 p., 1926-1926 Box 5, Folder 235

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Huthsteiner George. [Photograph]., 1969-1969 Box 5, Folder 236

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Isquith Ben. Conceptions of Pictorial Space in Different Cultures. B.F.A. 11 p., 1951-1951 Box 5, Folder 237

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Jackson A[lexander] B. Jr. The Element of Humor in Painting. B.F.A. 25 p, 1953-1953 Box 5, Folder 238

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Jackson Al[exander] B. Jr. Educational Toys. M.F.A. 32 p., 1955-1955 Box 5, Folder 239

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Jackson Burt L. The Symbolism of Gold. B.F.A. 14 p., 1952-1952 Box 5, Folder 240

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Jacobson Nathaniel J. Distortion of Form in Modern Painting. B.F.A. 11 p., 1941-1941 Box 5, Folder 241

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Jagel John. A Study of Two Early Chinese Paintings. B.F.A. 52 p., 1956-1956 Box 5, Folder 242

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James Douglas Stewart. Deep Feeling. M.F.A. 15 p. Slides., 1970-1970 Box 5, Folder 243

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Johnson Tom L. Art and its Relation to America. [B.F.A.]. 15p., 1923-1923 Box 5, Folder 244

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Johnson Victor. In Pursuit of a Medium. M.F.A. 6 p. Slides., 1967-1967 Box 5, Folder 245

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Joondeph Norman [P.]. Personality and Environment in Art. B.F.A. 13 p., 1942-1942 Box 5, Folder 246

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Kabak Robert. Baroque Space. M.F.A. 55 p., 1954-1954 Box 5, Folder 247

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Kacir Charles S. The Midwestern Guilt Complex M.F.A. 8 p. Slides., 1966-1966 Box 5, Folder 248

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Kadish Daniel [M.]. A Personal Examination and Analysis of the Development of my Work at Yale. [B.F.A.]. 9 p., 1969-1969 Box 5, Folder 249

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Kammerer Herbert Lewis. Representation and Formalization in Greek Sculpture. B.F.A. 13 p., 1941-1941 Box 5, Folder 250

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Kark M[iriam] N. Child Art. M.F.A. 19 p., 1944-1944 Box 5, Folder 251

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Karmen Edward F. On the Practice of Tempera Painting. B.F.A. 14 p., 1954-1954 Box 5, Folder 252

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Kasper Edward Joseph. A Survey of Early Italian Drawing. B.F.A. 15 p., 1945-1945 Box 5, Folder 253

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Kay Bryan Conwell. On Drawing, Painting and Printmaking. M.F.A. 10 p. Slides., 1970-1970 Box 5, Folder 254

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Kazlov Brian. Gullible's Travail and the Contemporary Conceptual Credability [sic] Gap. M.F.A. 22 p. Slides., 1968-1968 Box 5, Folder 255

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Kearl, Stanley Brandon. Prehistoric Art of the Upper Paleolithic Period. M.F.A. 54 p., 1942-1942 Box 5, Folder 256

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Kells Frances. Sculpture Eclipsed. B.F.A. 24 p., 1947-1947 Box 5, Folder 257

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Kelsey Stephen Michael. Tjitjalengka. Rantja èkèk. M.F.A. 23 p. Slides., 1968-1968 Box 5, Folder 258

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Kikuchi Kenichi [K.]. The General Development of Japanese Gardens and their Probable Influence on the Reliefs Created by Isamu Noguchi. B.F.A. 16 p., 1953-1953 Box 5, Folder 259

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King Marcia E. A Consideration of the Visual and Structural Aspects Involved in the Support of the Horizontal Plane. B.F.A. 46 p., 1956-1956 Box 5, Folder 260

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Kingman Eugene. Photography in Modern Art. [B.F.A.]. 10 p., 1935-1935 Box 5, Folder 261

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Kitchen Elizabeth [S.] (Mrs. Benjamin F. Jr.). The Influence of Syndicate Art on Government Subsidized Murals in the United States. M.F.A. 93 p., 1948-1948 Box 5, Folder 262

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Kitt Charles Norman. The Works of Albrecht Dürer. B.F.A. 13 p., 1944-1944 Box 5, Folder 263

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Kliros Theodore. Child Art. B.F.A. 34 p., 1954-1954 Box 5, Folder 264

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Kliros Theodore. Creative Processes in Abstract Expressionism: A Study in a Time Complex. M.F.A. 56 p., 1956-1956 Box 5, Folder 265

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Klix Richard H. Color Theorists of the Nineteenth Century. B.F.A. 15 p., 1952-1952 Box 5, Folder 266

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Kloszewski E[ugene] [P.]. Mural Painting in Relation to Architecture. B.F.A. 21 p., 1951-1951 Box 5, Folder 267

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Koch Arthur Paul. The Art Spirit. B.F.A. 10 p., 1927-1927 Box 5, Folder 268

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Kolb William W. My Work in Systems and Computer Drawing. M.F.A.7 p., 1969-1969 Box 5, Folder 269

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Kord Victor. Encaustic Techniques. B.F.A. 13 p., 1958-1958 Box 6, Folder 270

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Kozlowski Edward Charles. Architectural Lettering: A Visual Problem. B.F.A. 33 p., 1954-1954 Box 6, Folder 271

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Kratina [K.] George. [Untitled]. [B.F.A.]. 22 p., 1937-1937 Box 6, Folder 272

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Krukowski Lucian. The Interaction of Physical Dimension and Surface Quality in the Perception of Three Dimensional Form. B.F.A. 24 p., 1955-1955 Box 6, Folder 273

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Kukes Roger. Thesis Project. M.F.A. 27 p. Slides., 1967-1967 Box 6, Folder 274

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Kulaway Ronald. Esthetic Theories of Analytical Cubism. B.F.A. 24 p., 1955-1955 Box 6, Folder 275

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Kupferman Nancy. A Thesis. M.F.A. 6 p. Slides., 1968-1968 Box 6, Folder 276

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Kuziel Frank [J.]. The Biography of Peter Paul Rubens. [B.F.A.]. 14 p., 1943-1943 Box 6, Folder 277

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Lam Jennette Brinsmade (Mrs. George L.). The Evolution of Collage. B.F.A. 37 p., 1954-1954 Box 6, Folder 278

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Landis Judi. The Landiscape. M.F.A. 7 p., 1970-1970 Box 6, Folder 279

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Lang Karl W. Bauhaus. B.F.A. 7 p., 1951-1951 Box 6, Folder 280

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Larrick Danny D. [Untitled portfolio] M.F.A. 17 P., 1969-1969 Box 6, Folder 281

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Larsen Marie. The Art of Antoine Watteau. B.F.A. 16 p., 1943-1943 Box 6, Folder 282

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Larsson Anna-Greta. The Integration of Fine Art and Advertising B.F.A. 19 p., 1944-1944 Box 6, Folder 283

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Le Blanc Lloyd. [Untitled portfolio]. M.F.A. 44 p., 1967-1967 Box 6, Folder 284-285

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Lederer Bertha Van Buren. The Culmination of Sienese Art in the Work of Simone Martini. B.F.A. 8 p., 1935-1935 Box 6, Folder 286

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Leet Glen F., Jr.,. Dear Prudence. M.F.A. 8 p. Slides., 1970-1970 Box 6, Folder 287

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Leete William W. Factors Distinguishing the Figure from the Ground in Painting. B.F.A. 38 p., 1955-1955 Box 6, Folder 288

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Leete William W. Color Plasticity. [M.F.A.] 41 p., 1957-1957 Box 6, Folder 289

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Leggett William A. Color and Techniques in Industrial Design. B.F.A. 9 p., 1951-1951 Box 6, Folder 290

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Leonardi Hector J. Humor and Wit in Twentieth Century Painting. M.F.A. 49p., 1955-1955 Box 6, Folder 291

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Lerner Judith. [Untitled]. M.F.A. 6 p. Slides., 1970-1970 Box 6, Folder 292

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Lettick. Birney Alexander,. Honoré Daumier. B.F.A. 21 p., 1942-1942 Box 6, Folder 293

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Levers Robert [L.]. An Outline of the Historical Development of Picasso's Art. B.F.A. 12 p., 1952-1952 Box 6, Folder 294

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Levine Saul. The Historical Role of the Isms in Painting. [B.F.A.] 13 p., 1938-1938 Box 6, Folder 295

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Levinson J[esse]. Comedy in the Work of Paul Klee. B.F.A. 45 p., 1953-1953 Box 6, Folder 296

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Lewis Arne Martin. Croce's Intuition. B.F.A. 25 p., 1954-1954 Box 6, Folder 297

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Lewis C. Stanley. [Untitled portfolio] M.F.A. 29 p., 1966-1966 Box 6, Folder 298

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