Collection: Art, architecture, and art history theses and projects, Yale University, 1915-2019 - CAO: Powered by ArcLight and hosted at Western CT State University Search Results

Corwin Arthur. A Limited Study of the Visual Properties of a Surface Structure of the Sphere. B.F.A. 18 p., 1955-1955 Box 2, Folder 100

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Cota Blaine A. Jr. Fifty Years of Ballet Dancing in the United States. M.F.A. 133 p., 1951-1951 Box 3, Folder 101

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Cotter Michael. Mondor Cotter's East Rock Thesis. M.F.A. 13 p., 1970-1970 Box 3, Folder 102

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Crapster Thaddeus Greaves Jr. Glass in Construction. M.F.A. 36 p., 1940-1940 Box 3, Folder 103

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Crescenti Louis J. The Decorations of Tiepolo. B.F.A. 13 p., 1948-1948 Box 3, Folder 104

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Crivy Joseph. Triptychs. B.F.A. 23 p., 1956-1956 Box 3, Folder 105

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Crowe Walter Q. Guernica: 20th Century Enigma. B.F.A. 25 p., 1951-1951 Box 3, Folder 106

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Crutcher Albert B. The Nature of Parallel Rays of Light with Respect to Form for Purposes of Drawing. B.F.A. 10 p., 1946-1946 Box 3, Folder 107

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Cummings Bradford C. Transmitted Light: Its Theory and Function. B.F.A. 20 p., 1951-1951 Box 3, Folder 108

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Curry C[harles] F. Jr. Spring 1942. B.F.A. 12 p., 1942-1942 Box 3, Folder 109

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Dalrymple Ogden Rafferty. Some Conclusions regarding Sculpture and its Design. B.F.A. 10 p., 1940-1940 Box 3, Folder 110

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Darrow Alexandra I. Russian Icons. B.F.A.[1933]. 14 p., 1932-1932 Box 3, Folder 111

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Davenport Diane. The Re-orientation of Mural Design to Contemporary Architecture. B.F.A. 20 p., 1948-1948 Box 3, Folder 112

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Davenport Joy. An Analysis of Figure Ground in Persian Miniatures. B.F.A. 108 p., 1956-1956 Box 3, Folder 113

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DaVia Louis. Domenico Veneziano. B.F.A. 9 p., 1936-1936 Box 3, Folder 114

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Davidson Daniel John. In Search of Full Emptiness. M.F.A. 10 p. Slides., 1968-1968 Box 3, Folder 115

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Day John Hamblin. On the Virtue of Selfless Art. B.F.A. 33 p., 1954-1954 Box 3, Folder 116

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Day John Hamblin. Byzantine Art: Its Sources, its Development, its Continuation in Russia. M.F.A. 116 p., 1956-1956 Box 3, Folder 117

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de Bretteville Peter. The New Brutalism. 21 p., undated Box 3, Folder 118

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De Carlo Charles. American Water Color Painting. 34 p., 1953-1953 Box 3, Folder 119

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DeLauro Giuseppe Nicola. Liberation and Bondage in Art. B.F.A. 12 p., 1941-1941 Box 3, Folder 120

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Deley Joseph. A Description and Discussion of the "Matisse Chapel" at Vence. B.F.A. 80 p., 1955-1955 Box 3, Folder 121

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De Lucia Raymond [H.]. Dominico Ghirlandaio. [B.F.A.] 9 p., 1938-1938 Box 3, Folder 122

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DeNatale A. Richard. A Comparison of Hand Lettering and Type and their Use as Two Dimensional Design Media. B.F.A. 14 p., 1951-1951 Box 3, Folder 123

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Denenberg Allan Neal. Festivals and Pageantry during the Renaissance in Italy. B.F.A. 78 p., 1953-1953 Box 3, Folder 124

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Denenberg Allan Neal. A Study of a Mediaeval Visual Complex with Supporting Examination of a Renaissance Visual Complex. An Analysis of a Historical Continuity of Visual Forms towards the Realization of a Method with which to Plan a Visual Complex to Serve Contemporary Man. M.F.A. 117 p., 1955-1955 Box 3, Folder 125

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Denner William A. Thesis Project. M.F.A. 7 p. Slides., 1968-1968 Box 3, Folder 126

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Derderian Ara Arakel. The Artist and our Society. B.F.A. 15 p., 1952-1952 Box 3, Folder 127

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Derderian Ara Arakel. Some Factors concerning the Artist in our Society. B.F.A. 10 p., 1952-1952 Box 3, Folder 128

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De Vito Ferdinand. A Mosaic Innovation in Architecture. M.F.A. 28 p., 1956-1956 Box 3, Folder 129

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Dietemann Charles A. The Social and Educational Aspects of Art[B.F.A.] 12 p., 1937-1937 Box 3, Folder 130

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DiMeglio Antonio. 7-31-40. M.F.A. 7 p. Slides., 1970-1970 Box 3, Folder 131

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Dizon Vicente Alvarez. Art of the Filipinos. [B.F.A.] 23 p., 1936-1936 Box 3, Folder 132

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Doggett Jane. A Series of Photographs from the Southern Appalachian Mountains. M.F.A. 26 p., 1956-1956 Box 3, Folder 133

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Domonkos A[lexander] H. Color in Painting. B.F.A. 7 p., 1946-1946 Box 3, Folder 134

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Drysdale [T.] Dornacilla. The Solving of Wall-Space by the Paintings of Giotto, Puvis de Chavanne and Orozco. B.F.A. 15 p., 1947-1947 Box 3, Folder 135

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Dube Eleanor. [Untitled]. M.F.A. 19 p., 1970-1970 Box 3, Folder 136

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Dufour Paul A. The Roman Catholic Influence on the Primitive Art of the African Negro. B.F.A. 28 p., 1952-1952 Box 3, Folder 137

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Duncan Malcolm Graeme. Art and Steel. B.F.A. 11 p., 1929-1929 Box 3, Folder 138

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Dunlap David. [Untitled portfolio], M.F.A. 25 p., 1965-1965 Box 3, Folder 139

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DuPen Everett George. The Essentials of Sculptural Form. [B.F.A.] 14 p., 1937-1937 Box 3, Folder 140

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Durfee [Carder] Hazard. Art and Ideals. B.F.A. 24 p., 1939-1939 Box 3, Folder 141

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Eberhard, W[illia]m Burke. El Greco: As a Painter in his own Times and as a Master Today. B.F.A. 21 p., 1940-1940 Box 3, Folder 142

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Eberhart, Richard P. Another Spiritual Conversion. M.F.A. 8 p Slides., 1970-1970 Box 3, Folder 143

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Ecklund, Jacqueline. The Growth and Development of the Modern Movement in Architectural Interiors. B.F.A. 26 p., 1954-1954 Box 3, Folder 144

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Edwards Emlyn R. The Objectivity of Art. M.F.A. 47 p., 1951-1951 Box 3, Folder 145

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Elmgren George Richard. Development of a National Style in Persian Miniatures. B.F.A. 41 p., 1953-1953 Box 3, Folder 146

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Elmgren George Richard. Study of Mola Applique Art of Richard the San Blas Indians (Tule). M.F.A. 51 p. Slides., 1957-1957 Box 3, Folder 147

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Elston Helen Aczkiewicz. How Raphael Composed. B.F.A. 32 p., 1947-1947 Box 3, Folder 148

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Engel Edward F. The American School of Painting. [B.F.A.] 4 p., 1925-1925 Box 3, Folder 149

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Epstein Beverly A. Considerations in Framing. B.F.A. 19 p., 1946-1946 Box 3, Folder 150

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Etchison Bruce. A Brief Survey of Etching through the Sixteenth Century. [B.F.A.] 20 p., 1948-1948 Box 3, Folder 151

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Etchison Bruce. An Analysis of the "Baptism of Christ" from the School of Lorenzo di Credi. M.F.A. 48 p., 1949-1949 Box 3, Folder 152

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Evans Elinor [L.]. Implications of Some Gestalt Principles of Perception in a Group of Contemporary Paintings. M.F.A. 90 p., 1954-1954 Box 4, Folder 153

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Evans P[ryce] H. Thesis on Painting. [B.F.A.] 12 p., 1932-1932 Box 4, Folder 154

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Evans Rosemary Haughton. Color in Sculpture. B.F.A. 19 p., 1945-1945 Box 4, Folder 155

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Eveleth Florence May. Characteristics of Early Gothic Tapestries. B.F.A. 10 p., 1932-1932 Box 4, Folder 156

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Fabry, Alois Victor Jr. Tempera, a Medium for Wall Decoration: Its Use and Application. B.F.A. 15 p., 1936-1936 Box 4, Folder 157

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Fabry, Jaro. Honoré Daumier. B.F.A. 8 p., 1933-1933 Box 4, Folder 158

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Falbo, Joann. Statement of Purpose. M.F.A. 30 p. Portfolio., 1967-1967 Box 4, Folder 159

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Farnam, Suzanne Silvercruys (Mrs. Henry W. Jr.). Sculpture in Belgium during the Past Fifty Years. B.F.A. 11 p., 1928-1928 Box 4, Folder 160

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Farnham Frances E. Albrecht Durer: A Discussion of his Style. B.F.A. 7 p., 1936-1936 Box 4, Folder 161

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Fecher, Meyer. A Comparative Study of the Still Lifes of Chardin and Cezanne. [B.F.A.] 27 p., 1953-1953 Box 4, Folder 162

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Feldman Walter S. The Negro: An Individual in American Painting. M.F.A. 45 p., 1951-1951 Box 4, Folder 163

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Feltus Alan Evan. [Untitled portfolio]. M.F.A. 17 p, 1968-1968 Box 4, Folder 164

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Ferriter, Clare. The Japanese Color Print. 10 p., undated Box 4, Folder 165

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Feuerlicht, Herbert Alan. An Investigation into the Nature of the Architectural and Sculptural Forms of the Ancient Aztec Culture of Mexico in an Attempt to Ascertain Some of the Reasons for their Taking the Forms they did. B.F.A. 40 p., 1953-1953 Box 4, Folder 166

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Fink Herbert L. Creative Printing. [M.F.A.] 101 p., 1958-1958 Box 4, Folder 167

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Fisher Leonard Everett. Figures of Fantasy. M.F.A. 52 p., 1950-1950 Box 4, Folder 168

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Flack Audrey [L.]. The Visual Change from Space to Depth. Depth as Used by Abstract Expressionism. B.F.A. 13 p., 1952-1952 Box 4, Folder 169

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Fleming Guy. The Educational Filmstrip: A Study of its Functions and Disciplines as a Primary School Teaching Tool. [M.F.A.] 50 p., 1957-1957 Box 4, Folder 170

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Floeter Kent. Thesis Project. M.F A. 33 P. Portfolio., 1964-1964 Box 4, Folder 171

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Fogelman J[ames] K. Oil Painting in the Yale School of the Fine Arts. [B.F.A.] 15 p., 1948-1948 Box 4, Folder 172

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Forrest Rita Virginia

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Franklin Richard W. Thesis. 10 p. Slides., 1967-1967 Box 4, Folder 173

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Franzheim Elizabeth [S.]. An Historical Survey of Two Modes of Expression in Art. B.F.A. 25 p., 1945-1945 Box 4, Folder 174

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Freedman Mary C[atherine] N[eidigh] (Mrs. Daniel x.). An Early Chinese Painting: Attributed to Ku K" ai-chih. B.F.A. 51 p., 1953-1953 Box 4, Folder 175

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Freeman Mrs. John W.

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Freiheit Audrey Jane. Textural Change and Development in Mayan Ceramics. B.F.A. 20 p., 1952-1952 Box 4, Folder 176

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Fried Norma Shirley. Prehistoric Art. B.F.A. 14 p., 1947-1947 Box 4, Folder 177

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Friedberg Richard [S.]. Some Notes on my Sculpture. [M.F.A.]8 P Slides., 1968-1968 Box 4, Folder 178

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Friedman Robert S. Sculpture in the Nineteenth and Twentieth Centuries. B.F.A. 13 p., 1952-1952 Box 4, Folder 179

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Froelich Janet. [Untitled]. M.F.A. 6 p., 1970-1970 Box 4, Folder 180

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Fuller Daniel. Influences and Effects of Cubism upon Jacques Villon. B.F.A. 13 p., 1955-1955 Box 4, Folder 181

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Gagnon Colette [H.]. …Chaos…Ideas…Order… Solution…Acceptance…Reflection…Doubt…Rejection… M.F.A. 13 p., Slides., 1970-1970 Box 4, Folder 182

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Gaines Frances [M.] (Mrs. Henry Alsberg). El Greco, the Painter. [B.F.A.] 16 p., 1939-1939 Box 4, Folder 183

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Gallagher Michael Bedford. Soul Communication. M.F.A. 5 p. Slides., 1970-1970 Box 4, Folder 184

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Gastaldi Reno [J.]. The Waste Mould Process in Plaster Casting. B.F.A. 17 p., 1942-1942 Box 4, Folder 185

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Gentile Gloria [I.]. Child Art. [B.F.A.] 21 p., 1952-1952 Box 4, Folder 186

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Gerbracht Robert [T.]. Egyptian Mural Procedure. B.F.A.[?]. 16 p., 1951-1951 Box 4, Folder 187

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Ghikas Panos [G.]. The Relation of Painting in the Abstract to Music. B.F.A. 11 p., 1943-1943 Box 4, Folder 188

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Ghikas Panos [G.]. A Study of the T" ao-T" ieh: Origin and Evolution on Bronzes of the Yin and Yin-Chou Periods. M.F.A. 41 p., 1947-1947 Box 4, Folder 189

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Gibson Katherine A. The Potential Position of Sculpture in Contemporary Life. [B.F.A.] 25 p., 1937-1937 Box 4, Folder 190

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Gilkison Joan [W.]. Kandinsky. B.F.A. 11 P., 1948-1948 Box 4, Folder 191

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Gillette W. Dean. A Comparison of Kandinsky and Mondrian. B.F.A. 23 p., 1954-1954 Box 4, Folder 192

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Gillette W. Dean. Mosaic Making and Notes on the Visual in Historic: Mosaics. M.F.A. 150 p., 1957-1957 Box 4, Folder 193

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Glaser Shirley Phelps. Cubism. B.F.A. 11 p., 1944-1944 Box 4, Folder 194

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Goldman, Anita. A Proposal for a Basic Design Curriculum. 25 p., undated Box 4, Folder 195

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Grandy Winfred Milton. Sculpture in Relief. [B.F.A.] 11 p., 1931-1931 Box 4, Folder 196

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Gray Larry Lynn. A Discussion of my Work: 1967-1969. M.F.A. 10 p. Slides., 1969-1969 Box 4, Folder 197

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