Collection: Art, architecture, and art history theses and projects, Yale University, 1915-2019 - CAO: Powered by ArcLight and hosted at Western CT State University Search Results

Abeshouse, Jordan. Adolescent Art Education. M.F.A. 49 p., 1951-1951 Box 1, Folder 1

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Ackerman, Harry G. The Shades Speak. B.F.A. 39 p., 1930-1930 Box 1, Folder 2

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Agee, Philip Clay. Look at the Slides First. M.F.A. 14 p., 1970-1970 Box 1, Folder 3

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Ake, Nancy [C.]. Painting in the United States during the Industrial Revolution B.F.A. 17 p., 1948-1948 Box 1, Folder 4

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Allen, Robert L. Arts and Crafts. B.F.A. 11 p., 1939-1939 Box 1, Folder 5

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Alvord, Muriel. The Mural Paintings of Violet Oakley. B.F.A. 15 P, 1930-1930 Box 1, Folder 6

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Anderson, Arthur J. The Development of Color. B.F.A. 42 p., 1953-1953 Box 1, Folder 7

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Anderson, Arthur J. A Summation of the Development of Paul Klee's Drawings. M.F.A. 24 p, 1955-1955 Box 1, Folder 8

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Anderson, M[alcolm] G. Government in Art. B.F.A. 25 p., 1938-1938 Box 1, Folder 9

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Aument, Carroll M., Jr. Form Description in Drawing. B.F.A. 11 P., 1946-1946 Box 1, Folder 10

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Axton, John T. Contemporary Esthetics and the Esthetic Experience. M.F.A. 39 p, 1954-1954 Box 1, Folder 11

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Azerrad, Joel. On Photography. B.F.A. 20 p., 1954-1954 Box 1, Folder 12

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Aziz, Philip John. Post 7. B.F.A. 31 P., 1947-1947 Box 1, Folder 13

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Aziz, Philip John. Art and the Ordained. M.F.A. 90 p., 1949-1949 Box 1, Folder 14

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Bacon, Agnes W. Study of Professor Cizek's Teaching: His Methods, and their Practicality. 4 p., 1924-1924 Box 1, Folder 15

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Bailey, William H. An Introductory Drawing Course (Secondary School Level). B.F.A. 33 p., 1955-1955 Box 1, Folder 16

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Bailey, William H. Some Methods of Articulating Volume and Space in Drawing Box 11, Folder 543

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Bain Herbert J. Greaves. An Investigation of Optical Mixtures and its Use by the Impressionist Painters and in Photographic Reproductions. B.F.A. 43 p., 1956-1956 Box 1, Folder 17

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Baker, David. [Untitled]. M.F.A. 7p. Slides., 1968-1968 Box 1, Folder 18

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Baljian, Nvart Rose. Russian Icons. B.F.A. 27 p., 1946-1946 Box 1, Folder 19

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Bardazzi Peter. Untitled Thesis. M.F.A. 27 p. Portfolio., 1969-1969 Box 1, Folder 20

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Barer Miriam Anne. Woodcut Illustration; with Emphasis on the Books of Fifteenth Century Germany. B.F.A. 14 p., 1944-1944 Box 1, Folder 21

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Barger Raymond G. A Treatise for Young Sculptors on the Subject of Enlarging. B.F.A. 18 p., 1935-1935 Box 1, Folder 22

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Barnard Jere Norris. On My work-1965-1967. M.F.A. 10 p. Slides., 1967-1967 Box 1, Folder 23

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Barress Philip B. Color: Its Concept and Relation to the Painter. B.F.A. 14 p., 1951-1951 Box 1, Folder 24

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Batty James A. Polychromy. B.F.A. 18 p., 1936-1936 Box 1, Folder 25

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Bauer Sally [L.]. Piero Della Francesca: His Concepts of Color and Form. B.F.A. 29 p., 1954-1954 Box 1, Folder 26

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Bayard Donald Duer. A General Chronology of American Furniture Styles with Accompanying European Influences. B.F.A. 13 p., 1932-1932 Box 1, Folder 27

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Beach Warren. Watteau. B.F.A. 12 p., 1939-1939 Box 1, Folder 28

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Bean Betty Randolph. Art Today? B.F.A. 12 p., 1940-1940 Box 1, Folder 29

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Beeman Everett [C.]. Shaker Design. B.F.A. 13 p., 1951-1951 Box 1, Folder 30

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Beerman Herbert. Linear Devices in Drawing. B.F.A. 45 p., 1956-1956 Box 1, Folder 31

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Beggs Thomas Montague. The Works of Pietro Perugino and Abbott H. Thayer have a Similar Tendency toward the Expression of a Spiritual Ideal. B.F.A. 33 p., 1924-1924 Box 1, Folder 32

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Benke W[alter] R. Humanism in the Italian Renaissance. B.F.A. 9 p., 1937-1937 Box 1, Folder 33

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Bennett Sally (Mrs. John W. Freeman). Sprayed Metal as a Sculptural Technique: Work of Robert Amendola. B.F.A. 11 p., 1951-1951 Box 1, Folder 34

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Benson John William. Functional and Expressive Anatomy. B.F.A. 14 p., 1931-1931 Box 1, Folder 35

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Bernheimer Franz K. Considerations on Mannerism. M.F.A. 28 p., 1944-1944 Box 1, Folder 36

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Bernstein Judith. A Self-Inquiry into a Painter's Studio Processes. M.F.A. 7 p. Slides., 1967-1967 Box 1, Folder 37

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Bernstein Lawrence [Albert]. The Function of Art in the Light of Analytical Psychology. B.F.A. 12 p., 1952-1952 Box 1, Folder 38

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Besnia Howard John. A Comparison of Portrait Sculpture in the Tempyo and Kamakura Periods. M.F.A. 25 p., 1950-1950 Box 1, Folder 39

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Bishop Barbara [J.]. Persian Miniature Painting. The Timurad School and Bihzād. B.F.A.[1943]. 13 p., 1942-1942 Box 1, Folder 40

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Bittleman Arnold. A Study in the Psycophysical [sic] and Psychological Aspects of Color Mixture. B.F.A. 30 p., 1956-1956 Box 1, Folder 41

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Blahitka Mary M. Art in Education. B.F.A. 18 p., 1937-1937 Box 1, Folder 42

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Blake Marjorie. A History of Fashion Magazines in the United States. B.F.A. 32 p., 1953-1953 Box 1, Folder 43

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Bloomer Kent C. Statement of Purpose. M.F.A. 22 p. Portfolio., 1961-1961 Box 1, Folder 44

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Blumenthal Herbert [D.]. Serigraphy. B.F.A. 22 p., 1951-1951 Box 1, Folder 45

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Blytheman Douglas G. A Thesis. M.F.A. 5 p. Slides., 1969-1969 Box 1, Folder 46

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Boghosian Varujan. [Untitled portfolio]. M.F.A. 14 p., 1959-1959 Box 1, Folder 47

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Bopp Emery. The 20th Century and Religious Painting. B.F.A. 31 p., 1951-1951 Box 1, Folder 48

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Borgatta Robert E. Modigliani. M.F.A. 28 p., 1942-1942 Box 1, Folder 49

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Boyden Frank. Thesis M.F.A. 13 P. Slides., 1968-1968 Box 1, Folder 50

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Brakke Perry M. Two Years. M.F.A. 11 p. Slides., 1968-1968 Box 2, Folder 51

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Brand Marion. The Sienese School of Painting. B.F.A. 10 p., 1928-1928 Box 2, Folder 52

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Brandfonbrener Conrad. A Stylistic Analysis of the Painting of Amadeo Modigliani. B.F.A. 32 p., 1954-1954 Box 2, Folder 53

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Brandfonbrener Conrad. The Spatial Illusion in Seventeenth and Nineteenth Century European Landscape Painting: An Analysis of Means and a Comparison of Objectives. M.F.A. 63 p., 1956-1956 Box 2, Folder 54

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Bransby, Eric J. An Analysis and Discussion of the University of Illinois Mechanical Engineering Building Mural. M F.A.[1952]. 19 p., 1951-1951 Box 2, Folder 55

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Brodeur Clarence A. The Training of the Artist. M.F.A. 43 p., 1943-1943 Box 2, Folder 56

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Brodney Edward. "Isms" in Painting since 1900. B.F.A. 13 p., 1933-1933 Box 2, Folder 57

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Brody Sheldon A. "Style", the Machine, and Man. B.F.A. 20 p., 1953-1953 Box 2, Folder 58

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Brody Sheldon A. The Development from Static to Dynamic Photo-Documentation. M.F.A. 116 p., 1956-1956 Box 2, Folder 59

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Brookes C[harles] M. Jr. Restoration of the Church of St. Simeon Stylites, Early Christian Monument at Kalat-Seman, Northern Spain, Dating 450 to 550 A.D. M.F.A. 6 p., 1934-1934 Box 2, Folder 60

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Brooks Eleanor [R.]. Piero Della Francesca. B.F.A. 10 p., 1938-1938 Box 2, Folder 61

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Brooks Mabel R. Development of Greco-Buddhist Art in India and China. B.F.A. [1930]. 24 p., 1929-1929 Box 2, Folder 62

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Brown Leona S[chur] (Mrs. Robert W. C.). The Theological and Icono-graphical Development of the Doctrine of the Holy Trinity from Pre-Christian Times to the Renaissance. B.F.A. 192 p., 1953-1953 Box 2, Folder 63

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Brown Leona S[chur] (Mrs. Robert W.C.). Botticelli and Michelangelo: Philosophy and Form. M.F.A. 94 p., 1954-1954 Box 2, Folder 64

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Brown Richard M. Observations on those who are Passing through and those who have Passed through Art Training. B.F.A. [1943]. 14 p., 1942-1942 Box 2, Folder 65

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Bryden Robert [S.]. Object, Idea and Art. B.F.A. 30 p., 1954-1954 Box 2, Folder 66

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Burgin Victor. Personal Statement. M.F.A. 11 p. Slides., 1967-1967 Box 2, Folder 67

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Burk Thomas. Some Essentials of Subject and Expression in Art. B.F.A. 15 p., 1921-1921 Box 2, Folder 68

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Burnham Wilbur H. Jr. The Rebirth of Secular Stained Glass. B.F.A. 10 p., 1939-1939 Box 2, Folder 69

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Burns Robert [C.]. [Untitled (on color)]. B.F.A. 89 p., 1939-1939 Box 2, Folder 70

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Burstein Sephine[J.]. Contextualism and Cubism. B.F.A. 22 p., 1954-1954 Box 2, Folder 71

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Byrne Jackie [Jacqueline M.]. Lithographs of Toulouse-Lautrec: His Life and Influences. B.F.A. 18 p., 1947-1947 Box 2, Folder 72

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Cain Michael. [Untitled portfolio]. M.F.A. 16 p., 1967-1967 Box 2, Folder 73

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Calabrese Dan[iel] L. The Creative Process: An Inquiry into It"s[sic] History, Psychology and Esthetics. M.F.A. 32 p., 1954-1954 Box 2, Folder 74

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Caldwell William V. The Technique of Gilbert Stuart. B.F.A. 35 P., 1941-1941 Box 2, Folder 75

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Camp Larry Ray. On My Painting. M.F.A. 8 p. Slides., 1967-1967 Box 2, Folder 76

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Camp Russell R. Auguste Rodin: An Appreciation. B.F.A. 7 p., 1930-1930 Box 2, Folder 77

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Carlberg Norman. A Sculptural Screen Unit. B.F.A. 4 p., undated Box 2, Folder 78

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Carlson E. Thor. "Madonna col Bambino e San Giovannino" di Sandro Botticelli. B.F.A. 33 p., 1951-1951 Box 2, Folder 79

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Carroll Richard and Coluxar: Research in Lumia G. Scott Wright Jr. B.F.A. 37 p., 1953-1953 Box 2, Folder 80

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Carter Susan J. A Statement. M.F.A. 11 p. Slides., 1968-1968 Box 2, Folder 81

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Case Isabel Marie. The Portraits of Charles Despiau. B.F.A. 18 p., 1944-1944 Box 2, Folder 82

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Cassino Michael [P.]. The Vision of Trecento Painting. B.F.A. 21 p., 1953-1953 Box 2, Folder 83

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Cassino Michael [P.]. Mondrian and Geometric Form. [M.F.A.] 37 p., 1958-1958 Box 2, Folder 84

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Chapin Stephen. On My Work. M.F.A. 5 p. Slides., 1967-1967 Box 2, Folder 85

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Chaplin George E. The Japanese Folding Screen. B.F.A. 32 p., 1958-1958 Box 2, Folder 86

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Charles Peter Evan. On My Sculpture. M.F.A. 15 p. Portfolio., 1967-1967 Box 2, Folder 87

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Chazen Harold. An Esthetic Approach to Photography. B.F.A. 20 p., 1954-1954 Box 2, Folder 88

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Christ-Janer Victor [F.]. Decoration, Representation, and Expressionism as Related to Style in America. B.F.A. 9 p., 1940-1940 Box 2, Folder 89

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Cicotello Louis M. Thesis. M.F.A. 6 p., 1967-1967 Box 2, Folder 90

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Clancy Patrick Michael. Valences. M.F.A. 17 p. Slides., 1967-1967 Box 2, Folder 91

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Cofrancesco Paul Ferdinando. The Life of Michelangelo. B.F.A. 11 p., 1927-1927 Box 2, Folder 92

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Cogswell Dorothy McIntosh. History of Landscape Painting. B.F.A. 13 p., 1933-1933 Box 2, Folder 93

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Cogswell Dorothy McIntosh. The French Romanesque Figured Capital. M.F.A. 111 p., 1939-1939 Box 2, Folder 94

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Cohen John. Functional Aspects of Line in painting. B.F.A. 68 p., 1955-1955 Box 2, Folder 95

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Cohen John. An Investigation of Contemporary Weaving of the Peruvian Indians. M.F.A. 82 p., 1957-1957 Box 2, Folder 96

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Cole George Henry. Modern American Mural Painting. B.F.A. 11 p., 1936-1936 Box 2, Folder 97

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Conlon William Bernard. A Personal Analysis of Works Executed at Yale University. M.F.A. 12 p. Portfolio., 1967-1967 Box 2, Folder 98

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Connor Russell. [Untitled portfolio]. [M.F.A.] 10 p., 1959-1959 Box 2, Folder 99

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