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The Glenway Wescott Papers consist of correspondence, journals, notebooks, manuscripts, personal and financial papers, research files,photographs, graphic items, clippings, objects, and audiotapes. The material documents Wescott's life, work, and personal relationships with many noted artists, writers, and performers of the 20th century including his long-time companion, Monroe Wheeler, many of whose papers are included here.
Series I, Correspondence, consists of six subseries: Wescott-Wheeler Correspondence (letters between the two men); Wescott Family Correspondence; Wescott Family Third-party Correspondence; Wheeler Family Correspondence; General Correspondence; and Third-party Correspondence.
Series II contains Wescott's Journals and Notebooks, an extensive collection of personal records detailing the author's life and thoughts from the late 1930s up to shortly before his death. Wescott's "journals" are in the form of three-ring binders, filled with notes, clippings, copies of letters, and images.
Series III, Writings, represents a portion of Wescott's original works. The writings are divided into five subseries: General Writings (including drafts of an autobiography, "The Odor of Rosemary"); Writings about People; Lectures, Broadcasts and Speeches; Writings about Glenway Wescott; and Writings of Others.
Personal Papers contains a range of material documenting the various activities of Wescott and Wheeler arranged in 18 subseries. Financial Papers, gathers together material in a chronological run, from 1925 through 1986. Series VI contains Wescott's own Research Files of various subjects. Photographs are grouped into ten subseries. Graphic Items consists of various image materials. Clippings covers a wide range of subjects, with a focus on art, book reviews, current events, essays and articles, and people. Series X, American Academy of Arts and Letters, concerns Glenway Wescott's membership in this organization, including the years of his presidency, 1960-62. Objects consists of pieces of realia received with the archive. Audio-Visual Materials is a collection of sound recordings and a videotape.
Series XIII, Additions transferred from the Monroe Wheeler Papers, contains items relating to GW which came to light during the processing of the Monroe Wheeler Papers and which could not be easily integrated into the existing archival arrangement.

This collection consists of material created and accumulated by Grace Schulman during her career as a poet, editor, and educator. Material includes writings, personal papers, correspondence, photographs, audiovisual material, and printed material, documenting the creation of several of Schulman's published volumes of poetry and her edition of The Poems of Marianne Moore (2003), as well as individual poems she published in numerous magazines.

The collection documents the life and career of illustrator, author, and painter, Hardie Gramatky (1907-1979). Materials in the collection include correspondence, photographs, personal papers, and materials related to Gramatky's career as a children's book author and illustrator.

The Harry Holtzman Papers contain correspondence, writings, photographs, negatives, slides, notes, personal papers, and motion picture films which document the life and career of author and educator Harry Holtzman, principally his work with and writings on the painter Piet Mondrian.

The Henri Chopin Papers document the work and life of French avant-garde poet and musician Henri Chopin. The papers consist of personal and professional correspondence, subject files, writings relating to various publications, artwork, writings of others, photographs, audiovisual materials, and posters spanning the years 1948 to 2009.

The Henry Geldzahler papers consist of correspondence, writings, photographs, audiotapes, video recordings, motion picture film, printed material, and other papers that relate to the personal and professional life of the American photographer Henry Geldzahler. Other papers include notes and writings on Andy Warhol and others, working illustrations and notes for his unfinsished monograph, "Modern Art in America", and footage used in Peter Rosen's 2005 documentary about Geldzahler, Who Gets To Call It Art?. The material documents Geldzahler's career as a curator of contemporary art, his relationships with artists, and his involvement in the art world of the 1960s and 1970s.

The Hermann Broch Archive contains correspondence; manuscripts of books, plays, poems, articles and essays, book reviews, and short stories; writings of others; personal papers; photographs; and videocassettes.

The H. F. Broch de Rothermann Papers are composed primarily of correspondence which documents the life and career of the Austrian writer Hermann Broch, the father of Hermann Friedrich Broch de Rothermann. The collection spans the years 1916 to circa 2001, with the bulk of the material falling between 1953 and 1986. Major topics include republication of Hermann Broch's writings, Broch scholarship, and other aspects of the reception history of Broch's works. Also present are materials relating to Broch de Rothermann's work in the United States Office of Strategic Services (OSS) during World War II, writings and drawings by Broch de Rothermann, and other papers relating to him. Papers relating to the OSS include reports on the development and effectiveness of propaganda, American support for resistance in areas occupied by Germany, American occupation of Italy and Germany, and interrogation of German soldiers and other prisoners by the American army; samples of military and civilian propaganda in German, Italian, French, Russian, and other languages; correspondence and documents about Broch de Rothermann's service, discharge, and return to the United States after the war; and a photograph of unidentified soldiers, possibly including Broch de Rothermann. Propaganda samples include drawings made by artist Saul Steinberg.

The Howard Roberts Lamar papers document the research, writing, teaching, and administrative activities of Yale history professor Howard Lamar from the 1940s through 2000. Included in the papers are manuscript drafts of books, articles, speeches, and book reviews; lecture notes for the history courses he taught at Yale and other universities; topical and personal files; and correspondence. Project proposals, scripts, research material, production files, photographs, and films document the "Westering" film project which Lamar co-developed in the 1970s.