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1) Typescript of "Twenty Stories for John Cage", 3 pages with author corrections: very amusing art world anecdotes; 2) 4 pages xeroxed typescript with hand notations on "Underknowns" exhibition a P.S. 1 circa 1987; 3) 11 page typescript of interview with Jean Michel Basquiat, published in Interview magazine The complete interview, prior to JMB's radical editing; 4) June 5, 1976 School for Visual Arts, NYC, commencement address: Xeroxed typescript with penciled notes.

1) Recent Accessions - Twentieth Century Art. 20 page Xerox copy of hand corrected typescript. 1974; 2) Pop Art. 2 page Xerox from Art News, Vol. 73, No. 5, May 1974 with felt pen notation; 3) Collage by Joseph Cornell. 1 page Xerox from The Metropolitan Museum of Art Bulletin, Vol. XXIX, No. 4, December 1970, page 152; 4) Jean Arpage 7 page Xerox, 1972; 5) New York Painting and Sculpturegarding 1940-1970. 38 page Xerox with hand notation; 6) Art Education Today. Transcription of lecture given at Grinell University, Iowa, 1968. 19 original typescript with hand notations; 7) James Rosenquist's F-111. 6 page Xerox from Metropolitan Museum of Art Bulletin, Vol. XXVI, No. 7, March 1968; 8) Interview with Frank Stella. 6 page Xerox of hand corrected typescript, 1966; 9) 1 page press release (Xerox) for the Venice Biennale. June 14, 1966; 10) Frankenthaler, Kelly, Lichtenstein, Olitski. 5 page Xerox from Art Forum, Vol. IV, No. 10, page 32-8, July 1966; 11) George Segal. 4 page Xerox from recent American Sculpture, The Jewish Museum, New York, October 15-November 29, 1964; 12) Interview with Ellsworth Kelly. 7 page Xerox. 1963; 13) Interview with Larry Poons. 5 page Xerox of hand corrected original typescript. 1963; 14) 5 page Xerox of original hand corrected typescript - subject: The Metropolitan Museum; commitment to 20th Century art. 1964; 15) Two Early Matisse Drawings. 9 page Xerox. published 1962, written 1959; 16) Parochial World News. 3 page Xerox from Art News, Vol. 60, No. 9, 1962 (January); 17) Edward Hopper. 5 page Xerox from Metropolitan Museum of Art Bulletin, November 1962; 18) Heller: New American-type collector. 4 page Xerox from Art News, Vol. 60, No. 5, September 1961; 19) Numbers in Time: Two American Paintings. 5 page Xerox from The Metropolitan Museum of Art Bulletin, Vol. XXIII, No. 8, April, 1965; 20) Chapter Seven - Neo-Classicism, Nationalism and The Depression. The Inter-War Years. 24 page Xerox of hand corrected typescript.From "Modern Art in America." (unpublished); 21) Xeroxed articles on Chicago Arts Club (Not by Geldzahler). Sent by James N. Wood with letter.

1) Determining Esthetic Values in Art, 22 page original typescript with pen corrections. 2 Xerox copies of same; 2) Archives of American Art Journal, Vol. 22 #1, 1982. Copy of Journal. "Adventures with Bolatowsky" by Geldzahler on page 8; 3) Interview with Philip Johnson. 15 page Xerox, dated 4/1/82. For Interview magazine, rejected by P. J. perhaps because of questions about architect's interest in German National Socialism of late 1920s; 4) Taste But Not 'Good' Taste, 3 page Xerox circa 1980; 5) John McKendry: In Memoriam, 4 page Xerox of clean typescript 1974. A memoir of the Met's curator of prints and drawings; 6) Is New York Losing Its Stuarts: 1 page essay Xeroxed from Soho Weekly News, 4/19/79; 7) Preface: 2 page Xerox of essay on Bruce Johnson's work. August 1978; 8) Career and The Artist: 4 page Xerox with hand notations. circa 1979; 9) Needed: Inexpensive Hotels Here. 1 page Xerox of essay appearing in The NY Times, October 3, 1979; 10) Irving Penn: Street Material. 1 page tract for show; 11) George Segal: 12 page Xerox from Quadrum No. 19, 1966.

1) 2 pages: "Arts in NYC"; 2) 14 pages: NYPL lecture "Underground Art" 1/19/88; 3) 5 pages on Warhol for Sotheby's AW estate sale; 4) 12 pages, further notes on NYPL lecture 1/19/88, here titled "The Audience for New Art," notes dated 12/24/87; 5) 8 pages notes on hanging a show of Geldzahler's personal collection, at the Century Association gallery, NYC; 6) 10 pages in someone else's hand, with Geldzahler's notes. A chart of comparative illustrations for a lecture at the Lowe Art Museum 2/9/83 [see file #57 for lecture transcript]; 7) 4 pages, notes on a lecture about his career as Curator at Museum of Modern Art, delivered in San Diego.

1) 10 pages (5 ½ x 8 ½") handwritten notes by Geldzahler's asst.; 2) 4 pages (5 ½ x 8 ½") handwritten notes by Geldzahler; 3) 1 page typescript and carbon: Statement on the Avant-Garde; 4) 3 page handwritten (by Geldzahler asst) listing of slide comparisons, for a lecture in Pasadena, April 21, 1966; 5) 1 page typescript, "An Interdisciplinary Proposal" regarding Merce Cunningham Co.; 6) 2 page memo, typescript heavily corrected by Geldzahler, on the role and aim of the Jewish Museum; 7) 1 page typescript, statement on Warhol; 8) 1 page typescript, vitae of Burgoyne Diller.

23 pages, a variety of stray lecture notes and writings on art and artists, circa 1964-1966, some dealing with the Sao Paolo Biennale of 1966.