1
10
193
-
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7994/moryl_01.jpg
2623151f6fba28119451f1123ecf4bec
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7994/IMG_3223.jpg
29f9f7177848320691d67e7eb77b6d4c
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7994/moryl_a.mp3
9053fc810d4e9187fdf6c8d1b4328bf1
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7994/moryl_b.mp3
af5a1f75f6932d817138df11704eca44
Dublin Core
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Title
A name given to the resource
Western Connecticut State University Photographs and Miscellanea, RG8
Description
An account of the resource
This is a collection of photographs and realia spanning the history of Western Connecticut State University. The collection includes images and objects that document the growth, evolution and public profile of the institution.
Contributor
An entity responsible for making contributions to the resource
Western Connecticut State University
Western Connecticut State University. Archives and Special Collections
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_rg8_wcsuMiscellanea.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
d67bbcf8-05c1-405b-a8ee-e0c64144a353
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
The Music of Richard Moryl, Multiples, Contacts, Fluorescents, Choralis
Creator
An entity primarily responsible for making the resource
Moryl, Richard, 1929-
Description
An account of the resource
Vinyl LP
Abstract
A summary of the resource.
Choruses and Instrumentalists from Western Connecticut State College
Liner notes:
His later works have become individual creations, each an end in itself, and each an attempt to break new ground, within the composer's concept of structural and organizational control. Richard Moryl was born in Newark, New Jersey, in 1929 of Polish ancestry, studied composition with Frederick Breydert, Iain Hamilton, Boris Blacher, and Arthur Berger. His earlier compositions were influenced by Hindemith, a style which he abandoned years ago. He feels that he has been influenced by every piece of music and art he has seen, heard, or performed; and his attitude toward the Arts in general has always been very eclectic. He has received the usual fellowships and grants, including a Fulbright, Tanglewood and Bennington scholarships, a Kellogg Grant, and numerous commissions and composition prizes. His recent works represent the full maturity of Moryl's abstract lyric style, and his unique talent for combining sound textures. With these works he has taken a significant step forward in his creative pursuits; namely, that he has gone beyond technique and theory to new, heightened expressive powers. His melodic shapes are free and floating, they are released from conventional tonality, and at the same time tightly controlled by an acute aural imagination.
MULTIPLES uses a small string orchestra with harp, piano and percussion. The work attempts to deal with the various multiple possibilities available to the stringed instruments. At times, solid bands of sounds, consisting all the pitches contained within vertical intervals, present a doubtful borderline between tone and noise. The basic sonic material differs in width and spatial placement, and widens, contracts, divides, branches out, and merges together as the piece progresses. The aspect of timbre involves the exploration of the various string sonorities, and possible ways of attacking the notes employed, MULTIPLES is an aural bath of both beauty and enjoyment; it is one of the most successful of the "Sound Object Generation Form." In a recent analysis of Moryl's "Multiples", by Charles Whittenberg in Perspectives of New Music, it was said: Moryl uses a "free" assortment of expressive articulations and directions containing a high yield of "noise" or multi-pitch effects; and most important of all, nonpitched percussion and/or "clusters", parabolas of glissandi and other "free" and highly idiomatic uses of not only pitched percussion, but of the total ensemble ..." And about his general style, from the same article: The subtle sense of order that this writer hears in all of Moryl's music is the result of nonrigorous application of principles of rigor, i.e., a content-defined pitch area operating over a spectrum of combined "plucking, zapping and zonking." The latter are not perceived as "sound effects" versus a "row", but as unity and diversity; ....this is a clue to Moryl's uniqueness."
CONTACTS, for piano and percussion inside the piano, takes advantage of the tremendous flexibility of the piano, and its ability to function as a sounding board and reverberation chamber, when struck on the strings, metal supports or wood frame. The inside of the piano is a sound world in itself, depending on the sympathetic vibrations of the strings when the dampers are released. This work uses the inside of the piano as an orchestra, capable The quasi-jazz section which is briefly interjected, contributes in an unique way to the musical sense in the overall structure of the piece.
CHORALIS: Written in 1969, it is scored for 2 SATB choruses, 3 trombones, 2 string basses, 4 percussion, jazz drummer, and organ. The work is antiphonal in nature, and calls for the choruses to be situated in front of the stage on either side of the instrumental group. It would seem that vocal music has somehow remained unaffected, until recently, by the profound transformations which instrumental music has lately undergone. Many of the younger composers feel that the "meaning" of the text has lost its importance and have fashioned their compositions according to their own aural imaginations. This work is a case-in-point: the singers have no actual text to present. They whisper, hiss, talk, and make various sounds which are not a part of the usual choral vocabulary. The conductors, (there are three), the individual singers, and groups of singers are allowed a consider-able degree of freedom, within various nixed limitations. The work ends with the choruses bellowing, note for note, Handel's Hallelujah Chorus, against a mélange or dissonance. The ending is a tour-de-force in the old sense of the word. It is done on a grand scale, with a great deal of emotional impact: which may be missing from much of today's cerebral contemporary styles.
FLUORESCENTS: Written in December 1969, on a commission from Middlebury College in Vermont was performed the first time in February 1970 at Middlebury. Scored for a mixed chorus of at least of at least 24 voices, 2 percussion with chimes, and organ, the work is a variable cloud of sound which seems to cover the entire breadth of the sound spectrum…
DESTO RECORDS, 1860 Broadway, New York, N. Y. 10023 RECORDED BY DAVID JONES AND MARC AUBORT
Date
A point or period of time associated with an event in the lifecycle of the resource
1977
Publisher
An entity responsible for making the resource available
New York, N.Y. : Desto
IIIF Item Metadata
UUID
04237330-e910-489e-ab50-d730bbc006c6
Experimental music
Music
Western Connecticut State College
-
https://archives.library.wcsu.edu/omeka/files/original/Rare_Books/7992/m985_m907_a66_1976_small.pdf
9bc65a2ccff2ecceeffc48a64447818b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rare Books
IIIF Collection Metadata
UUID
37d53c9c-6c64-467a-a7d9-7d413a8d8208
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
Apollo : for 10 percussion
Creator
An entity primarily responsible for making the resource
Moryl, Richard, 1929-
Description
An account of the resource
Score (19 leaves) ; 32 x 46 cm.
Abstract
A summary of the resource.
Composed in Danbury, CT and dedicated to Dave Smith
Date
A point or period of time associated with an event in the lifecycle of the resource
1976
Subject
The topic of the resource
Percussion ensembles
Identifier
An unambiguous reference to the resource within a given context
M985.M907_A66_1976
Publisher
An entity responsible for making the resource available
S.l. : Joshua Corp. ; New York : exclusive representatives, G. Schirmer
IIIF Item Metadata
UUID
41691f8e-6ff1-4a43-be0e-0d28b4a8a471
Experimental music
Music
-
https://archives.library.wcsu.edu/omeka/files/original/Ruth_Steinkraus-Cohen_Collection_MS_056/7989/ms056_01_4.1.pdf
e23e9fd5b0f5c07a2889137b7c71b41b
Dublin Core
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Title
A name given to the resource
Ruth Steinkraus-Cohen Collection, MS 056
Abstract
A summary of the resource.
The collection is comprised of mostly of sheet music which span the years 1800 to the 1960s. Also included are publicity photographs and other images of Steinkraus in her career as a pianist, radio host and activist for world peace.
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms056_steinkraus.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
a87904d6-16f8-4e2c-a53d-7b86fd455ead
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
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Title
A name given to the resource
A second sett of favorite airs and a march : arranged as rondos for the piano
Creator
An entity primarily responsible for making the resource
Cianchettini, Veronika Dussek, 1769-1833.
Description
An account of the resource
11 pgs
Abstract
A summary of the resource.
Autographed?
https://en.wikipedia.org/wiki/Katerina_Veronika_Anna_Dus%C3%ADkova
Date
A point or period of time associated with an event in the lifecycle of the resource
1805?
Subject
The topic of the resource
Piano music
Identifier
An unambiguous reference to the resource within a given context
ms056_01_4.1
Publisher
An entity responsible for making the resource available
London : Goulding, Phipps & D'Almaine, [1800?].
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/relatedObjects/MS056/ms056_01_4.1/#page/1/mode/2up" target="_blank" rel="noopener">Page turner version</a>
IIIF Item Metadata
UUID
9550740c-5999-41ac-b077-4d5fa3e0f759
Music
-
https://archives.library.wcsu.edu/omeka/files/original/Rare_Books/7985/m1470_s5685_b83_1975_001.jpg
5983bd380b2a3834584322362be0b36c
https://archives.library.wcsu.edu/omeka/files/original/Rare_Books/7985/m1470_s5685_b83_1975_004.jpg
779f2bfbe2c6887c14c59ca492c50076
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rare Books
IIIF Collection Metadata
UUID
37d53c9c-6c64-467a-a7d9-7d413a8d8208
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buckeye has wings
Creator
An entity primarily responsible for making the resource
Simons, Netty
Description
An account of the resource
1 score (2 leaves) : 62 x 46 cm folded to 31 x 23 cm
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Subject
The topic of the resource
Aleatory music
Identifier
An unambiguous reference to the resource within a given context
m1470 .s5685 .B83 [1975]
Publisher
An entity responsible for making the resource available
Bryn Mawr, Pennsylvania : Merion Music, Inc., [1975]
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
Performance of <a href="https://www.youtube.com/watch?v=XhdAI8fvOfM" target="_blank" rel="noopener">Buckeye has wings</a>
IIIF Item Metadata
UUID
69dfe2d5-066c-4185-bddf-bde43fa005cf
Experimental music
Music
-
https://archives.library.wcsu.edu/omeka/files/original/Rare_Books/7984/m385_f45_d87_1962.pdf
366b8b71303d4fcdcf8d31f846aa9ca3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rare Books
IIIF Collection Metadata
UUID
37d53c9c-6c64-467a-a7d9-7d413a8d8208
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Durations 4
Creator
An entity primarily responsible for making the resource
Feldman, Morton, 1926-1987
Description
An account of the resource
1 score (4 pages) ; 36 cm
Date
A point or period of time associated with an event in the lifecycle of the resource
1962
Identifier
An unambiguous reference to the resource within a given context
m385_f45_d87_1962
Publisher
An entity responsible for making the resource available
New York : Edition Peters, 1962
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://www.youtube.com/watch?v=8Q2sREyn-vo" target="_blank" rel="noopener">Performance at University of Canterbury</a><br /><span>Arts Centre Chamber Series 2021 Sunday 5 December Art Centre, The Great Hall Christchurch, NZ Mark Menzies, Violin Naomi Hnat, Cello Justin DeHart, Percussion</span>
IIIF Item Metadata
UUID
66af311a-0e7f-4220-8858-9084597e2130
Experimental music
Music
-
https://archives.library.wcsu.edu/omeka/files/original/Rare_Books/7982/m1531_m67_m3_1977.pdf
f880bcd3554d4921f2dec664030f2e04
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rare Books
IIIF Collection Metadata
UUID
37d53c9c-6c64-467a-a7d9-7d413a8d8208
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
Madrigals (so, that I would like to die) : for chamber choir (playing perc. instrs.) and amplified piano
Creator
An entity primarily responsible for making the resource
Moryl, Richard, 1929-
Description
An account of the resource
1 score ([ii], 35 pages) ; 35 cm
Abstract
A summary of the resource.
Experimental piece written in Danbury in 1973-1974
Date
A point or period of time associated with an event in the lifecycle of the resource
1977?
Subject
The topic of the resource
Choruses, Secular (Mixed voices, 4 parts) with piano
Identifier
An unambiguous reference to the resource within a given context
m1531_m67_m3_1977
IIIF Item Metadata
UUID
5e3b037a-3f91-4c3c-9e87-ea50a5b4d156
Experimental music
Music
-
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7969/rg8_15_03_001.jpg
3d8f5edbe3b9a9b4546055f166a03ae8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Western Connecticut State University Photographs and Miscellanea, RG8
Description
An account of the resource
This is a collection of photographs and realia spanning the history of Western Connecticut State University. The collection includes images and objects that document the growth, evolution and public profile of the institution.
Contributor
An entity responsible for making contributions to the resource
Western Connecticut State University
Western Connecticut State University. Archives and Special Collections
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_rg8_wcsuMiscellanea.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
d67bbcf8-05c1-405b-a8ee-e0c64144a353
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
WCSU band
Creator
An entity primarily responsible for making the resource
Unknown
Description
An account of the resource
Black and white print
Abstract
A summary of the resource.
Dave Smith conducting band seated in the bleachers.
Date
A point or period of time associated with an event in the lifecycle of the resource
circa 1990
Subject
The topic of the resource
Marching bands--United States
Identifier
An unambiguous reference to the resource within a given context
rg8_15_03_001
IIIF Item Metadata
UUID
00200d32-3a2e-4f4c-9d7e-7972de23b473
Football
Music
Student experience
-
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7968/rg8_15_02_001.jpg
a1f7c706269f67aa3018d20e66f1d3e1
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7968/rg8_15_02_002.jpg
d10398546d936ed4f45d76fcaab2e73f
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/7968/rg8_15_02_003.jpg
335b8c2d0fe1f69328fb8e3116b6f8f7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Western Connecticut State University Photographs and Miscellanea, RG8
Description
An account of the resource
This is a collection of photographs and realia spanning the history of Western Connecticut State University. The collection includes images and objects that document the growth, evolution and public profile of the institution.
Contributor
An entity responsible for making contributions to the resource
Western Connecticut State University
Western Connecticut State University. Archives and Special Collections
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_rg8_wcsuMiscellanea.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
d67bbcf8-05c1-405b-a8ee-e0c64144a353
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Danbury State Teachers' College Band
Creator
An entity primarily responsible for making the resource
Unknown
Description
An account of the resource
3, black and white prints
Abstract
A summary of the resource.
Interior shots of the ensemble rehearsing. Dave Smith conducting in the 1980s.
Date
A point or period of time associated with an event in the lifecycle of the resource
circa 1965-1980
Subject
The topic of the resource
Marching bands--United States.
Identifier
An unambiguous reference to the resource within a given context
rg8_15_02
IIIF Item Metadata
UUID
48e7a743-635c-4cea-8c5f-68d376eb3722
Music
Student experience
-
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/JAMES_FURMAN_I_Have_A_Dream_-_Piano_Vocal_Score_-_2022.pdf
ae01f285599fc7b401348a5718912315
PDF Text
Text
James Furman
I Have A Dream
for mixed Chorus, Gospel Chorus,
Baritone Solo, Folk Solo, Gospel Solo I and II
and Orchestra
An Oratorio Commissioned by the Greenwich Choral Society in Commemoration of its 45th Anniversary
Dedicted to the beloved memory of my friend, Martin Luther King, Jr.
March 12, 1970 - Danbury, CT
- REVISED 1971 VERSION Researched and Restored by Paul F. Mueller, Music Director, Greenwich Choral Society - 2022
�I HAVE A DREAM
I. In the River of Life
q=69
James Furman
22
Gospel Singer 1 plus ʺAmplified Combʺ
Gospel Singer 1
4 Percussion Solo
4
Gospel Singer 2
4
4
Gospel Choir
4
4
Folk Singer
4
4
Baritone Solo
4
4
Soprano
4
4
Alto
4
4
Tenor
4
4
Bass
4
4
q=69
Keyboard reduction
4
4
Keyboard
4
4
22
22
22
22
22
22
22
22
22
22
p
ppp
p
�3
26
1
pp staccatissimo
A.
gradually close to ss
p
mp
the i dea that man
ppp f p
flot
sam
pp staccatissimo
T.
I
p
re
I
re
fuse
ss
to acf
the i dea that man
f
mere flot-
p
B.
to
cept
man
is mere
sam
1
p
Kbd.
mp
ppp f p
pp staccatissimo
p
f
33
gliss. from note to note
2
f p
ppp
jet
sam
ff
pp staccatissimo
jet
sam
A.
T.
In
The Riv er
pp staccatissimo
B.
In The Riv er
2
Kbd.
f p
of
Life
ppp
pp
ff
pp staccatissimo
V.S.
�4
37
p
A.
in The
Life
p
T.
Riv er
Life
B.
p
mp
Kbd.
3
41
A.
Riv er
Riv er
Riv er
T.
3
Kbd.
ppp
47
mp
4
ff
f stacc. sempre
A.
stacc.
pp
Life
Life
Life
B.
4
Kbd.
of Life
Riv er
f sempre
Riv er of Life
Riv er,
Riv er of Life
�5
51
3
A.
Life
fuse
f
the view
ff
T.
I
f
ff
to ac cept
fff
re
fuse
to ac cept
that
B.
Riv er, Riv er of Life
3
Kbd.
f
56
5
ff
A.
man
fff sfz
T.
3
8
2
8
3
8
tra gi cal ly bound
Highest Register
Each Alto selects own pitch
Keep pitch and timbre constant
2
8
3
8
tra gi cal ly
spoken
3
8
2
8
tra gi cal ly bound
ff
3
8
2
8
stacc
5
fff
stacc/spoken
is
B.
ff
2
8
pp
star
tra gi cal ly bound
3
8
tra gi cal ly
2
8
tra gi cal ly bound
3
8
2
8
3
8
3
8
2
8
3
8
to
gliss.
the
2 pp
8
Keep damper
Ped. down
Kbd.
63
6
sempre accel. ed cresc.
3
8
A.
2
8
Whispered
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
less
staccato
6
Kbd.
3
8
2
8
pp sempre accel. ed cresc.
3
8
f smorzando
2
8
3
8
V.S.
�6
shout
70
A.
Largo q=48
3
8
2
4
One Tenor shouts fff
3
3
8
T.
3
8
2
4
ppp
Of
3
7
Mid night
Largo q=48
3
8
p
WAR
2
4
Each Bass select own lowest pitch
B.
ff
7
2
4
pp
Kbd.
3
8
pizz.
2
4
f
79
f
8
long
4
4
long
4
4
long
4
4
long
4
4
S.
ppp
whisper
mp
pp
whisper
mp
pp
whisper
pp
whisper
A.
ppp
T.
War
war
whisper
ppp
B.
War
mp
war
whisper
War
war
8
4
4
pp
Kbd.
long
p
87
Kbd.
ppp
pp
9 q=42
4
4
ppp sempre
p
10
4
4
�7
11
Solo Speaker 1: Fresh fruits and vegetables!
98
ff
mf
S.
Click with Tongue
mf
Solo Speaker 2: Fish and lobster right off the boat!
f
mf
A.
pp
mf Click with Tongue
T.
Solo Speaker 3: see the city...
f
pp
Solo Speaker 4: Hot bagels and chestnuts!
mf Click with Tongue
ff
mf
B.
pp
3
11
mf
Kbd.
f
p
f
12
f
105
spoken with sombre tones
3
3
3
Bar. Solo
I want it to be said on that day that I tried to love and serve
A.
...climb the statue of liberty! Guided bus tours all day long!
mf
ff
T.
12
p
Kbd.
109
mp
13
Kbd.
V.S.
�8
14
ff
117 q=84
S.
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is stron ger than ev il
Love
ff
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is stron ger than ev il
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is strong er than ev il
Love tem po ra ri ly de feat ed is strong er than ev il
q=84
tem po ra ri ly de feat ed is strong er than ev il
ff
A.
T.
ff
B.
14
Kbd.
ff
15
119
mf
ff
i
re fuse
Bar. Solo
15
Kbd.
f
f
to
ac cept
�9
16
123
f
Bar. Solo
the i dea
that man
is mere flot sam
jet
sam
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
S.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
A.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
T.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
B.
16
p cresc.
ppp
Kbd.
cantabile
128
Bar. Solo
In
the Riv
er
f
of
life
solo
gliss, quasi falsetto
S.
Life
f
Life
A.
f
T.
f
B.
Kbd.
ff
ff
fp
ff
p
V.S.
�10
3
131
Kbd.
17
134
3
q=100
Bar. Solo
I
re
fuse
to ac cept the view
f
3
3
S.
We
shall
a
wak
en
from
a
mid
night
f
of des
3
3
3
3
A.
f
T.
We
shall
a
wak
en
from
a
mid
night
of des
f
3
3
B.
17
Kbd.
q=100
3
3
3
3
f legato
f legato
�11
3
3
139
Bar. Solo
I
3
3
3
re fuse
cresc.
war
S.
pair,
to a glor i ous, glor i ous morn
3
3
3
cresc.
3
3
3
cresc.
ing
of
peace
and good will
In The Riv er of
ing
of
peace
and good will
In The Riv er of
A.
T.
pair,
to a glor i ous, glor i ous morn
3
3
3
3
3
3
cresc.
B.
Kbd.
18
p sub.
f
sotto voce
144
Bar. Solo
Life
Life
Life
18
Kbd.
pp
Elec Bass
pp
V.S.
�12
19
150
Bar. Solo
Life
S.
oo
19
f leg
Kbd.
ff
mf
156
2
4
ff
Kbd.
2
4
162
T.
20
2
4
3
4
20
2
4
3
4
fff
Kbd.
2
4
High
whisper
pp
ff
pp
p
ff
3
4
f pp
f pp
f pp
f
�13
(ah-yaw/A-men)
166
Bar. Solo
Aa ya
Translation: Evil shall not overcome good!
A.
Voiced high register. Each person selects own pitch
p
ff
simile
simile
T.
ma ka
(mah-kaw-njaw)
njo
pp
ma ka
njo
f
ma ka
jno
pp
B.
a me me li e zin du
a me me li e zin du
a me me li e zin du
(ah-meh-meh-lee-e-zin-doo)
lowest possible on any pitch
Kbd.
169
Bar. Solo
Aa ya
mf poco a poco cresc.
Aa ya
Aa ya
T.
ma ka
jno
ma ka
jno
ma ka
jno
mf poco a poco cresc.
B.
a me me li e zin du
a me me li e zin du
a me me li e zin du
Kbd.
V.S.
�14
172
Bar. Solo
Aa ya
Aa ya
ff
Aa ya
S.
ma ka
f
jno
A.
a me me li e zin du
f
a me me li
e zin du, ka ka
jno
a me me li e zin du
T.
ma ka
jno
ma ka
jno
ma ka
jno
f
B.
a me me li e zin du ma ka
jno
a me me li e zin du
a me me li e zin du
Kbd.
21
175
4
4
Bar. Solo
Aa ya
fp
ff
4
4
fp Love
ff Love
4
4
fp
4
4
S.
ma ka
jno
a me me li
e zin du
ma ka
jno
a me me li
e zin du
ma ka
jno
a me me li
e zin du
A.
T.
Love
fp Love
ff
Love
ff Love
4
4
B.
ma ka
jno
a me me li
e zin du
21
4
4
fp
fp
Kbd.
4
4
Love
ff
ff
Love
�15
180
22
S.
A.
T.
B.
22
pp sempre legato
Kbd.
186
Bar. Solo
23
3
4
mf
Aa ya
T.
B.
Aa ya
mf
3
4
a me me li e zin du
mf
3
4
a me me li e zin du
23
3
4
mp poco a poco cresc.
Kbd.
3
4
mf
mf
V.S.
�16
191
Bar. Solo
Aa ya
Aa ya
ff
Aa ya
S.
ma ka
ff
jno
ma ka
jno
ma ka
jno
ma ka
jno
A.
f
ff
T.
a me me li e zin du
f
a me me li e zin du
ff
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
B.
ff
Kbd.
ff
f
ff
f
ff
194
Bar. Solo
Aa ya
Aa ya
Aa ya
S.
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
A.
T.
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
ff
ff
B.
Kbd.
ff
f
�17
fff
197
YELL!
4
4
Bar. Solo
Aa ya
Aa ya
Aa ya
fff
4
4
YELL!
S.
ma ka
jno
ma ka
jno
Aa ya
fff YELL!
4
4
A.
ma ka
jno
ma ka
YELL! Aa ya
jno
fff
4
4
T.
a me me li
e zin du
a me me li
e zin du Aa ya
fff
B.
4
4
YELL!
a me me li
e zin du
a me me li
e zin du
Aa ya Aa ya
4
4
Kbd.
4
4
f
1
Bar. Solo
ff
Largo q=30
Doloroso
4
4
Soft-distinct whispering as in conversation
a few chorus members sporadically (Ssh!)
S.
4
4
A.
4
4
T.
4
4
B.
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
p
mf
p
mf
mf
3
parlando
3
f
f
Iʹve
Largo q=30
Kbd.
4
4
pp
mf
p
mf
sfz f
p
V.S.
�18
8
gradual microtonal gliss.
pp
1
p
2
mf
p
mp
mf
f
Bar. Solo
(ve)
1
2
pp
Kbd.
sfz-f
15
3
mf
p
mp
f sub mf
sfz
sub. pp
ff
mf
fff
f
ff
pp
sotto voce
Bar. Solo
been
3
to
the
moun
top.
cue for Bar.
f sfz
Kbd.
tain
ff sfz
f
sfz
ff
sfz
f ppp
4
ppp
19
attacca
Bar. Solo
4
p
Kbd.
attacca
pp
4
4
Sermon
Bar. Solo
Largo q=88
ecstatic
mp
4
4
3
4
Largo q=88
I
molto espress.
Kbd.
4
4
pppp
(8vb?)
1
4
4
see
the
4
4
3
4
pp
p
p
p
p
�19
1
6
Bar. Solo
mf
3
4
1
bluesy
p cresc.
4
4
2
4
3
4
4
4
pro mise land
4
4
2
4
3
4
molto espress.
4
4
2
4
will
reach the
4
4
mp
3
4
2
4
I
3
4
Kbd.
f
with
conviction
3
4
4
4
2
4
p cresc.
2
4
mp
12
Bar. Solo
2
4
marc.
5
prom
hold back
2
3
4
slight rise
and fall
cresc. ed
accel
2
4
ise land
2
2
4
In time
3
4
5
Kbd.
3
4
hold back
2
4
mf
2
4
solo bluesy
3
3
4
5
3
sub. p
f
2
4
3
4
molto accel ed cresc.
16
Bar. Solo
f
3
4
3
quasi-spoken
will we be ex trem ist?
2
4
will we be extrem ist for
3
4
hate
p sotto
voce
mp
or
4
4
for
love?
hold back
3
4
Kbd.
3
4
2
4
3
mf
3
f
mf
q=80
20
Bar. Solo
3
q=80
3
p
4
4
3
pac i
ty
3
to in flict suf fer ing
with out ca
molto agitato
4
4
Kbd.
We will match your ca
sub. mp
3
f intone as a minister
4
4
2
4
4
4
mf
molto agitato
4
4
mf
V.S.
�20
22
3
3
Bar. Solo
pac
i
ty
to
en dure
suf fer ing
we will
2
4
meet your phys i
f marc.
S.
2
4
f marc. Al
A.
2
4
f marc. Al
T.
2
4
2
4
2
4
B.
Kbd.
sfz
3
cal force
f marc. Al
Al
2
4
move forward
continually press forward
24
4
shout
ff
f
Bar. Solo
with soul force
3
8
We
3
8
S.
shout!
2
8
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
will not hate you!
2
8
lah
Al
continually press forward
A.
lah
3
8
3
8
T.
2
8
2
8
3
8
3
8
2
4
2
4
lah
lah
3
8
Al
3
8
Al
continually press forward
B.
3
8
2
8
3
8
2
4
lah
2
4
lah
2
4
lah
3
8
Al
2
4
lah
4
continually press forward
Kbd.
f
appassionato
3
8
2
8
3
8
2
4
3
8
2
4
3
8
2
8
3
8
2
4
3
8
2
4
�21
5
32
2
4
marcato
3
4
ff
Kbd.
sempre cresc. ed accel.
2
4
short
sempre dim.
rit.
marcato
3
4
4
4
4
4
Tempo Primo
36
6
4
4
stacc.
6
hold back
2
4
hold back
mf
Kbd.
p
mp
mp
mf
mp
hold back
4
4
2
4
p
mp
mf
a tempo q=60
38
Bar. Solo
7
2
4
mf cant.
3
4
Our world is a neigh
2
4
poco a poco accel. ed cresc.
3
4
bor hood
we must learn
3
to
4
4
live to geth er
a tempo q=60
7
2
4
Kbd.
2
4
3
4
mf
2
4
3
4
poco a poco accel. ed cresc.
3
4
mf
2
4
3
4
4
4
cresc.
4
4
V.S.
�22
Shout! (keep rising in volume and pitch)
42
Bar. Solo
1/4 tone up
4
4
mf
fff
voiced
as broth ers
or per ish
8
2
4
q=c.60
3
8
Scream!
High register
2
4
3
8
A.
Scream!
High register
T.
f
2
4
3
8
2
4
2
4
sfz
2
4
Kbd.
2
4
3
4
Allah,
p
2
4
3
4
2
4
3
4
sfz
3
8
mf
mf
f
6
mp
p
q=c.60
ff sfz
3
4
3
4
3
8
ff sfz
Kbd.
47
2
4
Allah,
3
8
8
4
4
3
4
mp
Tempo Primo q=88
4
4
2
4
mp
strong accent on first syllable (Al-lah), each person selects own
rate of acceleration, from middle to lowest register.
B.
3
4
f
2
3
4
8
Note for SATB: Keep repeating ʺAllahʺ faster and faster with
4
4
2
4
mp
Allah,
4
4
3
4
f
Allah,
4
4
2
4
as fools
f
4
4
S.
Tempo Primo q=88
2
4
f
3
4
2
4
f
�23
a tempo q=76
51
Bar. Solo
9
2 Spoken with peaceful elevated tones
4
Spoken: We must come to see - -
3
8
2
4
3
8
2
8
3
4
a society at peace with it-self - - - - - a society that can
that the end we seek is a society,...
a tempo q=76
9
2
4
3
8
2
4
3
8
sub. p
Kbd.
amoroso
2
4
3
8
2
8
3
4
sempre accel. ed cresc.
2
4
3
8
2
8
3
4
p
10
60
Bar. Solo
f poco a poco accel.
3
4
LIVE
S.
deliriously
ff
3
8
with its con science
fff allarg.
with its con science
3
4
3
8
mp
2
8
mf
2
8
Note for Soprano and Alto: Gradually accelerate talking.
Gradually raise pitch from lowest to highest register.
T.
3
4
3
8
2
8
B.
3
4
3
8
2
8
mp
mf
Note for Tenor and Bass: Talk (not to each other)
Slowly in an undertone. Gradually accel. talking and tempo.
Note for Tenor and Bass: Continue to accelerate talking.
Gradually raise pitch to highest register.
10
3
4
3
8
f
Kbd.
2
8
allarg.
3
4
3
8
2
8
V.S.
f allarg.
�24
Note for CHORUS: At this point, hold the sonority at which
you arrived, keeping pitch and timbre constant.
63
S.
mf
ff
2
8
3
4
4
4
ff
mf
2
8
A.
4
4
3
4
4
4
4
4
ff
2
8
T.
3
4
4
4
4
4
ff
B.
2
8
3
4
4
4
4
4
2
8
3
4
4
4
4
4
fff
Kbd.
2
8
3
4
4
4
4
4
fff
Chorale
Largo q=42
68
Bar. Solo
11
Spoken
4
4
half whispered
3
All men are cre a ted e qual
All men
Religioso
11
cantabile
4Largo q=42
4
f
pp non vib. sempre leg.
p
Kbd.
cantabile
4
4
ff f
pp
p
12
74
Kbd.
p
pp
p
pp
p
�25
80
13
Kbd.
pp
14
84
Kbd.
tenuto
90
Kbd.
tenuto
15
lontano
ppp
mp
ppp
mp
sub. p
attacca
attacca
pp
4
4
4
4
�26
Hymn: I Have a Dream
1
S.
q=60
4
4
4
4
A.
4
4
T.
Dolce
pp
I
have
pp Dolce
a
I
have
pp Dolce
a
I
Dolce
pp
4
4
B.
I
q=60
have
a
have
a
dream
dream
3
tha
one day ev
ry val ley shall be ex
that
ev
ry val ley shall be ex
3
dream
ex
dream
ex
5
alt
ed
alt
ed
ed
3
pp Dolce
4
4
ed
alt
4
4
Kbd.
alt
3
freely
1
mf
3
S.
I
have
a
dream
that
one day ev ry moun tain wil be made low
the
mf
3
A.
I
have
a dream
that
ev
ry mount
will be made low
the
T.
have
a dream
that
one day ev ry
moun
tain
made low
B.
Dream
low
1
Kbd.
3
3
freely
mf
�27
9
majestically
2 Piu Mosso
f
S.
rough
plac es will
be made plains.
and
the
crook ed plac es
will
be madestraight,
rough
plac es will
be made plains,
and
the
crook ed plac es will
the
crook ed
pla
ces will be made
the
crook
ed
will
and
the
A.
be
straight,
mf
T.
mf rough plac es
will
be made
plains,
majestically
straight,
f
B.
plac es will
rough
be made
plains,
be
straight,
and
the
2 Piu Mosso
f
Kbd.
13
3
majestically
mf
mp
S.
glor
ry of
f majestically
the
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to
geth
mf
er,
mp
glo
the
Lord
shall be
re
vealed
and
all
flesh
shall see
it
to
geth
er,
mp
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to
geth
er,
mf
mp
A.
f
ry of
majestically
T.
glo ry of
the
B.
glo
ry of
the
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to ether
er
3
Kbd.
mf
mp
V.S.
�28
4
with serenity
p
pp
I
p
have
pp
a
I
p
have
a
I
p
have
pp
a
4I
have
pp
a
18
3
S.
dream
that
one day ev
ry val ley shall be ex
alt
ed
alt
ed
alt
ed
3
A.
dream
that
ev
ry val ley shall be ex
T.
dream
ex
B.
p
Kbd.
dream
ex
al
ted
3
3
with serenity
p
22
5
pp
ppp
S.
3
I
ppp
have
a
dream
that
one
day
ev
ry moun tain will be laid
I
ppp
have
a
dream
that
one
cay
ev
ry moun tain will be laid
I
ppp
have
a
dream
that
one
day
ev
ry moun tain will be laid
A.
3
T.
3
3
B.
I
have
a
dream
that
one
cay
ev
ry moun tain will be laid
5
Kbd.
ppp
3
3
�29
6
25
4
4
S.
low
4
4
A.
4
4
low
T.
low
I
have
a
dream
4
4
B.
6
low
I
have
a
dream
4
4
ppp
Kbd.
4
4
1
G.S. 1
III. Let Freedom Ring
Joyfully h=96
f
4
4
Free
Joyfully h=96
4
4
C
C&
A‹
D‹
C
G7
dom
Free
C
f
Kbd.
4
4
6
G.S. 1
dom
C7
Let Free dom Ring
A‹
from the moun tains of
C
Georg ia
D7
Let Free dom Ring
G
Kbd.
V.S.
�30
1
11
G.S. 1
Free
dom
Free
f
dom
Let Free dom Ring
G.S. 2
1
C
F7
D‹9
G7
Free dom
Free dom
C
Let
C7
A‹
Kbd.
16
G.S. 1
from
the hills of Cal i
for
nia
Let
Free
dom Ring
nia Let
Free
dom Ring
G.S. 2
Free dom
Ring from
the hills
C
Cal i
for
D7
G
C
Kbd.
2
20
f
F. Singer
When
B¨
Kbd.
ff
C7
2
we
let
free dom
ring
C7
�31
25
p
F. Singer
from evʹ ry
vil
lage and evʹ
ry
ci
ty
Kbd.
ped.
3
30
ped.
ped.
f
F. Singer
all
3
Kbd.
of Godʹs child
Black
White
Jew
and
f
E‹
ped.
ren
A& F7
D‹
D‹7
G7
mf
f
36
4
G.S. 1
Free
dom
Let Free dom Ring
f
G.S. 2
Free
dom
F. Singer
Gen tile
will join hands
and sing
4
C
Kbd.
E‹7
CŒ„Š7
A‹
A
V.S.
�32
42
G.S. 1
Free
G.S. 2
from Look out Moun tain of
Ten nes see
Let Free dom Ring
f
F. Singer
Ten nes
C
D7
see
G
C
FŒ„Š7
DŒ„Š9 G7
Kbd.
47
G.S. 1
dom
Free dom
from the might y Al le
ghe
nies
Al le
ghe
nies
G.S. 2
Free
dom
Let Free dom Ring
F. Singer
Free dom
C
Kbd.
Free dom
CŒ„Š7
Free
dom
A‹
C
D7
�33
52
G.S. 2
Let Free dom Ring
F. Singer
Let Free
dom Ring
sempre staccato
G
ff
Kbd.
57
Kbd.
61
5
f
F. Singer
When
we
let
Free dom
ring
From evʹ ry
vil
5
Kbd.
f
V.S.
�34
66
mp
F. Singer
lage and evʹ
ry
ci
mp
Kbd.
ped.
ped.
6
71
G.S. 1
Black
F. Singer
ty
all
of Godʹs child ren
White
6
Kbd.
E‹
A& F7
D‹
D‹7
mf
ped.
q=80
77
G.S. 2
Jew
f
F. Singer
and
Gen tile
will join hands
and
c
4
4
c
4
4
sing
q=80
Kbd.
c
4
4
c
4
4
G7
�35
Poor Peopleʹs March
84
F. Singer
7
mp use reverb mic.
4
4
Poor
7
mp use reverb mic.
4
4
Kbd.
Peo ple
Elec Bass
gliss.
4
4
sim.
mp
88
F. Singer
Poor
Peo
ple
Poor
Peo
ple
Kbd.
92
p staccatissimo
G. Choir
Po
ver
ty
F. Singer
Poor
Peo
ple
p staccatissimo
Kbd.
V.S.
�36
95
G.S. 1
G. Choir
Po
ver
ty
Kbd.
8
Amplified Comb
mf
98
G.S. 1
mf
G. Choir
Po ver ty
mf
F. Singer
8
mf
Poor
Peo ple
Poor
Peo ple
Poor Peo ple
mf
mf
Kbd.
102
mf
G.S. 1
F. Singer
Poor
Peo
Kbd.
mp
�37
106
G.S. 1
G. Choir
Po
ver
ty
Po
ver
ty
F. Singer
ple
Kbd.
109
9
f
9
Poor
f
F. Singer
Peo
ple
Kbd.
f
111 f
G. Choir
Po ver
ty
Po ver
ty
F. Singer
Poor
Peo
ple
f
Kbd.
mf
V.S.
�38
114
10
f
Kbd.
117
f
F. Singer
Poor
Peo
ple
f
ff
Kbd.
120 f
G. Choir
Po ver ty
Poor
Peo ple
F. Singer
Poor
f
Kbd.
ff
mp
Peo ple
�39
124 f
pp staccatissimo
11
G. Choir
Po
ver
ty
Po
ver
ty
F. Singer
pp staccatissimo
legatissimo
f
f
Kbd.
11
127 f
G. Choir
Po
ver
ty
Po
ver
ty
f
Kbd.
130
12
Kbd.
134
13
F. Singer
13
Poor
Peo ple
Kbd.
V.S.
mf
�40
f staccatissimo
138
G. Choir
Po ver ty
f
F. Singer
Poor Peo ple
Poor Peo ple
Poor Peo ple in
f
f staccatissimo
Kbd.
f
141
G.S. 1
G. Choir
Po
ver ty
Po
F. Singer
Peo ple, peo ple
Kbd.
Peo ple, peo ple in
ver ty
�41
14
Amplified Comb
143 ff
G.S. 1
ff
G. Choir
Pov
ff
er ty
Pov
Pov
er ty
Pov
F. Singer
ff
14
Kbd.
senza ped
148
G.S. 1
G. Choir
er
ty.
er
ty.
F. Singer
Kbd.
V.S.
�42
152
15
Amplified Comb
G.S. 1
G. Choir
Po
ver ty
15
Kbd.
156
G.S. 1
G. Choir
f
A.
Are
f
B.
Are
Kbd.
�43
16
160
Gospel Singer 1
G.S. 1
All Women
p
G. Choir
po ver ty po ver ty
po ver
p
F. Singer
poor
peo ple in
a
sfpp
S.
Their
pp sub.
A.
they
not
tired?
sfpp
T.
Their
pp sub.
B.
they
not
tired?
16
staccatissimo
Kbd.
pp sub.
V.S.
�44
162
G.S. 1
Poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
p
S.
feet
p
A.
feet
p
T.
feet
p
B.
feet
Kbd.
peo ple in an
�45
164
G.S. 1
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
peo ple in a
S.
A.
are
T.
B.
are
Kbd.
V.S.
�46
166
G.S. 1
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
S.
are
tired,
A.
tired,
T.
are
tired,
B.
tired,
Kbd.
peo ple in a
�47
168
G.S. 1
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
peo ple in a
sfp
sfp
sfp
sfp
Their
feet
are
tired,
sfp
sfp
are
tired,
S.
A.
sfp
T.
tired,
B.
Kbd.
V.S.
�48
17
170
cresc. poco a poco
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
cresc. poco a poco
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
sfp
sfp
cresc. poco a poco
but
their
sfp
sfp
but
their
sfp
sfp
but
their
F. Singer
poor, poor
S.
souls
cresc. poco a poco
A.
souls
cresc. poco a poco
T.
sfp
souls
cresc. poco a poco
B.
their
souls
17
Kbd.
cresc. poco a poco
cresc. poco a poco
�49
172
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
S.
A.
T.
B.
Kbd.
V.S.
�50
mf
174
f
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
mf
f
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
f
F. Singer
All
mf
f
are
rest
mf
f
are
rest
mf
f
are
rest
mf
f
are
rest
S.
A.
T.
B.
Kbd.
f
of
Godʹs
�51
18
176
mf
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
mf
F. Singer
chil
dren
will
be
sub. p
S.
ed,
rest
sub. p
A.
ed,
rest
sub. p
T.
ed,
rest
sub. p
B.
ed,
rest
18
Kbd.
V.S.
�52
178
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
F. Singer
a
ble
to
sing
S.
ed
A.
ed
T.
ed
B.
ed.
p
Kbd.
po ver ty po ver ty po ver
�53
19
180
mf
G.S. 1
poor, poor peo ple in a All Women and Men 8ve basso
My
Coun
try
Tis
of Thee
G. Choir
ty
po ver ty po ver ty po ver ty
mf
F. Singer
Free
dom
cant.
S.
Their
souls
are
rest
ed
are
rest
ed
souls
are
rest
cant.
A.
cant.
T.
their
ed
B.
rest
19
mp
Kbd.
ed
solo - robustly (fiddle, a la sq. dance)
cresc.
183
G.S. 1
Sweet
land
of
Lib
er ty
Of
Thee
I
F. Singer
Free
dom
Kbd.
V.S.
�54
186
G.S. 1
sing
falsetto
Of
Thee
WE
Sing
F. Singer
Let
Free dom
Ring
from the
moun
Kbd.
189
women and men
G. Choir
F. Singer
tains
Kbd.
sub. pp
20
192
G.S. 1
sfp
of
sempre sim.
Thee
G. Choir
20
tutti
Kbd.
sub. pp
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
�55
195
3
G.S. 1
Thee
Lord of
G. Choir
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Kbd.
198
3
3
G.S. 1
Thee
Lord
of
Thee
we
sing
G. Choir
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
a few male so
F. Singer
of
Kbd.
V.S.
�56
201
3
3
G.S. 2
Lord
G. Choir
Free dom
Free dom
Free dom
Free dom
Free dom
Free dom
F. Singer
Thee we sing
of Thee we sing
of Thee we sing
of Thee we sing
of Thee we sing
of Thee we sing
Kbd.
21
204
G.S. 2
poor peo ple
Lord poor peo ple
G. Choir
mp
In a po ver ty po ver ty po ver ty
mp
In a po ver ty po ver ty po ver
S.
poor
mp
peo ple
poor,
poor
A.
mp poor
peo ple
poor,
poor
peo
ple
peo
ple
T.
poor
mp
peo ple
poor
poor
B.
poor
peo ple
poor,
21
Kbd.
sub mp
ped.
ped.
ped.
poor
�57
poor peo ple
207
G. Choir
ty
In a po ver ty po ver ty po ver ty.
mf
F. Singer
will
be
ab le
to
sing
S.
poor
A.
poor
peo ple
T.
poor
B.
poor
peo ple
ped.
ped.
Kbd.
ped.
Spiritual: Free At Last
210
proud and sassy
22
f
3
4
G.S. 1
Thank
f
Kbd.
Free
migh ty we
3
4
G. Choir
22
God Al
at
Electronic Organ
and Gospel Piano
4
4
are
4
4
last
f
Free
3
4
4
4
3
4
4
4
at
last
V.S.
�58
216
G.S. 1
This
wil
be
the day
when
G. Choir
All
of Godʹs
Child
ren
f
Kbd.
220
3
4
G.S. 1
3
4
Thank
3
4
G. Choir
will
be
4
4
God
3
4
ab le
p
4
4
to sing
Weʹre free
3
4
3
4
4
4
3
4
3
4
4
4
f
Kbd.
224
22B
G.S. 1
Free
At
Last
Free
G. Choir
22B
f
Kbd.
Free
At
Last
Thank
God Al might y we
are
Free
At
Last
At
�59
230
sfz
G.S. 1
Last
ALL
sfz
of Godʹs
child
dren
ALL
of Godʹs
child
dren
G. Choir
This
will
be
the day
when
f
Kbd.
234
3
4
G.S. 1
will
be
will
be
G. Choir
Kbd.
3
4
p
4
4
a ble to sing
a ble to sing
women only
Thank
Thank
4
4
God
God
men only
Weʹre
3
4
4
4
3
4
4
4
Free At
Last
f
V.S.
�60
238
23
f
G.S. 1
Thank
f staccatissimo
God Al might
y we
are
Tutti
G. Choir
Free at last
f cantabile
Thank
God
God
Al might y
Free at last
Thank
God,
God
Al might y
God
Al might y
Free at last
Thank
God,
God
Al might y
T.
Free
f cantabile
at
last
Free
at
last
B.
staccatissimo
23
f
Kbd.
242
G.S. 1
free
G. Choir
Free at last
Thank
God,
T.
Free
at
last
This
will
be
the day
when
Free
at
last
This
will
be
the day
when
B.
Kbd.
�61
246
24
2
4
F. Singer
3
4
4
4
Let
free
dom
stately
ff
2
4
S.
All
of Godʹs
ff stately
Child
ren
will
of Godʹs Child
4
4
3
4
4
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
le
to
sing
ren
will
be
ab
le
to
sing
2
4
All
of Godʹs
ff stately
Child
ren
will
be
of Godʹs Child
ab
le
to
sing
2
4
B.
All
3
4
ab
2
4
stately
T.
4
4
be
A.
All
ff
3
4
ren
will
24
be
ab
le
to
sing
Kbd.
251
G. Choir
25
4
4
God, Al might y are we free, are we free
F. Singer
at last?
God, Al might y are we free, are we free
at last?
4
4
ring
Through out
the
land
evʹ ry wo man and man
25
4
4
Kbd.
4
4
sempre marc.
V.S.
�62
255
G. Choir
God, Al might y are we free?
God Al might y
are we Free..
are we Free at last?
F. Singer
must un der stand
Kbd.
260
26
sim.
mp
Kbd.
sfz
sfz
263
G.S. 1
Free
Kbd.
266
G.S. 1
dom
Kbd.
Nna
�63
269
G.S. 1
Free
dom
Kbd.
272
27
G.S. 1
Free
27
Kbd.
275
G.S. 1
dom
Kbd.
V.S.
�64
278
28
G.S. 1
Naa
Naa
G. Choir
Hear us Lord to day
Hear us Lord to day
Hear us Lord to day
Hear us Lord to day
28
Kbd.
282
G.S. 1
Naa
Naa
G. Choir
Hear us
Lord
to day
Hear us
Lord
to day
Hear us
Lord
to day
Kbd.
285
29
G.S. 1
Lord
Lord
Lord
Lord
G. Choir
Free
29
Kbd.
dom
Free
dom
Free
dom
Free
dom
�65
289
G.S. 1
Lord
Lord!
Lord!
Lord!
G. Choir
Free
dom
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Kbd.
30
293
G.S. 1
Free
dom!
G. Choir
Hear us
Lord to day
f
S.
Free
f
dom
Free
dom
A.
Free
Free
f
T.
f Free
dom
B.
Free
30
Kbd.
V.S.
�66
297
S.
Free
dom
Free
dom
Free
dom
Free
dom, Free
dom,
A.
Free
Free
dom
Free
dom
T.
Free
dom
Free
dom
dom
Free
dom
Free
dom, Free
B.
Free
Free,
Kbd.
31
301
f (Nah=Lord)
G.S. 2
f
ff
f
ff
f
ff Nna
S.
Free dom
Free dom
f
ff
Free, Free dom
Free dom
Free
f
dom
ff
Free
dom
Free dom
f
ff
A.
ff
ff
Free dom ff
T.
Free
dom
Dei
ff
leh
Dei
ff
leh
Dei
leh
ff
B.
Free
dom
Dei leh
31
Kbd.
Dei leh
Dei leh
Di-ala=Freedom/Pronunciation Dei-leh
f
sfz
sfz
�67
f
305
G.S. 1
Lord
Lord
G.S. 2
Nna
Nna
Nna
f
F. Singer
Yes!
Yes!
f
ff
f
ff
f
ff
Free
dom
Free
dom
Free
dom
f
ff
f
ff
f
ff
Free
dom
Free
dom
Free
dom
S.
A.
ff
ff
ff
T.
Dei
leh
ff
Dei
leh
Dei
leh
ff
ff
B.
Dei
leh
Dei
leh
Dei
leh
Kbd.
V.S.
�68
308
short
G.S. 1
Lord
Lord
Thank God
Weʹre free at
last
short
G.S. 2
Nna
Nna
Weʹre free at
last
short
F. Singer
Yes!
f
ff
Yes!
f
ff
Free
dom
f
ff
Free
dom
Weʹre free at
last!
short
S.
Free dom
f
ff
Weʹre free at
last!
short
A.
Free dom
ff
Weʹre free at
ff
last!
short
T.
Dei
leh
Dei
leh
ff
ff
Dei leh
Dei leh
Weʹre free at
last!
short
B.
Kbd.
Weʹre free at
last!
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/JAMES_FURMAN_I_Have_A_Dream_-_Full_Score_-_Mueller_Revision_2022.pdf
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PDF Text
Text
James Furman
I Have A Dream
�2
I Have A Dream
for mixed Chorus, Gospel Chorus,
Baritone Solo, Folk Solo, Gospel Solo I and II
and Orchestra
An Oratorio Commissioned by the Greenwich Choral Society in Commemoration of its 45th Anniversary
Dedicted to the beloved memory of my friend, Martin Luther King, Jr.
March 12, 1970 - Danbury, CT
- REVISED 1971 VERSION Researched and Restored by Paul F. Mueller, Music Director, Greenwich Choral Society - 2022
I. In the River of Life
II. Iʹve Been to the Mountain Top
Monologue and Sermon
Chorale
Hymn: I Have A Dream
III. Let Freedom Ring
Poor Peopleʹs March
Spiritual: Free at Last
�Instrumentation
1 Flute
1 Oboe
1 Clarinet
1 Bassoon
2 Horns
2 Trumpets
Bass Trombone
Percussion
Amplified Guitar
(Classical or Electric)
Banjo
Gospel Piano
(and Electric Organ)
Concert Piano
Organ
Gospel Singer 1
(and Amplified Comb)
Gospel Singer 2
Gospel Chorus
Folk Singer
Baritone Solo
Mixed Chorus
Violin I
Violin II
Viola
Violoncello
Double Bass
Electric Bass
Perucussion List:
Bongos
Suspended Cymbal
Triangle
Timbales
Xylophone
Whip
Gong
Orchestral Bells
Maracas
Siren
Congas
Chimes
Claves
Snare Drum
Drum Kit
Tambourine
Cowbell
�Flute
4
4
Oboe
4
4
Clarinet in Bb
4
4
Bassoon
4
4
James Furman
I HAVE A DREAM
Percussion Solo
q=69
I. In the River of Life
4
4
Horn in F
4
4
4
4
Trumpet in Bb
4
4
Bass Trombone
4
4
Bongos
4
4
Cymbals
4
4
Triangle
mf poco a poco cresc.
4
4
laissez vib. (with fingers)
Tune to F
Timbales
4
4
ppp poco a poco cresc.
4
4
Gospel Piano
4
4
4
4
Piano
4
4
4
4
Organ
4
4
Pedals
4
4
Gospel Singer 1
4
4
Gospel Singer 2
4
4
Gospel Choir
4
4
Folk Singer
4
4
Baritone Solo
4
4
Soprano
4
4
Alto
4
4
Tenor
4
4
Bass
4
4
Violin I
4
4
Violin II
4
4
Viola
4
4
Violoncello
4
4
Double Bass
4
4
Gospel Singer 1 plus ʺAmplified Combʺ
q=69
4
4
Keyboard
sim. to ms. 1 and 2
(tune large Bongo to A)
4
4
Keyboard reduction
sim. to ms. 1 and 2
mf
�3
13
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Bongos
ff poco a poco dim.
Cym.
Tri.
Timb.
ff poco a poco dim.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
p
Db.
p
Kbd.
p
�4
1
25
2
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Bongos
pp
Cym.
Tri.
Timb.
pp sempre
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
gliss. from note to note
f p
pp staccatissimo
ppp
A.
gradually close to ss
p
mp
the i dea that man
ppp
f p
pp staccatissimo
to ac-
the i dea that man
flot
sam
jet
sam
ff
pp staccatissimo
T.
I
re
fuse
ss
f
f
p
mere
flot-
jet
sam
p
In The Riv er
pp staccatissimo
B.
I
re
to
cept
man
is mere
sam
In The
Vln. I
Vln. II
Vla.
arco
Vc.
ppp
p
f
p
col legno
Db.
p
1
Kbd.
2
p
ppp
mp
ppp
f p
pp staccatissimo
p
f
p
f p
ff
ppp
pp staccatissimo
�5
3
36
Fl.
ppp
gliss.
Ob.
pp
ppp
gliss.
Cl.
ppp
pp
Bsn.
lontano
muted
Hn.
lontano
muted
Harmon Mute
stem in
muted
mp muted
mp
muted
mp
gliss.
pp
Tpts.
ff
mp
ppp
Harmon Mute
gliss.
stem in
muted
ppp
pp
B. Tbn.
pp
mp
Bongos
Cym.
Tri.
Timb.
Gtr.
Gos. Pf.
Pno.
Salicional (dulciana+trem)
pp
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
p
A.
in The
Life
p
Riv er
T.
Riv er
Life
B.
Riv er of Life
gliss.
Vln. I
pp
gliss.
Vln. II
pp
con sord. gliss.
Vla.
pp
arco / non div.
pizz.
gliss.
Vc.
mp
pp
Db.
pp
p
Kbd.
pp
mp
3
ppp
mp
ff
�6
4
45
Fl.
Ob.
Cl.
§
Bsn.
ppp
staccato
ff
Hn.
Tpts.
B. Tbn.
Bongos
Cym.
Tri.
Timb.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
f stacc. sempre
3
A.
Riv er
Riv er
Life
Life
Life
Life
fuse
f
T.
I
stacc.
pp
f
ff
re
fuse
B.
of Life
Riv er
Riv er of Life
Riv er,
Riv er of Life
Riv er, Riv er of Life
pizz.
Vln. I
f sempre
pizz.
Vln. II
f sempre
arco
ord.
Vla.
f sempre
col legno
Vc.
Db.
4
Kbd.
3
f sempre
f
ff
�7
5
54
3
8
Fl.
2
8
3
8
Flute may substitute with notes octave higher
than written only if Picc. is not available
6
2
8
3
8
2
8
sempre accel. ed cresc.
3
8
Ob.
2
8
3
8
2
8
Cl.
3
8
2
8
3
8
2
8
Bsn.
3
8
2
8
3
8
2
8
3
8
sempre accel. ed cresc.
3
8
sempre accel. ed cresc.
3
8
p
3
8
3
2
8
3
8
3
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
sempre accel. ed cresc.
Hn.
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8 To Gong
3
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
Tpts.
B. Tbn.
Xylophone
Bongos
3
8
Cym.
3
8
Tri.
3
8
2
8
3To Orch. Bells
8
Orchestral Bells
To Xyl.
Timb.
sec
lightly
2
8
stop each note
sec
Whip
To Whip
3
8
Gong
3
8
pp sempre accel. e cresc.
2
8
2
8
stop each note
2
8
pp sempre accel. e cresc.
Gtr.
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
Gos. Pf.
Keep damper
Ped. down
Pno.
3
8
2
8
3
8
staccato
2
8
staccato
pp sempre accel. ed cresc.
3
8
pp sempre accel. ed cresc.
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
Ped.
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
G.S. 1
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
G.S. 2
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
G. Choir
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
F. Singer
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
Bar. Solo
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
S.
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
Org.
Highest Register
ff
A.
the view
man
ff
fff sfz
T.
to ac cept
fff
2
8
pp
that
sempre accel. ed cresc.
2
8
3
8
2
8
star
3
8
3
8
2
8
3
8
tra gi cal ly bound
tra gi cal ly
spoken
stacc
2
8
tra gi cal ly bound
3
8
Vln. I
3
8
stacc/spoken
is
B.
to ac cept
3
8
Each Alto selects own pitch
Keep pitch and timbre constant
less
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
tra gi cal ly bound
3
8
tra gi cal ly
2
8
Whispered
tra gi cal ly bound
3
8
to the
arco
gliss. pizz.
pizz.
2
8
p sempre accel. ed cresc.
Vln. II
3
8
2
8
3
8
2
8
Vla.
3
8
2
8
3
8
2
8
Vc.
3
8
2
8
3
8
2
8
pizz.
snap
pizz
pizz.
3
8
p sempre accel. ed cresc.
3
8
sempre accel. ed cresc.
arco
3
8
sempre accel. ed cresc.
3
8
Db.
2
8
3
8
arco
2
8
3
8
loose bow
5
Kbd.
fff
ff
3
8
3
8
2
8
2
8
3
8
3
8
gliss.
2
8
2
8
pp
Keep damper
Ped. down
sempre accel. ed cresc.
6
staccato
3
8
pp sempre accel. ed cresc.
3
8
f smorzando
2
8
3
8
�8
68
Fl.
Ob.
Cl.
Bsn.
Largo q=48
3
8
smorzando
2
8
mf
3
8
3
8
2
4
3
8
2
4
2
8
3
8
2
4
2
8
3
8
2
4
3
8
2
8
3
8
2
4
3
8
2
8
3
8
2
4
3
8
2
8
3
8
2
4
3
8
smorzando
long
p
long
f
long
p
f
long
f
f
Hn.
8
f
3
2
8
3
8
7
a tempo
Just before sound fades,
move on to next section.
p
pp
long
pp
ppp
long
ppp
long
muted
harmon mute (stem in)
f
Tpts.
B. Tbn.
p
muted
pp
2
8
3
8
2
4
3
8
2
8
3
8
2
4
f
long
p
3
8
Whip
3
8
long
cup mute
p
To Bongos
Xyl.
4
4
4
4
4
4
4
4
4
4
4
4
4
4
pp
straight mute
ppp sempre
l.v.
3
8
2
4
2
8
3
8
2
4
Gong
3
8
2
8
3
8
2
4
Orch. Bells
3
8
2
8
3Timbales
8
2
4
Gtr.
3
8
2
8
3
8
2
4
4
4
3
8
2
8
3
8
2
4
4
4
3
8
2
8
3
8
2
4
4
4
3
8
2
8
3
8
2
4
To Timb.
ppp sempre
4
4
2
8
f smorzando
solo
p
harmon mute (stem in)
3
8
9 q=42
4
4
4
4
Bongos
laissez
vib.
long
4
4
pp
4
4
To Tri. Triangle
f
4
4
f smorzando
Gos. Pf.
f smorzando
long
pp
Pno.
3
8
2
8
3
8
2
4
Oscillate with hard
mallet in bass strings
gradually increase motion
long
Keep damper Ped. down
long
4
4
hit string with
soft mallet
4
4
Keep damper Ped. down
3
8
2
8
3
8
2
4
3
8
2
8
3
8
2
4
Ped.
3
8
2
8
3
8
2
4
G.S. 1
3
8
2
8
3
8
2
4
4
4
G.S. 2
3
8
2
8
3
8
2
4
4
4
G. Choir
3
8
2
8
3
8
2
4
4
4
F. Singer
3
8
2
8
3
8
2
4
4
4
Bar. Solo
3
8
2
8
3
8
2
4
4
4
S.
3
8
2
8
3
8
2
4
Org.
long
long
long
shout
ff
A.
3
8
2
8
3
8
3
T.
3
8
2
8
p
ppp
2
4
One Tenor shouts
3
8
fff
WAR
Of
3
8
2
8
3
8
2
4
ppp
3
Mid night
Vln. I
3
8
smorzando
2
8
3
8
2
4
3
8
Vla.
3
8
Vc.
3
8
smorzando
f
smorzando
Db.
3
8
whisper
mp
War
2
8
3
8
2
4
pp
whisper
pp
whisper
pp
whisper
long
long
long
long
2
8
3
8
2
4
f
2
8
3
8
2
4
pizz.
long
3
8
long
pizz.
2
4
4
4
4
4
4
4
4
4
4
4
war
long
2
8
4
4
war
pizz.
f
4
4
war
long
f
f
smorzando
mp
pizz.
a tempo
f
Vln. II
mp
War
Each Bass select own lowest pitch
B.
whisper
War
whisper
ppp
2
4
ppp
4
4
4
4
arco
4
4
ppp sempre
4
4
4
4
arco
ppp sempre
f
f
7
3
8
2
8
8
Largo q=48
3
8
2
4
9 q=42
4
4
pp
Kbd.
3
8
2
8
3
8
2
4
pp
pizz.
f
ppp
long
f
l.v.
p
pp
p
4
4
ppp sempre
�9
10
89
Fl.
bluesy; with feeling
marc.
6
stacc.
3
Ob.
mf
ff
gliss.
Cl.
p
6
stacc.
3
wide vib.
pp
mf
ff
p
Bsn.
Hn.
ppp
flutter tongue
harmon mute
stem out
Tpts.
ppp
ord.
ppp
harmon mute
stem out
ppp
B. Tbn.
Bongos
To Cym.
pp
Cymbals
Whip
To Gong
Tri.
Gong
Timb.
Gtr.
Gos. Pf.
Pno.
hit string with soft mallet
Keep damper Ped down
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
arco
Vc.
Db.
10
Kbd.
�10
delicately
98
11
12
8
solo
Fl.
f
p
p
ppp
Ob.
f
Cl.
f
p
Bsn.
mute
ppp
Hn.
mute
Tpts.
harmon mute
flutter tongue
as fast as possible
f
ppp
ppp
flutter tongue
B. Tbn.
Bongos
pp
Cym.
To Siren
strike gently
l.v.
mp
mf
Siren
hold head
in hand
One Maraca
Gong
pp
Timb.
Gtr.
Gos. Pf.
Gliss on strings left
to right (top case)
with finger tips and
gradually lighten pressure
marcatissimo
mp
Keep damper Ped down
ff
Pno.
l.v.
ppp l.v.
senza ped.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
Solo Speaker 1: Fresh fruits and vegetables!
ff
mf
S.
mf Click with Tongue
Solo Speaker 2: Fish and lobster right off the boat!
f
mf
A.
pp
mf Click with Tongue
T.
Solo Speaker 3: see the city...
...climb the statue of liberty! Guided bus tours all day long!
f
mf
ff
pp
mf Click with Tongue
Solo Speaker 4: Hot bagels and chestnuts!
ff
mf
B.
pp
solo
3
arco
spiccato
gliss. snap pizz.
solo
arco
Vln. I
mf
f
p
f
p
mp
p
mp
Vln. II
Vla.
Vc.
Db.
11
Kbd.
12
3
mf
f
p
f
�11
13
107
Fl.
Ob.
ppp
Cl.
ppp
Bsn.
lantano
Hn.
Tpts.
B. Tbn.
Bongos
Cym.
To Gong
Siren
pp
Timb.
Gtr.
Gos. Pf.
hit string with
soft mallet
Pno.
l.v.
Keep damper Ped. down
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
f
spoken with sombre tones
3
3
3
Bar. Solo
I want it to be said on that day that I tried to love and serve
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
13
Kbd.
ff
pp
Gong
�12
q=84
116
b
14
15
Fl.
ff
6
6
ff
6
6
ff
6
6
b
Ob.
§
Cl.
Bsn.
senza sord.
f
Hn.
senza sord.
f
cup mute
f
mf
mp
Tpts.
cup mute
mf
f
senza sord.
mp
B. Tbn.
Xylophone
To Xyl.
f
Xyl.
To Bongos
bongos with s.d. sticks
Bongos
Bongos
f
mf
Sus. Cym.
with timp sticks
sec
sec
Cym.
Gong
High Timables with timp. sticks
Timb.
f
mf
Gtr.
Gos. Pf.
6
6
6
6
ff
Pno.
ff
f full
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
mf
ff
i
re fuse
Bar. Solo
ff
S.
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is stron ger than ev il
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is stron ger than ev il
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is strong er than ev il
Love
tem po ra ri ly de feat ed is strong er than ev il
tem po ra ri ly de feat ed is strong er than ev il
ff
A.
ff
T.
ff
B.
pizz.
Vln. I
ff
f
pizz.
Vln. II
ff
f
Vla.
ff
f legato
non div.
Vc.
ff
f legato
Db.
q=84
14
f legato
15
Kbd.
f
ff
f
to
ac cept
�13
flutter tongue
16
122
Fl.
mf
f
mf
f
mp cresc.
f
6
6
6
6
6
6
6
6
6
6
f
6
6
6
6
6
Ob.
solo
mf
f
f
ppp cresc.
6
6
6
mp
p
6
cresc.
6 6
f
p
f p
6
Cl.
mf
f
mf
f
f
p
ppp cresc.
66
mp
6
f
cresc.
6
p
f p
6
Bsn.
mf
f
mp
p bouché
p cresc.
mf
mp
Hn.
ppp cresc.
f
cuivré
mf
cresc.
senza mute
f p
p
mf
cuivré
mp
f
mp
mf
mp
mf
double tongue as fast as possible
through mouth piece, without pitch...........
Tpts.
mp
mf
mp
mf
f
mf
ouvert
ff
f
double tongue as fast as possible
through mouth piece, without pitch...........
ouvert
ff
flutter tongue
f
ord.
B. Tbn.
mp cresc.
Xylophone
To Xyl.
f
Bongos
Sus. Cym. with timp. sticks
sec
Cym.
pp poco a poco cresc.
mf
Gong
Timb.
Gtr.
Gos. Pf.
Pno.
celeste
f
ppp poco a poco cresc
Org.
leg.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
f
Bar. Solo
the
i
dea
that man
is mere
flot sam
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
jet
sam
In the Riv er of life
solo
f
gliss, quasi falsetto
S.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
Life
Life
gliss.
gliss.
f
A.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
f
T.
gliss. gradually from lowest possible pitch to highest on OO.
ppp poco a poco cresc.
f
B.
half pressure on fingerboard
arco - Punta dʹarco
Vln. I
ff
p cresc.
p
half pressure on fingerboard
arco - Punta dʹarco
gliss.
gliss.
Vln. II
p cresc.
ff
p
half pressure on fingerboard
arco - Punta dʹarco
Vla.
p cresc.
ff
half pressure on fingerboard
arco - Punta dʹarco
cantabile
spicatto
Vc.
p cresc.
ff
p
fp
half pressure on fingerboard
arco - Punta dʹarco
Db.
ppp
p cresc.
ff
p
16
Kbd.
ppp
p cresc.
ff
ff
cantabile
fp
ff
p
�14
q=100
17
131
3
3
3
3
3
3
3
Fl.
f
3
3
3
Ob.
f
3
3
3
Cl.
f
3
3
3
3
Bsn.
3
f
open
mf
Hn.
mf
mf
Tpts.
plunger
mf
senza sord.
B. Tbn.
mf
f
Xyl.
Cym.
Gong
Timbales with timp. sticks
Timb.
mf
Gtr.
Gos. Pf.
R.H.
3
Pno.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
3
3
Bar. Solo
I
re
fuse
to ac cept the view
f
I
3
3
3
3
3
S.
We
shall
a
wak
en
from
a
mid
night
f
of des pair,
to a glor i ous, glor i ous
3
3
3
3
3
3
3
3
3
3
A.
f
T.
We
shall
a
wak
en
from
a
mid
night
of des pair,
f
to a glor i ous, glor i ous
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
B.
Vln. I
f legato
Vln. II
f legato
Vla.
f legato
Vc.
f legato
Db.
f legato
3
Kbd.
17
q=100
f legato
f legato
�15
18
140
Fl.
Ob.
staccatissimo
Cl.
mf staccatissimo
legato
mf
pp sub.
staccatissimo
mf staccatissimo
legato
mf
pp sub.
Bsn.
cantabile
Hn.
3
mf
Tpts.
3
mf
B. Tbn.
Bongos
To Bongos (hard sticks)
Xylophone
Xyl.
mf
Sus. Cym. at edge of bell
w/snare drum stick
Cym.
l.v.
Gong
To Orch. Bells
Orchestral Bells
Timb.
Gtr.
Gos. Pf.
Pizz. with fingernails
on strings
f
Pno.
l.v.
Hold down damper pedal
Chimes
Larigot
ppp
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
3
f
sotto voce
p sub.
gliss.
Bar. Solo
re fuse
war
Life
Life
Life
cresc.
S.
morn
ing
of
peace
and good will
In The Riv er of
ing
of
peace
and good will
In The Riv er of
cresc.
A.
cresc.
T.
morn
cresc.
B.
pizz.
col legno
arco
Vln. I
pp
pizz.
col legno
arco
Vln. II
pp
col legno
Vla.
pp
col legno
Vc.
pp
ff
Elec Bass
pizz.
Db.
pp
18
Kbd.
pp
Elec Bass
pp
pp
�16
7
19
150
Fl.
ff
f legato
5
Ob.
ff
f
ff
f
Cl.
f legato
Bsn.
f legato
staccatissimo
f
Hn.
f
flutter tongue
f
Tpts.
mf
f
f
flutter tongue
marc.
B. Tbn.
f
Bongos (single stroke roll)
w/snare drum stick
Bongos
Cym.
Gong
To Xyl.
Xylophone
Orch. Bells
f
Gtr.
Gos. Pf.
Pno.
Full
mf
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
Life
S.
oo
A.
T.
B.
ord.
non div.
Vln. I
f leg
ff
ord.
non div.
Vln. II
f leg
ff
ord.
Vla.
f leg
ff
ord.
non div.
Vc.
f leg
ff
ord.
D.B.
Db.
f leg
ff
19
Kbd.
f leg
ff
mf
�17
20
b
158
Fl.
2
4
3
4
Ob.
2
4
3
4
Cl.
2
4
3
4
Bsn.
2
4
3
4
2
4
3
4
b
ff
ff
f
Hn.
gliss.
Tpts.
3
3
3
3
3
f
3
ff
2
4
gliss.
f
gliss.
6 4
2
4
To Congas
sec
Sys. Cym. (timp. sticks)
Cym.
f
Gong
(soft mallets)
To Mrcs.
Maracas
3
Xyl.
f
3
3
3
3
gliss.
6 4
3
Gtr.
3
4
ff
3
4
Congas
2
4
Bongos
3
4
ff
2
4
B. Tbn.
3
4
ff
2
4
3
3
4
2
4
sec
sec
3
4
2
4
ff
ff
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
Gos. Pf.
Pno.
2
4
3
4
ff
ff
Org.
2
4
3
4
stacc.
Ped.
2
4
G.S. 1
2
4
3
4
G.S. 2
2
4
3
4
G. Choir
2
4
3
4
F. Singer
2
4
3
4
Bar. Solo
2
4
3
4
S.
2
4
3
4
A.
2
4
3
4
T.
2
4
3
4
B.
2
4
3
4
Vln. I
2
4
3
4
f
ff
3
4
f
fff
pp ff
3
4
ff
fff
snap pizz
2
4
Vc.
ff
f
f
arco
ff
l.h.
pizz.
pp
pizz.
ff
3
4
col legno
3
4
col legno
f pp
ff
p
col legno
pp
snap pizz
col legno
2
4
Db.
f pp
f pp f
f
20
2
4
Kbd.
ff
2
4
Vla.
snap
pizz.
pizz
col legno
3
4
ff
f
sul D
snap pizz.
fff
2
4
Vln. II
mf
ff
3
4
fff
2
4
pp ff
pp
p
ff
3
4
f pp
f pp
f pp f
�18
165
Fl.
Ob.
simile
Cl.
3
3
simile
3
3
3
3
pp
Bsn.
staccatissimo
ff
pp
Hn.
Tpts.
B. Tbn.
Congas
single stroke roll with accents on given rhythm
Cym.
Gong
Maracas (grasp firmly around head)
Mrcs.
Gtr.
Gos. Pf.
Pno.
Org.
simile
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
(ah-yaw/A-men)
Bar. Solo
Aa ya
Aa ya
Aa ya
S.
Translation: Evil shall not overcome good!
A.
Voiced high register. Each person selects own pitch
p
High
whisper
ff
simile
mf poco a poco cresc.
simile
T.
ma ka njo
(mah-kaw-njaw)
ma ka njo
pp
f
ma ka
jno
ma ka
pp
jno
ma ka
jno
mf poco a poco cresc.
B.
simile
Vln. I
simile
Vln. II
simile
Vla.
simile
Vc.
simile
Db.
Kbd.
a me me li e zin du
(ah-meh-meh-lee-e-zin-doo)
lowest possible on any pitch
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
�3
3
171
3
Fl.
4
4
Ob.
4
4
Cl.
4
4
3
3
3
3
19
21
3
4
4
Bsn.
simile
4
4
Hn.
4
4
4
4
Tpts.
4
4
B. Tbn.
4
4
Congas
4
4
Cym.
4
4
Gong
4
4
Mrcs.
4
4
Gtr.
4
4
To Xyl.
Sus Cym.
fp
Xylophone
4
4
Gos. Pf.
4
4
4
4
Pno.
4
4
4
4
Org.
4
4
Ped.
4
4
G.S. 1
4
4
G.S. 2
4
4
G. Choir
4
4
F. Singer
4
4
Bar. Solo
4
4
Aa ya
Aa ya
Aa ya
ff
Aa ya
Aa ya
fp
4
4
S.
ma ka
jno
ma ka
jno
a me me li e zin du
f
4
4
A.
a me me li e zin du
a me me
li
e zin du, ka ka
jno
a me me li e zin du ma ka
jno
a me me li e zin du
f
jno
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
a me me li e zin du
f
Vln. I
a me me li e zin du ma ka
fp
Love
fp
4
4
B.
a me me li e zin du
Love
4
4
T.
ma ka
Love
fp
jno
a me me li e zin du
a me me li e zin du ma ka
jno
a me me li e zin du
4
4
Love
pizz
.
f
Vln. II
4
4
pizz.
f
Vla.
pizz.
4
4
f
Vc.
4
4
Db.
4
4
pizz.
f
21
fp
4
4
fp
Kbd.
4
4
�20
22
178
Fl.
f
ppp
Ob.
f
ppp
ppp
mp pp
p
mf
mf
ppp
pp
Cl.
f
ppp
Bsn.
mp
ppp
mf
ppp
p
mp
ppp
mf p
f
Hn.
f
f
Tpts.
f
B. Tbn.
f
Congas
sec
Cym.
f
Gong
Xylo
Orchestral Bells
To Orch. Bells
(Hard Mallets)
Orchestral Bells
To Chim.
Xyl.
f
f
Gtr.
Gos. Pf.
Pno.
pp sempre legato
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
F. Singer
Bar. Solo
ff
S.
Love
ff
A.
Love
ff
T.
Love
ff
B.
Love
arco
Vln. I
ppp
arco
Vln. II
ppp
arco
Vla.
ppp
arco
Vc.
ppp
Db.
ff
Kbd.
ff
22
pp sempre legato
Chimes
mp
p
�21
187
23
3
4
Fl.
gliss.
gliss.
mp
3
4
Ob.
mp
pp
mp
Cl.
3
4
Bsn.
3
4
mp
mfcresc.
mfcresc.
gliss.
Tpts.
mfcresc.
mp
mp
mf
sim.
f
sim.
mp
3
4
bouché - cuivré
3
4
bouché - cuivré
3
4
f
gliss.
pp
3
4
sim.
gliss.
fp
Hn.
f
gliss.
mf
ouvert fp
mute
mp
mp
mute
ouvert
mp
mp
f
mf
fp
mf
fp
mf
sim.
3
4
B. Tbn.
mf
single stroke roll with
accents on given rhythm
Conga Drums
Congas
3
4
Cym.
3
4
Gong
3
4
Chim.
3
4
f
p poco a poco cresc.
f
Chimes (strike with handle of triangle beater)
To Xyl.
Xylophone
ff
Gtr.
3
4
3
4
Gos. Pf.
3
4
3
4
fff senza P
Touch D string lightly with
finger; Play note on keyboard.
Pno.
3
4
fff
Keep damper ped. down
3
4
fff senza P
l.v.
Reeds 8ʹ & 4ʹ
Mixtures
Diapason
Full Ped.
Org.
3
4
Ped.
3
4
G.S. 1
3
4
G.S. 2
3
4
G. Choir
3
4
F. Singer
3
4
Bar. Solo
3
4
mf
Aa ya
S.
Aa ya
Aa ya
Aa ya
3
4
3
4
mf
3
4
f
a me me li e zin du
B.
mf
3
4
3
4
Vln. II
3
4
Vla.
3
4
Vc.
3
4
Db.
3
4
a
me me li e zin du
a
me me li e zin du
ma ka
jno
mp poco a poco cresc.
ff
mp poco a poco cresc.
ff
mp poco a poco cresc.
ff
mf
mf
a me me li e zin du
a me me li e zin du
ff
mp
jno
ff
f
a me me li e zin du
ff
f
ff
ff
f
ff
23
mp poco a poco cresc.
Kbd.
jno
a me me li e zin du
mp poco a poco cresc.
p
3
4
ma ka
ff
f
a me me li e zin du
Vln. I
jno
ff
ma ka
T.
Aa ya
ff
ma ka
A.
f
ff
3
4
mf
mf
f
ff
�22
194
Fl.
4
4
Ob.
4
4
Cl.
4
4
Bsn.
4
4
f
Hn.
ff
f
ff
f
ff
f
f
ff f
f
ff
f
double
\tongue
ff
f
Tpts.
f
ff
f
ff
f
ff
f
ff
f
double
flutter tongue
flutter
f
4
4
double
ff
double
4
4
fff
ff
double
\tongue
f
flutter tongue
4
4
fff
flutter
fff
double
ff
4
4
ff
fff
4
4
B. Tbn.
f
ff
f
ff
f
ff
f
ff
f
fff
l.v. To Tamb.
4
4
Congas
f
4
4
Cym.
Gong
To Tri.
Gong
To Timb.
Xyl.
Timbales
Triangle
4
4
4
4
4
4
Gtr.
4
4
Gos. Pf.
4
4
4
4
Pno.
4
4
4
4
Org.
4
4
Ped.
4
4
G.S. 1
4
4
G.S. 2
4
4
G. Choir
4
4
F. Singer
4
4
fff
YELL!
Bar. Solo
Aa ya
Aa ya
Aa ya
Aa ya
Aa ya
Aa ya
YELL!
fff
S.
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
jno
fff
jno
ma ka
jno
ma ka
jno
ma ka
jno
ma ka
4
4
Aa ya
YELL!
A.
ma ka
4
4
jno
4
4
Aa ya
YELL!
fff
T.
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
4
4
Aa ya
fff YELL!
4
4
B.
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
a me me li e zin du
Aa ya Aa ya
Vln. I
4
4
Vln. II
4
4
Vla.
4
4
Vc.
4
4
Db.
4
4
ff
f
ff
ff
f
ff
fff
4
4
Kbd.
4
4
ff
f
ff
ff
f
ff
�II. Iʹve Been to the Mountain Top
Monologue and Sermon
1
23
1
Largo q=30
4
4
2
Hn.
4
4
Tpts.
4
4
B. Tbn.
4
4
Cym.
4
4
Sus. Cym.
soft mallets
ord.
ppp
Tri.
4
4
Timb.
4
4
mp
pp
mp
4
4
Celeste; Fl Dolce 8ʹ Gradually build to foundations
Org.
4
4
pp
Bar. Solo
Doloroso
4
4
p
mf
p
3
parlando
mf
mf
f
f
pp
3
gradual microtonal gliss.
p
mf
p
mp
port.
Iʹve
Soft-distinct whispering as in conversation
S.
4a few chorus members sporadically (Ssh!)
4
A.
4
4
T.
4
4
B.
4
4
Vln. I
4
4
Vln. II
Vla.
Vc.
mf
pp
mf p
pp
mf p
p
4
4
4
4
4
4
punta dʹarco
pp
Db.
pp
4
4
mf
p
mf
sfz f p
sfz-f
sub. pp
pp
mf p
mf
p
mf
sfz f p
sfz-f
sub. pp
pp
mf p
punta dʹarco
pp
1
Largo q=30
4
4
2
pp
Kbd.
4
4
pp
mf
p
mf
sfz f p
sfz-f
sub. pp
mf
p
mf
�24
3
14
sfz
mf
sfz
f
sub. mp
4
f sfz
ff sfz
sfz
attacca
4
4
f
Hn.
sfz
mf
sfz
f
sub. mp
f sfz
ff sfz
sfz
attacca
4
4
attacca
4
4
f
off stage?
Doloroso
straight mute
Tpts.
pp
pppp
attacca
B. Tbn.
sfz
mf
sfz
f
sub. mp
f sfz
ff sfz
sfz
f
attacca
Cym.
mp
sub. mp
mf
f
4
4
mf
4
4
f
To S. D.
Triangle
4
4
Snare Drum
Tri.
pp
Drum Set
To Dr.
attacca
4
4
attacca
4
4
Timb.
mp
f
sub. mp
f
mf
f
larigot?
p
Org.
cue for Bar.
f
mf
sub. mp
pp
ppp
pppp
(8vb?)
4
4
f
f
mf
ff
fff
f
ff
pp
ppp
attacca
sotto voce
Bar. Solo
(ve)
been
to
the
moun
tain
4
4
top.
S.
4
4
A.
4
4
T.
4
4
B.
4
4
attacca
4
4
attacca
4
4
attacca
4
4
attacca
4
4
Vln. I
f sub mf
mp
f sfz
ff sfz
f
Vln. II
mp
f sub mf
f sfz
ff sfz
f
Vla.
mp
f sub mf
f sfz
ff sfz sfz
f
sfz
Vc.
mp
sfz
f sub mf
f sfz
ff sfz
f
ff
sfz
sfz
f ppp
attacca
sfz
Db.
mp
f sub mf
f sfz
ff sfz
f
ff
sfz
3
mp
f sub mf
sfz
4
attacca
p
ff sfz
Kbd.
f ppp
cue for Bar.
f sfz
f
ff
sfz
4
4
sfz
f ppp
(8vb?)
pp
4
4
pppp
4
4
�Sermon
Largo q=88
1
Hn.
4
4
Tpts.
4
4
1
3
4
4
4
2
4
3
4
4
4
3
4
4
4
2
4
3
4
4
4
ecstatic
mp
bluesy
mf
4
4
Bar. Solo
25
3
4
I
see
the
4
4
2
4
p cresc.
with
conviction
3
4
I
2
3
4
2
4
2
4
3
4
2
4
f
4
4
pro mise land
2
4
2
4
will
reach the
marc.
5
cresc. ed
hold back accel
3
4
slight rise
and fall
2
4
prom ise land
S.
4
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
2
4
A.
4
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
2
4
T.
4
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
2
4
B.
4
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
2
4
molto espress.
4
4
Vln. I
pp
p
p
p
p
mp
p cresc.
molto accel ed cresc.
5
molto espress.
4
4
Vln. II
3
4
non vib.
pp
p
p
4
4
p
2
4
3
4
4
4
mp
molto accel ed cresc.
2
4
Vla.
3
4
p cresc.
4
4
Largo q=88
molto espress.
4
4
pp
Kbd.
p
p
p
2
4
3
4
4
4
3
4
p cresc.
molto accel ed cresc. mf
2
4
3
4
4
4
2
4
3
4
3
4
4
4
2
4
3
4
4
4
2
4
2
3
4
mp
3
4
4
4
2
4
3
4
Hn.
3
4
2
4
Tpts.
2
4
3
4
2
4
2
4
3
4
Bar. Solo
3
quasi-spoken
will we be ex trem ist?
2
4
will we beex trem ist for
4
4
2
4
hate
p sotto
voce
mf
hold back
mp
or
for
love?
2
4
4
4
A.
2
4
3
4
2
4
4
4
T.
2
4
3
4
2
4
4
4
B.
2
4
3
4
2
4
4
4
Vln. I
5
3
3
4
solo bluesy
f
mf
3
We will match your ca pac i ty
to in flict suf fer ing
hold back
3
f
2
4
mf
4
4
sub. mp
p
molto agitato
Vln. II
2
4
3
4
f
2
4
mf
f
4
4
sub. mp
mf
molto agitato
Vla.
2
4
3
4
f
Vc.
2
4
Kbd.
3
2
4
f
4
4
sub. mp
3
4
solo bluesy
2
4
3
mf
sub. p
2
4
3
5
f
3
mf
f
3
4
4
2
4
3
mf
mf
4
4
hold back
3
4
sub. mp
q=80
p
molto agitato
mf
molto agitato
2
4
2
4
f intone as a minister
4
4
3
4
3
3
4
sub. p
4
4
2
4
2
4
2
4
3 q=80
4
4
S.
3
In time
molto accel ed cresc.
2
4
f
2
4
5
p cresc.
mp
15
2
4
4
4
p
4
4
2
4
3
4
1
molto espress.
2
4
sub. p
hold back
4
4
mp
Vc.
In time
3
4
molto espress.
4
4
mf
hold back
3
4
2
4
4
4
mf
3
3
with out ca
�26
22
Hn.
2
4
Tpts.
2
4
3
3
Bar. Solo
pac i ty
to en dure suf fer ing
4
2
4
ff
2
4
2
4
2
4
2
4
3
4
3
8
2
8
3
8
2
4
3
8
2
4
3
4
2
8
3
8
2
4
3
8
2
4
3
4
3
8
2
4
3
8
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
2
4
3
4
shout!
We
will not hate you!
2
8
Al
continually press forward
f marc.
3
8
2
8
3
8
3
8
2
8
3
8
3
8
Al
continually press forward
3
8
2
8
3
8
lah
2
4
lah
tutti
lah
2
4
lah
2
4
3
8
Al
f marc.
f marc.
lah
2
4
lah
Al
Vln. I
5
2
4
lah
Al
B.
3
8
3
8
Al
T.
2
4
3
8
f marc.
Al
A.
3
8
f
continually press forward
we will meet your phys i cal force with soul force
S.
2
8
shout
sfz
3
3
8
3
8
Al
lah
continually press forward
appassionato
3
8
2
8
3
8
2
4
3
8
continually press forward
appassionato
2
4
Vln. II
3
8
2
8
3
8
2
4
3
8
2
4
f
2
4
Vla.
3
8
2
8
3
8
2
4
3
8
2
4
appassionato
f
ff sempre dim.
marcato
3
4
ff sempre dim.
sempre cresc. ed accel.
2
4
Vc.
marcato
3
4
sempre cresc. ed accel.
continually press forward
appassionato
move forward
ff sempre dim.
sempre cresc. ed accel.
f
move forward
marcato
3
8
2
8
3
8
2
4
3
8
f continually press forward
4
2
4
5
marcato
3
4
ff sempre dim.
sempre cresc. ed accel.
sempre cresc. ed accel.
continually press forward
2
4
3
8
2
8
3
8
2
4
3
8
2
4
marcato
3
4
ff sempre dim.
f
Kbd.
move forward
appassionato
2
4
3
8
Tempo Primo
2
8
3
8
2
4
3
8
2
4
marcato
3
4
a tempo q=60
Hn.
6
4
4
7
2
4
3
4
2
4
3
4
4
4
2
4
Tpts.
4
4
2
4
3
4
2
4
3
4
4
4
2
4
35
Shout! (keep rising in volume and pitch)
4
4
Bar. Solo
mf cant.
2
4
3
4
2
4
Our world is a neigh
poco a poco accel. ed cresc.
3
4
bor hood
we must learn to
3
4
4
live to geth er
1/4 tone up
mf
fff
voiced
2
4
as broth ers or per ish as fools
S.
4
4
2
4
3
4
2
4
3
4
4
4
2
4
A.
4
4
2
4
3
4
2
4
3
4
4
4
2
4
T.
4
4
2
4
3
4
2
4
3
4
4
4
2
4
B.
4
4
2
4
3
4
2
4
3
4
4
4
2
4
3
4
2
4
3
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
short
Vln. I
4
4
p
rit.
stacc.
short
Vln. II
solo
hold back
stacc.
4
4
2
4
mf
p
short
Vla.
mp
solo
hold back
stacc.
short
Vc.
4
4
6
4
4
cresc.
3
4
poco a poco accel. ed cresc.
2
4
3
4
poco a poco accel. ed cresc.
tutti
2
4
.
3
4
a tempo q=60
mf
2
4
3
4
sempre cresc.
7
hold back
mf
2
4
p
mp mp
mf
hold back
p
3
4
sempre cresc.
hold back
4
4
2
4
mf
mf
solo
hold back
stacc. 6
rit.
3
4
tutti
p
Tempo Primo
Kbd.
arco
tutti
2
4
p ort
rit.
short
mp
mp
arco
2
4
solo
hold back
p
pizz.
pizz.
mp
4
4
cresc.
mf
6
p
rit.
tutti
mp
3
4
mf
3
4
cresc.
mf
poco a poco accel. ed cresc.
2
4
mp
2
4
3
4
mf
2
4
3
4
�Tempo Primo q=88
27
a tempo q=76
q=c.60
Hn.
8
2
4
3
8
2
4
3
4
9
2
4
3
8
2
4
Tpts.
2
4
3
8
2
4
3
4
2
4
3
8
2
4
Bar. Solo
2
4
3
8
2
4
3
4
2 Spoken with peaceful elevated tones
4
3
8
2
4
43
Spoken: We must come to see - -
2
4
S.
f
3
8
A.
f
3
8
2
4
T.
f
mp
mp
3
8
2
4
2
4
3
8
2
4
mp
3
8
2
4
3
4
2
4
3
8
2
4
2
4
3
4
2
4
3
8
2
4
2
4
3
4
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
3
8
2
4
p
Allah,
B.
3
4
that the end we seek is a society,...
Note for SATB: Keep repeating ʺAllahʺ faster and faster with
strong accent on first syllable (Al-lah), each person selects own
rate of acceleration, from middle to lowest register.
Allah,
Scream!
High register
2
4
mp
Allah,
Scream!
High register
2
4
f
p
Allah,
WOODWINDS?
2
4
Vln. I
3
8
pizz.
2
4
3
4
jeté
sfz
sfzff
2
4
Vln. II
solo
arco
3
8
ff
sfz
tutti
6
amoroso
loco
2
4
sub. p
f
mf
amoroso
pizz. arco
2
4
3
4
sfz
2
4
f
mf
sub. p
amoroso
2
4
Vla.
3
8
2
4
ffsfz
3
4
2
4
f
mf
sub. p
arco
pizz.
2
4
Vc.
3
8
2
4
ff sfz
8
2
4
mf
3
8
sfz
2
4
sfz
6
9
2
4
f
sub. p
mf
2
4
p
a tempo q=76
f
3
4
sfz
3
8
ff sfz
sub. p
f
2
4
amoroso
2
4
q=c.60
Tempo Primo q=88
ff
Kbd.
3
4
amoroso
3
4
2
4
p
f
mf
Hn.
2
4
3
8
2
8
3
4
10
3
8
2
8
3
4
4
4
4
4
Tpts.
2
4
3
8
2
8
3
4
3
8
2
8
3
4
4
4
4
4
2
8
3
4
4
4
4
4
55
deliriously
Bar. Solo
2
4
3
8
2
8
f poco a poco accel.
3
4
a society at peace with it-self - - - - - a society that can LIVE
ff
3
8
with its con science
fff allarg.
with its con science
mf
S.
2
4
3
8
2
8
3
4
3
8
2
8
ff
3
4
4
4
Note for CHORUS: At this point, hold the sonority at which
you arrived, keeping pitch and timbre constant.
Note for Soprano and Alto: Gradually accelerate talking.
Gradually raise pitch from lowest to highest register.
mf
A.
2
4
3
8
2
8
3
4
3
8
mp
T.
2
4
3
8
2
8
2
8
2
4
3
8
2
8
3
4
3
8
Vln. I
2
4
3
8
2
8
Vln. II
2
4
3
8
2
8
2
4
3
8
2
8
2
4
3
8
2
8
3
4
3
8
2
8
2
4
sempre accel. ed cresc.
3
8
2
8
3
4
3
4
4
4
3
4
4
4
2
8
3
4
4
4
2
8
10
3
8
3
4
4
4
f allarg.
4
4
fff
2
8
3
4
4
4
4
4
fff
allarg.
3
8
4
4
fff
f
allarg.
3
4
4
4
fff
allarg.
3
8
4
4
fff
2
8
3
8
f
3
4
3
4
2
8
4
4
STRINGS?
allarg.
f
Kbd.
4
4
4
4
allarg.
3
8
f
accel. ed cresc.
2
4
4
4
3
4
WOODWINDS?
3
8
accel. ed cresc.
Vc.
2
8
STRINGS?
f
sempre accel. ed cresc.
Vla.
3
4
ff
3
4
sempre accel. ed cresc.
4
4
Note for Tenor and Bass: Continue to accelerate talking.
Gradually raise pitch to highest register.
3
8
WOODWINDS?
2
8
4
4
mf
3
4
STRINGS?
3
4
ff
Note for Tenor and Bass: Talk (not to each other)
Slowly in an undertone. Gradually accel. talking and tempo.
B.
ff
mf
mp
4
4
2
8
3
4
4
4
4
4
fff
�Chorale
28
Largo q=42
68
Hn.
11
4
4
Tpts.
4
4
Bar. Solo
4
4
12
doloroso
sempre pp
Spoken
4
4
A.
4
4
T.
4
4
B.
4
4
All men
Religioso
ffp
f
con sord.
4
4
Vln. II
ffp
Vc.
cantabile
Religioso
f
pp non vib. sempre leg.
cant.
con sord.
ffp f
cantabile
pp non vib. sempre leg.
p
cant.
pp
p
Religioso
pp non vib. sempre leg.
Religioso
11
pp
p
arco
con sord.
ff
4
4
p
pp non vib. sempre leg.
p
snap
pizz.
4
4
Vla.
cantabile
con sord.
4
4
Vln. I
wah wah
half whispered
3
All men are cre a ted e qual
S.
harmon mute
half stem
dry sound
12
Largo q=42
cantabile
4
4
f
pp non vib. sempre leg.
p
p
p
pp
Kbd.
cantabile
4
4
ff f
80
13
pp
14
p
pp
p
15
lontano
4
4
Hn.
wah wah
ppp
mp
ppp
mp sub. p
pp
wah wah
quarter
tone flutter tonge
Tpts.
4
4
Bar. Solo
4
4
S.
4
4
A.
4
4
T.
4
4
B.
4
4
tenuto
attacca
Vln. I
4
4
non vib.
tenuto
attacca
Vln. II
4
4
non vib.
tenuto
attacca
4
4
attacca
4
4
Vla.
pp
non vib.
tenuto
Vc.
non vib.
13
14
tenuto
ppp
Kbd.
tenuto
pp
15
lontano
mp
ppp
mp sub. p
attacca
4
4
pp
attacca
4
4
�Hymn: I Have a Dream
29
1
1
q=60
4
4
2 Piu Mosso
Org.
4
4
Ped.
4
4
S.
4
4
freely
Dolce
pp
majestically
mf
3
f
3
I have a
one day ev ry val ley shall be ex alt
ed
I have
a
dream
that one day ev ry moun tain wil be made low
pp
the rough
that
ev
3
ry val ley shall be ex
alt
ed
I
have
a dream
that ev
ry mount
will be made low
the rough
Dolce
pp
4
4
I have a
B.
dream
ex
alt
ed
have a dream
that
one day ev ry
moun
tain
made low
Vln. I
4
4
Vln. II
4
4
Vla.
4
4
Vc.
4
4
Db.
4
4
have a dream
ex
alt
ed
plains, the crook ed pla
ces will be made straight,
majestically
Dream
low
rough
f
plac es will be made plains,
the crook
ed
will
be
straight, and the
mf
1
3
4
4
13
straight,
con sord.
q=60
4
4
be
mf
pp
Kbd.
plac es will be made plains, and the crook ed plac es will
rough plac es will be made
pp
I
be made
straight, and the
mf
Dolce
4
4
plac es will be made plains. and the crook ed plac es will
mf
3
I have a dream
T.
tha
Dolce
4
4
A.
dream
3
pp Dolce
2 Piu Mosso
3
freely
mf
3
3
f
4
Org.
Ped.
mf
mp
geth
with serenity
p
pp
er,
I
have
mf
mp
p
pp
geth
er,
I
have
a
mp
p
geth
er,
I
have
a
mf
mp
p
pp
ether
er
I
have
p
pp
3
S.
glor
ry
of
the
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to
majestically
f
a
dream
that
one day
ev
ry
val
ley shall be ex
3
A.
glo
ry
of
the
Lord
shall be
re
vealed
and
all
flesh
shall see
it
to
majestically
f
dream
that
ev
ry
val
ley shall be ex
T.
glo
ry
of
the
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to
dream
ex
B.
glo
ry
of
the
Lord
shall be
re
vealed,
and
all
flesh
shall see
it
to
a
dream
ex
al
Vln. I
Vln. II
Vla.
Vc.
Db.
f
3
Kbd.
4
mf
mp
with serenity
p
pp
3
3
majestically
�30
5
21
6
4
4
ppp
Org.
4
4
4
4
Ped.
ppp
4
4
S.
alt
ed
I
have
a
dream
that
one day ev
3
ry moun tain will be laid
low
ppp
4
4
A.
3
alt
ed
I
have
a
dream
that
one cay ev
ry moun tain will be laid low
ppp
4
4
T.
alt
ed
I
have
a
dream
that
one day ev
ppp
3
ry moun tain will be laid
low
I
have
a
dream
4
4
3
B.
ted
I
have
a
dream
that
one cay ev
ry moun tain will be laid
low
con sord.
Vln. I
I
have
a
dream
4
4
ppp
con sord.
Vln. II
4
4
ppp
con sord.
Vla.
4
4
ppp
con sord.
4
4
Vc.
ppp
4
4
Db.
ppp
5
Kbd.
6
ppp
4
4
3
3
ppp
4
4
�31
III. Let Freedom Ring
1
Joyfully h=96
Fl.
4
4
Ob.
4
4
Cl.
4
4
Bsn.
4
4
4
4
Hn.
4
4
4
4
Tpts.
4
4
B. Tbn.
4
4
Tamb.
4
4
Cym.
4
4
S. D.
4
4
Dr.
4
4
f
f
f
B.D.-High Hat
f
Gtr.
4
4
4
4
C
C&
A‹
D‹
C
G7
C
C7
A‹
C
D7
G
C
F7
f
Gos. Pf.
4
4
4
4
Pno.
4
4
4
4
Org.
4
4
Ped.
4
4
G.S. 1
4
4
G.S. 2
4
4
G. Choir
4
4
F. Singer
4
4
Bar. Solo
4
4
S.
4
4
A.
4
4
T.
4
4
B.
4
4
Vln. I
4
4
Vln. II
4
4
Vla.
4
4
Vc.
4
4
f
Free
Free
dom
Let Free dom Ring
from the moun tains of
Georg ia
Let
Free dom Ring
no treble
C
Db.
dom
C&
A‹
D‹
G
D‹
C
C
C7
A‹
C
D7
G
C
F7
C
C7
A‹
C
D7
G
C
F7
4
4
Elec. Bass f
Joyfully h=96
C
C&
4
4
f
Kbd.
4
4
A‹
G7
�32
1
12
2
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
To Clv.
Claves
Tamb.
mf
Cym.
To Orch. Bells
Orchestral Bells
S. D.
mf
Dr.
A‹
Classical Guitar and Banjo
arpeggiate with 8th notes
high register
Gtr.
D‹9
G7
C
C7
A‹
C
D7
G
C
C7
B¨
C7
f
ff
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Free
dom
f
Free
dom
Let Free dom Ring
from the hills of Cal i
for
nia
Let
Free dom Ring
nia Let
Free dom Ring
G.S. 2
Free dom
Free dom
Let
Free dom
Ring from
the hills
Cal i for
G. Choir
f
F. Singer
When
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
D‹9
G7
C
C7
A‹
C
D7
G
C
D‹9
G7
1C
C7
A‹
C
D7
G
C
C7
B¨
C7
B¨
C7
Db.
Kbd.
C7
ff
2
we
�33
3
22
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
To Tamb.
Tambourine
Clv.
Cym.
To S. D.
Snare Drum
Orch. Bells
Dr.
Low register
B¨
F
B¨
F
E¨
F
E¨
F
E¨
D¨
F
E‹
A& F7
D‹
Gtr.
f
Gos. Pf.
Pno.
ped.
ped.
ped.
ped.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
f
p
F. Singer
let
free dom
ring
from evʹ ry
vil
lage and evʹ ry
ci
ty
all
of Godʹs child ren
Black
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
E‹
A&F7
D‹
A& F7
D‹
Db.
mf
3
Kbd.
E‹
ped.
ped.
ped.
ped.
mf
f
�34
4
34
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Tamb.
f
Cym.
f
S. D.
f
B.D.-High Hat
Dr.
D‹7
G7
E‹7
A
C
CŒ„Š7
A‹
C
D7
G
C
CŒ„Š7
A‹
C
D7
G
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
f
G.S. 1
Free
dom
Let Free dom Ring
f
G.S. 2
Free
dom
from Look out Moun tain of
Ten nes see
Let
G. Choir
f
F. Singer
White
Jew
and Gen tile
will join hands
and sing
Ten nes
see
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
D‹7
G7
E‹7
A
C
C7
A‹
C
D7
G
C
CŒ„Š7
A‹
C
D7
G
Db.
4
Kbd.
D‹7
G7
E‹7
A
Free dom Ring
�35
45
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
To Xyl.
Xylophone
Tamb.
To Clv.
Claves
Cym.
f
Orchestral Bells
To Orch. Bells
S. D.
f
Bass Drum
Dr.
f
C
CŒ„Š7
A‹
C
D7
G
C
CŒ„Š7
A‹
C
D7
G
Gtr.
C
FŒ„Š7
DŒ„Š9 G7
Gos. Pf.
sempre staccato
ff
Pno.
Org.
Ped.
G.S. 1
dom
Free
Free dom
from the might y Al le
ghe
nies
G.S. 2
Free
dom
Let Free dom Ring
Let
Free dom Ring
G. Choir
F. Singer
Free dom
Free dom
Free
dom
Al le
ghe
nies
Let Free
dom Ring
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
C
F7
DŒ„Š9
G7
C
CŒ„Š7
A‹
C
D7
G
A‹
C
D7
G
C
Db.
f
C
Kbd.
FŒ„Š7
DŒ„Š9 G7
C
CŒ„Š7
sempre staccato
ff
C&
A‹7
�36
5
56
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Xyl.
Claves
Clv.
mf
p
Orch. Bells
mf
Dr.
Arpeggiate with 8th notes
G
C
G
C
G
F
G
F
G
C
G
F
E¨
Gtr.
f High register
Gos. Pf.
mp
f
Pno.
ped.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
mp
f
F. Singer
When
we
let
Free dom
ring
From evʹ ry
vil
lage and evʹ ry
ci
Bar. Solo
S.
A.
T.
B.
con sord.
Vln. I
pp
con sord.
Vln. II
pp
con sord.
Vla.
pp
con sord.
Vc.
D‹
Db.
E7
A‹
D7
G
pp
let ring
free
mf
p
5
Kbd.
f
mp
ped.
�37
6
68
Fl.
Ob.
Cl.
Bsn.
Hn.
muted (lontano)
cantabile
pp
p
pp
mp
Tpts.
B. Tbn.
Xyl.
To Whip
Whip
Clv.
To Timb.
Timbales
Orch. Bells
p
Dr.
Bass Drum
D¨
F‹
E‹
A& F7
D‹
D‹7
G7
G
A
Gtr.
Low register
hold chord
Gos. Pf.
Pno.
ped.
ped.
Org.
Ped.
G.S. 1
Black
G.S. 2
Jew
G. Choir
f
F. Singer
ty
all
of Godʹs child ren
White
and Gen tile
Bar. Solo
S.
A.
T.
B.
Vln. I
meno
pp
pp
meno
pp
pp
Vln. II
senza sord.
Vla.
meno
pp
pp
mf legato
senza sord.
Vc.
meno
pp
pp
E‹
A&F7
D‹
D‹7
G7
A& F7
D‹
D‹7
G7
Db.
mf
meno
6
Kbd.
E‹
ped.
ped.
mf
mf legato
will join hands
and
sing
�38
Poor Peopleʹs March
Fl.
c
7
4
4
Ob.
c
4
4
Cl.
c
4
4
Bsn.
c
4
4
c
4
4
c
4
4
c
4
4
c
4
4
B. Tbn.
c
4
4
Xyl.
c
4
4
Whip
c
4
4
Timb.
c
4 tune both drums to A
4
B. D.
c
4
4
82
Hn.
Tpts.
q=80
Gospel Player
mp
c
4
4
c
4
4
c
4
4
c
4
4
c
4
4
c
4
4
c
4
4
Ped.
c
4
4
G.S. 1
c
4
4
G.S. 2
c
4
4
G. Choir
c
4
4
F. Singer
c
4
4
Gtr.
Gos. Pf.
Pno.
Org.
mp use reverb mic.
Poor
Bar. Solo
c
4
4
S.
c
4
4
A.
c
4
4
T.
c
4
4
B.
c
4
4
Vln. I
c
4
4
Vln. II
c
4
4
Vla.
c
4
4
Vc.
c
4
4
Elec Bass
Db.
c
4
4
gliss.
sim.
mp
q=80
c
Kbd.
7
4
4
Elec Bass
c
4
4
mp
mp use reverb mic.
gliss.
sim.
Peo ple
Poor
Peo
ple
Poor
Peo ple
�39
8
92
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Xyl.
Whip
Timb.
B. D.
A‹
D
Gtr.
Gos. Pf.
place magazines
on strings to mute
sound of following
passage
mf
Pno.
sempre stacc. (Reeds?)
p
Org.
Ped.
Amplified Comb
mf
G.S. 1
G.S. 2
p staccatissimo
G. Choir
Po ver
ty
Po ver
ty
mf
F. Singer
Poor
Peo
ple
Poor
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
p staccatissimo
8
Kbd.
mf
mf
mf
Peo ple
�40
100
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Xyl.
Whip
Timb.
B. D.
A‹
D
A‹
D
A‹
D‹
A‹
Gtr.
Gos. Pf.
remove magazines
mf mp
Pno.
mp
Org.
Ped.
G.S. 1
G.S. 2
mf
G. Choir
Po ver
ty
Po ver
F. Singer
Poor Peo ple
Poor
Peo ple
Poor
Peo
ple
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
mp
mf
Kbd.
mp
ty
�41
9
107
Fl.
Ob.
Cl.
Bsn.
Hn.
mf
mf
Tpts.
B. Tbn.
mf
Xyl.
Whip
Timb.
mp
B. D.
D‹
A‹
D‹
A‹
D‹
A‹
Gtr.
Gos. Pf.
Pno.
legato
Org.
Ped.
G.S. 1
G.S. 2
f
G. Choir
Po
ver
ty
Po ver
f
ty
F. Singer
Poor
Peo
ple
Poor
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
9
f
f
mf
Kbd.
f
Peo
ple
�42
10
113
Fl.
Ob.
Cl.
Bsn.
solo - cant.
mp
Hn.
mf mp
mf
Tpts.
B. Tbn.
sec
To Congas
Congas
Xyl.
To Cym.
Whip
ff
Cymbals
ff
Timb.
B. D.
mf
D
A
B‹
C
B‹
A‹
A
B‹
C
B‹
A‹
Gtr.
f
Gos. Pf.
Improvise (low register)
gliss. on strings of
middle case from
left to right
f
Pno.
Press Damper Ped
then release slowly
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
Po ver ty
f
F. Singer
Poor
Bar. Solo
S.
A.
T.
B.
arco
Vln. I
f
ff
snap
pizz.
f
ff
arco
Vln. II
Vla.
f
leg.
ff
Vc.
f
mf
ff
Db.
10
Kbd.
f
f
ff
Peo
ple
�43
11
120
Fl.
solo
Ob.
mf
Cl.
solo
Bsn.
staccato
mf
sfz
p
Hn.
Tpts.
B. Tbn.
Congas
To S. D.
Snare Drum
Cym.
mp
bacch. di legno
Timb.
mf
B. D.
mf
D
A‹
D
A‹
D
A‹
D
A‹
D
A‹
D
A‹
Gtr.
mp
Gos. Pf.
f
A‹
p
mf
Improvise (low register)
ff
f
Pno.
stacc.
pp
Org.
p
Ped.
G.S. 1
G.S. 2
f
f
pp staccatissimo
Po ver ty
Po ver
G. Choir
Po ver ty
Poor
Peo ple
ty
F. Singer
Poor
Peo ple
Bar. Solo
S.
A.
T.
B.
Vln. I
mp
ff
mp
mp
ff
mp
mp
ff
mp
arco
Vln. II
Vla.
raspy near bridge
legatissimo
Vc.
f
Db.
f
Kbd.
pp staccatissimo
ff
mp
f
11
legatissimo
f
�44
12
127
Fl.
Ob.
Cl.
Bsn.
f sempre staccatissimo
Hn.
Tpts.
B. Tbn.
Congas
Hard Mallets (Tip of snare)
S. D.
mf
Timb.
B. D.
mf
A‹ Improvised Solo
D
A‹
D
A‹
D
A‹
D
Guitar and Banjo
Gtr.
D‹
A‹
D‹
f
Gos. Pf.
Improvise (medium register)
Pno.
mf
Org.
Ped.
G.S. 1
G.S. 2
f
G. Choir
Po
ver
ty
Po
ver
ty
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
solo
Vc.
Db.
f
Kbd.
12
�45
13
134
Fl.
Ob.
Cl.
Bsn.
sempre simile
mute with hand
p
Hn.
mf
sub. mp
mf
flutter tongue
p
Tpts.
ord.
mp
sempre simile
sub p
mp
B. Tbn.
Congas
S. D.
mf
use timp sticks
Timb.
mp
B. D.
A‹
E
A‹
D
E‹
D‹
A‹
D‹
A‹
E
A‹
D
E‹
D‹
A‹
D‹
Gtr.
Gos. Pf.
mf
f
Improvise (high register)
Pno.
mp
Org.
mp
Ped.
G.S. 1
G.S. 2
f staccatissimo
G. Choir
Po ver ty
f
F. Singer
Poor
Peo ple
Poor Peo ple
Poor Peo ple
Poor Peo ple in
Bar. Solo
S.
A.
T.
B.
leg.
Vln. I
mf
f
leg.
Vln. II
mf
f
leg.
Vla.
mf
f
mf
f
Vc.
Db.
13
f
Kbd.
mf
f
f staccatissimo
�46
14
141
Fl.
ff
Ob.
ff
Cl.
ff sempre marcatissimo
et staccatissimo
Bsn.
ff
open
ff
Hn.
ff
ff
Tpts.
ff
B. Tbn.
ff
with fingers
Congas
Cymbals
To Cym.
f
S. D.
w/timp mallets
Timb.
f
medium register
B. D.
A‹
G©º
A‹
G©º
f
Gtr.
A
D
ff
Gos. Pf.
Improvise
(medium register)
sempre marcatissimo
et staccatissimo
ff
Pno.
A
senza ped
f
Org.
Ped.
Amplified Comb
ff
G.S. 1
G.S. 2
ff
G. Choir
Po ver ty
Po ver ty
Pov
er
ty
Pov
er
ty
Pov
ff
F. Singer
Peo ple, peo ple
Peo ple, peo ple in
Pov
Bar. Solo
S.
A.
T.
B.
raspy (near the bridge)
Vln. I
ff
raspy (near the bridge)
Vln. II
ff
raspy (near the bridge)
Vla.
ff
sempre marcatissimo
et staccatissimo
Vc.
ff
gliss.
D.B. sempre marcatissimo
et staccatissimo
Db.
ff
ff
14
Kbd.
senza ped
�47
15
148
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Timb.
B. D.
Gtr.
D
A‹
A
Gos. Pf.
Pno.
Org.
Ped.
Amplified Comb
G.S. 1
G.S. 2
G. Choir
er
ty.
er
ty.
F. Singer
Bar. Solo
S.
A.
T.
B.
at the frog
Vln. I
at the frog
Vln. II
at the frog
Vla.
Vc.
Db.
15
Kbd.
�48
16
155
Fl.
Ob.
Cl.
pp subito
Bsn.
Hn.
Cant.
pp subito
Cant.
pp subito
pp subito
pp subito
Tpts.
pp subito
cant.
B. Tbn.
pp subito
Congas
pp sub.
Cym.
Timb.
To Gong
B. D.
Gong
marc. sempre
Gtr.
p
D
A
D
A‹
pp sub.
Improvise (low register using rhythm
which enhances Gospel Chorus chant)
Gos. Pf.
staccatissimo
pp sub.
Pno.
Swell (Tpt.)
Org.
Great
Ped.
Gospel Singer 1
G.S. 1
G.S. 2
All Women
p
G. Choir
Po
ver ty
po ver ty po ver ty po ver
p
F. Singer
poor
peo ple in a
Bar. Solo
sfpp
S.
Their
f
pp sub.
A.
Are
they
not
tired?
sfpp
T.
pp sub.
f
B.
Are
they
not
tired?
leg.
Vln. I
pp sub.
leg.
Vln. II
pp sub.
leg.
Vla.
cant.
at the frog
pp sub.
pizz.
Vc.
pizz. pp sub.
Db.
pp sub.
16
staccatissimo
Kbd.
pp sub.
Their
�49
162
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Timb.
Gong
Gtr.
A‹
A‹
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Poor, poor
peo ple in a
poor, poor
peo ple in a
G.S. 2
All Women and Men 8ve basso
All Women
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
peo ple in an
poor, poor
poor
Bar. Solo
p
S.
feet
p
A.
feet
are
p
T.
feet
p
B.
feet
Vln. I
Vln. II
Vla.
Vc.
Db.
Kbd.
are
peo ple in a
�50
166
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Large Soft Sticks
Cym.
p mysterioso
Timb.
Gong
Gtr.
A‹
A‹
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
poor, poor
peo ple in a
poor, poor
peo ple in a
G.S. 2
All Women and Men 8ve basso
All Women
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
poor
peo ple in a
poor, poor
poor
peo ple in a
Bar. Solo
sfp
sfp
sfp
sfp
Their
feet
are
tired,
sfp
sfp
are
tired,
S.
are
tired,
A.
tired,
sfp
T.
are
tired,
B.
tired,
Vln. I
Vln. II
Vla.
Vc.
Db.
Kbd.
tired,
�51
17
170
Fl.
Ob.
cresc. poco a poco
Cl.
cresc. poco a poco
Bsn.
cresc. poco a poco
Hn.
cresc. poco a poco
cresc. poco a poco
Tpts.
cresc. poco a poco
cresc. poco a poco
B. Tbn.
Congas
To S. D.
Cym.
Timb.
Chimes
To Chim.
Gong
pp center
Gtr.
Gos. Pf.
cresc. poco a poco
cresc. poco a poco
Pno.
p
cresc. poco a poco
cresc. poco a poco
Org.
cresc. poco a poco
cresc. poco a poco
Ped.
cresc. poco a poco
G.S. 1
poor, poor
peo ple in a
poor, poor peo ple in a
poor, poor
peo ple in a
poor, poor
peo ple in a
G.S. 2
All Women and Men 8ve basso
All Women
cresc. poco a poco
All Women and Men 8ve basso
All Women
G. Choir
ty
po ver ty po ver ty po ver
ty
po ver ty po ver ty po ver
F. Singer
poor, poor
Bar. Solo
sfp
sfp
cresc. poco a poco
S.
but
sfp
their
sfp
souls
cresc. poco a poco
A.
but
sfp
their
sfp
souls
cresc. poco a poco
T.
but
their
sfp
souls
cresc. poco a poco
B.
their
souls
cresc. poco a poco
Vln. I
cresc. poco a poco
Vln. II
cresc. poco a poco
Vla.
cresc. poco a poco
Vc.
cresc. poco a poco
Db.
17
Kbd.
cresc. poco a poco
cresc. poco a poco
ty
po ver
ty po ver ty po ver
ty
po ver
ty po
ver ty
po ver
�52
18
174
Fl.
Ob.
Cl.
mf
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
f
p subito
Bsn.
Hn.
Tpts.
p subito
p subito
p subito
p subito
p subito
B. Tbn.
p subito
Congas
Triangle
w/timp. stick
To Tri.
Cym.
f
Timb.
l.v.
Chim.
ff
D
D‹
Gtr.
f
f
Gos. Pf.
mf
f
Pno.
sub. p
Org.
sub. p
Ped.
mf
sub. p
f
mf
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
poor, poor peo ple in a
poor, poor peo ple in a
G.S. 2
All Women and Men 8ve basso
All Women
mf
All Women and Men 8ve basso
f
All Women
G. Choir
ty
po ver ty po ver ty
po ver
ty
po ver ty po ver ty po ver
f
ty
po ver ty po ver ty po ver
ty
mf
po ver ty po ver ty po ver
F. Singer
All
of
Godʹs
chil
dren
will
Bar. Solo
mf
f
sub. p
S.
are
rest
mf
f
ed,
rest
sub. p
ed,
rest
sub. p
ed,
rest
sub. p
ed,
rest
A.
are
rest
mf
f
T.
are
rest
mf
f
are
rest
mf
f
sub. p
f
sub. p
B.
Vln. I
Vln. II
mf
Vla.
mf
f
arco
sub. p
Vc.
f
mf
sub. p
arco
Db.
mf
f
sub. p
18
Kbd.
f
be
�53
19
cantabile
178
Fl.
p
cresc.
mp
cresc.
mp
cresc.
mp
cantabile
Ob.
p
Cl.
Bsn.
mp
cresc.
cant.
Hn.
Tpts.
B. Tbn.
Tambourine
To Tamb.
Congas
mp
Orchestral Bells
To Orch. Bells
hard mallets
Tri.
mf
mp
Timpani Sticks
on shell of tim. w/side of stk.
Timb.
mp
Chim.
E
A
A‹
G
D
Gtr.
Banjo tacet for 5 ms.
p
Gos. Pf.
mp
cresc.
Pno.
mp
cresc.
Org.
Ped.
mf
G.S. 1
poor, poor peo ple in a
poor, poor peo ple in a
poor, poor peo ple in a
My
Coun
try
Tis
of Thee
G.S. 2
All Women and Men 8ve basso
All Women
All Women and Men 8ve basso
po ver ty po ver ty po ver
po ver ty po ver ty po ver ty
po ver ty po ver ty po ver ty
G. Choir
ty
ty
mf
F. Singer
a
ble
to
sing
Free
Bar. Solo
cant.
S.
ed
Their
souls
are
cant.
rest
ed
are
rest
ed
souls
are
rest
rest
ed
A.
ed
cant.
T.
ed
their
ed
B.
ed.
solo - robustly (fiddle, a la sq. dance)
Vln. I
mp
cresc.
leg.
Vln. II
mp
cresc.
leg.
Vla.
mp
cresc.
leg.
Vc.
cresc.
mp
cresc.
mp
Db.
19
p
Kbd.
mp
solo - robustly (fiddle, a la sq. dance)
cresc.
dom
�54
183
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Tamb.
Orch. Bells
Timb.
Chim.
p
G‹
C
G
A7
C
G
C‹
Gtr.
Banjo enters
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Sweet
land
of
Lib
er ty
Of
Thee
I
sing
Of
Thee
WE Sing
G.S. 2
G. Choir
falsetto
F. Singer
Free
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
Kbd.
dom
Let
Free dom
Ring
from the
moun
�55
20
190
Fl.
Ob.
Cl.
Bsn.
leg.
p
Hn.
mp
sub. mp
leg.
sub. mp
leg.
sub. mp
Tpts.
leg.
sub. mp
leg.
B. Tbn.
To Congas
sub. mp
Congas
Tamb.
Snare Drum
To S. D.
with brushes
Orch. Bells
pp
Timb.
To Dr.
Drum Set
B.D.
Chim.
p
G‹
A7
Gtr.
pp
Gos. Pf.
Pno.
sub. pp
sub. pp
Org.
Ped.
G.S. 1
of
Thee
Thee
G.S. 2
women and men
sfp
sempre sim.
Free dom
Free dom
G. Choir
F. Singer
tains
Bar. Solo
S.
A.
T.
B.
tutti
Vln. I
sub. pp
Vln. II
sub. pp
tutti
Vla.
sub. pp
Vc.
sub. pp
Db.
sub. pp
20
tutti
Kbd.
sub. pp
sub. pp
Free dom
Free dom
Free dom
Free dom
Free dom
Free dom
Free dom
Free dom
�56
197
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
S. D.
Timb.
Dr.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
3
3
3
G.S. 1
Lord of
Thee
Lord
of
Thee
we
sing
G.S. 2
G. Choir
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free dom
a few male soloists
Free
dom
Free
dom
Free
dom
F. Singer
of Thee we sing
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
Kbd.
of Thee we sing
of Thee we sing
of Thee we sing
of
�57
21
203
Fl.
mp
Ob.
mp
Cl.
mp
Bsn.
mp
subito mp
Hn.
subito mp
subito mp
Tpts.
subito mp
B. Tbn.
subito mp
Congas
p
S. D.
Timb.
p
Dr.
p
C
G
Gtr.
mp
C
G
rhythmically
Gos. Pf.
sub mp
Pno.
sub mp
ped.
Org.
ped.
sub. mp
Ped.
G.S. 1
3
3
G.S. 2
Lord
poor
peo
ple
G. Choir
mp
Free
dom
Free
dom
In
F. Singer
Thee
we
sing
of
Thee
we
sing
Bar. Solo
mp
S.
poor
peo
ple
peo
ple
peo
ple
peo
ple
mp
A.
poor
mp
T.
poor
mp
B.
poor
leg.
Vln. I
sub. mp
leg.
Vln. II
sub. mp
leg.
Vla.
sub. mp
Vc.
sub. mp
Db.
sub. mp
21
Kbd.
sub mp
ped.
ped.
a
po
ver
ty
po
ver
ty
po
ver
�58
206
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
S. D.
To Cym.
Timb.
Dr.
C
G7
C‹
G
C
G7
C‹
G
ped.
ped.
ped.
ped.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
G.S. 2
Lord
poor peo ple
poor peo ple
G. Choir
ty
In
a
po ver ty po ver ty po ver
ty
In
a
po ver ty po ver ty po ver
ty.
mf
F. Singer
will
be
ab
le
peo
ple
poor
peo
ple
ped.
ped.
Bar. Solo
S.
poor,
poor
poor
A.
poor,
poor
peo
ple
poor
T.
poor
poor
poor
B.
poor,
poor
peo
ple
Vln. I
Vln. II
Vla.
Vc.
Db.
Kbd.
ped.
ped.
to
sing
Cymbals
�59
210
Spiritual: Free At Last
22
Fl.
3
4
4
4
3
4
3
4
Ob.
3
4
4
4
3
4
3
4
Cl.
3
4
4
4
3
4
3
4
Bsn.
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
B. Tbn.
3
4
4
4
3
4
3
4
Congas
3
4
4
4
3
4
3
4
S. D.
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
Hn.
Tpts.
mf
Cym.
Dr.
mf
Gtr.
Gos. Pf.
f
Electronic Organ
and Gospel Piano
p
f
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
3
4
3
4
3
4
Pno.
Org.
Ped.
proud and sassy
f
G.S. 1
Thank
G.S. 2
f
G. Choir
Free
at
God Al
migh ty we
are
This
3
4
4
4
3
4
4
4
last
wil
be
the day when
f
Free
at
last
All
of Godʹs
Child ren
will
be
ab le to sing
F. Singer
3
4
4
4
3
4
3
4
Bar. Solo
3
4
4
4
3
4
3
4
S.
3
4
4
4
3
4
3
4
A.
3
4
4
4
3
4
3
4
T.
3
4
4
4
3
4
3
4
B.
3
4
4
4
3
4
3
4
Vln. I
3
4
4
4
3
4
3
4
Vln. II
3
4
4
4
3
4
3
4
Vla.
3
4
4
4
3
4
3
4
Vc.
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
4
4
3
4
3
4
3
4
3
4
Elec Bass
Db.
f
22
Kbd.
Electronic Organ
and Gospel Piano
f
3
4
4
4
p
f
�60
222
Fl.
3
4
4
4
Ob.
3
4
4
4
Cl.
3
4
4
4
Bsn.
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
B. Tbn.
3
4
4
4
Congas
3
4
4
4
S. D.
3
4
4
4
Cym.
3
4
4
4
Dr.
3
4
4
4
Gtr.
3
4
4
4
3
4
4
4
Hn.
Tpts.
22B
To Timb.
f
Gopel Piano and
Electric Organ
Gos. Pf.
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
Ped.
3
4
4
4
G.S. 1
3
4
4
4
Timbales
f
p
f
p
Pno.
Org.
sfz
Thank God
Free
G.S. 2
3
4
4
4
G. Choir
3
4
4
4
F. Singer
3
4
4
4
Bar. Solo
3
4
4
4
S.
3
4
4
4
A.
3
4
4
4
T.
3
4
4
4
B.
3
4
4
4
Vln. I
3
4
4
4
Vln. II
3
4
4
4
Vla.
3
4
4
4
Vc.
3
4
4
4
Db.
3
4
4
4
3
4
4
4
3
4
4
4
Last
Free
At
Last
ALL
of Godʹs
child dren
of Godʹs
child dren
sfz
Weʹre free
Kbd.
At
Free
At
Last
Thank
God Al might y we
are
Free
At
Last
This
will
be
the day when
ALL
22B
f
�61
234
Fl.
3
4
4
4
Ob.
3
4
4
4
Cl.
3
4
4
4
Bsn.
3
4
4
4
23
f
Hn.
Tpts.
B. Tbn.
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
f
3
4
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
f
Congas
f
f
f
f
4
4
f
S. D.
3
4
4
4
Timb.
3
4
4
4
Dr.
3
4
4
4
Cymbal
f Snare Drum
f
f
Gtr.
Gos. Pf.
3
4
4
4
3
4
4
4
staccatissimo
f
f
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
Ped.
3
4
4
4
G.S. 1
3
4
4
4
f
Pno.
Org.
will
be
a ble to sing
G.S. 2
3
4
G. Choir
3
4
will
be
Thank
f
God
Thank
women only
a ble to sing
4
4
Thank God
F. Singer
Bar. Solo
3
4
4
4
S.
3
4
4
4
A.
3
4
4
4
T.
3
4
4
4
are
God
Al might y
free
Tutti
Free at last
4
4
3
4
4
4
Vln. II
3
4
4
4
Vla.
3
4
4
4
Vc.
3
4
4
4
Db.
3
4
4
4
f
f
f
D.B.
f
23
4
4
3
4
4
4
f
God
Al might y
Free at last
Thank
God,
Free at last
Thank
at
last
Free
at
at
last
Free
at
f cantabile
f
3
4
God
f
Free
Vln. I
Thank
cantabile
Free
Kbd.
we
f staccatissimo
men only
Weʹre Free At Last
4
4
3
4
y
4
4
3
4
B.
God Al might
staccatissimo
f
�62
24
25
stately
243
Fl.
f
ff stately
f
ff
f
ff
Ob.
stately
Cl.
stately
Bsn.
f
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
sempre marc.
sempre marc.
sempre marc.
sempre marc.
ff
stately
ff
f
Hn.
stately
stately
f
ff stately
f
ff
stately
B. Tbn.
3
4
4
4
2
4
3
4
4
4
sempre marc.
sempre marc.
ff
Tpts.
2
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
ff
f
sempre marc.
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
Ped.
2
4
3
4
4
4
G.S. 1
2
4
3
4
4
4
G.S. 2
2
4
3
4
4
4
G. Choir
2
4
3
4
4
4
2
4
3
4
4
4
Congas
f
snare dr.
timp sticks
p
S. D.
f
Timb.
f
Dr.
f
Gtr.
Gos. Pf.
sempre marc.
Pno.
Org.
God,
God
Al might y
Free at last
Thank
God,
God
Al might y
God, Al might y are we free, are we free
F. Singer
Let free dom
Bar. Solo
ring
Through out
2
4
3
4
4
4
2
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
2
4
3
4
4
4
sempre marc.
2
4
3
4
4
4
sempre marc.
2
4
3
4
4
4
sempre marc.
2
4
3
4
4
4
sempre marc.
2
4
3
4
4
4
2
4
3
4
25
4
4
2
4
3
4
4
4
stately
ff
S.
All
of Godʹs
Child ren
will
be
ff stately
All
of Godʹs Child
ren
will
be
ff stately
This
will
be
the day
when
All
of Godʹs
Child ren
will
be
ff stately
This
will
be
the day
when
All
stately
Vln. I
of Godʹs Child
ab le to sing
2
4
B.
last
ab le to sing
2
4
T.
last
ab le to sing
2
4
A.
ren
will
be
ab le to sing
ff
stately
Vln. II
ff
stately
Vla.
ff
stately
Vc.
ff
stately
Db.
sempre marc.
ff
24
Kbd.
at last?
sempre marc.
the
�63
26
253
Fl.
Ob.
Cl.
Bsn.
Hn.
sempre marc.
sempre marc.
sempre marc.
sempre marc.
Tpts.
B. Tbn.
Improvise ad. lib to Reh 31
Congas
To Cym. Cymbals Improvise ad. lib to Reh 31
S. D.
To Cow. Cowbell Improvise ad. lib to Reh 31
Timb.
Improvise ad. lib to Reh 31
Dr.
Gtr.
mp
Gos. Pf.
sfz
sfz
sfz
sfz
Pno.
Org.
Ped.
G.S. 1
G.S. 2
G. Choir
God, Al might y are we free, are we free
at last?
God, Al might y are we free?
God Al might y
are we Free..
are we Free at last?
F. Singer
land
evʹ ry wo man and man
must un der stand
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
26
Kbd.
mp
�64
262
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Cow.
Dr.
Gtr.
sim.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Free
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
sim.
Kbd.
dom
Nna
�65
27
270
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Cow.
Dr.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Free
dom
Free
G.S. 2
G. Choir
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
27
Kbd.
dom
�66
278
28
29
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Cow.
Dr.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Naa
Naa
Naa
Naa
Lord
G.S. 2
G. Choir
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Hear us
Lord to day
Free
F. Singer
Bar. Solo
S.
A.
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
28
Kbd.
29
dom
�67
30
286
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpts.
B. Tbn.
Congas
Cym.
Cow.
Dr.
Gtr.
Gos. Pf.
Pno.
Org.
Ped.
G.S. 1
Lord
Lord
Lord
Lord
Lord!
Lord!
Lord!
Free
G.S. 2
G. Choir
Free
dom
Free
dom
Free
dom
Free
dom
Hear us Lord to day
Hear us Lord to day
Hear us Lord to day
Hear us Lord to day
F. Singer
Bar. Solo
f
S.
Free
f
A.
Free
T.
B.
Vln. I
Vln. II
Vla.
Vc.
Db.
30
Kbd.
�68
31
295
Fl.
Ob.
Cl.
Bsn.
f
f
Hn.
f
Tpts.
B. Tbn.
Congas
f
Cym.
f
Cow.
Dr.
f
Gtr.
f
Gos. Pf.
sfz
ff
Pno.
Org.
f
marc.
Ped.
G.S. 1
dom!
G.S. 2
G. Choir
F. Singer
Bar. Solo
f
ff
Free dom
Free
dom
Free, Free dom
Free
dom
S.
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free dom, Free dom,
f
ff
A.
Free
Free
Free
dom
Free
dom
f
ff
T.
Free
dom
Free
dom
Free
dom
Free dom, Free
dom
Free
dom
Free,
Free
dom
Dei
ff
f
leh
B.
Free
Free
Free
dom
Dei
leh
Di-ala=Freedom/Pronunciation Dei-leh
sim.
Vln. I
f
ff
f
ff
Vln. II
Vla.
ff
Vc.
f
sempre marc.
Db.
f
31
Kbd.
f
sfz
�69
303
Fl.
f
Ob.
f
Cl.
f
Bsn.
Hn.
f
Tpts.
6
g li
s s.
4
g li
f
ss .
g li
ss.
B. Tbn.
f
Congas
f
Cym.
f
Cow.
f
Dr.
f
Gtr.
sfz
Gos. Pf.
Pno.
Org.
Ped.
f
G.S. 1
Lord
f (Nah=Lord)
G.S. 2
Nna
Nna
Nna
G. Choir
f
F. Singer
Yes!
Bar. Solo
f
ff
f
ff
f
ff
f
ff
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
S.
f
ff
f
ff
f
ff
f
ff
A.
ff
ff
ff
ff
T.
Dei
ff
leh
Dei
leh
ff
Dei
leh
ff
Dei
leh
ff
B.
Dei
leh
Dei
sim.
Vln. I
sim.
Vln. II
Vla.
Vc.
Db.
Kbd.
sfz
leh
Dei
leh
Dei
leh
�70
307
short
Fl.
short
Ob.
short
Cl.
short
Bsn.
short
Hn.
short
short
Tpts.
short
g li
ss.
gli
ss.
g li
ss.
B. Tbn.
short
Congas
Snare Drum
To S. D.
short
Timbales
short
Cym.
To Timb.
Cow.
short
Dr.
Gtr.
short
Gos. Pf.
short
short
Pno.
short
short
Org.
short
short
Ped.
short
G.S. 1
Lord
Lord
Lord
Thank God
Weʹre free at
last
short
G.S. 2
Nna
Nna
Nna
Weʹre free at
last
G. Choir
short
F. Singer
Yes!
Yes!
Yes!
Weʹre free at
last!
Bar. Solo
f
ff
f
ff
f
ff
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
Free
dom
short
S.
f
ff
f
ff
f
ff
Weʹre free at
last!
short
Weʹre free at
last!
short
Weʹre free at
last!
A.
ff
ff
ff
T.
Dei
leh
ff
Dei
leh
ff
Dei
leh
ff
short
B.
Dei
sim.
leh
Dei
leh
Dei
leh
Weʹre free at
last!
short
Vln. I
short
Vln. II
short
Vla.
short
Vc.
short
Db.
Kbd.
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Bassoon.pdf
d2b1969024d2af2b09f39b91c2365134
PDF Text
Text
I HAVE A DREAM
Bassoon
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
7
2
8
1
4
3
§
ppp
4
47
staccato
2
53
5
3
8
2
8
3
8
2
8
ff
63
6
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
long
4
4
f
sempre accel. ed cresc.
70
smorzando
7
Largo q=48
6
2
4
f
79
4
8
p
pp
p
�Bassoon
2
9 q=42
87
4
4
92
10
98
11
105
12
111
13
119
15
4
4
mf
124
f
6
16
ppp cresc.
2
14 q=84
6
p
mp
3
130
f p
6
cresc.
17
6
f
6
mf
p
2q=100
f
�Bassoon
3
138
3
3
144
3
18
mf
147
staccatissimo
mf
legato
staccatissimo
pp sub.
19
2
151
f legato
staccatissimo
2
159
20
2
4
3
4
5
staccatissim
170
pp
ff
pp
simile
173
176
4
4
21
4
4
3
�Bassoon
4
22
179
mp
ppp
mf
ppp
p
mp
184
3
4
ppp
188
mf
p
mp
p
mp
pp
23
3
4
mp
mf
mp
f
193
sim.
196
4
4
�II. Iʹve Been to the Mountain Top
Monologue and Sermon
Bassoon
7
1 Largo q=30
4
4
15
3
1
4
3
5
4
2
4
4
4
4
Sermon
1 Largo q=88
4
4
13
20
5
3
4
4
4
3
4
2
2
3 q=80
1
4
4
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
5
2
4
3
4
3
6
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
3
3
8
2
q=c.60
2
4
7
2
4
3
4
2
4
2
4
3
3
4
4
4
4
3
4
3
8
2
4
2
8
3
4
2
4
2
3
8
�Bassoon
6
62
10
3
8
2
8
3
4
3
4
4
4
4
Chorale
68
84
11 Largo q=42
4
4
6
6
12
6
14
4
13
4
15
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
3
5
5
4
4
III. Let Freedom Ring
12
1 Joyfully h=96
4
4
21
2
10
8
1
3
8
4
4
22
�Bassoon
61
12
5
10
6
7
q=80
4
4
c
Poor Peopleʹs March
84
114
14
7
4
4
10
8
12
8
4
solo
staccato mf
126
9
sfz
p
11
f sempre staccatissimo
130
12
135
13
2
8
�8
14
143
Bassoon
sempre marcatissimo
et staccatissimo
ff
147
15
151
155
16
159
pp subito
164
17
171 cresc. poco a poco
mf
177
18
p subito
f
19
cresc.
mp
�Bassoon
9
184
188
192
12
20
21
mp
210
22
224
22B
3
Spiritual: Free At Last
3
4
11
7
4
4
2
3
4
4
4
3
4
3
4
4
4
23
f
f
240
f
244
f
f
f
24
stately
ff
2
4
3
4
4
4
�10
251
Bassoon
25
4
4
sempre marc.
255
260
26
285
29
12
9
6
27
30
8
28
7
31
f
304
308
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Clarinet.pdf
da3bac20d6a7ba6b3a8b8011a8de92b0
PDF Text
Text
I HAVE A DREAM
Clarinet in Bb
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
2
2
8
1
gliss.
pp
41
2
3
ppp
47
4
63
6
9
3
8
5
3
8
2
8
3
8
2
8
2
8
2
3
8
3
8
2
8
2
8
2
3
8
sempre accel. ed cresc.
70
3
8
Largo q=48
2
4
4
7
f
79
8
p
7
long
4
4
�Clarinet in Bb
2
87
q=42
9 solo
4
4
ppp sempre
92
10
wide vib.
gliss.
pp
mf
2
95
5
ppp
§
14
6
ff
119
6
solo
3
15
mf
124
p
13
q=84
117
p
11
4
12
3
ff
f
105
stacc.
6
f
mf
f
16
6
6
6
ppp cresc.
6
f
6
6
6
6
6
p
mp cresc.
6
6
f
3
129
p
f
p
�134
q=100
17
Clarinet in Bb
3
3
3
f
139
3
3
3
144
18
mf staccatissimo
147
mf
legato
staccatissimo
pp sub.
151
19
f legato
2
�Clarinet in Bb
4
b
157
20
161
2
4
3
4
3
3
ff
simile
166
3
3
3
3
3
171
4
4
3
176
3
3
3
3
3
21
4
4
f
180
7
22
ppp
3
4
mp
gliss.
191
mf cresc.
195
gliss.
23
f
sim.
4
4
�II. Iʹve Been to the Mountain Top
Monologue and Sermon
Clarinet in Bb
1
Largo q=30
15
3
7
4
4
3
1
4
5
4
2
4
4
4
4
Sermon
1
13
20
Largo q=88
4
4
5
3
4
4
4
3
4
2
2
3 q=80
1
4
4
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
5
2
4
3
3
4
6
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
3
3
8
2
q=c.60
2
4
7
2
4
3
4
2
4
2
4
3
3
4
4
4
4
3
4
3
8
2
4
2
8
3
4
2
4
2
3
8
�Clarinet in Bb
6
10
62
3
8
2
8
3
4
3
4
4
4
4
Chorale
11 Largo q=42
68
4
4
6
6
14
84
6
12
4
13
4
15
4
4
Hymn: I Have a Dream
1 q=60
4
4
13
3
25
6
4
4
1
5
2 Piu Mosso
4
4
5
4
3
5
4
4
III. Let Freedom Ring
1
Joyfully h=96
31
3
12
4
4
8
1
4
8
22
2
10
5
12
�Poor Peopleʹs March
Clarinet in Bb
73
10
6
8
126
11
4
4
4
4
9
12
5
14
ff
148
153
15
14
7
c
12
98
143
q=80
2
10
12
13
8
7
�Clarinet in Bb
8
155
161
16
pp subito
17
169
cresc. poco a poco
mf
177
18
f
19
mp
cresc.
p subito
184
192
12
20
21
mp
210
22
224
22B
Spiritual: Free At Last
3
3
4
11
7
4
4
3
4
2
4
4
3
4
23
3
4
4
4
2
f
�Clarinet in Bb
9
241
f
f
24
stately
245
2
4
3
4
4
4
ff
251
25
4
4
sempre marc.
255
260
26
285
29
12
9
6
27
30
8
31
28
7
2
f
306
309
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Double_Bass-Elec_Bass.pdf
c50c692bacd58fcdcc3239001faa126a
PDF Text
Text
I HAVE A DREAM
Double Bass
I. In the River of Life
James Furman
Percussion Solo
q=69
4
4
22
p
p
26
1
34
2
3
3
col legno
3
pp
41
3
47
4
4
51
5
3
8
2
8
3
8
arco
2
8
loose bow
63
6
3
8
sempre accel. ed cresc.
2
8
3
8
2
8
3
8
smorzando
f
2
8
3
8
�Largo q=48
2
70
3
8
Double Bass
7
2
4
pizz.
6
7
8
f
q=42
9 arco
87
4
4
ppp sempre
92
10
98
11
105
12
111
13
q=84
117
14
2
15
f legato
124
16
ppp
half pressure on fingerboard
arco - Punta dʹarco
p cresc.
ff
p
long
4
4
�Double Bass
3
17 q=100
131
f legato
137
144
18
pizz.
pp
Elec Bass
ord.
D.B.
149
19
f leg
ff
155
2
4
f
ff
20
162 col legno
2
4
3
4
col legno
simile
f
166
170
V.S.
�Double Bass
4
173
176
4
4
4
21
4
4
8
22
23
3
4
p
mp
mf
mf
f
192
4
4
ff
f
1 Largo q=30
ff
ff
ff
ff
pp
8
ff
sub. pp
fff
mf
sfz f p
2
sfz
sfz
pp
mf p
mp
f sub mf
3
sfz
f sfz
19
mf p
1
sfz-f
15
f
II. Iʹve Been to the Mountain Top
Monologue and Sermon
punta dʹarco
4
4
f
ff sfz
4
4
ff
sfz
f ppp
3
4
1 Largo q=88
f
5
Sermon
1
3
4
4
4
2
4
3
4
4
4
2
attacca
4
4
2
4
3
4
�Double Bass
13
20
2
2
3
4
3 q=80
4
4
2
4
3
3
4
2
4
2
3
4
3
8
2
2
4
2
8
5
3
8
2
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
62
5
2
4
3
4
3
4
4
8 Tempo Primo q=88
2
4
2
4
q=c.60
3
8
9 a tempo q=76
3
10
3
8
2
6
3
8
2
8
2
4
7
2
4
3
4
2
4
2
4
3
4
4
4
4
3
4
3
3
8
3
4
2
4
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
84
11 Largo q=42
4
4
14
6
6
12
6
15
13
4
4
4
4
�Hymn: I Have a Dream
Double Bass
6
q=60
1
4
4
con sord.
pp
5
1
9
2 Piu Mosso
mf
2
3
13
f
4
4
18
5
ppp
6
25
4
4
Joyfully h=96
III. Let Freedom Ring
no treble
1
C
C&
A‹
D‹
G
C
C7
4
4
f Elec. Bass
7
A‹
C
D7
G
C
F7
D‹9
G7
�Double Bass
C1
13
C7
20
C7
B¨
A‹
C
D7
10
2
C7
7
G
E‹ 3
C
A& F7
mf
D‹
33
D‹7
G7
39
C4
46
DŒ„Š9 G7
C
CŒ„Š7
G
C
C&
52
C7
A‹
E‹7
C
D7
G
A‹
C
A
C F7
D7
A‹7
D‹
f
E7
57
61
5
A‹
D7
G
let ring
free
mf
p
meno
V.S.
�Double Bass
8
E‹ 6
70
A& F7
D‹
mf
76
D‹7
2
G7
Poor Peopleʹs March
84 Elec Bass
4
4
mp
87
90
93
96
98
8
mf
7
gliss.
sim.
q=80
c
4
4
�Double Bass
9
101
104
mp
107
110
9
f
113
10
116
119
122
V.S.
�Double Bass
10
11
125
128
130
12
133
135
13
mf
138
f
140
gliss.
sempre marcatissimo
et staccatissimo
143 D.B.
14
ff
�Double Bass
11
147
15
151
155
159
pizz.
16
pp sub.
163
167
17
171 cresc. poco a poco
mf
175
arco
f
18
sub. p
V.S.
�12
181
Double Bass
19
cresc.
185
189
192
20
sub. pp
196
200
204
21
sub. mp
207
mp
�Spiritual: Free At Last
210
Double Bass
22
Elec Bass
13
3
4
4
4
f
216
220
224
3
4
3
4
4
4
10
22B
3
4
2
4
4
23
238
D.B.
f
246
24
stately
2
4
ff
251
256
25
4
4
sempre marc.
3
4
4
4
�14
260
285
Double Bass
12
26
29
9
6
27
30
8
28
7
31
sempre marc.
f
304
308
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Flute.pdf
e4b43231d4e169bd275305be3eec2f90
PDF Text
Text
I HAVE A DREAM
Flute
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
7
2
8
1
2
3
ppp
47
9
4
5
3
8
2
8
3
8
2
8
3
8
2
2
2
8
6
63
Flute may substitute with notes octave higher
than written only if Picc. is not available
3
8
2
8
sempre accel. ed cresc. p
70
Largo q=48
3
8
a tempo
2
4
3
8
3
8
92
10
5
2
8
mf
3
3
4
7
f
79
smorzando
p
Just before sound fades,
move on to next section.
2
long
6
9 q=42
4
4
5
3
8
�Flute
2
5
11
98
f
p
delicately
105
12
8
solo
4
p
111
ff
119
b
14 q=84
6
13
ppp
6
3
15
mf
124
16
f
mf
f
f
flutter tongue
2
mp
17
6
cresc.
5
f
q=100
134
3
3
f
3
139
144
3
18
7
3
19
f legato
ff
�7
Flute
3
2
154
b
157
20
160
164
176
2
4
3
9
3
4
3
3
4
4
2
21
4
4
3
4
f
180
7
22
ppp
gliss.
3
4
mp
gliss.
191
mf cresc.
195
23
f
sim.
4
4
�II. Iʹve Been to the Mountain Top
Monologue and Sermon
4
Flute
7
1 Largo q=30
4
4
15
4
4
13
20
4
3
1 Largo q=88
4
4
4
4
1
3
4
2
3
4
4
2
4
4
Sermon
5
2
3 q=80
3
1
4
4
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
5
2
4
3
4
3
6
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
3
3
8
2
q=c.60
2
4
7
2
4
3
4
2
4
2
4
3
3
4
4
4
4
3
4
3
8
2
4
2
8
3
4
2
4
2
3
8
�Flute
62
10
3
8
2
8
68
11 Largo q=42
6
84
14
4
4
3
4
3
4
4
12
6
Chorale
5
6
13
4
4
4
4
15
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
5
4
3
5
4
4
III. Let Freedom Ring
12
1 Joyfully h=96
4
4
31
3
8
8
1
4
22
2
10
5
12
�Poor Peopleʹs March
Flute
6
10
6
73
98
8
126
11
q=80
4
4
4
c
12
14
7
4
9
5
12
10
12
13
8
16
10
14
143
ff
15
150
2
158
171
6
17
18
3
cantabile
p
19
181
cresc.
mp
�Flute
12
20
190
7
21
mp
205
210
22
224
22B
Spiritual: Free At Last
3
3
4
11
7
4
4
2
3
4
4
4
3
4
23
3
4
4
4
2
f
241
f
f
24
stately
245
2
4
ff
251
25
4
4
sempre marc.
255
3
4
4
4
�Flute
8
260
26
285
29
12
9
6
27
30
8
31
28
7
2
f
306
310
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Gospel_Piano-Electric_Organ.pdf
a0f6bce8828e5bcbf67f290dd2f0b7ef
PDF Text
Text
Gospel Piano
I HAVE A DREAM
I. In the River of Life
James Furman
Percussion Solo
q=69
4
4
TACET
4
4
4
4
TACET
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
15
4
4
13
20
32
4
3
1 Largo q=88
5
3
4
4
4
5
2
4
3
4
3
4
2
4
3
4
Sermon
4
4
2
4
2
4
3
4
2
4
1
2
2
3 q=80
3
1
3
a tempo q=60
Tempo Primo
4
4
2
7
2
4
3
8
3
8
2
4
2
4
2
2
4
2
8
3
4
2
4
4
2
3
4
4
6
3
4
4
4
2
4
3
4
4
4
3
8
4
4
3
4
2
4
2
4
�Gospel Piano
2
43
51
62
8 Tempo Primo q=88
2
4
q=c.60
3
8
9 a tempo q=76
3
2
4
10
3
8
3
8
2
8
2
4
3
2
4
4
3
4
3
8
3
4
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
11 Largo q=42
84
14
4
4
6
6
12
6
13
4
4
15
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
5
5
4
3
4
4
�Gospel Piano
3
III. Let Freedom Ring
Joyfully h=96
1
4
4
4
4
C
C&
A‹
C
G7
C
f
C7
5
9
D‹
D7
13
1C
17
D7
A‹
G
C
C7
G
C
F7
D‹9
A‹
C
G7
C
C7
B¨
C7
ff
V.S.
�Gospel Piano
4
21
2
10
8
3
10
41
46
A‹
DŒ„Š9
CŒ„Š7
8
C
G7
D7
C
C
50
4C
G
CŒ„Š7
D7
C
FŒ„Š7
A‹
8
G
8
61
5
12
12
6
10
10
q=80
c
4
4
c
4
4
�Gospel Piano
5
Poor Peopleʹs March
84
14
7
4
4
14
4
4
114
A 10
f
120
12
8
12
B‹
4
C
B‹
A‹
D
A‹
D
Improvise (low register)
D
A‹
mp
126
4
9
A‹
f
A‹ 11
D‹
p
A‹
D‹
mf
Improvise (low register)
130
A‹ 12
f
D
A‹
D
A‹
E
Improvise (medium register)
V.S.
�Gospel Piano
6
135
A‹ 13
mf
141
D
E‹
D‹
f
Improvise (high register)
A‹
G©º
A‹
A 14
D
ff Improvise
(medium register)
147
A
D
A‹
153
A 15
D
A
159
D
A‹ 16
A‹
pp sub. Improvise (low register using rhythm
which enhances Gospel Chorus chant)
D‹
�Gospel Piano
165
A‹
171
17
7
A‹
A‹
cresc. poco a poco
p
mf
175
f
177
18
2
2
19
p
11
11
�Gospel Piano
8
192
20
pp
196
200
204
C 21
G
C
G7
C‹
G
3
4
4
4
3
4
4
4
rhythmically
sub mp
Spiritual: Free At Last
210
22
Electronic Organ
and Gospel Piano
�Gospel Piano
9
215
f
220
f
224
3
4
3
4
4
4
3
4
3
4
4
4
p
22B
fGopel Piano and
Electric Organ
229
233
f
p
f
3
4
4
4
3
4
4
4
V.S.
�Gospel Piano
10
23
238
staccatissimo
f
242
246
24
3
2
4
3
2
4
3
4
3
4
25
4
4
sempre marc.
4
4
254
259
26
mp
sfz
sfz
�Gospel Piano
262
11
sim.
265
268
271
27
274
V.S.
�Gospel Piano
12
28
277
280
283
285
288
29
�Gospel Piano
13
291
294
30
297
31
300
f
303
sfz
sfz
V.S.
�14
Gospel Piano
306
309
short
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Guitar-Banjo.pdf
5edd79d2dab714e0b06c47c85506e1ef
PDF Text
Text
Guitar/Banjo
I HAVE A DREAM
I. In the River of Life
James Furman
Percussion Solo
q=69
4
4
4
4
TACET
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
15
4
4
13
20
32
4
3
1 Largo q=88
5
3
4
4
4
5
2
4
3
4
4
4
2
4
2
4
2
4
3
4
4
4
Sermon
3
4
3
4
2
4
1
2
2
3 q=80
3
1
3
a tempo q=60
Tempo Primo
4
4
2
7
2
4
3
8
3
8
2
4
2
4
2
2
4
2
8
3
4
2
4
4
2
3
4
4
6
3
4
2
4
3
4
4
4
3
8
4
4
3
4
2
4
2
4
�Guitar/Banjo
2
43
51
62
8 Tempo Primo q=88
2
4
q=c.60
3
8
9 a tempo q=76
3
2
4
10
3
8
3
8
2
8
2
4
3
2
4
4
3
4
3
8
3
4
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
11 Largo q=42
84
14
4
4
6
6
12
6
4
13
4
15
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
5
5
4
3
4
4
III. Let Freedom Ring
1 Joyfully h=96
4
4
12
1
7
Classical Guitar and Banjo
�Guitar/Banjo
2
A‹
B¨
arpeggiate with 8th notes
high register
21
F
B¨
3
F
E¨
F
E¨
F
f
E¨
26
D¨
F
3
31
Low register
E‹
A& F7
D‹
D‹7
G7
A
4C
CŒ„Š7
A‹
f
37
E‹7
43
D7
49
A‹
2
G
C
D7
C
G
C
CŒ„Š7
8
�Guitar/Banjo
4
Arpeggiate with 8th notes
61
5G
C
G
C
G
F
G
F
G
C
G
F
f High register
E¨
67
73
D¨
E‹ 6
A&
F7
F‹
D‹
D‹7
G7
Low register
G
78
2
A
q=80
c
hold chord
84
7
4
4
14
A‹ 8
102
A‹
D
108
A‹
D‹
Poor Peopleʹs March
D
A‹
D
A‹
D‹
A‹
D‹
A‹ 9
D‹
A‹
D
114
A 10
B‹
C
B‹
A‹
120
D
A‹
D
A‹
D
A‹
4
4
�Guitar/Banjo
126
11
135
A‹ 13
140
D‹
153
15
A‹
D
Improvised Solo
12 Guitar and Banjo
4
D
A‹
E‹
A‹
8
G©º
16
marc. sempre
165
17
D
D‹
p
171
5
4
A‹
A‹
14
10
E
�Guitar/Banjo
6
175
D‹ 18
D
E
A
A‹
G
A7
f
181
G 19
D
G‹
C
Banjo enters
Banjo tacet for 5 ms.
187
C
G
192
20
12
C‹
G‹
A7
21 C
G
mp
206
C
210
22
224
22B
246
24
260
26
G7
C‹
G
Spiritual: Free At Last
3
3
4
11
3
3
4
2
3
4
2
4
12
7
4
4
4
4
25
3
4
4
4
27
6
3
4
23
4
4
8
8
28
7
�Guitar/Banjo
285
29
9
30
8
7
31
10
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Horn_I_and_II.pdf
e4fc310ccf139eeffc66ff9f155f3a1e
PDF Text
Text
I HAVE A DREAM
Horn in F
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
25
4
4
34
2
8
1
8
3
lontano
muted
3
mp
lontano
muted
mp
41
3
muted
mp
ff
muted
mp
47
4
8
8
5
3
8
2
8
3
8
3
8
2
8
3
8
2
2
2
8
2
8
2
2
�Horn in F
2
63
6
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
Largo q=48
70
3
8
3
8
7
2
4
7
8
muted
pp
7
2
4
muted
pp
87
4
9 q=42
4
4
ppp
2
long
4
4
2
long
4
4
ppp
3
10
ppp
4
4
4
3
ppp
98
11
7
mute
ppp
7
mute
ppp
12
lantano
�Horn in F
111
13
117
14 q=84senza sord.
3
4
15
mp
f
4
senza sord.
f
124
16
cuivré
mf
5
bouché
mf
5
senza mute
mf
17
mf
mp
p cresc.
134
cuivré
q=100
f
�Horn in F
4
135
open
mf
mf
139
cantabile
3
144
7
18
19
f
7
f
155
2
2
4
f
2
2
4
f
�Horn in F
162
20
2
4
5
12
3
4
4
4
ff
2
4
12
3
4
4
4
ff
176
2
21
4
4
f
2
4
4
f
180
8
22
23
3
4
2
fp mf
8
3
4
2
bouché - cuivré
2
fp mf
2
bouché - cuivré
fp mf
fp mf
194
4
4
f
ff
f
ff
f
f
f
fff
4
4
f
ff
f
ff f
ff
f
ff
f
fff
�II. Iʹve Been to the Mountain Top
Monologue and Sermon
Horn in F
6
1
7
Largo q=30
4
4
7
4
4
15
19
3
1
3
2
3
3
sfz
mf
sfz
f
sub. mp
sfz
mf
sfz
f
sub. mp
2
3
f sfz
ff sfz
sfz
f
f sfz
ff sfz
sfz
f
4
3
2
attacca
3
attacca
4
4
4
4
Sermon
1
13
20
Largo q=88
4
4
5
3
4
4
4
3
4
2
2
3 q=80
1
3
4
4
2
4
2
4
2
4
3
4
2
3
4
4
3
3
8
2
8
2
4
4
2
2
4
3
8
2
4
2
4
3
4
4
4
3
8
2
4
�a tempo q=60
Tempo Primo Horn in F
32
43
51
62
5
2
4
3
3
4
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
3
10
3
8
2
6
q=c.60
3
8
2
4
2
8
7
7
2
4
3
4
2
4
2
4
3
4
4
4
4
3
4
3
3
8
3
4
2
4
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
84
11 Largo q=42
4
4
6
14
13
ppp
mp
4
lontano
ppp
90
6
12
mp
sub. p
pp
4
15
4
4
Hymn: I Have a Dream
1
q=60
4
4
4
1
4
2 Piu Mosso
4
�Horn in F
8
13
3
25
6
5
4
4
3
5
5
4
4
III. Let Freedom Ring
1
12
Joyfully h=96
4
4
12
4
4
21
10
2
8
3
10
61
5
8
1
7
7
8
22
4
8
muted (lontano)
cantabile
pp
p
22
mp
pp
�Poor Peopleʹs March
Horn in F
73
10
6
q=80
10
98
8
12
c
4
4
c
4
4
9
14
7
14
9
mf
12
mf
10
113
2
2
126
11
4
4
8
solo - cant.
mp
12
mf
mp mf
5
5
8
�10
135
Horn in F
13
sempre simile
mute with hand
p
mf
sub. mp
mf
139
143
open
14
ff
ff
149
15
�Horn in F
11
Cant.
155
Cant.
161
16
pp subito
pp subito
17
169
cresc. poco a poco
mf
f
mf
f
cresc. poco a poco
177
18
p subito
p subito
cant.
19
8
8
�Horn in F
12
190
20
leg.
p
mp
sub. mp
leg.
sub. mp
196
21
202
subito mp
subito mp
210
22
3
3
Spiritual: Free At Last
3
4
4
4
3
4
4
4
7
7
3
4
3
4
4
4
3
4
3
4
4
4
�Horn in F
224
11
22B
11
3
4
3
4
2
2
4
4
13
23
f
4
4
f
240
f
f
f
f
24
244
stately
ff
f
stately
ff
247
2
4
3
4
4
4
2
4
3
4
4
4
�14
251
Horn in F
25
4
4
sempre marc.
sempre marc.
sempre marc.
sempre marc.
4
4
255
sempre marc.
sempre marc.
260
12
26
6
27
12
285
29
9
6
30
8
31
f
9
8
f
28
7
7
�Horn in F
15
305
309
short
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Oboe.pdf
abddd3460f04e16cf84f73a9e53b8267
PDF Text
Text
I HAVE A DREAM
Oboe
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
2
2
8
1
gliss.
pp
41
2
3
ppp
47
4
63
6
9
5
3
8
2
8
3
8
2
8
3
8
2
3
8
2
8
3
8
2
2
8
2
8
3
8
sempre accel. ed cresc.
70
87
3
8
9 q=42
4
4
Largo q=48
2
4
6
7
7
8
f
5
10
long
4
4
�Oboe
2
bluesy; with feeling
93
mf
98
marc.
stacc.
6
ff
p
6
11
f
111
13
6
12
q=84
b
14
3
ppp
119
3
3
6
ff
6
3
15
mf
f
f
16
124 6
6
6
6
ppp cresc.
6
6
p
6
6
6
6
mp cresc.
f
3
129
p
134
f
17 q=100
3
p
3
f
139
6
3
3
3
�Oboe
144
7
18
3
2
19
5
ff
3
155
f
162
ff
f
20
2
4
2
4
3
4
ff
simile
166
170
21
174
4
4
3
f
180
22
ppp
ppp
mf
p
23
185
gliss.
3
4
mf
pp
ppp
mp
pp
mp pp
mp
�Oboe
4
gliss.
191
mf cresc.
f
sim.
195
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
15
3
1
4
3
4
2
4
4
4
4
Sermon
1 Largo q=88
4
4
13
20
5
3
4
4
4
3
4
2
2
3 q=80
1
4
4
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
5
2
4
3
4
3
6
4
4
2
7
2
4
3
4
2
4
3
4
4
4
2
4
�Oboe
43
51
62
8 Tempo Primo q=88
2
4
q=c.60
3
8
9 a tempo q=76
3
2
4
10
3
8
3
8
2
8
2
4
4
3
4
3
2
4
3
8
3
4
5
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
11 Largo q=42
84
14
4
4
6
6
12
6
13
4
4
15
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
5
5
4
3
4
4
�III. Let Freedom Ring
6
Oboe
12
1 Joyfully h=96
4
4
21
2
61
5
10
8
1
8
3
12
22
4
10
6
q=80
4
4
c
Poor Peopleʹs March
84
114
14
7
4
4
10
12
8
9
4
9
solo
mf
126
11
143
14
4
5
12
ff
150
15
2
13
8
�Oboe
158
171
6
17
3
18
7
10
16
cantabile
p
181
19
cresc.
mp
12
20
190
21
mp
205
Spiritual: Free At Last
210
22
224
22B
3
3
4
11
7
4
4
3
4
3
4
2
4
4
3
4
4
4
23
2
�Oboe
8
240
f
f
24
244
stately
f
250
3
4
2
4
3
4
ff
25
4
4
sempre marc.
255
260
26
285
29
12
9
6
27
30
8
31
28
7
2
f
306
309
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Piano.pdf
656d392a9e570c2b73a97d7ed015cccc
PDF Text
Text
I HAVE A DREAM
Piano
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
25
4
4
34
2
7
8
6
3
7
56
5
8
1
9
4
6
9
3
8
2
8
3
8
3
8
2
8
3
8
2
2
2
8
2
8
2
2
�Piano
2
63
6
staccato
Ped. down
pp sempre accel. ed cresc.
3
8
Keep damper
staccato
2
8
3
8
3
8
2
8
2
8
3
8
2
8
f smorzando
3
8
2
8
3
8
2
8
pp sempre accel. ed cresc.
69
2
8
3
Largo q=48 7
3
8
2
4
pp
2
8
3
8
2
Oscillate with hard
mallet in bass strings
gradually increase motion
3
2
4
2
2
2
Keep damper Ped. down
79
7
8
7
4
9 q=42
long
4
4
hit string with
soft mallet
long
l.v.
4
4
Keep damper Ped. down
92
10
5
5
11
hit string with soft mallet
l.v.
Keep damper Ped down
6
6
marcatissimo
ff
senza ped.
4
�12
105
Gliss on strings left
to right (top case)
with finger tips and
gradually lighten pressure
mp
Piano
3
2
ppp l.v.
2
Keep damper Ped down
hit string with
l.v.
soft mallet
Keep damper Ped. down
111
13
q=84
14
6
6
6
6
117
ff
ff
119
15
5
5
16
7
7
�Piano
4
3
131 R.H.
17
134
18
9
q=100
Pizz. with fingernails
on strings
f
9
l.v.
Hold down damper pedal
147
151
19
11
11
20
2
4
2
4
2
2
3
4
3
4
12
12
4
4
4
4
�Piano
176
21
4
4
4
4
4
8
22
4
5
23
3
4
Touch D string lightly with
finger; Play note on keyboard.
8
fff senza P
3
4
fff senza P
fff l.v.
Keep damper ped. down
193
4
4
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
15
3
1
4
3
4
2
4
4
4
4
Sermon
1 Largo q=88
4
4
13
2
3
4
5
1
3
4
2
4
4
2
4
2
4
3
4
3
4
2
2
4
4
2
4
2
4
2
3
4
4
4
�Piano
6
20
3 q=80
4
4
3
3
4
2
4
3
8
2
8
3
8
2
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
62
5
2
4
3
4
3
4
4
8 Tempo Primo q=88
2
4
q=c.60
3
8
9 a tempo q=76
3
2
4
10
3
8
2
6
3
8
2
8
2
4
7
2
4
3
4
2
4
2
4
3
4
4
4
4
3
4
3
3
8
3
4
2
4
2
8
2
4
2
3
4
3
4
4
3
8
4
4
Chorale
68
11 Largo q=42
84
14
4
4
6
6
12
6
13
4
4
15
4
4
Hymn: I Have a Dream
1
q=60
4
4
4
1
4
2 Piu Mosso
4
�Piano
13
3
25
6
5
4
4
3
5
5
7
4
4
III. Let Freedom Ring
1 Joyfully h=96
4
4
4
4
21
12
12
1
8
8
2
25
ped.
V.S.
�Piano
8
28
ped.
31
3
8
8
ped.
4
sempre staccato
14
ff
14
55
59
ped.
5
f
�Piano
9
63
67
mp
ped.
ped.
6
71
10
10
ped.
Poor Peopleʹs March
84
7
4
4
4
4
14
14
8
q=80
c
4
4
c
4
4
�10
99
place magazines
on strings to mute
sound of following
passage
Piano
mf
mf mp
remove magazines
103
5
5
110
9
4
10
4
gliss. on strings of
middle case from
left to right
4
f
4
f
Press Damper Ped
then release slowly
121
2
2
2
ff
2
�Piano
126
4
11
12
4
143
5
5
13
8
11
8
14
ff
sempre marcatissimo
et staccatissimo
senza ped
146
149
V.S.
�Piano
12
15
152
155
158
161
16
staccatissimo
pp sub.
�Piano
13
164
167
170
17
cresc. poco a poco
cresc. poco a poco
173
f
�14
177
180
Piano
18
19
cresc.
184
188
mp
�Piano
192
15
20
sub. pp
196
200
204
21
sub mp
V.S.
ped.
ped.
ped.
�Piano
16
207
ped.
ped.
ped.
Spiritual: Free At Last
210
22
3
3
224
22B
3
4
4
4
3
4
4
4
11
11
238
23
f
7
7
3
4
3
4
3
4
3
4
4
4
3
4
3
4
4
4
2
2
4
4
4
4
�Piano
17
242
246
24
3
3
260
26
25
2
4
3
4
2
4
3
4
4
4
27
6
12
4
4
12
285
29
8
8
7
28
6
9
9
30
7
8
8
�18
302
Piano
31
ff
308
short
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Trombone.pdf
c1cd4e26e341c4e4b705dbb53d15c6aa
PDF Text
Text
Bass Trombone
I HAVE A DREAM
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
2
8
1
3
pp
41
3
47
4
63
6
mp
8
3
8
2
8
5
3
8
3
8
2
8
2
8
2
3
8
3
8
2
8
2
8
2
3
8
Largo q=48
70
87
3
8
2
4
q=42
9 straight
mute
7
7
8
p
pp
4
4
ppp sempre
92
10
5
cup mute
6
long
4
4
�Bass Trombone
2
11
98
105
4
flutter tongue
4
12
13
14 q=84
114
senza sord.
f
119
15
5
16
flutter tongue
3
ord.
mp cresc.
132
plunger
senza sord.
17
f
2q=100
mf
f
138
144
3
18
7
19
2
marc.
f
flutter tongue
156
162
20
2
4
6
gliss.
4
2
6
gliss.
4
3
4
12
2
4
4
4
�Bass Trombone
176
3
2
21
4
4
f
180
8
22
2
23
3
4
mf
f
194
4
4
f
ff
f
ff
f
ff
f
ff
f
fff
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
15
2
1 Largo q=88
4
4
20
3
2
3
f sfz
13
3
1
ff sfz
5
3
4
3 q=80
4
4
3
3
4
Sermon
4
4
2
4
2
4
2
4
sfz
f
sub. mp
3
4
attacca
4
4
f
1
2
2
sfz
sfz
mf
3
3
8
2
8
2
4
4
2
3
4
4
3
4
2
2
4
3
8
2
4
2
4
3
4
4
4
3
8
2
4
�Bass Trombone
4
a tempo q=60
Tempo Primo
32
43
51
5
2
4
3
4
3
q=c.60
3
8
9 a tempo q=76
3
2
4
3
8
62
10
3
8
2
8
68
11 Largo q=42
6
84
4
4
8 Tempo Primo q=88
2
4
4
4
2
6
7
2
4
3
4
2
4
3
8
3
4
6
4
4
Chorale
6
2
8
2
4
2
3
4
3
13
3
8
4
4
4
4
15
2
4
4
4
4
12
14
3
4
3
4
3
2
4
2
4
4
4
Hymn: I Have a Dream
q=60
4
13
3
5
25
6
1
4
4
4
1
2 Piu Mosso
4
4
5
5
4
3
4
4
�Bass Trombone
5
III. Let Freedom Ring
12
1 Joyfully h=96
4
4
21
2
61
5
8
1
10
8
3
12
22
4
10
6
q=80
c
Poor Peopleʹs March
84
7
4
4
14
8
12
9
mf
10
112
126
11
143
14
ff
148
4
12
5
13
12
8
4
4
�Bass Trombone
6
153
15
cant.
16
159
pp subito
17
167
cresc. poco a poco
174
mf
181
19
18
11
f
leg.
20
p subito
sub. mp
196
21
202
subito mp
210
22
224
22B
3
7
Spiritual: Free At Last
3
4
11
4
4
3
4
2
4
4
3
4
3
4
4
4
23
f
f
�Bass Trombone
7
240
f
f
f
24
f
stately
244
2
4
3
4
ff
251
25
4
4
sempre marc.
255
260
26
285
29
12
9
6
27
30
8
31
28
2
6 4
f
306
309
7
4
4
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Trumpet_I_and_II.pdf
9e01e2661774c530046058f9912e27b1
PDF Text
Text
I HAVE A DREAM
Trumpet in Bb
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
25
4
4
34
2
8
1
8
2
Harmon Mute
gliss.
stem in
2
Harmon Mute
stem in gliss.
pp
pp
41
3
muted
ppp
muted
ppp
47
4
9
9
5
3
8
2
8
3
8
3
8
2
8
3
8
2
2
2
8
2
8
2
2
�Trumpet in Bb
2
63
70
6
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
Largo q=48
7
2
4
4
harmon mute (stem in)
f
p
4
harmon mute (stem in)
3
8
2
4
f
79
8
7
7
p
long
long
9 q=42
4
4
4
4
4
4
harmon mute
stem out flutter tongue
ppp
harmon mute
stem out
ppp
92
10
ord.
�Trumpet in Bb
98
11
harmon mute
flutter tongue
as fast as possible
f
ppp
3
4
4
105
6
12
6
13
14 q=84
f
6
6
f
119
15
2
cup mute
mf
2
mp
mp
mp
16
2
ff
double tongue as fast as possible
through mouth piece, without pitch...........
ff
f
mp
mf
mp
mf
cup mute
mf
124
mp
mf
ouvert
5
f
2
ouvert
f
5
�Trumpet in Bb
4
134
17 q=100
mf
mf
140
mf
mf
144
18
7
19
f
mf
7
f
flutter tongue
156
f
3 3 3 3 3 3
gliss.
2
4
f
2
4
�Trumpet in Bb
162
20
2
4
12
3
4
ff
2
4
4
4
12
3
4
f
8
22
179
f
2
4
4
ff
5
2
21
3
4
mute
23
mp
8
3
4
mute
mp
190
3
ouvert
mp
3
ouvert
mp
double
double
\tongue flutter tongue
flutter
195
f
f
ff
f double
ff
\tongue
flutter
flutter tongue
double
ff
f
ff
f
ff
f
ff
double
ff
4
4
fff
double
ff
4
4
fff
II. Iʹve Been to the Mountain Top
Monologue and Sermon
1
Largo q=30
4
4
7
1
3
2
4
�Trumpet in Bb
6
15
3
3
off stage?
4
attacca
Doloroso straight mute
4
4
pp
1
13
20
Largo q=88
4
4
5
3
4
4
4
3
4
2
2
3 q=80
1
4
4
pppp
Sermon
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
a tempo q=60
Tempo Primo
32
43
51
62
5
2
4
3
3
4
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
10
3
8
3
2
8
2
6
3
8
q=c.60
2
4
3
4
7
2
4
3
4
2
4
2
4
3
3
4
4
4
4
3
4
3
8
4
4
2
4
2
8
3
4
3
2
4
2
3
8
4
4
�Chorale
Largo q=42
11
68
4
4
harmon mute
Trumpet in Bb
half stem
doloroso
dry sound 12
sempre pp
4
13
wah wah
78
14
wah wah
wah wah
15
5
84
7
quarter
tone
flutter tonge
4
4
Hymn: I Have a Dream
1 q=60
4
4
13
3
25
6
4
4
1
5
2 Piu Mosso
4
4
5
4
3
5
4
4
III. Let Freedom Ring
1
Joyfully h=96
4
4
4
4
12
12
1
8
8
2
10
10
�Trumpet in Bb
8
31
8
3
22
4
8
12
5
22
12
Poor Peopleʹs March
73
10
6
q=80
10
98
12
8
c
4
4
c
4
4
4
9
12
126
11
4
14
12
10
4
12
5
13
12
flutter tongue ord.
p
4
14
7
5
mp
sub p
mp
�Trumpet in Bb
138
143
9
sempre simile
14
ff
ff
148
153
15
4
4
�Trumpet in Bb
10
16
157
pp subito
pp subito
164
171
17
cresc. poco a poco
mf
f
mf
f
cresc. poco a poco
177
18
p subito
p subito
19
11
11
�Trumpet in Bb
192
leg.
11
20
sub. mp
leg.
sub. mp
197
204
21
subito mp
subito mp
Spiritual: Free At Last
210
22
3
3
3
4
4
4
3
4
4
4
7
7
3
4
3
4
4
4
3
4
3
4
4
4
�12
224
Trumpet in Bb
11
22B
3
4
11
3
4
2
2
4
4
23
f
4
4
2
240
f
f
f
f
2
24
stately
245
2
4
3
4
4
4
2
4
3
4
4
4
ff
stately
ff
251
25
4
4
4
4
6
6
�Trumpet in Bb
260
12
26
6
27
12
285
29
9
9
28
6
30
8
8
31
13
7
7
4
4
f
f
308
short
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Viola.pdf
9db6910465a9eb4cc7241fa047a6de6e
PDF Text
Text
I HAVE A DREAM
Viola
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
7
2
3
8
1
2
con sord. gliss.
pp
47
4
ord. arco
f sempre
4
51
63
6
3
8
2
8
5
3
8
3
8
2
8
2
8
3
8
2
2
8
2
3
8
2
8
3
8
7
long
4
4
sempre accel. ed cresc.
70
87
3
8
9 q=42
4
4
Largo q=48
2
4
7
7
8
�Viola
2
88
10
arco
ppp sempre
98
11
2
105
12
111
13
117
14 q=84
ff
119
15
f legato
124
16
half pressure on fingerboard
arco - Punta dʹarco
p cresc.
134
17 q=100
f legato
5
ff
3
3
�Viola
3
18
140
col legno
pp
149
ord.
19
f leg
ff
155
2
4
f
162
20
2
4
3
4
fff
col legno
pp
pizz.
ff
simile
ff
166
170
173
176
4
4
21
4
4
�4
Viola
arco
177
pizz.
f
180
7
22
23
3
4
ppp
mp poco a poco cresc.
ff
193
196
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
1 Largo q=30
4
4
7
2
1
2
pp
15
mf p
2
3
f sfz
ff sfz
5
1 Largo q=88
4
4
1
sfz
4
mp f sub mf
3
attacca
4
4
f
molto espress.
3
4
4
4
mp
Sermon
2
4
3
4
4
4
2
4
p cresc.
�hold back
12
2
4
2
Viola
3
4
2
4
molto accel ed cresc.
5
3
4
mf
f
2
4
3
mf
f
4
4
sub. mp sub. p
q=80
3
20
molto agitato
move forward
4
4
2
4
mf
4
24
continually press forward
appassionato
3
8
2
8
3
8
2
4
3
8
2
4
f
32
5
2
4
3
4
ff
sempre cresc. ed accel.
36
short
marcato
6 Tempo Primo
sempre dim.
solo
hold back
stacc.
4
4
4
4
2
4
p
mp
mf
a tempo q=60
38
7
2
4
3
4
tutti
2
4
poco a poco accel. ed cresc.
3
4
4
4
2
4
sempre cresc.
Tempo Primo q=88 q=c.60
43
8
2
4
3
8
ffsfz
a tempo q=76
2
4
3
4
2
4
f
mf
amoroso
51
9
2
4
3
8
sub. p
2
4
3
8
2
8
3
4
�Viola
6
60
10
3
4
3
8
f
accel. ed cresc.
64
3
4
2
8
3
4
allarg.
4
4
4
4
fff
Chorale
Largo q=42
68
74
11
4
4
snap pizz.
arco
cantabile
con sord.
ff
pp
p
non vib. sempre leg.
cant.
12
pp
80
p
13
pp
84
14
tenuto
non vib.
90
15
attacca
4
4
Hymn: I Have a Dream
1
q=60
4
4
4
1
4
2 Piu Mosso
4
�Viola
5
3
13
6
25
III. Let Freedom Ring
12
4
4
61
5
8
3
6
4
4
22
con sord.
pp
73
8
1
10
6
meno
pp
pp
senza sord.
mf legato
Poor Peopleʹs March
q=80
81
c
98
8
7
4
4
1 Joyfully h=96
2
3
5
con sord.
ppp
21
4
4
12
7
4
4
9
14
4
�Viola
8
10
114
f
3
arco
118
ff
mp
11
12
4
126
5
ff
mp
13
leg.
mf
138
f
raspy (near the bridge)
at the frog
14
143
ff
15
150
16
160
leg.
pp sub.
166
�Viola
17
9
171 cresc. poco a poco
mf
177
18
f
leg.
sub. p
19
cresc.
mp
184
192 tutti
20
sub. pp
195
198
201
204 leg.
21
sub. mp
V.S.
�Spiritual: Free At Last
10
Viola
210
22
224
22B
3
3
4
11
7
4
4
3
4
2
3
4
3
4
4
4
23
4
4
f
240
246
24
stately
2
4
3
4
ff
251
25
4
4
sempre marc.
260
26
12
285
29
255
9
6
27
30
8
31
ff
28
7
4
4
�Viola
11
305
308
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_a_Dream_-_Violin_2.pdf
b936e76f25c8e42f181ecefccd72832d
PDF Text
Text
I HAVE A DREAM
Violin II
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
34
2
7
3
8
1
gliss.
pp
47
4
4
pizz.
f sempre
56
5
3
8
2
8
2
3
8
2
8
2
6
pizz.
3
8
2
8
3
8
p sempre accel. ed cresc.
67
2
8
3
8
smorzando
2
8
3
8
2
4
f
79
8
98
11
6
Largo q=48 7 pizz.
f
7
long
7
5
9 q=42
4
4
12
6
10
5
2
8
�Violin II
2
13
110
117
14 q=84
ff
119
15
pizz.
f
124
half pressure on fingerboard
arco - Punta dʹarco
16
gliss.
p cresc.
3
131
ff
p
q=100
17
f legato
138
144
3
3
3
18
19
151 non div.
f leg
pizz.
3
col legno
pp
ord.
3
ff
arco
gliss.
�Violin II
3
156
2
4
f
162
20
2
4
3
4
fff
col legno
pp ff
ff
pizz.
simile
pp
166
169
172
21
175
4
4
pizz.
arco
f
180
22
ppp
7
3
4
�Violin II
4
188
23
3
4
mp poco a poco cresc.
ff
194
197
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
1 Largo q=30
4
4
7
2
1
2
pp
15
mf p
2
3
f sfz
4
mp f sub mf
3
attacca
4
4
ff sfz f
Largo q=88
1
non vib.
molto espress.
Sermon
4
4
3
4
pp
6
1
3
4
p
4
4
2
4
mp
p
3
4
p
molto accel ed cresc.
4
4
2
4
p cresc.
3
4
�Violin II
2
13
In time
3
4
2
4
3
4
sub. p
f
2
4
mf
q=80
3
20
5
molto agitato
4
4
f
4
4
sub. mp
move forward
2
4
mf
4
24
continually press forward
appassionato
3
8
2
8
3
8
2
4
3
8
2
4
f
32
5
2
4
short
marcato
3
4
ff sempre dim.
sempre cresc. ed accel.
Tempo Primo
rit.
6
36
stacc.
4
4
solo
hold back
6
p
4
4
pizz.
mp
2
4
mp
a tempo q=60
38
7
2
4
arco
tutti
3
4
2
4
3
4
mf
4
4
cresc.
Tempo Primo q=88
43
q=c.60
8
2
4
3
8
ff
2
4
sfz
pizz.
arco
sfz
2
4
3
4
�Violin II
6
47
3
4
2
4
mf
f
a tempo q=76
51
9
amoroso
2
4
3
8
2
4
3
8
sub. p
59
2
8
sempre accel. ed cresc.
10
3
4
3
8
f
63
2
8
2
8
3
4
2
8
allarg.
4
4
4
4
fff
Largo q=42
68
11
4
4
12
74
Chorale
con sord.
f
ffp
cantabile
Religioso
pp non vib. sempre leg.
p
cant.
p
80
13
14
84
tenuto
non vib.
pp
�Violin II
15
90
7
attacca
4
4
Hymn: I Have a Dream
1
q=60
4
3
5
4
4
13
25
6
4
4
III. Let Freedom Ring
12
4
4
61
5
10
8
3
6
8
1
4
22
con sord.
pp
meno
pp
pp
Poor Peopleʹs March
73
6
4
3
5
con sord.
1 Joyfully h=96
2
2 Piu Mosso
4
4
ppp
21
4
1
10
q=80
c
7
4
4
14
�Violin II
8
8
98
12
9
4
10
f
snap
pizz.
117
ff
126
11
mp
4
12
5
3
arco
leg.
ff
mp
13
mf
138
f
14
raspy (near the bridge)
at the frog
143
ff
15
150
160
leg.
16
pp sub.
166
�Violin II
17
9
171 cresc. poco a poco
mf
177
18
leg.
f
19
mp
cresc.
sub. p
185
192
20
sub. pp
202
leg.
21
sub. mp
207
210
22
224
22B
3
Spiritual: Free At Last
3
4
4
4
11
7
3
4
3
4
3
4
2
4
4
4
4
�10
238
Violin II
23
f
246
24
stately
2
4
3
4
4
4
ff
251
25
4
4
sempre marc.
260
26
12
285
29
255
9
6
27
30
8
7
28
31
sim.
f
ff
305
309
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/FURMAN_I_Have_A_Dream_-_Violoncello.pdf
d6b868f1aa168db74ed93f7bcd49933d
PDF Text
Text
I HAVE A DREAM
Violoncello
I. In the River of Life
James Furman
Percussion Solo
23
q=69
4
4
p
31
3
1
ppp
p
f
2
2
arco
pizz.
p
mp
37
41
arco / non div.
3
gliss.
pp
47
4
col legno
4
51
63
6
3
8
sempre accel. ed cresc.
2
8
5
3
8
3
8
pizz.
2
8
snap
pizz
2
8
3
8
3
8
2
smorzando
f
2
8
2
8
arco
3
8
�Largo q=48
2
70
3
8
2
4
Violoncello
7
6
pizz.
7
8
long
4
4
f
9 q=42
87
98
4
4
4
arco
10
11
105
12
111
13
q=84
14
117
ff
15
119 non div.
f legato
124
16
spicatto
half pressure on fingerboard
arco - Punta dʹarco
cantabile
p cresc.
ff
p
fp
�Violoncello
3
17 q=100
131
f legato
138
144
18
col legno
pp
ord.
ff
pp
19
151 non div.
f leg
ff
20
159
2
4
f
ff
snap pizz
arco
snap pizz
3
4
col legno
f pp
f pp
f pp f
165 simile
169
173
4
4
V.S.
�Violoncello
4
176
21
arco
pizz.
4
4
f
7
22
180
23
3
4
ppp
mp poco a poco cresc.
ff
193
196
4
4
1 Largo q=30
4
4
II. Iʹve Been to the Mountain Top
Monologue and Sermon
punta dʹarco
pp
8
1
sub. pp
pp
mf p
3
4
sfz f p
mp
f sub mf
sfz
f sfz
19
mf
2
sfz-f
15
mf p
ff sfz
f
ff
3
sfz
f ppp
attacca
4
4
�Violoncello
1 Largo q=88
4
4
13
20
5
1
3
4
4
4
2
2
3
4
3 q=80
4
4
2
4
2
4
3
4
4
4
2
3
4
5
2
Sermon
2
4
2
2
4
3
4
4
4
appassionato
3
4
2
4
3
8
2
8
3
8
2
4
f continually press forward
30
2
4
5
3
8
2
4
marcato
3
4
pizz.
ff sempre dim.
sempre cresc. ed accel.
36
4
4
solo
hold back
7
2
4
4
4
rit.
a tempo q=60
Primo
6 Tempo
arco
short
poco a poco accel. ed cresc.
tutti
p
3
4
2
4
mf
3
4
4
4
sempre cresc.
Tempo Primo q=88 q=c.60
42
8
4
4
2
4
pizz.
arco
3
8
ff sfz
2
4
mf
3
4
a tempo q=76
9
49
2
4
sub. p
f
54
3
8
amoroso
2
4
3
8
p
3
8
2
8
3
4
�10
Violoncello
6
60
3
4
3
8
3
4
f
allarg.
accel. ed cresc.
64
2
8
3
4
4
4
4
4
fff
Chorale
68
11 Largo q=42
4
4
con sord.
ffp f
Religioso
pp non vib. sempre leg.
12
74
13
80
84
14
tenuto
non vib.
90
15
attacca
4
4
Hymn: I Have a Dream
1
q=60
4
4
4
1
4
2 Piu Mosso
4
�Violoncello
5
3
13
4
4
5
7
con sord.
ppp
6
25
4
4
III. Let Freedom Ring
12
1 Joyfully h=96
4
4
21
2
61
5
10
6
8
3
6
22
4
con sord.
pp
73
8
1
3
meno
pp
pp
senza sord.
mf legato
Poor Peopleʹs March
q=80
80
4
4
c
98
8
12
14
7
9
4
�8
Violoncello
10
leg.
114
f
mf
7
118
11
ff
f
solo
127
130
raspy near bridge
legatissimo
12
5
13
8
14
sempre marcatissimo
et staccatissimo
ff
145
148
150
153
15
cant.
�Violoncello
16
at the frog
158
9
pizz.
pp sub.
162
164
166
168
171
17
cresc. poco a poco
173
mf
175
arco
f
18
sub. p
V.S.
�Violoncello
10
181 leg.
19
mp
cresc.
20
190
sub. pp
21
200
sub. mp
210
22
224
22B
3
7
Spiritual: Free At Last
3
4
11
4
4
3
4
2
3
4
3
4
4
4
23
4
4
f
240
246
24
stately
ff
251
25
4
4
sempre marc.
2
4
3
4
4
4
�Violoncello
11
255
260
26
285
29
12
9
6
27
30
8
28
7
31
f
304
308
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/I_Have_A_Dream_-_Organ_Pedals.pdf
1666b7b1583f6cd35248b3fa980eaeff
PDF Text
Text
Organ
Pedals
I HAVE A DREAM
I. In the River of Life
James Furman
Percussion Solo
25
q=69
4
4
4
4
4
4
34
47
2
4
7
3
25
8
25
8
2
7
2
7
2
9
9
9
8
1
Salicional (dulciana+trem)
pp
5
3
8
2
8
3
8
3
8
2
8
3
8
3
8
2
8
3
8
2
2
2
2
8
2
8
2
8
2
2
2
�Organ, Pedals
2
63
70
6
3
8
3
8
3
8
87
9 q=42
4
4
4
4
4
4
105
12
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
2
8
3
8
7
long
4
4
Largo q=48
2
4
7
7
2
4
2
4
5
8
7
7
7
7
6
10
long
long
7
11
5
6
7
5
6
7
6
13
6
14 q=84
2
6
6
2
6
6
2
4
4
4
4
�Organ, Pedals
119
15
4
f full
16
celeste
ppp poco a poco cresc
4
4
leg.
5
127
f
3
6
17 q=100
Chimes
3
5
6
3
5
6
3
18
144 Larigot
ppp
V.S.
�Organ, Pedals
4
151
19
4
Full
mf
4
4
20
161
2
4
ff
3
4
ff
2
4
2
4
3
4
stacc.
simile
3
4
mf
166
�Organ, Pedals
171
5
4
4
4
4
4
4
176
21
4
4
4
4
4
4
184
4
4
22
pp sempre legato
4
3
4
3
4
3
4
V.S.
�Organ, Pedals
6
188
23
3
4
3
4
Reeds 8ʹ & 4ʹ
Mixtures
Diapason
f
Full Ped.
3
4
194
197
4
4
4
4
4
4
�Organ, Pedals
II. Iʹve Been to
the Mountain Top
Monologue and Sermon
7
1 Largo q=30
4
4
2
1
7
4
4
7
2
Gradually build to foundations
Celeste; Fl Dolce 8ʹ
2
pp larigot?
15
3
f sub. mp
mf
4
attacca
4
4
p (8vb?)
cue for Bar.
pp
ppp
pppp
Sermon
4
4
f
1 Largo q=88
4
4
13
20
5
3
4
4
4
3
4
2
2
3 q=80
1
4
4
2
4
2
4
3
3
3
8
2
4
4
2
3
4
4
2
4
3
4
2
2
4
2
8
2
4
3
8
2
4
3
4
4
4
3
8
2
4
Tempo Primo a tempo q=60
32
43
51
5
2
4
3
4
3
6
4
4
8 Tempo Primo q=88
2
4
3
8
9 a tempo q=76
2
4
3
3
8
2
q=c.60
2
4
7
2
4
3
4
2
4
2
4
3
3
4
4
4
4
3
4
3
8
2
4
2
8
3
4
2
4
2
3
8
�Organ, Pedals
8
62
10
3
8
2
8
3
4
3
4
4
4
4
Chorale
68
11 Largo q=42
84
14
4
4
6
6
12
6
13
4
4
15
4
4
Hymn: I Have a Dream
1
q=60
4
4
4
4
4
4
13
3
4
1
4
2 Piu Mosso
4
4
4
4
4
4
4
2
2
2
�Organ, Pedals
4
18
4
3
5
9
3
6
4
3
3
4
3
3
4
4
ppp
4
4
4
4
III. Let Freedom Ring
12
1 Joyfully h=96
4
4
4
4
4
4
31
3
8
1
10
2
12
8
10
12
8
10
8
22
4
12
5
8
22
12
8
22
12
Poor Peopleʹs March
73
6
10
10
10
q=80
7
c
4
4
c
4
4
c
4
4
9
9
9
�Organ, Pedals
10
93
sempre stacc. (Reeds?)
p
8
97
7
7
mp
7
107
110
9
legato
�Organ, Pedals
114
10
11
stacc.
11
pp
11
2
11
2
p
11
130
143
12
5
mf
2
13
2
5
2
mp
5
2
mp
14
f
148
V.S.
�Organ, Pedals
12
153
15
Swell (Tpt.)
Great
16
160
17
168
cresc. poco a poco
cresc. poco a poco
cresc. poco a poco
177
18
19
cresc.
sub. p
sub. p
sub. p
mp
�Organ, Pedals
13
185
192
20
sub. pp
21
201
sub. mp
210
22
3
3
3
7
Spiritual: Free At Last
3
4
4
4
3
4
4
4
3
4
4
4
7
7
3
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
�Organ, Pedals
14
224
22B
11
11
11
246
251
24
25
4
4
4
4
4
4
255
3
4
3
4
3
4
2
2
2
8
23
4
4
8
4
4
8
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
�Organ, Pedals
260
285
12
26
29
9
15
6
27
28
7
12
6
7
12
6
7
30
8
9
8
9
8
31
f
marc.
304
308
short
short
short
�
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7901/I_Have_A_Dream_-_Percussion.pdf
ac0b6283fbd707ccdc6cb61450926888
PDF Text
Text
PERCUSSION
Bongos
Xylophone
Congas
Tambourine
Claves
Cymbals
Whip
Snare Drum
Triangle
Orchestral Bells
Triangle
Gong
Maracas
Whistle
Snare Drum
Orchestral Bells
Timbales
Cymbals
Cowbell
Timbales
Orchestral Bells
Xylophone
Maracas
Chimes
Drum Set
Gong
James Furman
I Have A Dream
�I HAVE A DREAM
I. In the River of Life
James Furman
Percussion Solo
q=69
Bongos
4
4
Cymbals
4
4
Triangle
4
4
(tune large Bongo to A)
laissez vib. (with fingers)
Tune to F
Timbales
4
4
sim. to ms. 1 and 2
ppp poco a poco cresc.
sim. to ms. 1 and 2
7
Bongos
mf poco a poco cresc.
Cym.
Tri.
Timb.
mf
13
Bongos
ff poco a poco dim.
Cym.
Tri.
Timb.
ff poco a poco dim.
19
Bongos
Cym.
Tri.
Timb.
�3
1
25
Bongos
pp
Cym.
Tri.
Timb.
pp sempre
2
31
Bongos
Cym.
Tri.
Timb.
36
Bongos
Cym.
Tri.
Timb.
41
3
Bongos
Cym.
Tri.
Timb.
V.S.
�4
47
4
Bongos
Cym.
Tri.
Timb.
5
53
Xylophone
3
8
To Xyl.
Bongos
2
8
sec
Cym.
3
8
Tri.
3
8
2
3
8 To Gong 8
3
8
Orchestral Bells
To Orch. Bells
Timb.
61
2
Xyl.
2
8
2
Whip
2
8
2
8
2
Gong
Orch. Bells
2
8
6
3
8
Xyl.
Whip
Gong
Orch. Bells
3
8
Gong
2
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
3
8
2
8
3
8
2
8
3
8
stop each note
3
8
2
8
3
8
2
8
3
8
Largo q=48
2
8
3
8
2
4
3
8
2
8
3
8
2
4
3
8
2
8
3Timbales
8
2
4
f smorzando
To Whip
2
8
3
8
3
8
2
8
Whip
3
8
2
8
f smorzando
lightly
sec
2
8
pp sempre accel. e cresc.
68
3
8
2
8
stop each note
pp sempre accel. e cresc.
2
2
8
3
8
To Timb.
2
4
7
To Bongos
l.v.
laissez
vib.
f
�5
79
q=42
8
Xyl.
4
4
Whip
4
4
Bongos
long
Gong
4
4
Timb.
4
4
9
pp
To Tri. Triangle
10
90
Bongos
Whip
Tri.
Timb.
94
Bongos
To Cym.
pp
Cymbals
Whip
To Gong
Gong
Tri.
Timb.
98
11
Bongos
pp
Cym.
Gong
strike gently
l.v. To Mrcs. Maracas One Maraca
mf
To Siren
Siren
hold head
in hand
mp
pp
Timb.
V.S.
�6
12
103
Bongos
Cym.
Siren
Timb.
107
Bongos
Cym.
Siren
Timb.
111
13
Bongos
Cym.
To Gong
Gong
Siren
pp
ff
pp
Timb.
115
Xylophone
To Xyl.
q=84
Xyl.
14
To Bongos
Bongos
Bongos
f Sus. Cym.
Cym.
with timp sticks
Gong
Timb.
f
sec
�7
119
15
bongos with s.d. sticks
To Xyl.
Bongos
mf
sec
Cym.
Gong
High Timables with timp. sticks
Timb.
mf
124
16
4
Xylophone
Bongos
Sus. Cym. with timp. sticks
sec
4
Cym.
pp poco a poco cresc.
mf
4
Gong
4
Timb.
134
17 q=100
Xyl.
Cym.
Gong
Timbales with timp. sticks
Timb.
mf
�8
18
Bongos
To Bongos (hard sticks)
142
Xyl.
Sus. Cym. at edge of bell
w/snare drum stick
mf
Cym.
l.v.
Gong
To Orch. Bells
Orchestral Bells
Timb.
19
Bongos (single stroke roll)
w/snare drum stick
150
Bongos
Cym.
Gong
To Xyl.
Xylophone
Orch. Bells
f
To Congas
158
2
4
Bongos
Sys. Cym. (timp. sticks)
sec
Cym.
f
Gong
(soft mallets)
To Mrcs.
Maracas
3
Xyl.
f
162
Bongos
Cym.
2
4
Gong
2
4
Mrcs.
2
4
3
3
3
2
4
2
4
3
Congas
20
2
4
3
2
4
3
4
sec
sec
ff
ff
3
4
single stroke roll with accents on given rhythm
3
4
3
4
Maracas (grasp firmly around head)
�9
171
Congas
4
4
Cym.
4
4
Gong
4
4
To Xyl.
Mrcs.
176
Congas
21
22
4
4
Cym.
4
4
Gong
4
4
Sus Cym. sec
4
4
Mrcs.
f
fp
To Orch. Bells
Xylophone
Xylo
3
2
3
2
3
2
3
(Hard Mallets) Orchestral Bells
2
Chimes
To Chim.
f
4
4
f
single stroke roll with
accents on given rhythm
187 Conga Drums
23
Congas
3
4
Cym.
3
4
Gong
3
4
3
4
Chim.
p poco a poco cresc.
f
Xylophone
To Xyl.
Chimes (strike with handle of triangle beater)
ff
l.v. To Tamb.
193
Congas
f
Cym.
Gong
Triangle
To Tri.
Gong
To Timb.
Xyl.
Timbales
4
4
4
4
4
4
4
4
�10
II. Iʹve Been to the Mountain Top
Monologue and Sermon
7
1 Largo q=30
Cym.
4
4
Tri.
4
4
Timb.
4
4
2
Sus. Cym.
7
2
ppp
7
2
1
ord.
soft mallets
2
mp
pp
mp
mp
15
sub. mp
mp
sub. mp
3
Cym.
mf
f
mf
To S. D.
Triangle
f
Tri.
pp
Drum Set
To Dr.
Timb.
f
19
mf
f
f
4
Cym.
2
attacca
2
4
4
attacca
4
4
Dr.
5
1 Largo q=88
4
4
Congas
13
Congas
24
4
3
4
2
2
4
3
3
8
2
3
4
Congas
Congas
2
4
2
3
4
2
8
2
6
4
4
4
4
2
4
43
2
4
62
10
Congas
Congas
2
4
4
2
2
4
3
8
7
2
4
2
4
3
3 q=80
4
4
5
3
8
3
4
2
4
2
4
Tempo Primo q=88q=c.60
8
3
4
2
4
3
3
4
3
8
Congas
11 Largo q=42
4
4
4
4
4
4
2
4
a tempo q=76
2
4
3
8
3
4
4
3
4
2
8
9
2
4
3
3
8
3
4
2
4
3
3
8
2
8
3
4
3
4
4
6
12
6
13
4
14
2
3
8
4
4
Chorale
68
3
4
a tempo q=60
Tempo Primo
36
Sermon
1
6
�11
90
4
15
4
4
Congas
Hymn: I Have a Dream
4
1 q=60
4
4
Congas
18
4
4
4
1
5
2 Piu Mosso
3
Congas
4
6
5
3
5
4
4
III. Let Freedom Ring
1
Joyfully h=96
Tamb.
4
4
Cym.
4
4
4
4
S. D.
4
4
Dr.
f
f
f
B.D.-High Hat
f
7
Tamb.
Cym.
S. D.
Dr.
13
1
Tamb.
Cym.
S. D.
Dr.
V.S.
�12
To Clv.
19
Claves
2
Tamb.
mf
Cym.
To Orch. Bells
Orchestral Bells
S. D.
mf
Dr.
To Tamb.
26
Clv.
Cym.
To S. D.
Orch. Bells
Dr.
31
3
2
5
Tambourine
4
Clv.
2
f
5
Cym.
2
5
Snare Drum
f
Orch. Bells
2
Dr.
43
Tamb.
Cym.
S. D.
Dr.
5
f
B.D.-High Hat
�13
To Xyl.
49
Xylophone
Tamb.
To Clv.
Cym.
To Orch. Bells
Orchestral Bells
f
S. D.
f
Bass Drum
Dr.
f
6
55
5
Xyl.
6
Claves
Cym.
6
mf
p
Orch. Bells
6
mf
Dr.
68
Xyl.
To Whip
Cym.
To Timb.
Orch. Bells
p
Dr.
73
6
2
8
Xyl.
2
Whip
8
Timbales
8
Cym.
2
Orch. Bells
2
Dr.
8
q=80
c
4
4
c
4
4
c
4
4
c
4
4
�14
Poor Peopleʹs March
84
7
5
Xyl.
4
4
4
4
5
Whip
4
4
5
Timb.
Dr.
4
4
tune both drums to A
5
Gospel Player
mp
96
8
Xyl.
Whip
Timb.
Dr.
103
Xyl.
Whip
Timb.
Dr.
110
9
Xyl.
Whip
Timb.
mp
Dr.
�15
114
sec
10
To Congas
Congas
Xyl.
To Cym.
Whip
ff
Cymbals
ff
Timb.
Dr.
mf
120
Congas
To S. D.
Snare Drum
Cym.
mp
Timb.
Dr.
126
11
Congas
S. D.
bacch. di legno
Timb.
mf
Dr.
mf
130
12
Congas
Hard Mallets (Tip of snare)
S. D.
mf
Timb.
Dr.
mf
V.S.
�16
135
13
Congas
S. D.
mf
use timp sticks
Timb.
mp
Dr.
141
14
with fingers
Congas
To Cym.
Cymbals
S. D.
w/timp mallets
Timb.
f
Dr.
f
146
Congas
Cym.
Timb.
Dr.
150
Congas
Cym.
Timb.
Dr.
medium register
f
�17
153
15
Congas
Cym.
Timb.
Dr.
157
Congas
Cym.
Timb.
To Gong
Dr.
Gong
161
16
Congas
pp sub.
Cym.
Timb.
Gong
165
Congas
Cym.
Timb.
Gong
V.S.
�18
168
Congas
To S. D.
Large Soft Sticks
Cym.
p mysterioso
Timb.
Gong
171
17
Congas
Cym.
Timb.
To Chim.
Chimes
Gong
pp center
174
Congas
w/timp. stick
To Tri.
Cym.
Triangle
f
Timb.
l.v.
Chim.
ff
177
18
To Tamb.
Congas
To Orch. Bells
Tri.
mf
Timb.
Chim.
Orchestral Bells
�19
19
181
Tambourine
Congas
mp
hard mallets
Orch. Bells
Timpani Sticks mp
on shell of tim. w/side of stk.
Timb.
mp
Chim.
To Congas
186
Congas
Tamb.
To S. D.
Orch. Bells
Snare Drum
Timb.
To Dr.
Drum Set
Chim.
p
192
20
Congas
with brushes
S. D.
pp
Timb.
B.D.
Dr.
p
196
Congas
S. D.
Timb.
Dr.
V.S.
�20
200
Congas
S. D.
Timb.
Dr.
204
21
Congas
p
S. D.
Timb.
p
Dr.
p
207
Congas
S. D.
To Cym.
Timb.
Dr.
Spiritual: Free At Last
210
22
Congas
3
4
4
4
S. D.
3
4
4
4
Cym.
3
4
4
4
Dr.
3
4
4
4
mf
mf
Cymbals
�21
217
Congas
3
4
3
4
4
4
S. D.
3
4
3
4
4
4
Cym.
3
4
3
4
4
4
Dr.
3
4
3
4
4
4
224
10
22B
Congas
10
S. D.
Timbales
10
Cym.
10
Dr.
3
4
3
4
3
4
3
4
2
2
2
2
4
4
4
4
4
4
4
4
To Timb.
23
f Cymbal
f Snare Drum
f
f
240
Congas
S. D.
Timb.
Dr.
243
Congas
S. D.
Timb.
Dr.
V.S.
�22
246
24
Congas
f
snare dr.
timp sticks
p
S. D.
f
Timb.
f
Dr.
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
2
4
3
4
4
4
f
251
25
Congas
4
4
S. D.
4
4
Timb.
4
4
Dr.
4
4
26
12
Improvise ad. lib to Reh 31
257
Congas
To Cym.
Cymbals
To Cow.
Cowbell
12
Improvise ad. lib to Reh 31
S. D.
12
Improvise ad. lib to Reh 31
Timb.
12
Improvise ad. lib to Reh 31
Dr.
272
27
6
28
7
29
9
30
8
Congas
6
7
9
8
6
7
9
8
6
7
9
8
Cym.
Cow.
Dr.
�23
31
302
Congas
f
Cym.
f
Cow.
Dr.
f
304
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306
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308
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V.S.
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short
309
Congas
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short
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short
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
James Furman Papers, MS 006
Description
An account of the resource
1.0 linear feet
Abstract
A summary of the resource.
James Furman was born in Louisville, Kentucky in 1937 and was a college professor/Composer. The collection includes audio recordings of original material, performance programs, and biographical information.
Creator
An entity primarily responsible for making the resource
Furman, James, 1937-1989
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms006_furman.xml" target="_blank" rel="noopener">Link to finding aid</a>
IIIF Collection Metadata
UUID
9a4ae623-69bf-4e19-b67f-dd56f4e997dd
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
I Have a Dream
Creator
An entity primarily responsible for making the resource
Furman, James, 1937-1989
Mueller, Paul F.
Description
An account of the resource
Full score
Abstract
A summary of the resource.
Paul F. Mueller's final edit to recreating a full score of the Furman (Revised Edition). A keyboard reduction is included along with the instrumental parts.
Date
A point or period of time associated with an event in the lifecycle of the resource
1971, 2022
Subject
The topic of the resource
King, Martin Luther, Jr., 1929-1968
IIIF Item Metadata
UUID
d257158e-22af-4e07-b9d4-9a2adc6b3fc7
Music
-
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7844/ms006_02_003a.wav
0d5d45b3ed80aae293760861cf158e15
https://archives.library.wcsu.edu/omeka/files/original/James_Furman_Papers_MS_006/7844/ms006_02_003b.wav
9a4cc4eff2c634b64339d7c375945e5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
James Furman Papers, MS 006
Description
An account of the resource
1.0 linear feet
Abstract
A summary of the resource.
James Furman was born in Louisville, Kentucky in 1937 and was a college professor/Composer. The collection includes audio recordings of original material, performance programs, and biographical information.
Creator
An entity primarily responsible for making the resource
Furman, James, 1937-1989
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms006_furman.xml" target="_blank" rel="noopener">Link to finding aid</a>
IIIF Collection Metadata
UUID
9a4ae623-69bf-4e19-b67f-dd56f4e997dd
Sound
A resource whose content is primarily intended to be rendered as audio.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Choir Festival 1967
Creator
An entity primarily responsible for making the resource
Furman, James, 1937-1989
Powell, Thomas W.
Description
An account of the resource
1 LP
Abstract
A summary of the resource.
Contains organ and choir performances (Thomas W. Powell - organ, James Furman conducting). Side A: Jesus the very thought of thee 4:00; How lovely is thy dwelling place 4:53; Create in me O God 2:00; Psalm 150 4:30. Side B: Festal Flourish 2:20; Praise to the Lord the Almighty 3:04; My Song Forever Shall Record 1:15; God is our Refuge 1;13; Lo, my shepherd is divine 3:55; The Lord to me a shepherd is 3:52; Clap hands all people 2:32
https://www.nytimes.com/1982/03/28/nyregion/easter-music-with-french-accent.html
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
Subject
The topic of the resource
Choral music
Identifier
An unambiguous reference to the resource within a given context
ms006_02_003
Publisher
An entity responsible for making the resource available
American Guild of Organists. Danbury Chapter.
IIIF Item Metadata
UUID
15f7509b-8c48-49b3-a939-16110d4c3d86
Music