43
10
470
-
https://archives.library.wcsu.edu/omeka/files/original/Western_Connecticut_State_University_Photographs_and_Miscellanea_RG8/1373/43238456aac28fbe3401dc74fe8.jpg
38f81924d20dc09566fa6a2ecf48fd65
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Western Connecticut State University Photographs and Miscellanea, RG8
Description
An account of the resource
This is a collection of photographs and realia spanning the history of Western Connecticut State University. The collection includes images and objects that document the growth, evolution and public profile of the institution.
Contributor
An entity responsible for making contributions to the resource
Western Connecticut State University
Western Connecticut State University. Archives and Special Collections
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_rg8_wcsuMiscellanea.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
d67bbcf8-05c1-405b-a8ee-e0c64144a353
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seated Acoustic Guitarist
Description
An account of the resource
In good condition, framed, one scratch upper right.
Oil Paintings
Creator
An entity primarily responsible for making the resource
Hanson, William G.
Date
A point or period of time associated with an event in the lifecycle of the resource
[ca. 1970s]
Extent
The size or duration of the resource.
24 x 36"
Medium
The material or physical carrier of the resource.
canvas
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
RG8
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
William G. Hanson is a graduate of American University with a B.F.A. in Studio Painting. As an illustrator, he has worked for magazines and major publishing houses (Simon & Schuster, Signet, Dell, and E.P.Dutton). His portraits include a Chief Justice of the Connecticut Supreme Court, corporate and banking executives, and a series of portraits of past winners of the Masters Tournament in Augusta, Georgia for Golf Digest. Many of his commissioned portraits can be found in international collections. (http://wghansonart.com/biography) Provenance unknown
Currently WCSU Archives
IIIF Item Metadata
UUID
30b99065-60c0-4b2a-b1e3-42d88d990768
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1338/ms035_stpatricks.JPG
3fe5048a2744fea86fae8f580e6ad7f5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
Cathedral Composite (St. Patrick's NYC)
Creator
An entity primarily responsible for making the resource
Nicholson, Harold O.
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1960
Description
An account of the resource
~24x36", oil on canvas, framed
Subject
The topic of the resource
St. Patrick's Cathedral (New York, N.Y.)
IIIF Item Metadata
UUID
9b4ccbf7-9359-44c4-9093-92aa3731d019
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1337/P6170157.JPG
7bdfdf7f578d294e670d1f6a9634b79d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
Barn, wheat stalks
Description
An account of the resource
10 x 14", oil on canvas, framed.
Creator
An entity primarily responsible for making the resource
Powell, J.M.?
Source
A related resource from which the described resource is derived
Marjorie Echols Collection
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1940
IIIF Item Metadata
UUID
a80ecf8a-664a-480c-b5ba-4d9878cc3003
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1336/P6170154.JPG
711d5683cc1e8f5d57fa58d8643c2fb7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
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Title
A name given to the resource
Green pasture, brown barn, and pond [Squantz Farm]
Description
An account of the resource
18 x 24", oil on canvas, framed
Creator
An entity primarily responsible for making the resource
Wanzer, Ida Mae
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
Identifier
An unambiguous reference to the resource within a given context
7803w16539
IIIF Item Metadata
UUID
11ff90a2-788f-47f2-8948-1b364ae19ae0
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1335/P6170151.JPG
f7c40df4d00dc6baa2f827e19f96c51f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abstract of a detail from Danbury's Library Place
Description
An account of the resource
~24 x28" oil on board
Creator
An entity primarily responsible for making the resource
Luckenbill, Darr
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1975
Identifier
An unambiguous reference to the resource within a given context
7803w16541
IIIF Item Metadata
UUID
6fff4f24-6739-4b2a-b192-4a4e8e4b62aa
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1334/MS035_ridebock.jpeg
63fa968a9180d8b115d18f7c18e85155
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cynosure
Description
An account of the resource
36 x 48", oil on canvas
Creator
An entity primarily responsible for making the resource
Ridabock, Raymond B., 1904-1970
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
Abstract
A summary of the resource.
Ray Ridabock was an American artist. His work "Array" was sold at Fairfield Auction in 2017.
(from: https://localwiki.org/hsl/Ray_Ridabock)
"Married: Nancy Hough Ridabock
Children: a daughter, Joan Ridabock (Mrs. George W.) Crossman
Raymond Budd Ridabock was an internationally known, award winning painter who lived, painted and taught in Saranac Lake until 1955. His family owned Ridabock & Company, a fancy dress uniform company in Brooklyn, established in 1849, and later engaged in banking in Stamford, Connecticut. He graduated from the Kings School in Stamford and attended Williams College. He was a devoted outdoorsman, enjoying water sports especially swimming and boating, and an outstanding collegiate athlete. After college he began working in the family banking business, commuting daily from Stamford to New York City. The course of his life was changed by the diagnosis of tuberculosis in 1927. From 1927 through 1940, he made repeated trips to Saranac Lake for long stretches of recovery. 1 When he was well enough, he returned to Stamford and his work in banking. However, he relapsed often and soon his nearly full-time effort at recovery severely limited his working.
While recuperating in Saranac Lake, he had time for introspection and solitude and his curious nature made him open to new ideas and he studied architecture by correspondence course. Amy Jones, a WPA muralist employed by the Saranac Lake Study and Craft Guild, introduced him to watercolor painting and found him an enthusiastic student.2 His first show was held at the Adirondack Piano Store on Broadway in the early 1940s. He also became a teacher in the Saranac Lake Study and Craft Guild. Mr. Ridabock's home and studio were located at 31 Helen St (pre-911 address) on Helen Hill. He served as president of the Saranac Lake Art League in 1943-44. In the 1950s he studied with Xavier Gonzalez in Wellfleet, Massachusetts. Gonzalez encouraged him to pursue alternate avenues, such as abstraction, and to pursue new opportunities in other styles and mediums.3
In the 1950s, Ridabock flourished as an artist, receiving many accolades. In 1953 one of his paintings was selected for an exhibition held at the Berlin Academy of Art in Germany. His painting "Fisherman's Delight", a casein and watercolor seaside scene, was one of thirty four selected from a New York City competition held at the Caravan Gallery.4 In April 1955 his work took first place at the Museum of Fine Arts Show in Springfield, Massachusetts. "Fisherman's Warning" was described as "moderately abstract". Ray Ridabock's art was eclectic and experimental: he painted traditional landscapes as well as impressionistic paintings. He exhibited at fifty national shows and won prizes in New York City; Newark, New Jersey; Utica, New York; and Wilmington, Delaware. His work was seen throughout the United States in Maryland, Alabama, and Miami, Florida. In 1958 at the National Academy Galleries in New York City he received his most prestigious award, the Medal of Honor of Audubon Artists, for his painting "Out of the Blue."5
Ray Ridabock was similar to many patients who came to Saranac Lake for the cure: he cured, he a built new life and a new career and contributed to the community. Unfortunately, according to the Adirondack Daily Enterprise, "the strange antics of the State Bureaucracy" resulted in the dismantling of the Guild's educational courses, and Ridabock no longer had a steady teaching job. Although he sold some of his artwork, Saranac Lake was too far from the major art markets. His wife, Nancy, had her own employment losses. In 1954, when the Trudeau Sanatorium closed she lost her job.6 In 1955 Ridabock and his wife left Saranac Lake for Sandy Hook, Connecticut. The Saranac Lake Free Library owns three of his paintings."
Subject
The topic of the resource
Art, Abstract--United States.
IIIF Item Metadata
UUID
4421ebc2-d76c-4b0d-ba09-41bf52c20597
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1332/MS035_currie.jpg
811fe1b3e2fb4dae09cba2f739d08ee9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
[Seated Contemplative Woman Print]
Description
An account of the resource
10 x 12" mounted
Creator
An entity primarily responsible for making the resource
Currie, Lynn
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
IIIF Item Metadata
UUID
6acd7e6c-eb2a-433e-86fb-0ffd7f26e1bb
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1308/ms035_md6_opium_whole.jpg
874f5122f887cab8c4a57f04525424b3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Copy of the Temptation of Saint Anthony (Le tentazioni di Sant'Antonio)
Description
An account of the resource
22 x 18", oil on paper, lacquered to masonite.
Creator
An entity primarily responsible for making the resource
Unkown
Morelli, Domenico, 1823-1901
Source
A related resource from which the described resource is derived
Marjorie Echols Collection, MS035
Date
A point or period of time associated with an event in the lifecycle of the resource
undated
Abstract
A summary of the resource.
https://commons.wikimedia.org/wiki/File:Domenico_Morelli_-_Le_tentazioni_di_Sant%27Antonio.jpg
The Temptation of Saint Anthony portrays the supernatural temptation faced by Saint Anthony the Great while in the Egyptian desert. The scene depicted bears some resemblance to Benjamin-Constant's (Jean-Joseph-Benjamin Constant) Odalisque.
(http://www.cultora.it/art-pills-domenico-morelli-la-pittura-mistica-religiosa/)
The temptations of St. Anthony, according to Domenico Morelli.
The temptations of Sant'Antonio by Domenico Morelli is an oil on canvas that has always intrigued me a lot. The artist finished the painting around 1878 , but before reaching the end of the painting M. made a whole series of studies and drawings that highlight how much this topic interested him, it is true that in one of the first versions of the work the saint was leaning against the rock with his arms wide open (a sort of reference to the crucifixion).
In all likelihood, the Italian artist took as a reference point La temptation de Saint-Antoine , by Gustave Flaubert of 1874, even if in reality there are no precise documents that certify this possible source. The painting, sent in 1878 , to the French merchant Goupil to be presented at the Universal Exposition in Paris today is located at GNAM (National Gallery of Modern Art) in Rome.
Who was the saint? St. Anthony was the founder of anchorite monasticism (characteristic of monks who live in isolation dedicating themselves to prayer and contemplation) and St. Anthony during his long life was tempted and beaten by the devil on several occasions, but with his tenacity and faith , he always managed to emerge victorious and strengthened in spirit. In this oil on canvas Morelli painted precisely the moment of maximum emotional transport of the saint in the grip of temptation .
All this takes place in a cave (a kind of cave) completely bare. The saint is seated and lives in the bare stone which, seen in this way, gives a feeling of cold and frost, despite the brilliant light that radiates from the right and that invests the saint and the temptation lying beside him.
Saint Anthony sits crouched with his legs curled up and pulled towards his torso. His hands tightly grip his chest, as if to keep under control the incessant tremor of the torture that grips his body. The face is framed by a kind of white hood, from which emerges a gaunt face where an expression of complete loss is printed .
The open mouth in a scream that seems unable to be heard and the wide open eyes , lost in the void, are the expression of the torment that overwhelms this man enclosed in his most total painful solitude, represented in the arduous attempt to fight and resist carnal temptation .
The torment , or temptation, sent to the saint by the devil is on his right, where female bodies in movement can be seen from under a heavy straw mat . On the far left (ours) we see a woman's face coming out of the mat and two others emerge from the dark background of the cavern.
In the foreground, near the saint, there is another female figure , with solid and florid breasts. The face is half hidden by the figure of the crouching saint, but that mouth open in a sensual smile, the red hair and the gold jewelry that adorn the figure are the naked and raw sensuality that puts a strain on the soul and the body. of the saint himself.
The pictorial technique of Morelli, a romantic painter, is characterized by a full-bodied and rapid drafting of the color that builds the figures and objects present in the canvas (also interesting is the presence of a sort of lectern / desk carved into the rock that can be seen at the extreme right - our- of the saint). A full-bodied and material painting very close to Delacroix.
When the painting was presented in France, it sparked conflicting reactions for the atmospheres put in place characterized by a perfect blend of realism and symbolism, mystical tension and eroticism that reminded a little of Bernini's Transverberation of Saint Teresa , which in a pill of previous art I defined an example of sacred eroticism.
Domenico Morelli, born in Naples in July 1823, was the adopted son of Francesco Soldiero and Maria Giuseppa Mappa. Only in 1848 Domenico Soldiero added the surname Morelli, which he then adopted as the only one. M. began attending the Academy of Fine Arts in Naples in 1836, producing works of a romantic setting and ideal, with numerous medieval influences. In 1848 he won a competition which allowed him to go to study in Rome where, after having taken part in the riots of 1848, he was imprisoned for a short period. In 1850 he visited Florence and here he received his first public recognition for his work The Iconoclasts . In 1855 he participated, together with Francesco Saverio Altamura and Serafino De Tivoli, in the Universal Exposition in Paris and, returning to Florence, participated in the debates of Macchiaioli on pictorial realism. An involvement that led him to take on a less academic style where realism and late romanticism merged . In the sixties of the nineteenth century he was appointed consultant of the national museum of Capodimonte bringing new acquisitions of works and contributing to the management of art collections. In 1868 M. obtained the teaching chair at the Academy (where he had studied), turning his attention to religious, mystical and supernatural themes. Between the '70s and' 80s he painted paintings having oriental scenes as subject, although he had never been in those places, thus entering the current of Italian orientalists who included painters such as Alberto Pasini, Roberto Guastalla, Federico Faruffini, Eugenio Zampighi, Pompeo Mariani, Giuseppe Molteni and others. From 1899 until his death in 1901, M. was director of the Academy of Fine Arts in Naples.
Subject
The topic of the resource
Romanticism in art.
IIIF Item Metadata
UUID
10bafac5-536f-458d-b228-5e7e2cf9e4c2
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1307/houdaikoff_011.jpg
27aa8e48036a0189b3991865b56543c5
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1307/houdaikoff_011.1.tif
3e7d9b955bbacc95c577b0fe4e286818
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1307/rarebooks_hudiakoff_001.jpg
0956b3c05f1ee3fc16e6fd229ca1e989
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
This is Russia, by Irena Aleksander (1947) cover art.
Description
An account of the resource
8 x 11", colored pencil, NFS (not for sale?)
Creator
An entity primarily responsible for making the resource
Houdiakoff, Andrei, 1895-1985
Hudiakoff, Andrei, 1894-1985
Source
A related resource from which the described resource is derived
Marjorie Echols Collection
Date
A point or period of time associated with an event in the lifecycle of the resource
1947
Abstract
A summary of the resource.
Book was published by the David McKay Company of Philadelphia. The book was a history of Russia for young readers, from the earliest days of the Viking and Tartar invasions to the rule of Joseph Stalin. Aleksander also wrote under the pen name "Irina Kunina."
Subject
The topic of the resource
Hudiakoff, Andrei, 1894-1985
IIIF Item Metadata
UUID
5c568802-4652-45cd-b0be-0d0cc2d6de79
2013 Art Inventory
Art
-
https://archives.library.wcsu.edu/omeka/files/original/Marjorie_Echols_Local_Artists_Collection_MS035/1306/houdaikoff_womanSeated.jpg
d454e23d48c615a97dca19adb793b382
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marjorie Echols Local Artists Collection, MS035
Has Version
A related resource that is a version, edition, or adaptation of the described resource.
<a href="https://archives.library.wcsu.edu/findingaids/ctdbn_ms035_echols.xml">Link to finding aid.</a>
IIIF Collection Metadata
UUID
9927e95e-f9a2-4a0a-98f6-87307176d63d
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
[Woman seated, abstract]
Description
An account of the resource
Oil on canvas, 32 x 28", signed 1954-75
Creator
An entity primarily responsible for making the resource
Houdiakoff, Andrei, 1895-1985
Source
A related resource from which the described resource is derived
Marjorie Echols Collection
Date
A point or period of time associated with an event in the lifecycle of the resource
1954
IIIF Item Metadata
UUID
8c641d94-0adf-4ca7-a728-1f02ce9e7a01
2013 Art Inventory
Art